What an amazing man... in front of people I'd rather call ignorant or inferior to the understanding of a primal superior force of which is art-making or maybe even blind to noticing art-itself sitting right below their noses.
Bresson & Godard are my favorites. They're similar in that they're both aware of the way an audience perceives a film; Bresson wants to be believed by removing things we can't take whereas Godard, a Brechtian, shows them openly and reminds you you're watching a film. Godard's '80s films are Bressonian in performance (sometimes), and his sound design can be as impressive, though more abstract. Both had the highest of standards, and covered much ground compared to others. Both admired each other.
Godard is an snob and his films are for idiots and snobs. Bresson films have a much more deep meaning. A man escaped, Baltazar and L'argent are superb, Godard would dream about doing a film like those.
50 years ago if you've made an unique art people would get offended and attack you. Today every moron can crap on the floor, call it an art and everybody will like it.
Godard = Le Mepris, in which he cast brilliantly BARDOT!LANG!PICCOLI!PALANCE! in a film which was shot at the formally fascist historic Italian film studio.
Bresson = his masterpiece, a film about a autistic and irritable Donkey, thankfully Bresson in the films one saving grace,give us a happy ending by having the Donkey finally,after hogging the scenes the entire film,killed.
@PtAltmVansanTarr What are you talking about ? Mouchette is a great film ! maybe Bresson just isn't for you. However I am also an admirer of Godard. especially Vivre Sa Vie, Masculine Feminin and Alphaville. But to compare the two is mixing apples and oranges. Godard greatly admired Bresson by the way.
When was this? Was Hitler in France at the time? lol :P The interviewers are Nazi-like! They certainly didn't make their guest feel comfortable…haha :D
@tool619 i know is that not awesome? check my other video distilled from this same one but shorter. that's the very essence of all of this. that one line. about being alone. you are so right on. (in my humble opinion)
@tool619 i know!!! that is the essence of it don't u think? that's why i made the other one which keys on that point. look in my uploads for this same thing but a shorter version. ps...i derived no pleasure making it. (okay, that's a lie)
Both Chalais and Roche were among the best and well known journalists writting on cinema. They loved cinema and knew it very well. Beeing french myself, I don't understand all those critics I read here. I think it's a very good interview, with acurate questions, for people who really love cinema. Remember, this is not the kind of promotionnal interview with standard questions as we have today ; they were journalists doing their job and with respect.
I agree, it's good, but the interruptions are a bit much. Stimulating, which is all that matters. But watch her interview with Jean Seberg. She eats her alive!
it's more than an interrogation. It's a condemnation.
They seem to making themselves an extension of the anger of the masses, and condemning him for his audacity.
From what I'd heard about his films, I thought I'd hate them, but I was stunned after seeing "The Pickpocket" And I couldn't tell you why. And as I see the filmmaker stuttering also to explain why he films this way, I feel that it's some sort of alchemy. An artist who is channeling something that he himself doesn't understand.
Hehe, that amazed me as well. She says he's looking for some anti-expression, but they themselves are doing nothing with their faces, like his models. No effort to look a certain way, just 'being'.
Great fun. Bresson seemed to be trying not to crack up towards the end. He must have been aware that they were acting like characters out of his own films. I can't help but agree that they were tools (that description kept making me laugh) but the interview was so much more interesting because of it.
@Rosinante00 i totally agree with your assessment. i think he was playing them the whole time. and loving it. the eyes. just look at his eyes. in fact. i think his "pursed lips" are a visual echo of the character Max from Rushmore. on some level. I just make that connection at least. In my mind. study his face. think of the kid in Rushmore. am i wrong?
as a matter of fact, many of the so-called American "greats" are pretentious as well. I think it's probably more of an "auteur" attitude, especially male, that has traditionally rubbed me the wrong way...and i mean film directors from anywhere. But let's be real, the French aren't exactly known for their humility...which is exactly why i was so pleased to see this interview...
@RonAlmeida i would say honest. i think all great artists are on some level full of their own ego. otherwise they wouldn't do what they do. i think it's simply a matter of perception. i admire the honesty of bresson as opposed to false humility of others. (not naming names)
@coldbacon Right On! The commercial cinema is full of false humility. While real artists know that honesty is the basic quality of all art even if it is only their own.
Thank you so much for this, the interviewers are completely emotionless, Bresson did well to cope with their questions. The woman trying to finish his answers too, sheesh. Did she know he was perhaps the greatest of all time?
