The San Francisco Symphony's early recordings, with Alfred Hertz, were probably all made in Oakland, where the Victor Talking Machine Company (which became RCA Victor in 1929) had a plant. According to David Schneider's history of the orchestra, the recordings were made between 1925 and 1930. They didn't record again until 1941 and those recordings were made with Pierre Monteux, again for RCA Victor, in the War Memorial Opera House.
These recordings would have been made with a single carbon microphone. The top frequency range for early electrical recordings was just a little above 10,000 cycles per second, so it wasn't quite high fidelity. Still, it was a big improvement over the old acoustical process.
me gusta la interpretacion,gracias es my favorites!!.
MegaCanelita1 1 month ago
@MegaCanelita1 de nada
2ndviolinist 1 month ago
The San Francisco Symphony's early recordings, with Alfred Hertz, were probably all made in Oakland, where the Victor Talking Machine Company (which became RCA Victor in 1929) had a plant. According to David Schneider's history of the orchestra, the recordings were made between 1925 and 1930. They didn't record again until 1941 and those recordings were made with Pierre Monteux, again for RCA Victor, in the War Memorial Opera House.
MrTimber101 9 months ago
I play this in school, but it foes no where near that fast.
mrslovettrules 9 months ago
These recordings would have been made with a single carbon microphone. The top frequency range for early electrical recordings was just a little above 10,000 cycles per second, so it wasn't quite high fidelity. Still, it was a big improvement over the old acoustical process.
MrTimber101 10 months ago