Soy admiradora de Plácido Domingo, pero sin muchos conocimientos musicales. Alguien podrá decirme si percibe un cierto parecido de este tenor con el Maestro? Desde ya muchas gracias .
The sound here is for the video although most opera houses use a sound system to enhance the quality with very subtle techniques. this has been happening for years.
Will do, can sound different in the house as you know, with Volume and ring, color etc.can go either way! Can't wait hardly. Hope he does not get sick, Florez swallowed a fish bone when i was going to hear him last and could not sing.
Sounds like a pretty generous lyric voice. I get the impression his voice is being driven a bit on the louder sections though for some reason... hope he takes good care of himself. =)
Will hear him in Oct. Chicago lyric opera in Faust with Pappe. The best young tenor and am looking forward to excitement felt more often 30 years ago when for example I went and heard a new tenor in Chicago in 1979 who sounded great on radio from the met. and then in house, Neil Shicoff then 30 years old. Now and then we get to hear a great young tenor.
I honestly don't think singers are being honest anymore. There is definitely amplification now in big houses like the Met (and maybe the Chicago Lyric?) Back in the day it was all voice, no technology. We can't say that today. I wish someone's mike would blow out mid performance at the Met someday so these cheaters can be exposed. lol
Ha ha that would be funny if there was a problem and you suddenly couldn't hear the singer.
I guess there's circumstantial evidence, but is there any more than that? I mean if that is the case, obviously a number of people know it. Stage hands or technicians or whatever.
There's no proof but most people agree it's the reality. Of course people who actually work for the Met Co. would know, but probably won't release that information to the public.
Why is it done now though when singers got along fine without it in the past? Are voices just not as loud/resonant these days? Seems like it would be pretty sticky figuring out who to amplify etc, and keeping it quiet. Wouldn't surprise me though.
Heard him years ago at San Francisco making his debut there singing Lenski and was very underwhelmed. I understand why now....his is a pure lyric tenor that just needed more time!
lovely round sound, a lyric, not a shouter...made his met debut this year I think....hope to hear more from him.BTW he has a very well done web site-lots of samples of his wonderful voice.
Muchas gracias Tenor 65 por tu video en respuesta al de Villazon. Me ha gustado mucho Beczala y la verdad es que solo le conocía de nombre. No me gusta comparar las diferentes interpretaciones de cada uno de los tenores, por que toda persona que se pone en un escenario merece todo mi respeto. En la diferencia esta el gusto. Bravo y continua colgando mas videos de esta producción.
This guy is just about the only modern tenor that gives me hope for the future of opera.
jaketaz 1 month ago
amplified or not who cares! he is today's best Alfredo!
David45NV1 2 months ago
Soy admiradora de Plácido Domingo, pero sin muchos conocimientos musicales. Alguien podrá decirme si percibe un cierto parecido de este tenor con el Maestro? Desde ya muchas gracias .
marinha63 1 year ago
Guys, they use floor mics whenever they are recording for dvd, or Tv, etc. But in the house, its just the singer and the orchestra.
TheXpyrer 1 year ago
absolutely brilliant performance. One of few true tenors of these days. 46 cm round his neck doesn't need microphone
mackiikcam1 2 years ago
The sound here is for the video although most opera houses use a sound system to enhance the quality with very subtle techniques. this has been happening for years.
madgeson 2 years ago
@madgeson not the Met
heard him in Boheme today what aperformance
charlie8943 2 years ago
@charlie8943 . Ok.Point taken. You obviously have inside information. He is a great tenor.
madgeson 2 years ago
Bravo , is ok!
tenordramaticitm2 2 years ago
Bravo! Bravo!
vimafeca 2 years ago
Sorry about spelling of Pape.
halavey 2 years ago
nice high C !
halavey 2 years ago
Will do, can sound different in the house as you know, with Volume and ring, color etc.can go either way! Can't wait hardly. Hope he does not get sick, Florez swallowed a fish bone when i was going to hear him last and could not sing.
halavey 2 years ago
Sounds like a pretty generous lyric voice. I get the impression his voice is being driven a bit on the louder sections though for some reason... hope he takes good care of himself. =)
ShawDAMAN 2 years ago
Will hear him in Oct. Chicago lyric opera in Faust with Pappe. The best young tenor and am looking forward to excitement felt more often 30 years ago when for example I went and heard a new tenor in Chicago in 1979 who sounded great on radio from the met. and then in house, Neil Shicoff then 30 years old. Now and then we get to hear a great young tenor.
halavey 2 years ago
I like the sound of him a lot, that's nice you get to hear him. Let us know how he sounds in 3-D. ;-)
ShawDAMAN 2 years ago
I honestly don't think singers are being honest anymore. There is definitely amplification now in big houses like the Met (and maybe the Chicago Lyric?) Back in the day it was all voice, no technology. We can't say that today. I wish someone's mike would blow out mid performance at the Met someday so these cheaters can be exposed. lol
GermanOperaSinger 2 years ago
Ha ha that would be funny if there was a problem and you suddenly couldn't hear the singer.
I guess there's circumstantial evidence, but is there any more than that? I mean if that is the case, obviously a number of people know it. Stage hands or technicians or whatever.
ShawDAMAN 2 years ago
There's no proof but most people agree it's the reality. Of course people who actually work for the Met Co. would know, but probably won't release that information to the public.
GermanOperaSinger 2 years ago
Why is it done now though when singers got along fine without it in the past? Are voices just not as loud/resonant these days? Seems like it would be pretty sticky figuring out who to amplify etc, and keeping it quiet. Wouldn't surprise me though.
ShawDAMAN 2 years ago
Bravo Beczala!
dalferr 2 years ago
Mil veces mejor Beczala que Villazon, ya Villazon esta acabado y Beczala me parece uno de los mejores Tenores actuales, su voz es oro!!!!!
verdiotello 2 years ago
Heard him years ago at San Francisco making his debut there singing Lenski and was very underwhelmed. I understand why now....his is a pure lyric tenor that just needed more time!
Love him as Alfredo.......!!!
percymartinez 2 years ago
lovely round sound, a lyric, not a shouter...made his met debut this year I think....hope to hear more from him.BTW he has a very well done web site-lots of samples of his wonderful voice.
vickersman 2 years ago
Beczala never disappoints. The singing here is marvelous. The voice superb. Bravo, Piotr !!!
TheAdmiringFool 3 years ago 2
THANKS for this video : )
lasultanica 3 years ago 2
Grazie. Tenor65. bella voce di questo giovane tenore. non lo avevo ascoltato.
mi e' piacciuto la emizione della sua voce.
MARISOLDELMONACO 3 years ago
Beczala is outstanding. Thanks for posting.
scarpia1965 3 years ago 2
Nice. Bravissimo.
OdysseyArts 3 years ago
Gracias.
Muchas gracias Tenor 65 por tu video en respuesta al de Villazon. Me ha gustado mucho Beczala y la verdad es que solo le conocía de nombre. No me gusta comparar las diferentes interpretaciones de cada uno de los tenores, por que toda persona que se pone en un escenario merece todo mi respeto. En la diferencia esta el gusto. Bravo y continua colgando mas videos de esta producción.
llunatiq 3 years ago
Comment removed
dalferr 3 years ago