Personally I think this movement should not be played so blurry. Although the tempo is presto, adding too much pedal obscures the listener to appreciate its contrapuntal beauty, balanced structure and well-designed harmony. It should be played soft but clearly. I am reading Charles Rosen's comments on this piece (in Romantic Generation). This is really a delicate movement.
he has that quality that changes the entire sound of the piano. he makes the piano sound like a wind instrument, like there is no shift between notes, just a change in pitch and tone. should be the ultimate goal of a pianist
@mx19idlewilder Coś takiego jak jedno prawidłowe wykonanie Chopina, którego wszyscy powinni się trzymać nie istnieje. Chopin sam zaskakiwał swoich uczniów grając raz tak, a raz inaczej. Szacunek do tekstu Zimmermana jest oczywiście godny pochwały, ale chodzi też o to, że jego muzyka to nie tylko nuty lecz także pewien duch poza nimi, który inspiruje niektórych pianistów, którzy uwydatniają go przez emocje tak jak w tym wykonaniu. :)
to prawda, liszt zreszta tez potrafil samego frycka zaskoczyc interpretacja ;)
jednak pamietajmy, ze to konkurs chopinowski caly czas, i ze gramy chopina, a nie wariacje na jego temat. pogorelich zostal moim zdaniem slusznie uciety, chociaz jak slucham jakichs nowszych wersji jego nagran np. polonezow fis i c-moll to musze przyznac, ze jest nienajgorzej, oczywiscie bez zadnego szału, jednak pewien poziom jest...
Certainly one of the best performances of this morbid masterpiece on record, but there are MANY today who can do it as well.
CORTOT got more MUSIC out of it than anyone with spiked and spurred points of emphasis at odd intervals that jar the nerves, then grab and stab at you as you get whisked off and sucked down to hell in the dusky whirlwind. There is something deliciously VICIOUS in Cortot's interpretation -- a quality I am certain Chopin fully intended.
I believe that this and Horowitz are the two greatest performances of this piece! It was really a crime that he was eliminated after this very round which he played this in Chopin Competition. Obviously it was for mostly political reasons, and Eastern bloc judging. In a 1993 article, in Piano and Keyboard magazine, Pogorelich commented that the Ministers of Culture deemed that he won two first prizes before (Casagrande and Montreal) and that another major prize would be too much.
I think both!! I am pretty sure he knew what was already going to happen even before the competition started!! The Eastern European bloc often controlled the Chopin and Tchaikovsky competitions to a large extent. And he knew it was other people's turn, and not his!!
Truly one of the most incredibly nuanced ideosyncratic renderings of this movement ever to be perfected. Wait until you hear his Brahms 118 #2. Viva Pogo!!
not to offend chopin, my most beloved musician of all time, but this is just nonsensical noise... the 2nd movement is absolutely beautiful though
theblueisyou 6 days ago
@theblueisyou this is wind sweeping through a graveyard. not nonsensical at all
iwritemusic1 4 days ago
@iwritemusic1
good music shouldnt need a story to make it sensible. this mvt just isnt great.
theblueisyou 4 days ago
@theblueisyou i dont hear it as nonsensical but maybe its just because im more familiar with the piece
iwritemusic1 3 days ago
He cried...
The only right thing we can do after listening to this marvellous work is just this
newFranzFerencLiszt 1 week ago
Comment removed
newFranzFerencLiszt 1 week ago
Perfekcija!
BassicStorm 1 month ago
Brilliant! Bravo Ivo, the real winner of 1980. Thanks Argerich for saving the dignity of true art. Shame on the jury of the 1980 Chopin competition
Pacoamadeus 1 month ago
Awesome playing, but he is dressed like crap.
joernbroeker 3 months ago
This sonata looked so easy for him. Wonderful technique.
einmarmor 3 months ago
One of the oldest pieces still "modern" today...
coaster1000 4 months ago
Personally I think this movement should not be played so blurry. Although the tempo is presto, adding too much pedal obscures the listener to appreciate its contrapuntal beauty, balanced structure and well-designed harmony. It should be played soft but clearly. I am reading Charles Rosen's comments on this piece (in Romantic Generation). This is really a delicate movement.
wawa314159 7 months ago
@wawa314159 fantastic book!
bigcalamaro 7 months ago
@bigcalamaro Indeed !!!
wawa314159 7 months ago
he has that quality that changes the entire sound of the piano. he makes the piano sound like a wind instrument, like there is no shift between notes, just a change in pitch and tone. should be the ultimate goal of a pianist
anonymousQ45 7 months ago
Comment removed
BassicStorm 8 months ago
I don't understand!! why is he crying?!?!? or is it just emotion?
chelorusso 9 months ago
Ślicznie, wirtuoz. no coś wspaniałego.
