That part of the adagio with Gamzatti and the fakir's flower basket cracks me up everytime. Why won't they release this on DVD?!
@sweetaliena And why do you think Nikiya is useless here? She's supposed to be haunting Solor for agreeing to marry Gamzatti after they had reconciled in the Kingdom of Shades. I personally prefer the ballet ending with the destruction of the temple, though I like both versions.
What a great treajure lost in time! At least Fateyev should restore this reconstructed version. But I can't quite imagine suitable Solor in their current line up of the principals except younger Kolb!
That's what I thought. I think a pas de trois is much better than the pas de deux--espeically the original pas de deux in the second act of Swan Lake. When I say "the first version", I mean the very first time Petipa staged the pas.
Adam, Is this another Petipa Pas de Trio turned into a Pas de Deux? I would like to see the very first version Petipa created. The music here is lovely!
in the Soviet-era many of Petipa's logical pas were turned into athletic circus showcases, with the music taken out of context. One that comes to mind is the so-called "Diane et Acteon pas de deux". When you say "the first version", are you refering to the pas shown in this clip?
Thank you soooo much! The reconstructed grand pas has more drama woven into the trio than the usual PDD, which is more presentation than revelation. As for Gamzatti's variation, now I can see how Nureyev's production for the POB relied on the Gusev lineage, quite different from what we are used to in Bolshoi and ROB productions.
That part of the adagio with Gamzatti and the fakir's flower basket cracks me up everytime. Why won't they release this on DVD?!
@sweetaliena And why do you think Nikiya is useless here? She's supposed to be haunting Solor for agreeing to marry Gamzatti after they had reconciled in the Kingdom of Shades. I personally prefer the ballet ending with the destruction of the temple, though I like both versions.
theamazingsoter 5 months ago 7
@theamazingsoter I understand the premise of it but I think the choreography is lacking. It doesn't blend well.
sweetaliena 5 months ago
Sorry to say this but I really don't like this pas de trois. I feel that Nikiya is useless there.
sweetaliena 6 months ago
does anyone know the specific name of this song at the beginning?
mhenry91 11 months ago
in other versions wasnt this scene and the pas de deux before the kingdom of the shades?? i always thought it was.
valeguidi100 1 year ago
What a great treajure lost in time! At least Fateyev should restore this reconstructed version. But I can't quite imagine suitable Solor in their current line up of the principals except younger Kolb!
Bnesque 1 year ago
I bet you still have some wild man in you (wink)
professorrapport 2 years ago
that is too funny
mrlopez2681 2 years ago
That's what I thought. I think a pas de trois is much better than the pas de deux--espeically the original pas de deux in the second act of Swan Lake. When I say "the first version", I mean the very first time Petipa staged the pas.
Adam, do you ever visit San Francisco?
professorrapport 2 years ago
no - not in a while. I lived in Valencia & Hollywood for a time (my life was alot more wild excessive then!), but now am very humdrum in Oklahoma.
mrlopez2681 2 years ago
Adam, Is this another Petipa Pas de Trio turned into a Pas de Deux? I would like to see the very first version Petipa created. The music here is lovely!
professorrapport 2 years ago
in the Soviet-era many of Petipa's logical pas were turned into athletic circus showcases, with the music taken out of context. One that comes to mind is the so-called "Diane et Acteon pas de deux". When you say "the first version", are you refering to the pas shown in this clip?
mrlopez2681 2 years ago
the "grand pas" was originally called "pas d'action" having inside a dramatic continuity with story
This is a nice version
taurusbs 2 years ago
I wouldn't like to believe that such a treasure we've lost!
HelgaMaq 3 years ago 3
Thank you soooo much! The reconstructed grand pas has more drama woven into the trio than the usual PDD, which is more presentation than revelation. As for Gamzatti's variation, now I can see how Nureyev's production for the POB relied on the Gusev lineage, quite different from what we are used to in Bolshoi and ROB productions.
genzano 3 years ago 5