I think there's no doubt that we no longer see the close connection between a conductor and his orchestra. The orchestras are seldom anyone's now. Even their music director often seems more like a guest conductor--take Levine and the BSO .
I am French but I truly think Munch has never been better served than with Boston Symphony. This is indeed truly amazing. I also love the Martinon version with Chicago. Too bad French orchestras can't compete with that.
A great orchestra with lots of color and personality and a great, inspired conductor. They don't seem to make them that way anymore, it's true. Am grateful to have heard them 1971-80 with many of the same players and occasionally with fine conductors like Tennstedt, W. Steinberg, Giullini and Kubelik etc.
A million thanks for posting this insightful film of a very great master at work (and play). He was a gift that the Boston Symphony never truly appreciated nor was ever able to replace. His French repertoire is untouchable.The greatest Symphonie Fantastique ever recorded!
there is an evident parallelism between Munch and Bernstein, musical and also for the way to conduct the orchestra, in the freedom of the gesture and interpretation. Thanks to TheGreatPerformers for this intreasting anthology!
My opinion is that we no longer have great conductors who insist on a taut, forward moving musical line coupled with beauty of sound; each great orchestra took on a great conductor's unique sound. This came from decades of working with the same orchestra and honing it as a great ensemble. Today's jet-setter conductors sepnd little time with their home orchestras. You could blindfold me, play different recordings and I could tell you who the conductor was just by their sound.
I agree completely, 110%, with each observation you make - especially the blindfold bit. Will that kind of conductor, with an unmistakable musical personality, ever return?
I love Munch's LA MER, unique in my experience; Herbert Von Karajan was reportedly amazed by it as well. Thanks for posting this, which shows the glorious Boston Symphony at its absolute zenith.
What an orchestra!!! Actually unbelievable! And Munch is fabulous, he's loving the sheer virtuosity of the players. I will be conducting this with my orchestra soon and I can see it being so much slower...:(
Don't forget Ralph Gomberg--oboe and Bernard Garfield--bassoon. Too bad it was a few years before Harold Wright--clarinetist extraordinaire would be joining them. Munch's 1950's Symphonie Fantastique is the most exhilarating version of that piece ever recorded. Absolutely mad and divine.
Get a load out of Tommy Thompson (the greatest cymbal player ever) and although they didn;t show Vic Firth playing, his comments are priceless! Was there ever a better percussion section than the BSO in the 60's? NOPE!!!
I believe that was Harold Faberman. When Vic came into the BSO in 1952, he played auxilary percussion for a year until they offered him the timpani chair.
So at the time of the broadcast he was timpanist. I studied with Vic from 1966 to 1970 and just went back to NEC for a class reunion, at which they honored Vic with a lifetime achievement award.
Absolutely amazing! Munch was one of my first conducting idols when in 1955 I heard the BSO for the first time. Great to get a glimpse of Roger Vosin (princ. trpt.) and Sammy Mayes (princ. cellist). Bravo to you for posting this!
I think there's no doubt that we no longer see the close connection between a conductor and his orchestra. The orchestras are seldom anyone's now. Even their music director often seems more like a guest conductor--take Levine and the BSO .
pindaric 9 months ago
Ünglaublich_gébt_màl_bÊì_gõòglÈ:_geldeasy_ÉÏÑ_vOll_krÅss
micheleGuido1200 9 months ago 29
I am French but I truly think Munch has never been better served than with Boston Symphony. This is indeed truly amazing. I also love the Martinon version with Chicago. Too bad French orchestras can't compete with that.
grandisdavid 9 months ago
<3 Thank you so much for sharing this wonderful video*^o^* It's really nice to listen and see his conduct *^o^* <3
AphroditeEros33 1 year ago
ach, bin total ungezogen heute! wer hat bock zu texten oder camen
zaqmen123 1 year ago
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tanaquilleclerc 1 year ago
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tanaquilleclerc 1 year ago
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tanaquilleclerc 1 year ago
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tanaquilleclerc 1 year ago
holy #$%@ he took that awful fast at the end!
musicynic 1 year ago
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tanaquilleclerc 2 years ago
Dionysisch!
laubandel 2 years ago
A great orchestra with lots of color and personality and a great, inspired conductor. They don't seem to make them that way anymore, it's true. Am grateful to have heard them 1971-80 with many of the same players and occasionally with fine conductors like Tennstedt, W. Steinberg, Giullini and Kubelik etc.