krystyna4501 2 years ago
@krystyna4501
no prosze Cie... jest tam taki pan, co zwie sie zimerman krystian. na youtubie mozesz nawet posluchac sobie jak ta sonata brzmiec powinna.
a na tym konkursie to raczej byly 'wariacje na tematy chopinowskie w wykonaniu ivo pogorelicha'...
mx19idlewilder 1 year ago
@mx19idlewilder szkoda, że nie mogę tego odsłuchać bo coś słabo naładowane.
zimermana szukałąm tu kiedyś nie mogłam znaleść.
krystyna4501 1 year ago
@krystyna4501
podrzucam tu linka do pierwszej czesci sonaty bmoll op.35 w wykonaniu krystiana:
youtube.com/watch?v=ihjDQbMTZIo , po prawej u gory pojawiaja sie kolejne czesci.
dla mnie to najlepsze wykonanie tej sonaty jakie dotad slyszalem, a bylo ich kilka. szczegolnie marsz i finale. presto wyjatkowo mi sie podobaja.
szczerze polecam :)
mx19idlewilder 1 year ago
@mx19idlewilder Coś takiego jak jedno prawidłowe wykonanie Chopina, którego wszyscy powinni się trzymać nie istnieje. Chopin sam zaskakiwał swoich uczniów grając raz tak, a raz inaczej. Szacunek do tekstu Zimmermana jest oczywiście godny pochwały, ale chodzi też o to, że jego muzyka to nie tylko nuty lecz także pewien duch poza nimi, który inspiruje niektórych pianistów, którzy uwydatniają go przez emocje tak jak w tym wykonaniu. :)
yyyyyyyyyyyyeee 1 year ago 3
@yyyyyyyyyyyyeee
to prawda, liszt zreszta tez potrafil samego frycka zaskoczyc interpretacja ;)
jednak pamietajmy, ze to konkurs chopinowski caly czas, i ze gramy chopina, a nie wariacje na jego temat. pogorelich zostal moim zdaniem slusznie uciety, chociaz jak slucham jakichs nowszych wersji jego nagran np. polonezow fis i c-moll to musze przyznac, ze jest nienajgorzej, oczywiscie bez zadnego szału, jednak pewien poziom jest...
mx19idlewilder 1 year ago
What? Why was he crying? He had such a great performance! Seriously, I sure hoped he ended up winning this.
artsyalchemistthe2nd 2 years ago
Whoops, now I know what happened..but good for Argerich to stick up for him! He so deserved to win!
artsyalchemistthe2nd 2 years ago 10
Whoops, What is it that happened that you know?
cfkliber 2 years ago
he already knew he wouldn't win. even though he was the best. it was already decided.
EquisTox 1 year ago
I still feel that Dang Thai San was a worthy winner
ijustretired 9 months ago
Why was he crying? He's got one of the best performances of this piano sonata...
StefanoGuarascio 2 years ago 4
This has been flagged as spam show
@StefanoGuarascio cuz hiz a fagot #LOL #OMG
hohohee1 1 year ago
Certainly one of the best performances of this morbid masterpiece on record, but there are MANY today who can do it as well.
CORTOT got more MUSIC out of it than anyone with spiked and spurred points of emphasis at odd intervals that jar the nerves, then grab and stab at you as you get whisked off and sucked down to hell in the dusky whirlwind. There is something deliciously VICIOUS in Cortot's interpretation -- a quality I am certain Chopin fully intended.
Pischnaholic 2 years ago
@Pischnaholic
Surely there are other good performances but come on - the guy was barely 20 at the time! Just awesome!
wpmz1 1 year ago
I believe that this and Horowitz are the two greatest performances of this piece! It was really a crime that he was eliminated after this very round which he played this in Chopin Competition. Obviously it was for mostly political reasons, and Eastern bloc judging. In a 1993 article, in Piano and Keyboard magazine, Pogorelich commented that the Ministers of Culture deemed that he won two first prizes before (Casagrande and Montreal) and that another major prize would be too much.
cdpiano27 2 years ago 3
That was great!
coaster1000 2 years ago 2
was he crying because he already knew that he was not going to win or was he just moved?
pifffolino 3 years ago
I think both!! I am pretty sure he knew what was already going to happen even before the competition started!! The Eastern European bloc often controlled the Chopin and Tchaikovsky competitions to a large extent. And he knew it was other people's turn, and not his!!
cdpiano27 2 years ago
was it sweat?
junglejim66 2 years ago
sublime!!!!!!!!!!!!!!
bambi86uy 3 years ago
Truly one of the most incredibly nuanced ideosyncratic renderings of this movement ever to be perfected. Wait until you hear his Brahms 118 #2. Viva Pogo!!
sagalat 3 years ago 2
bravo ivo!!!!!!!!!!i love you.
gopogogo 3 years ago 2
Magnificent playing. Powerful document of devotion. Thanks for this.
Pogouldiwitz 3 years ago 11