I must say that this is guy has put so much passion into this piece that it is undescribable. Excellent job; Michelangeli has given me such a strong inspiration to play this piece even better!
in this case such statement would still be egregiously off the mark: comparing a gifted, promising student to one of the most formidable masters of the instrument is just silly
Thats cuz some of them are triplets... listen carefully and count, theres no strange things, they are just triplets. Debussy doesnt bother to write the "3" down, or atleast they are not there in my Edition Peters, they all look like 16th notes.
I'm in the process of orchestrating this piece for chamber orchestra and the rhythms are completely inconsistant. I don't know if it's Debussy or the person who engraved this particular version I have but in the 12/16 measures there are often only 11 beats in the top stave and the full 12 in the bottom, or the top stave is in 2/4 while the bottom is in 12/16. There is one measure where the top stave has four 16ths and the bottom has six 16ths - all taking up the same amount of space. So strange.
I'm starting to study this piece on piano and i've realized the same thing. When you find those "11 beats" you should take the last beat as 2/4 division(which means that instead of two 16ths that 8th lasts three). Hope that help you!
Actually those titles are not descriptive. There is much more to the piece than the mere description of some hills or steps on the snow, their significance is way more deep than the title describes. And that is why the titles are placed at the end of each piece like "... Des pas sur la neige" because is not just steps on the snow, but what this could represent. Debussy himself rejected the label "impressionist".
Opusnumbers (usually in order of composition or publication) were given by the composers themselves, or afterwards by musicologists, who could also decide to have another form of classification (e.g. Bach or Mozart). I guess Debussy himself chose for the option of giving specific titles to each work. He also didn't write hundreds of pieces, if we don't count separately the cycli for pianosolo and voice(s)...
Michelangeli can sound glacial, as people say. But here his elan, finesse, panache, is sooo Debussy. Everybody's favourite uncle doesn't play like this. And Michelangeli at his finest doesn't walk on water. He pirouettes on it. He makes love to the keys. How he gets away with being this outrageous, aesthetic rhapsodic, romantic without falling into a blubbering mess is well, the legend.
My sister plays this...I like the way she plays it better beleive it or not. His way is a bit more choppy and such. It's just interpretation I know, but my sister's interpretation is more soft and dreamy. I like that better.
beautiful
thank you
yusukeundisolde 1 month ago
Please never again compare Lang Lang and Michelangeli, in any possible way.
AdmiralSnider 2 months ago 4
here I'm hearing what I suspect Debussy meant
johngotwalt 7 months ago
This is my favorite prelude by Debussy.
wawa314159 9 months ago
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why is he wearing a belt?
rubbertoe86 11 months ago
why is he wearing a belt?
rubbertoe86 11 months ago
Comment removed
PianoMan6302 7 months ago
why is he wearing a belt?
rubbertoe86 11 months ago
@rubbertoe86 lol
DafniElissa 2 months ago
This piece makes me argue that Debussy discovered something better than what Einstein did.
iGookin 1 year ago 5
I must say that this is guy has put so much passion into this piece that it is undescribable. Excellent job; Michelangeli has given me such a strong inspiration to play this piece even better!
Mathgenius888 1 year ago
Inarrivabile!!!!
sugarve 1 year ago
and all people talk about is clair de lune and the girl with the flaxen hair when they could be listening to small masterpieces like this!
One of debussy's finest pieces
and the hands down best performance
looney1023 1 year ago
The dude looks like Edgar Allen Poe!
InfoWarrior45 1 year ago
@InfoWarrior45 Now that you mention it...
werewethere 1 year ago
He is great! though I like Zimermans version more than this..
VSKCREW 2 years ago
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he plays very well but he's so haughty and prententious
v4liumfrance 2 years ago
Sorry, but is not true! I have known him many years ago and i can tell you that hi was a great gentleman...
