Beautiful Sounding! Great...But i enjoyed the slower tempo one. Indeed its playing difficult sustaining notes at slower tempo. Slurs are not seen in this version.
@dranderon thank you for your thoughts. As mentioned in the description, in bars 12, 14 and 16 I play the grace notes long (as appoggiaturas) not short (acciaccaturas) because as the piece is a kind of baroque pastiche it seems to me appropriate to do baroque-style ornaments - and you don't get short grace notes in baroque pieces (normally).
@xxKoRndudexx an Acciaccatura is an ornament played 'crushed in' eg with no actual time or duration of its own. These are properly indicated by a small note (like a quaver or 8th note) with a little slash through the stem. And they are distinct from the Appogiatura, which is written the same but without the little slash; and they are played long, eg typically half the duration of the note to which they are attached, or normally 2/3rds if that note is dotted.
Acciaccaturas are typically associated with the classical style and appogiatures with the baroque; the point being the view that this piece, though written in the 19th century, is baroque in style.
NB modern editions of this piece often notate the ornaments as Acciaccaturas but if you look at a facsimile edition you will see they are written as Appoggiaturas (sorry should have 2 'g's) - except the one in the penultimate bar.
Congratulation Steven, very good interpretation of this beautiful piece. I like the most a rubato at the end, at a last bar. Level of reverb is exaggerated in my opinion but it doesn`t matter. All the best.
nice :)
lumyingluo 3 months ago
Beautiful Sounding! Great...But i enjoyed the slower tempo one. Indeed its playing difficult sustaining notes at slower tempo. Slurs are not seen in this version.
rups334 1 year ago
great playing but some grace notes were not played or i couldnt hear but very nice
dranderon 1 year ago
@dranderon thank you for your thoughts. As mentioned in the description, in bars 12, 14 and 16 I play the grace notes long (as appoggiaturas) not short (acciaccaturas) because as the piece is a kind of baroque pastiche it seems to me appropriate to do baroque-style ornaments - and you don't get short grace notes in baroque pieces (normally).
JacarandaMusic 1 year ago
whats a Acciaccatura?
xxKoRndudexx 1 year ago
@xxKoRndudexx an Acciaccatura is an ornament played 'crushed in' eg with no actual time or duration of its own. These are properly indicated by a small note (like a quaver or 8th note) with a little slash through the stem. And they are distinct from the Appogiatura, which is written the same but without the little slash; and they are played long, eg typically half the duration of the note to which they are attached, or normally 2/3rds if that note is dotted.
DorsetGuitarSociety 1 year ago
Acciaccaturas are typically associated with the classical style and appogiatures with the baroque; the point being the view that this piece, though written in the 19th century, is baroque in style.
NB modern editions of this piece often notate the ornaments as Acciaccaturas but if you look at a facsimile edition you will see they are written as Appoggiaturas (sorry should have 2 'g's) - except the one in the penultimate bar.
DorsetGuitarSociety 1 year ago
Congratulation Steven, very good interpretation of this beautiful piece. I like the most a rubato at the end, at a last bar. Level of reverb is exaggerated in my opinion but it doesn`t matter. All the best.
Zyma2 1 year ago
Beautiful playing, Stephen! Thanks for posting this lovely study...
Regards,
James
jbclassicaldreams 2 years ago
Well played Steven, another one for me to follow and add to my own learning programme! Thanks for the example to follow.
DavetheIV 2 years ago
Very good performance - just the right feeling for the music! You produced a great guitar sound 5*s, Jürgen
TheLarghetto 2 years ago