@drewhet I can't remember specifically, but I was probably using the boss me-50. I remember exactly how I added the chords though.
If you're looking for some way to trigger harmonies and stuff while you're playing, send me an e-mail and I'll tell you about some options (comments have limited characters)
Wrong! wrong wrong wrong! New patterns on the neck push the ear into new areas. You dont know what you are talking about at all. The ear cannot "Find the tones you want" if you have an undeveloped or underdeveloped TONAL MEMORY. You know NOTHING.
Because it became pretty obvious in a fairly short amount of time that he was just a troll. (He even took the time to post impressive strings of expletives on every one of my videos!)
Regarding your suggestion that one would have to know "a fair amount of theory" to understand these concepts: that's untrue. This scale shape is one of the first things every guitarist learns when they are beginning to learn to solo.
All of the modes/interval/chord jargon is nothing that somebody couldn't learn from the first few chapters of a contemporary theory book. It's all fairly rudimentary stuff.
But besides that, who says that I can't cater to intermediate musicians?
I would argue that those people simply aren't musicians in the first place. Anyone who has something legitimate to say through music will do so.
You seem to have completely ignored the fact that when players don't have to worry about technical issues, they are free to pay attention to the sounds. Which makes a system like this very beneficial for the developing musician.
It is always the ear that decides which notes to play. Any shapes, boxes, etc are simply framing devices and mental starting points. Everybody uses them.
This method allows players to explore new sonic territories without introducing new technical obstacles, which leaves them free to focus on the sound, rather than their execution. That sense of familiarity gives the player confidence to explore these new sounds. When they are ready, they will venture further. Learn to crawl before you run.
pentatonics = NAMM show lol
guitaristman23 8 months ago
what are you using to play those chords?
drewhet 1 year ago
@drewhet a guitar. I just recorded the chords and stuck the audio in
LukeSniper 1 year ago
@LukeSniper it looks like you are stepping on some kind of peddle board?
drewhet 1 year ago
@drewhet I can't remember specifically, but I was probably using the boss me-50. I remember exactly how I added the chords though.
If you're looking for some way to trigger harmonies and stuff while you're playing, send me an e-mail and I'll tell you about some options (comments have limited characters)
LukeSniper 1 year ago
Wrong! wrong wrong wrong! New patterns on the neck push the ear into new areas. You dont know what you are talking about at all. The ear cannot "Find the tones you want" if you have an undeveloped or underdeveloped TONAL MEMORY. You know NOTHING.
pebberbrown 2 years ago
Are you responding to me or DeepSeaSeamus?
Because it became pretty obvious in a fairly short amount of time that he was just a troll. (He even took the time to post impressive strings of expletives on every one of my videos!)
But yes, he indeed knew nothing.
LukeSniper 2 years ago
No man I love your shit I favorited it all - The Deep Sea troll is who I was smackin down on.
pebberbrown 2 years ago
You tube often prints the comments out of order.
pebberbrown 2 years ago
Regarding your suggestion that one would have to know "a fair amount of theory" to understand these concepts: that's untrue. This scale shape is one of the first things every guitarist learns when they are beginning to learn to solo.
All of the modes/interval/chord jargon is nothing that somebody couldn't learn from the first few chapters of a contemporary theory book. It's all fairly rudimentary stuff.
But besides that, who says that I can't cater to intermediate musicians?
LukeSniper 2 years ago
I would argue that those people simply aren't musicians in the first place. Anyone who has something legitimate to say through music will do so.
You seem to have completely ignored the fact that when players don't have to worry about technical issues, they are free to pay attention to the sounds. Which makes a system like this very beneficial for the developing musician.
LukeSniper 2 years ago
It is always the ear that decides which notes to play. Any shapes, boxes, etc are simply framing devices and mental starting points. Everybody uses them.
This method allows players to explore new sonic territories without introducing new technical obstacles, which leaves them free to focus on the sound, rather than their execution. That sense of familiarity gives the player confidence to explore these new sounds. When they are ready, they will venture further. Learn to crawl before you run.
LukeSniper 2 years ago