Added: 5 years ago
From: xvart123
Views: 4,975
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  • it is an awful copy of Domeniconi's work. By the way, Koyunbaba IS NOT A PLACE.

  • @classicalfede: AKA Federico Alfonso from Argentina(who by the way plays a nice interpretation of Barrios' last mvt of the Catedral): Yes, Koyunbaba is in fact a place in Kirklareli, Turkey. Please use google before making bold statements. Koyunababa is also the name or rather "nick-name" of a 13th century monk from the Ottoman empire. It can also be a compound word meaning, "sheep-father". Good luck in your guitar playing Mr. Alfonso.

  • @PatrickJamesKearney compose your own music, do not copy masterpieces ;)

  • @classicalfede ALL major composers (of which I am certainly not) quote other composers, even at times they "appropriate" these notes or themes as their own: Dionisio Aguado quotes Beethoven at the start of the 2nd mvt of his Rondo Brilliante in La minore, and many composers such as Bach,Mozart, Beethoven have often used themes and written variations to their liking - please read and learn a little before making really, really, uncultured statements.

  • @PatrickJamesKearney I think maybe you are right, i just did not like the piece, i am sorry if i was aggressive.

    And by the way, you are a great interpreter!

  • @classicalfede Thank you Mr. Alfonso. Have fun playing guitar!

  • @classicalfede : Also, this is an Original composition of mine, dedicated to Carlo Domeniconi's Koyunbaba (My publisher sent an audio and printed copy to Carlo himself)- -It is NOT as you mention: "...an awful copy" maybe in your opininion, it's an awful piece - but do not compare this to Domenconi's master-piece, Koyunbaba. Be well and take care. -PK

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  • While I found the piece interesting to listen to, it made me feel like I was listening to the improvisation during one of my practice sessions. Sadly, while this _is_ a reflection of Carlo's piece, it leaves behind all the class and power of the original piece.

    Musically, I didn't care for it. Technically, it sounds like a fun practice exercise. The mixing of the obvious 'western' flavor really didn't work for me and brought it all down.

    The visuals were awful.

    Still, worth a listen, no more.

  • awesome performance,great guitarist,grreat piece

    

  • This is a beautiful piece, colorful explorations of the Domeniconi's Koyunbaba. As in

    hakanozelguitarist's comment, the piece conveys a sense of tribute to Domeniconi's music, yet it has reflections and elaborations on what one hears in Koyunbaba. Very beautiful.

  • to banjocrazy & vaizone, pls keep your comment war to yourselves. Patrick Kearney was my teacher. So pls be nice. (FYI: Mr.Kearney has asked me to leave BjCrazy's and VaiZone's first comments up as a demonstration of free speech)

  • @xvart123 may i ask, what in the world u r talking about?

  • This guy is a total jerk. He's the most pompous ass I've ever met. This piece is worthless crap.

  • Banjocrazy, I sincerely hope you suffer a rectal prolapse, you worthless pile of scrotal shaving.

  • try to do beter

  • Yea he my guitar teacher too. He is the greatest teacher in the world!!!!!!!!!!

  • wonderful, beautiful.

  • :D It's my guitar teacher XD great song he's great !!!

  • anymore Patrick Kearney videos?!?!?!...I think he simply is one of the greatest guitarists in the world.

  • wonderful, and certainly deserving of more views! Is this the same tuning as Domeniconi's Koyunbaba (it certainly has the feel of a tribute). And are you doing Thumb upstrokes (a la Michael Hedges)on the fast bass part at the beginning? Will definitely try to track down this sheet music! Btw this afternoon I played Koyunbaba for the U.S. Ambassador to the Czech Republic! Not as well as ur playing this though!

  • Beautiful!!!

  • Haunting.  Wonderful composition.

  • Interesting

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