Anyone noticed when voice-over says "others, it seems, have difficulty understanding him." And then the two interviewers enter the frame?
stijnlukas 1 week ago
What an amazing man... in front of people I'd rather call ignorant or inferior to the understanding of a primal superior force of which is art-making or maybe even blind to noticing art-itself sitting right below their noses.
nicocoz 2 months ago
Bresson & Godard are my favorites. They're similar in that they're both aware of the way an audience perceives a film; Bresson wants to be believed by removing things we can't take whereas Godard, a Brechtian, shows them openly and reminds you you're watching a film. Godard's '80s films are Bressonian in performance (sometimes), and his sound design can be as impressive, though more abstract. Both had the highest of standards, and covered much ground compared to others. Both admired each other.
ThePrinceMyshkin 3 months ago
@ThePrinceMyshkin yea you are right i like them both
martinezmarcio1 3 months ago
Godard is an snob and his films are for idiots and snobs. Bresson films have a much more deep meaning. A man escaped, Baltazar and L'argent are superb, Godard would dream about doing a film like those.
M23MATERAZZI 3 months ago
I feel sorry for bresson. He is being treated like shit by these two...
calahann 4 months ago
50 years ago if you've made an unique art people would get offended and attack you. Today every moron can crap on the floor, call it an art and everybody will like it.
armenasriyan 5 months ago
Great video, thanks!
TheWanderingPrimate 6 months ago
@TheWanderingPrimate you're welcome. :)
groupdraw 1 month ago
@TheWanderingPrimate you. are. welcome. (i am alone)
coldbacon 1 month ago in playlist Uploaded videos
@coldbacon
Godard = Le Mepris, in which he cast brilliantly BARDOT!LANG!PICCOLI!PALANCE! in a film which was shot at the formally fascist historic Italian film studio.
Bresson = his masterpiece, a film about a autistic and irritable Donkey, thankfully Bresson in the films one saving grace,give us a happy ending by having the Donkey finally,after hogging the scenes the entire film,killed.
PtAltmVansanTarr 8 months ago
Comment removed
liamwilt 8 months ago
are you kidding me? bresson is god. mouchette is great. you are WRONG.
coldbacon 8 months ago 3
@coldbacon What's got me buffaloed is that this person is comparing Bresson to Godard. Some people...
xalstarx 8 months ago
@xalstarx i know!!? :p
coldbacon 1 month ago in playlist Uploaded videos
@xalstarx Bresson made Mouchette which sucked hugely. Godard made Le Weekend his worst film which still kick ass.
PtAltmVansanTarr 8 months ago
"Robert Bresson is French cinema, as Dostoevsky is the Russian novel and Mozart is the German music."
~ Jean-Luc Godard
liamwilt 8 months ago
@PtAltmVansanTarr
Godard and Bresson are two gods who live in different dimensions.
-the feeling to be able to compare two films usually arises when one doesn't understand the autors art.
paranapoleon 8 months ago
@PtAltmVansanTarr What are you talking about ? Mouchette is a great film ! maybe Bresson just isn't for you. However I am also an admirer of Godard. especially Vivre Sa Vie, Masculine Feminin and Alphaville. But to compare the two is mixing apples and oranges. Godard greatly admired Bresson by the way.
expos73 4 months ago
When was this? Was Hitler in France at the time? lol :P The interviewers are Nazi-like! They certainly didn't make their guest feel comfortable…haha :D
JoynJesus2 9 months ago
robert bresson revolutionnaire...
regardez mon blog please A la recherche de la revolution perdue
tarahumara68 dans google
tarahumara681 10 months ago
Bresson blows, Godard God
PtAltmVansanTarr 10 months ago
@PtAltmVansanTarr
Are you kidding me?!?! Bresson never made one bad film. Godard would like to think he's God, but he has become a self-indulgent old crank.
xalstarx 9 months ago
i feel alone, but i derive no pleasure from that..
tool619 1 year ago
@tool619 i know is that not awesome? check my other video distilled from this same one but shorter. that's the very essence of all of this. that one line. about being alone. you are so right on. (in my humble opinion)
groupdraw 1 month ago
@tool619 i know!!! that is the essence of it don't u think? that's why i made the other one which keys on that point. look in my uploads for this same thing but a shorter version. ps...i derived no pleasure making it. (okay, that's a lie)
coldbacon 1 month ago
pupils.
rotarford 1 year ago
Both Chalais and Roche were among the best and well known journalists writting on cinema. They loved cinema and knew it very well. Beeing french myself, I don't understand all those critics I read here. I think it's a very good interview, with acurate questions, for people who really love cinema. Remember, this is not the kind of promotionnal interview with standard questions as we have today ; they were journalists doing their job and with respect.
19Edurne 1 year ago
@19Edurne
I agree, it's good, but the interruptions are a bit much. Stimulating, which is all that matters. But watch her interview with Jean Seberg. She eats her alive!
ThePrinceMyshkin 11 months ago
What's with the woman's boorishly trying to finish Bresson's sentences for him?
