Added: 1 year ago
From: creativeguitarstudio
Views: 9,175
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  • does this apply to the natural minor scale as well and its chord family?

  • dude this shit is to legit to quit!!!!!!!

  • great lesson. but can anyone tell me what are the chordfamilies for a minor scale? or are they all the same families? Like the dorian scale and the Aeolian scale have the same chord families or are they different? Thanks again.

  • Thank you so much!

  • Thanks for this lesson its very educational.

  • I am not a classical guitarist, but regarding Family Chords, I am VERY VERY strict to my students. So to those who disliked the video, c'mon! Where did you left your brain?

  • THANK YOU so much, this is PERFECTLY my skill level.

  • How can you have 4 dislikes? heres a wakeup call folks they guy just took the time to give you a free music theroy lesson, what's the problem is he supposed to come to your house and play the damn thing for ya to? Thanks for the hard work Andrew much appreciated.

  • Okay, so lets see if I got this. The V chord resolves to the tonic because it uses the 7th and the 2nd of the tonic scale. But the IV chord moves Away from the tonic, because it still uses the tonic tone. Is that right?

  • Hi Andrew

    I am just learning this stuff and I'm fascinated by it, although it hasn't all sunk in yet. A question I have been wondering about is: How do these majors work if a song begin in say Am? Would it still belong to say the C-E-G Major Triad?

  • thanx a lot,,,it helped me a lot...really a wanted lesson

  • Hmmm. Hey Andrew, I understand the underlying concept of 'similar tones'. For eg, Cmaj=CEG. The tonic subs of (III)Em=EGB and (VI)Am=ACE both have 2 tones in common with the Cmaj chord. What I dont really get is that u emphasized that the chords give similar 'emotion effect'. Im having difficulty wrapping my head around this bcuz both the III and VI are minors in that key so I find it difficult to see how they can be giving the same emotional effect with C being major and the others being minor.

  • Thank you very much for your video.

    Question: I have a melody over c maj d maj f maj back to cmaj.  It appears the riff is in cmaj but the d minor does not work with the melody. Might the riff really be in another key, but is just sounding to me as if it's in cmaj?

  • Dear andrew i love your videos your doing a real service and teaching very well to where it is easy to understand and i was wondering if you could do me a favor and mabye do a lesson over some jazz fusion ideas in the style of allan holdsworth i love the mans playing but some of the stuff people explain it with seem to confuse me even more than it helps many thanks and keep up the good work

  • u r the first person to make theory seem fun and really interesting

  • Very helpfull video as always Andrew!

    Many thanks!!

  • good

  • Great video. This will make writing songs much more interesting and improve the results at the same time.

  • Awesome as always.

  • awesome information... funny how theory actualy can be translated to feelings like this... or the other way around... thx! makes me wanne go deeper realy.

  • Hey Andrew, awesome lesson

    I was wondering : when you showed us which chords could be substituted to one another, using the degrees (eg : IV- II)

    Does that work for every scale ? If I take let's say a D scale, could it's 4th degree be substituted to the chord based on the second degree of said scale ?

    Thanks in advance, and keep up the great lessons =D

  • Reply to Question: thermalegoogle,

    Yes, every key is the same in Major.

    Thanks for watching,

    Andrew W.

  • @creativeguitarstudio very very helpful!!!!

  • Another awesome video!

  • great lesson, tasty outro track!

  • Very good lesson on theory, thank you.

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