GladioNapoli 2 years ago 9
who knows what he's thinking but him
acerflots 2 years ago
he totally trumps lang lang with this version, not so overly dynamic. He knows just when to hold back or unleash debussy's heavenly pentatonics.
ramondt2 2 years ago 9
i swear there a little Gershwin around 1:45 ....
diefuhreroffunk 2 years ago 4
sometimes quite sure .
AlainLeboeuf 2 years ago
2.40 et 3.10 also
AlainLeboeuf 2 years ago
yes sir !
AlainLeboeuf 2 years ago
perfect and with efect!
kempff95 2 years ago
these videos really are something special
SHRINKINGBASSIST 2 years ago 4
His technique is amazing. Wonderful rendition.
JamesMir11 3 years ago 4
Vere granda pianisto li estas ...
umegghju 3 years ago
What if his sister is Claire Huangci?
djvbb12 3 years ago
in this case such statement would still be egregiously off the mark: comparing a gifted, promising student to one of the most formidable masters of the instrument is just silly
disturbiapixie 2 years ago
MEH! My comment just stood as an example. Mostly it was just to play devil's advocate (aka be annoying)
djvbb12 2 years ago
Thats cuz some of them are triplets... listen carefully and count, theres no strange things, they are just triplets. Debussy doesnt bother to write the "3" down, or atleast they are not there in my Edition Peters, they all look like 16th notes.
dummkopf50 3 years ago
I'm in the process of orchestrating this piece for chamber orchestra and the rhythms are completely inconsistant. I don't know if it's Debussy or the person who engraved this particular version I have but in the 12/16 measures there are often only 11 beats in the top stave and the full 12 in the bottom, or the top stave is in 2/4 while the bottom is in 12/16. There is one measure where the top stave has four 16ths and the bottom has six 16ths - all taking up the same amount of space. So strange.
TaciturnEternity 4 years ago
I'm starting to study this piece on piano and i've realized the same thing. When you find those "11 beats" you should take the last beat as 2/4 division(which means that instead of two 16ths that 8th lasts three). Hope that help you!
karloskonti 3 years ago
Actually those titles are not descriptive. There is much more to the piece than the mere description of some hills or steps on the snow, their significance is way more deep than the title describes. And that is why the titles are placed at the end of each piece like "... Des pas sur la neige" because is not just steps on the snow, but what this could represent. Debussy himself rejected the label "impressionist".
alialvarez 4 years ago
great rendition
suzettegm 4 years ago
i just began to wonder something.
why is it that we call debussy's work by their titles instead of op. __ no. __? are they titled like that as well?
p1ano 4 years ago
Opusnumbers (usually in order of composition or publication) were given by the composers themselves, or afterwards by musicologists, who could also decide to have another form of classification (e.g. Bach or Mozart). I guess Debussy himself chose for the option of giving specific titles to each work. He also didn't write hundreds of pieces, if we don't count separately the cycli for pianosolo and voice(s)...
pianopera 4 years ago
Ah..thank you, pianopera. That was helpful.
p1ano 4 years ago
Such a great prelude, full of joy. I feel a little bad for him, he doesn't exude exuberance as he performs this, however, his playing is wonderful.
apollodionysus7 4 years ago
Michelangeli can sound glacial, as people say. But here his elan, finesse, panache, is sooo Debussy. Everybody's favourite uncle doesn't play like this. And Michelangeli at his finest doesn't walk on water. He pirouettes on it. He makes love to the keys. How he gets away with being this outrageous, aesthetic rhapsodic, romantic without falling into a blubbering mess is well, the legend.
shantihealer 4 years ago 4
My sister plays this...I like the way she plays it better beleive it or not. His way is a bit more choppy and such. It's just interpretation I know, but my sister's interpretation is more soft and dreamy. I like that better.
jkai0025 4 years ago
Favorite of all the preludes. Thanks for posting this!
marmin74 4 years ago
i agree..this music is a great peace...no words for that.
ianguitar 5 years ago
This is some of the greatest music ever written.
Alessandro1985 5 years ago