SergeantVanek 1 year ago
magnific
rickyrisme 1 year ago
@008devlin are you a taliban or what?
showroommeryll 1 year ago
Comment removed
ThisIsJenRay 1 year ago
i think bresson must have directed this interview
krustykomedyklassic1 1 year ago 14
it's more than an interrogation. It's a condemnation.
They seem to making themselves an extension of the anger of the masses, and condemning him for his audacity.
From what I'd heard about his films, I thought I'd hate them, but I was stunned after seeing "The Pickpocket" And I couldn't tell you why. And as I see the filmmaker stuttering also to explain why he films this way, I feel that it's some sort of alchemy. An artist who is channeling something that he himself doesn't understand.
zazeify 1 year ago
Vee haff vays uff makink you tock!!!!!!!
Tell us vere de sausage iz!!!!!
zazeify 1 year ago
Jesus, its like they are in an interrogation room. The Woman is cold and rude, has
no expression! ironically she could be in one of his films.
skarphedin77 1 year ago 31
@skarphedin77
Hehe, that amazed me as well. She says he's looking for some anti-expression, but they themselves are doing nothing with their faces, like his models. No effort to look a certain way, just 'being'.
ThePrinceMyshkin 11 months ago
@skarphedin77 i think it's cultural. not rude in france
rjbeeswax 1 month ago
The Trial of Robert Bresson
jpastuch 2 years ago 32
The question about the anti expressive acting was pretty accurate and to the point.
oorgah 2 years ago
I don't like how that woman interview him... she's interrupting him, when bresson is searching for a word, like she thinks she's helping....
benj008 2 years ago 3
@benj008 I think it's her job and she is doing this well.
showroommeryll 1 year ago
class act
sashonska 2 years ago
He was a completely honest, direct, straightforward man, and the most uncompromising and intuitive of artists.
goback3spaces 2 years ago 3
Great fun. Bresson seemed to be trying not to crack up towards the end. He must have been aware that they were acting like characters out of his own films. I can't help but agree that they were tools (that description kept making me laugh) but the interview was so much more interesting because of it.
Rosinante00 2 years ago 4
@Rosinante00 i totally agree with your assessment. i think he was playing them the whole time. and loving it. the eyes. just look at his eyes. in fact. i think his "pursed lips" are a visual echo of the character Max from Rushmore. on some level. I just make that connection at least. In my mind. study his face. think of the kid in Rushmore. am i wrong?
coldbacon 1 month ago
"I derive no pleasure from that feeling". Don't we all understand that?
andaloudog 2 years ago
the way she was asking questions led to that answer.
tolarg 2 years ago
And he's such a cutie! Not the pretentious french film maker I expected, thank goodness.
sashonska 2 years ago
Do French film makers seem pretentious to you in comparison to the amateur Americans?
RonAlmeida 2 years ago
as a matter of fact, many of the so-called American "greats" are pretentious as well. I think it's probably more of an "auteur" attitude, especially male, that has traditionally rubbed me the wrong way...and i mean film directors from anywhere. But let's be real, the French aren't exactly known for their humility...which is exactly why i was so pleased to see this interview...
sashonska 2 years ago
I am sorry I don't see why anyone who believes in himself should be humble?
'Just because you like what I do, doesn't mean I owe anything to you' - Bob Dylan.
RonAlmeida 2 years ago
@sashonska exactly.
coldbacon 1 month ago
@RonAlmeida i would say honest. i think all great artists are on some level full of their own ego. otherwise they wouldn't do what they do. i think it's simply a matter of perception. i admire the honesty of bresson as opposed to false humility of others. (not naming names)
coldbacon 1 month ago
@coldbacon Right On! The commercial cinema is full of false humility. While real artists know that honesty is the basic quality of all art even if it is only their own.
RonAlmeida 1 month ago
I recently heard about this man's movies, I can't believe I've never seen a single one, he seems to be a genius.
Loserido 2 years ago
That woman is quite a "Bressonian" character, would have done a brillant job as an actress in one of his films.
DonFarshido 2 years ago 2
Whoever you are, the one who uploaded this video: the same way as so many others here, I´d like to thank you too, for doing this. A great interview!
MarBidi 3 years ago
A timelessly fascinating man. How can one not respond to Bresson's style, technique and thoughts?
dimabbq 3 years ago
Thank you so much for this, the interviewers are completely emotionless, Bresson did well to cope with their questions. The woman trying to finish his answers too, sheesh. Did she know he was perhaps the greatest of all time?
Great to see him speak nontheless.
tone2thebone 3 years ago
Indeed a rare Bresson interview! He was 58 at the time but made at least as "fresh" movies as did the Nouvelle Vague "young turks".
neonknights 3 years ago 2
There's a major diference: Bresson was young in his directing methods while Truffaut, "God Art" and co were obsolete, period.
lyonslaforet 2 years ago
Where is the rest??
Olphus 3 years ago