@i8yokity You're definitely right, do you know which album that's on? i just started listening to Burton alone. Everything I have of him is with Metheny lol
@PurplePlayer99 I don't know which album Sea Journey is on, but this song is on "The New Quartet"(1970) by Gary Burton. There's a lot of good stuff with Gary on Youtube as well, Chick Corea and Gary Burton Live at the Blue Note (Monk's Dream and Mirror, Mirror), Gary Burton with Tiger Okoshi, and lots of other stuff. The best CD's I have of Gary are "New Vibes Man in Town", "Crystal Silence", and "Native Sense".
How does one even begin to play this instrument? ( ^ _ ^ ) Looks so complicated! The music? Sounds so wonderful! Dude has two sticks that look oversized Q-tips and he's hitting every note perfectly!
As usual, everyone's an expert. Hmmm, I just searched on Gary Burton, and came here to enjoy their playing. They're clearly better than any of the rest of us, so why argue?
I wouldn't dispute Burton's achievement (though bar Roy Ayers I can't name another vibe-ist, so he hasn't exactly created a generation of players). Nor do I believe I said he should play the piano - sticks are his thing and that's fine. I just can't help wondering what that prodigeous way with musical language, taken in the abstract if you like, would result in if applied to the more extensive sonic context of the piano.
The fact that you haven't heard of more vibe players and think the instrument is a novelty only tells me that you haven't spent more than 5 minutes listening to its repertoire. How can you claim to make an informed argument?
Well, I'll admit that the fact that the sound of the vibes leaves me cold means I don't seek it out. I've tried various GB albums, all with the same result. But my interest in music ought to be enough to give me a general awareness of who's out there, and beyond Steve Nelson (Dave Holland) I'm not seeing a cohort of widely recognised vibes players. There are lots of reasons for that which space here won't let me get into, but I think the point is still valid. Who should I be checking out?
Try Dave Samuels (Caribbean Jazz Project, etc.), David Friedman, Stefon Harris, Joe Locke, Victor Mendoza, Terry Gibbs, Ed Saindon, Milt Jackson, Red Norvo, or Cal Tjader. They're all pretty big names, in terms of vibes.
Also, there's a whole world of vibraphone repertoire outside of jazz music, but since all of it was written in, or after, the 20th century, a lot of it is atonal and/or very conceptual. The complexity of the music itself might keep you from enjoying it if you're not into modern "classical" music.
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That is the most amazing playing from Burton. Such a shame that instrument is such a waste of time. Ding ding ding. Imagine what he could get out of a piano.
Well, technically it isn't. It's not part of the percussion family. The piano came from the harpsichord, pianoforte, and organ family. Piano literature and history is also not part of percussion literature or history. That's also why you don't see percussionists with a piano in their set up.
This comment has received too many negative votesshow
Shame on me? Or the guy who called me a moron for speculating about how Burton's lavish improvisational skills might translate to an instrument with far more dynammic and sonic range than the cocktail hour one he's chosen.
Again, you're missing the point. Burton did a lot of great things for vibraphone players and percussionists specializing in jazz. Name five more vibraphone players who did that. Now name 5 more pianists who did that. Because of his instrument, he sticks out. He knows how to hit things with sticks in his hands better than moving his fingers. He's a great vibraphone player, and wouldn't be a great pianist.
Although the piano may have a larger range in terms of pitch, it certainly does NOT have a broader dynamic range ,nor broader palette of timbres. The use of hundreds of different striking implements (various mallets, bows, etc.), the addition of a motor, and extended techniques give the vibraphone a FAR wider variety of timbres. There are even techniques that allow a vibraphone player to bend its pitch or to add a dynamic shape to a single note with the use of a bow.
whats the name of the track ?
shlomonew 4 months ago
Wow Gary è stato mio maestro di musica d'insieme a U.J. molti anni fa. Che ricordi!
pattylibraia 9 months ago
I think this is open your eyes, you can fly, not sea journey.
fabekuso 1 year ago
his hair rulz.
bdeedles 1 year ago
I don't think this is sea journey, I think it's open your eyes, you can fly
i8yokity 2 years ago
@i8yokity You're definitely right, do you know which album that's on? i just started listening to Burton alone. Everything I have of him is with Metheny lol
PurplePlayer99 1 year ago
@PurplePlayer99 I don't know which album Sea Journey is on, but this song is on "The New Quartet"(1970) by Gary Burton. There's a lot of good stuff with Gary on Youtube as well, Chick Corea and Gary Burton Live at the Blue Note (Monk's Dream and Mirror, Mirror), Gary Burton with Tiger Okoshi, and lots of other stuff. The best CD's I have of Gary are "New Vibes Man in Town", "Crystal Silence", and "Native Sense".
i8yokity 1 year ago
@i8yokity O you can find Sea Journey on Quartet live 09, with the hippie album art lol. But yeah i'll look those up, thanks man
PurplePlayer99 1 year ago
yeah! sea journey! what a great tune
oldkingproverb 2 years ago
Guitar & vibes, so awesome together!
