@DistantMirrors Can you tell me about the painting shown in this video? Who painted it and what it is about? Thanks for posting the best Satie videos and also for having top quality audio!!
@alternatehistories - It is by the Spanish painter Remedios Varo and is entitled 'Celestial Pabulum'. It was painted in 1958, five years before her death in 1963. Her painting Useless Science or The Alchemist is my particular favourite.
@andywhorehall heey ,would you mind giving me some of those twisted music u got, Becouse i love this kind of music. It.. peaces me somehow. I would appreciate it.
I'm trying to play this piece and my copy of the sheet music uses a (1/2 Ped.) symbol under the second and third chords of the bass part in the opening phrase. Does that symbol indicate that I'm only suppose to partially release the sustain pedal?
Your performances of these pieces are wonderful! They may seem relatively strait forward to play at first glance but getting the right sense of touch and dynamic control is quite challenging!
Half pedal, presumably - it's not releasing partially, but depressing partially. In effect, (proper) half-pedalling means that the deeper notes will be sustained but not the higher notes. This is pretty much redundant for grand pianos though, unless they don't have a middle sostenuto pedal, but some pieces do call specifically for the 'awkward' half-pedal effect (such as 'Free Variations' from Bartok's Mikrokosmos).
lol i have the same problem. My piano teacher said that your pedal has a "sweet point" the point where the pedal is just barely touching the strings. Its very hard to find that sweet point and get the right amount of pedal. But practice makes perfect (i hope). xD
what makes these works so "strange and different is do to the "cadenza" or absolute time, meaning that this piece has no time signature or any bar lines.
Satie's Gnossiennes played by Pascal Rogé are always a feast to the ear. And Remedios Varo's mysterious paintings do more than justice to these masterpieces.
Takes me back to being 11, running through the house on my way somewhere, and passing through the living room where my father was listening to CBCs FM servce, right while Gymnopédie was playing. It stopped me in my tracks and held me hypnotized for the rest of the piece. Ive been a fool for Satie ever since. The tempo on this is perfect.
This tempo is fine by me. I've heard some horribly fast tempos that have killed songs before - take for instance Satie's 'Le Fils des Etoiles', one of my favorite works by him. If you play that song too fast, it songs absolutely terrible - but nice and slow gives it an air of mystery. And Debussy's 'Padoges' is fine example of fast-tempos-sometimes-kill.
I have to thank you for getting us to the wonderful world of art. It was excellent to combine the paintings of Remedios Varo and Leonora Carrington. Two of the best surrialist painters who florished here, in my country, Mexico.
Simplemente Hermosa
adelitaq 11 months ago
Magnifique toutes ses oeuvres à erik satie quel grand mr la musique nous donne tellement de choses pour vivre ds nos émotions !! merci
sophie7715 1 year ago
4 people are bereft of a soul.
JonnyCashmore 1 year ago
MAGNIFIQUE TOUT SIMPLEMENT
WONDERFULL.......
sophie7715 1 year ago
HAUNTINGLY BEAUTIFUL! I HAVE FALLEN IN LOVE WITH THIS COMPOSER!
051163able 1 year ago
I love Erik Satie´s music!!
zecalm22 1 year ago
his best songs: gymnomédie no 1, gnossienne no 5 and gnossienne no 1
wigwams69 1 year ago
@wigwams69 We all know though, that it's a matter of opinion. But I agree with you.
BeveragesAfterNine 1 year ago
@DistantMirrors Can you tell me about the painting shown in this video? Who painted it and what it is about? Thanks for posting the best Satie videos and also for having top quality audio!!
alternatehistories 1 year ago
@alternatehistories - It is by the Spanish painter Remedios Varo and is entitled 'Celestial Pabulum'. It was painted in 1958, five years before her death in 1963. Her painting Useless Science or The Alchemist is my particular favourite.
briefboyz 1 year ago
I love this song. I put in on when I have trouble sleeping. It relaxes me and calms me.
BHoz77 1 year ago
So did the lady in the picture catch the moon and is feeding it?
awsomesause333 1 year ago
@andywhorehall haha me too
coskbeatz 1 year ago
Best verssion of gnos.2 of satie...
¡ Congratulations !
SOLONOSTICO1 1 year ago
@andywhorehall thank you :)
honybadger 1 year ago
@andywhorehall heey ,would you mind giving me some of those twisted music u got, Becouse i love this kind of music. It.. peaces me somehow. I would appreciate it.
honybadger 1 year ago
No-one expresses the fullness, the emptiness, the joy and the sorrow of the human condition through music as Satie does. There is none.
jippytheclown 1 year ago
@jippytheclown. I almost want to quote that, :)
Blackmarketmusic13 1 year ago
@Blackmarketmusic13
Thanks, I appreciate your appreciation of my expression of appreciation.
jippytheclown 1 year ago
@jippytheclown In Pop culture, for me the only artist that comes close in any way is Roger Waters.
jippytheclown 1 year ago
@jippytheclown
I appreciate that.
daveytjuuh 1 year ago
i feel like mint tea
theworldGodonlyknows 1 year ago
@theworldGodonlyknows i feel like lemongrass tea
threelegduck 1 year ago
Einfach traumhaft <3
Akaru123 1 year ago
The music is otherworldly - as are the paintings in these series of postings. Who is the artist? Thanks.
OceanLunar 1 year ago
@OceanLunar Remedios Varo
labaguettehollywood 1 year ago
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MiguelKertsman 1 year ago
I'm trying to play this piece and my copy of the sheet music uses a (1/2 Ped.) symbol under the second and third chords of the bass part in the opening phrase. Does that symbol indicate that I'm only suppose to partially release the sustain pedal?
