Added: 4 years ago
From: hazimsabanovic
Views: 35,182
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  • tu relacion con la musica es inimaginable. gracias por darnos la oportunidad de oir algunas melodias como esta

  • Ss10 411 t,ha

  • i love the drama, it's great :)

  • bravaaaaaaaaaaaaaaaaaaaaaaaaaa­aaaaa

  • You have understood what Brahms would say! The abyss of The death

  • i prefer it slower like this.

  • im learning this now <3

  • anthonyB777- it is actually a country called Slovenia, not Bosnia

  • i love you

  • Absolutely perfect!

    There is no need to hurry in this piece.

  • Most people play this too fast. I like it better slow, but this is a little too slow, especially in the B section...

  • BOSNIA'S GOT TALENT!

    Thanks, that was superb, along with the other videos up. Love the ChopinEdude 25 no; 2.

    Anthony

  • i agree with you, this is the first time i've heard this piece and i couldn't make out the melody. i looked for other pianists playing it and realized she's playing too slow and her voicing is totally off. where in god's name are the feminine endings???

  • Beautiful place, beautiful pianist, beautiful playing.

  • I think she was sensitive when she played this, but it did tend to drag a little bit. I must say though, I DO like how she treats the lines at 1:05-1:12, and how she caresses the dissonant/resolving harmony at 4:10-4:20... that was quite nice.

  • @benz981

    can you explain what you mean about : "the dissonant harmony" ??

  • @fanny0820 Some parts, Brahms intended dissonance. It's not intended to sound wrong, like when there's a second played together, but rather, there's beauty in the sort of sound in this piece when notes that are generally considered not "harmonic" are played.

  • well...this piece is much more beautiful than that...you need a long long long line...it sounded too broken to me...and need the warmth of sound...also, voicing...

  • So right! even if she is playing this very sensitive too. I like Glenn Gould playing this, as a jazz improvisation.

  • i like you too! ;)

  • very good performance !

    I like you Irena..

  • i guess it will be much better if it were a bit more faster and pedal.

  • Her sparing use of pedal is her undoing, unfortunately. Where is that rich Brahmsian sonority, here? Not to be found...

  • You can create that rich Brahmsian sonority through the use of pedal, how so, i thought the sonority was created through touch and a deep understanding of tone color.

  • Beautiful contemplative quality. Thank you.

  • great, thanks. Tho play this is necessary too much inspiration!

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