visualmusicshow 2 years ago 2
damn..this tempo, I bet made some of these players sweat.
dasteufelhund 2 years ago 2
Fantastic!
kikakon 3 years ago 2
I don't know of another conductor who takes final Danse in Daphnis as fast as Munch does!
pawdaw 3 years ago
Dutoit did, but I prefer Munch's.
manwalrus 3 years ago
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Demboskt 3 years ago
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karlyale 3 years ago
A million thanks for posting this insightful film of a very great master at work (and play). He was a gift that the Boston Symphony never truly appreciated nor was ever able to replace. His French repertoire is untouchable.The greatest Symphonie Fantastique ever recorded!
ipmoic 3 years ago
Absolutely amazing
54spiritedwill54 3 years ago
Fantastic!
liebe0zur0musik 4 years ago
there is an evident parallelism between Munch and Bernstein, musical and also for the way to conduct the orchestra, in the freedom of the gesture and interpretation. Thanks to TheGreatPerformers for this intreasting anthology!
musicamultimedia 4 years ago
Priceless! The glory days of Boston.
After Koussevitzsky and Munch...
They don't make 'em like that anymore.
snaaptaker 4 years ago
Brilliant!
ben1111 4 years ago
What a glorious sonority this orchestra possessed - what happened in the last 35 years...?
winrx 4 years ago
My opinion is that we no longer have great conductors who insist on a taut, forward moving musical line coupled with beauty of sound; each great orchestra took on a great conductor's unique sound. This came from decades of working with the same orchestra and honing it as a great ensemble. Today's jet-setter conductors sepnd little time with their home orchestras. You could blindfold me, play different recordings and I could tell you who the conductor was just by their sound.
billyguns2 4 years ago 7
I agree completely, 110%, with each observation you make - especially the blindfold bit. Will that kind of conductor, with an unmistakable musical personality, ever return?
LFinDC 4 years ago
I agree with you, billyguns2 100%!!!
litenslick 3 years ago
Erich Leinsdorf and Seiji Ozawa, that's what!
billyguns2 3 years ago
I love Munch's LA MER, unique in my experience; Herbert Von Karajan was reportedly amazed by it as well. Thanks for posting this, which shows the glorious Boston Symphony at its absolute zenith.
billyguns2 4 years ago
This is music-making "on the edge". It's not safe, it's so exciting!
stickwagger 4 years ago
What an orchestra!!! Actually unbelievable! And Munch is fabulous, he's loving the sheer virtuosity of the players. I will be conducting this with my orchestra soon and I can see it being so much slower...:(
stravinskas 4 years ago
Don't forget Ralph Gomberg--oboe and Bernard Garfield--bassoon. Too bad it was a few years before Harold Wright--clarinetist extraordinaire would be joining them. Munch's 1950's Symphonie Fantastique is the most exhilarating version of that piece ever recorded. Absolutely mad and divine.
ipmoic 4 years ago
Having sung under Munch at Tanglewood during the 60's and studied under flautist James Pappoutsakis, this brought back many memories..Thankyou
Lynne9992007 4 years ago
Overwhelmingly beautiful!!
Great Video-analysis!
A must for Debussy admirers.
YTM021807 4 years ago
Get a load out of Tommy Thompson (the greatest cymbal player ever) and although they didn;t show Vic Firth playing, his comments are priceless! Was there ever a better percussion section than the BSO in the 60's? NOPE!!!
niubilly 4 years ago
Wasn't Vic playing side drum in Daphnis?
stickwagger 4 years ago
I believe that was Harold Faberman. When Vic came into the BSO in 1952, he played auxilary percussion for a year until they offered him the timpani chair.
So at the time of the broadcast he was timpanist. I studied with Vic from 1966 to 1970 and just went back to NEC for a class reunion, at which they honored Vic with a lifetime achievement award.
niubilly 4 years ago
Get a load of that wind section! Doriot Anthony Dwyer RULES!
grifffinity 4 years ago
Absolutely amazing! Munch was one of my first conducting idols when in 1955 I heard the BSO for the first time. Great to get a glimpse of Roger Vosin (princ. trpt.) and Sammy Mayes (princ. cellist). Bravo to you for posting this!
HalWeller 4 years ago
Like a dream! Now I'm watching Munch I have been respecting for 33 years!
Thank you !
ilbon007musa 4 years ago