Your performances of these pieces are wonderful! They may seem relatively strait forward to play at first glance but getting the right sense of touch and dynamic control is quite challenging!
petez0mbie 1 year ago
@petez0mbie
Half pedal, presumably - it's not releasing partially, but depressing partially. In effect, (proper) half-pedalling means that the deeper notes will be sustained but not the higher notes. This is pretty much redundant for grand pianos though, unless they don't have a middle sostenuto pedal, but some pieces do call specifically for the 'awkward' half-pedal effect (such as 'Free Variations' from Bartok's Mikrokosmos).
TheWanderingNight 1 year ago
@petez0mbie
lol i have the same problem. My piano teacher said that your pedal has a "sweet point" the point where the pedal is just barely touching the strings. Its very hard to find that sweet point and get the right amount of pedal. But practice makes perfect (i hope). xD
aeki1987 1 year ago
I just started playing this piece, and I love how it has no bar lines. Like floating on air.
I also like the little notes from Satie, like "don't leave" and "with great kindness". It makes it so personal.
Glammmbition 1 year ago
@Glammmbition and the note; use your head, that one is so great
one1way1street 1 year ago
@Glammmbition you should read a bit more about him. he's played a joke on you :D
ColtonBrook 1 year ago
j'adore gnossienne 2 :) c'est magnifique
NoorseTrol 1 year ago
Beautiful.
WeirdRandomStranger 1 year ago
Magic! Romantic! A little sadness... Nostalgie du temps qui passe!
crepinchristine 1 year ago
what makes these works so "strange and different is do to the "cadenza" or absolute time, meaning that this piece has no time signature or any bar lines.
but all in all an awesome piece.
shmips 2 years ago
ex-qui-site
whendirtgetsinmyeye 2 years ago
Satie's Gnossiennes played by Pascal Rogé are always a feast to the ear. And Remedios Varo's mysterious paintings do more than justice to these masterpieces.
MsOndine 2 years ago
I love Satie
godsarmy105 2 years ago
Satie had that "something" strange and mysterious in all his works that I love.
13thladydoll 2 years ago
for meditation..no?
Utubesuxmycock 2 years ago
Or at any rate something beautifully horrific...
LexImperatoris 2 years ago
I think it's impossible to listen to any of Satie's work and not imagine something beautiful.
ShoShanaWrites 2 years ago
@ ShoshanaWrites But at the same time something menacing
kaioxygen 2 years ago
Takes me back to being 11, running through the house on my way somewhere, and passing through the living room where my father was listening to CBCs FM servce, right while Gymnopédie was playing. It stopped me in my tracks and held me hypnotized for the rest of the piece. Ive been a fool for Satie ever since. The tempo on this is perfect.
stellersjay08 2 years ago
@stellersjay08 I agree. I think the tempo is just about spot on here. Not too fast not too slow as many are.
Screwbiedooo 2 years ago
And the rubato is about perfect too.
Screwbiedooo 2 years ago
This tempo is fine by me. I've heard some horribly fast tempos that have killed songs before - take for instance Satie's 'Le Fils des Etoiles', one of my favorite works by him. If you play that song too fast, it songs absolutely terrible - but nice and slow gives it an air of mystery. And Debussy's 'Padoges' is fine example of fast-tempos-sometimes-kill.
Physdelicdreaming 2 years ago
Oops, I meant 'sounds absolutely terrible'. Ha, typos. :D
Physdelicdreaming 2 years ago
Agarraste mi alma y la estrujaste en pedacitos
gabydragona 2 years ago
This tempo certainly takes some getting used to... but it lets you really appreciate the music itself.
ashleylynnjoan 2 years ago
this tempo is just right (for me) i want to learn to play it!! :)
irishjanet 2 years ago
So beautiful, I love Satie! Thank you.
lauramcmillanpiano 2 years ago
"Supe entonces que estaba hablando de mí y de mi cocina, y de mis hijos lunares y de las estrellas que yo trituro" R. Varo
moonlightnoir 2 years ago
My first exposure to Satie was After the rain by Roge, and so now everything I hear from that CD by other pianists seems way too fast!
evertchris 2 years ago
how do u say the name gnossienne
omidahomi712 2 years ago
no-c-n
spartan9185 2 years ago
i like it slow, too.
there is only one thing i love more than music and that is silence.
play this right, and you get both.
i want to absorb it, not have it over before it sinks in.
just my preference.
divinedgar 2 years ago
it is not too slow!
ohsleeper 2 years ago
Pascal Rogé is playing a French piece by a French Artist, which sets the French distinciton and makes it uniqely French piano-style!!
TitanYa315 2 years ago
Too slow
thereisnogodnorallah 2 years ago
I agree
autr727 2 years ago
I agree too.
Jonnern 2 years ago
why? if satie wanted it to be played like that
agvap 2 years ago
How could you know? The score is not marked with witch tempo its supposed to played in.
Jonnern 2 years ago 2
I've never heard it this slow before!
ldnkid 2 years ago
very beautifull :)
kinansham 3 years ago 4
thaks you!
HCbodom 3 years ago 3
I have to thank you for getting us to the wonderful world of art. It was excellent to combine the paintings of Remedios Varo and Leonora Carrington. Two of the best surrialist painters who florished here, in my country, Mexico.
Thank you again!
Simplement unique et marveillieux!
ezraipg 3 years ago 4
beautiful!
laitae 3 years ago 7
5 stars again for you.
=)
76JensStaschel 3 years ago 8