QBCNetwork 2 years ago
Superior !!!
rafaelneville 3 years ago
Qualcuno ha un qualche video di Gary Burton che suona la sua mitica canzone "Reunion"? Sarebbe fantastico!
murgiaman 3 years ago
BRAVI !
9966442255 3 years ago
I was there as well great performance
Knastigern 3 years ago
How does one even begin to play this instrument? ( ^ _ ^ ) Looks so complicated! The music? Sounds so wonderful! Dude has two sticks that look oversized Q-tips and he's hitting every note perfectly!
willie33040 3 years ago
Actually, he has four.
0scill8r 2 years ago 5
As usual, everyone's an expert. Hmmm, I just searched on Gary Burton, and came here to enjoy their playing. They're clearly better than any of the rest of us, so why argue?
delaynestallman 3 years ago
Grazie per aver "postato" questo video. Mi sono perso il loro intervento al Gezmataz 2008di genova....non me lo perdonerò mai. (sob!)
alesall 3 years ago
micidiali!!!!
abusivo76 3 years ago
Awesome...simply the best.
rsw74 3 years ago 2
I wouldn't dispute Burton's achievement (though bar Roy Ayers I can't name another vibe-ist, so he hasn't exactly created a generation of players). Nor do I believe I said he should play the piano - sticks are his thing and that's fine. I just can't help wondering what that prodigeous way with musical language, taken in the abstract if you like, would result in if applied to the more extensive sonic context of the piano.
fendweller 3 years ago
The fact that you haven't heard of more vibe players and think the instrument is a novelty only tells me that you haven't spent more than 5 minutes listening to its repertoire. How can you claim to make an informed argument?
gmardoc 3 years ago
Well, I'll admit that the fact that the sound of the vibes leaves me cold means I don't seek it out. I've tried various GB albums, all with the same result. But my interest in music ought to be enough to give me a general awareness of who's out there, and beyond Steve Nelson (Dave Holland) I'm not seeing a cohort of widely recognised vibes players. There are lots of reasons for that which space here won't let me get into, but I think the point is still valid. Who should I be checking out?
fendweller 3 years ago
Try Dave Samuels (Caribbean Jazz Project, etc.), David Friedman, Stefon Harris, Joe Locke, Victor Mendoza, Terry Gibbs, Ed Saindon, Milt Jackson, Red Norvo, or Cal Tjader. They're all pretty big names, in terms of vibes.
gmardoc 3 years ago
Also, there's a whole world of vibraphone repertoire outside of jazz music, but since all of it was written in, or after, the 20th century, a lot of it is atonal and/or very conceptual. The complexity of the music itself might keep you from enjoying it if you're not into modern "classical" music.
gmardoc 3 years ago
i love how no one even mentions the legend that introduced the vibes to jazz altogether. Lionel "Hamps" Hampton!
eastonboarder 3 years ago 2
Check out Paul Borrello with the band Ten 27 playing the MalletKat and drumset. Their new album is called the Black Book Project.
paulborrello 3 years ago
This comment has received too many negative votes show
That is the most amazing playing from Burton. Such a shame that instrument is such a waste of time. Ding ding ding. Imagine what he could get out of a piano.
fendweller 3 years ago
Probably not much since he's a percussionist . . . There are enough pianists in the world.
fetnerg 3 years ago 7
the piano is a percussion instrument.
jazzcatuna 3 years ago
Well, technically it isn't. It's not part of the percussion family. The piano came from the harpsichord, pianoforte, and organ family. Piano literature and history is also not part of percussion literature or history. That's also why you don't see percussionists with a piano in their set up.
fetnerg 3 years ago
What kind of lame-dumb ass statement is that? Man, I'm sick of all these internet morons!
ChrisCovais 3 years ago 2
How is 'I don't like the vibes' dumb-ass? Or is it the piano bit you're not liking?
fendweller 3 years ago
shame on you, too
Medjai411 3 years ago
This comment has received too many negative votes show
Shame on me? Or the guy who called me a moron for speculating about how Burton's lavish improvisational skills might translate to an instrument with far more dynammic and sonic range than the cocktail hour one he's chosen.
fendweller 3 years ago
Again, you're missing the point. Burton did a lot of great things for vibraphone players and percussionists specializing in jazz. Name five more vibraphone players who did that. Now name 5 more pianists who did that. Because of his instrument, he sticks out. He knows how to hit things with sticks in his hands better than moving his fingers. He's a great vibraphone player, and wouldn't be a great pianist.
fetnerg 3 years ago
Although the piano may have a larger range in terms of pitch, it certainly does NOT have a broader dynamic range ,nor broader palette of timbres. The use of hundreds of different striking implements (various mallets, bows, etc.), the addition of a motor, and extended techniques give the vibraphone a FAR wider variety of timbres. There are even techniques that allow a vibraphone player to bend its pitch or to add a dynamic shape to a single note with the use of a bow.
gmardoc 3 years ago
then again, if you really wanted to, you could open up the piano and start fooling around with the strings! ;)
PolicePeople 3 years ago
U R not wrong ,look at the Hammer dulcimer of the Gypsies
valvetrom 2 years ago