Most people have no idea how difficult this sort of music really is. I greatly appreciate those who can properly play the most complex French Romanic Organ Music. Thank-you for a terrific performance! Namaste.
Most people have no idea how difficult this sort of music really is. I bow before those who can properly play the most complex French Romanic Organ Music. Thank-you for a terrific performance! Namaste.
Great work! I performed that work at my undergraduate recital as well. It is fun to play and a great one to keep your technique going. I also learned the No. 1 in B major. You should be proud your performance was great!!!
A TREACHEROUSLY difficult piece! Way to manage the manual changes and the registration in the recit was RIGHT ON! AWESOME pedal technique, also! The audience, surely, had a treat with this one! BRAVO!
Excellent performance, and who cares about the odd mistake. The fact you can actually play this piece shows already you are a very accomplished player. And the fact you're playing it in a room with flat accoustics makes it even more harder, as you can't hide behind the reverb. As for Karlakor's comment, perhaps he can show us all the correct speed personally?? Well done!
The acoustics here here are rather dry, but they allow the listener to hear the various lines of counterpoint. The Prelude was played at a good tempo, but the fugue is entirely too slow. Perhaps the organist knows the prelude a little better than he knows the fugue, hence the disparity in tempos.
Dupré rewrote it? What is your source for that claim, tjugofyra?
As for playability, my hunch is that even Widor would not have been able to play those works. Back in the 1910s, Dupré was still alone on the peaks of virtuosity he had managed to climb. The second person to play those P&Fs might have been Lynwood Farnam.
To be honest, I don't remember! I did read it somewere but I don't think it's true anymore! My guess is that Widor didn't have any problem with the op7 P&F and that he was the second to play them.
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Most people have no idea how difficult this sort of music really is. I greatly appreciate those who can properly play the most complex French Romanic Organ Music. Thank-you for a terrific performance! Namaste.
redletterchurch 1 year ago
Most people have no idea how difficult this sort of music really is. I bow before those who can properly play the most complex French Romanic Organ Music. Thank-you for a terrific performance! Namaste.
redletterchurch 1 year ago
Great work! I performed that work at my undergraduate recital as well. It is fun to play and a great one to keep your technique going. I also learned the No. 1 in B major. You should be proud your performance was great!!!
MrBrysonD 1 year ago
Monsiuer Dupre won a Prize for this composition that is considered one of the most famous and difficults ever written for the organ.Congratulations!
hangassli 1 year ago
A TREACHEROUSLY difficult piece! Way to manage the manual changes and the registration in the recit was RIGHT ON! AWESOME pedal technique, also! The audience, surely, had a treat with this one! BRAVO!
titulaire1977 2 years ago
Excellent performance, and who cares about the odd mistake. The fact you can actually play this piece shows already you are a very accomplished player. And the fact you're playing it in a room with flat accoustics makes it even more harder, as you can't hide behind the reverb. As for Karlakor's comment, perhaps he can show us all the correct speed personally?? Well done!
zippylad77 2 years ago
Thanks for posting. I could really hear everything very clearly and well played. Just love this piece.
Congrats on your skill. Dave
andretchaikowskycom 2 years ago 2
Excellent pedal-work :D
YKW2 2 years ago
The acoustics here here are rather dry, but they allow the listener to hear the various lines of counterpoint. The Prelude was played at a good tempo, but the fugue is entirely too slow. Perhaps the organist knows the prelude a little better than he knows the fugue, hence the disparity in tempos.
karlakor 3 years ago
great job on this piece; I studied it with my teacher Dan Locklair and it took the majority of a semester to get under my fingers!
only criticism would be the acoustics- "carpet bedrooms, not churches"! the tempo spot-on too
plays2live 3 years ago
Lovely and well done.
obxemt 3 years ago
Wickedly difficult...and you played it well!
redletterchurch 3 years ago
Didn't Widor say this peice was unplayable
Reesman95 3 years ago
yes he did, but Marcel re:wrote it...
The first version of it was unplayable for everyone exept Widor and Dupre.
tjugofyra 3 years ago
Dupré rewrote it? What is your source for that claim, tjugofyra?
As for playability, my hunch is that even Widor would not have been able to play those works. Back in the 1910s, Dupré was still alone on the peaks of virtuosity he had managed to climb. The second person to play those P&Fs might have been Lynwood Farnam.
chwidder 2 years ago
To be honest, I don't remember! I did read it somewere but I don't think it's true anymore! My guess is that Widor didn't have any problem with the op7 P&F and that he was the second to play them.
tjugofyra 2 years ago