Guys like Gambale and Birelli play more intervals and arpeggios these days, but you have to take your hat off to Charlie for really improvising, playing creatively, and not just recycling a bunch of licks.
Continually amazing to see the younger generation guitarists "discovering" Charlie Christian still today even though he made those fantastic recorded solos about seventy years ago. In my opinion no guitarist has ever reached CC's level of genius and pure musical talent on guitar. He will never be matched.
Charlie's solo in Stompin' at the Savoy is also incredible, just as good as this one. You would be hard pressed to find 2 of the greatest guitar solos ever recorded come from the same guy. I bought 'Solo Flight' over 40 years ago and the solos are still as fresh now as they were then. You can listen to them over and over and always find something new. This guy has serious improvisational chops. He's still years ahead of most of today's guitarists.
I first heard this on a Smitthsonian compilation album I bought at age 15. Can't for the life of me remember why I would buy such an album since I was all about the Beatles and Stones and Ventures. Anyway, proceeded to listen to 'Swing to Bop' EVERY DAY for the next 4 years...
@1crow - It's great, ain't it? Beatles, Stones, Ventures are interesting, when we're younger. Understanding C. Christian, Lester Young, Red Norvo, Roy Eldridge and others are the next step.
Hearing Charlie play just hits me in the gut every time.
He was such a raw genius who died at such a young age. It's sad to think what he could have gone on to do. We have to cherish the few recordings we have of him.
In questo video c'è la storia della chitarra jazz . Ascoltando attentamente ci si accorge quanto è ancora moderno oggi giorno. Viva Charlie Christian per sempre. Nelle frasi piccole ripetute spostando gli accenti è veramente unico.
chack out the drummer how he is interacating to every move of Charlie...this way before drummers use the use open ride symbals....I listen to this may be twice a day...wow...
chack out the drummer how he is intercating to every move of Charlie...this way before drummers use the use open ride symbals....I listen to this may be twice a day...wow...
One of the many great virtues of this clip is that it shows that,at their very best,all great forms of American music(jazz,blues,country,r&b,rock)come from the very same roots,and are really all one. I realize this is a simple truth,but it is still a very powerful one,and makes me grateful for having it all available!
@wilsonmcphert It sounds in Bm on my instrument. CC's Blues in B sounds B on my instrument and I don't have any tuning difficulties with anything else either).... I don't know how the transcriber tuned his instrument but I play flute, it's perfectly in tune with the piano, and there's no way I can play over this in Bbm.
This is the defining electric guitar album. There are not 2 ways about it! Anymore questions? All roads lead back to Charlie Christian. T-bone Walker was mates with Charlie and learned a great deal from him. Most early jazz guitarist define him as his sole inspriation. Think about Bill Haley, the father of rock and roll. His first band was a western SWING band. Check out his guitarist version of Caravan. It has Charlies tone and phrasing all over it. I could go on. You do the math.
Lots of comments from people trying to show how clever they are and how much they know about jazz - for goodness sake, just listen to the music and wonder at his talent. No one else has come close to his style, and I hope this doesnt start another long discussion etc etc etc. Thanks for posting
love the space in his playing, and to think he's the first! feels more like something refined back to simplicity from 'shredding', but his experience of soloists was entirely horn and piano players outside of Django maybe? or did he influence Django? both? gotta look further into this...
@jayscott49 — I don't know about their influence on each other, but the way I hear it Charlie Christian's sound is very similar to Django's, although Django played through more genres. Both extremely precise—every note counts and is integral to the melody. But Charlie's slower playing seems to me to be a little more coherent, perhaps simply because of the sheer manic speed that Django reaches.
clarification... I've heard a recording of swing to bop that continues past 3:35, and on some recordings you can hear a trumpet come in for a solo during the fade out. Turns out that I have a album that strongly implies the trumpeter is Diz. Any takes? If it is him on trumpet, why do most other recordings cut it? If it's not, they're still really sick choruses...
@kristofor12345 What d´you mean?...what did Christian,Benson,Pass,Byrd,Wes montgomery and so many others do wrong?...I would like you to give me an answer...
@renemill I'm talking about modern jazz with electric instruments like Bass Guitars, Synths, and of course guitars. I always preferred the soulful style that's in kind of blue, and I do like some of Django's playing. But now we have boring guitar playing in people like Al Di Meola or John Scofield. So maybe not just the guitar but Electric instruments in general and uninspired rich white people ruined the sound of Jazz for me.
@kristofor12345 Now that’s one dumb statement. Fine, everybody goes with their own tastes but to wipe out modern jazz is retarded. Don't want to go into the morbidly moronic rich-white-people-ruined-the-sound-of-jazz reference though I' m totally sick of the whole "political correctness" bullshit
@5507156693 Yeah, pretty stupid when somebody has an opinion about music and supports it with further elaboration. I don't like the current jazz style, so I'm a retard, good to know I guess.
@kristofor12345 Not liking current jazz because it's made by "rich white people" kind of justifies your self-assessment. I’m not gonna fight you back on that
@5507156693 That's not the reason that I don't like it, I don't like it because I don't see any sort of soul in it, and that's probably because the people who make it don't see any real hardship. The rich white people part is just a theory based on what I've seen and heard from those guys
@kristofor12345 : Now that sounds reasonable and I have to agree & you. I think today most of the so called "popular" genres lack soul no matter what ethnicity is doing them
@5507156693 Not just popular music (which I believe is now devoid of any real songwriting), but strictly speaking of Jazz, there's really no feeling in the new stuff that I can see. And it's not really the ethnicity that I was referring to, it's just the upper-middle class suburban people, and most of the musicians in that group are white.
@5507156693 I dunno, I'm trying not to make my opinion sound racial while still admitting that it is sort of, it's hard to explain. I understand that a skin color or ethnicity is not the reason for a personality (or anything really), but if I see a certain personality, like an annoying rich kid who tries to act like he lives in Compton, I (and plenty of other people) may call him "the whitest kid ever" regardless of his race. There, that's the extent of my racism, whether that helps I dunno.
@kristofor12345 I didn't take the time to read every single post in this discussion, but I don't have to. I agree with what you've said. I don't think it's racial, its cultural. And its not just in jazz. I don't know what causes it, but there is something that caused Rock to lose its Roll, and for jazz to lose its soul, and for blues to lose some authenticity. There are some people who think that good guitar play is only about how many notes you can play a second.
@mrcdutra Comparing any other electric guitarist, even Wes, to Charlie Christian is like comparing a kid who gets an A in calculus to Sir Isaac Newton.
I had quite forgotten the name Freddie Green, and would have been less likely to have guessed that they might ever have sharded a stage. Are you telling me there are duets? Nawh... I go to check Freddie Green on this thing...
Wow. Charlie Christian was so advanced for his day. this my favorite track of his, the phrasing, the intensity, just a fantastic solo. Thank goodness someone had the recorder running!!!
yep Cholocharlie is correct charlie Doesn't play scales, he just run changes shaping the inside or ouside of chords in geometric shapes linking them with little chromatic runs called passing notes ... Simple but Deadly. never heard anything like it since..
Also anticipating a chord change by a couple of beats creating a feeling of great drive like a plane diving, Charlie Parker used this Technic too.
What has always been most impressive to me on this track is his awesome flow of ideas. Except for the times when he takes a motif and works it over he's conceptually on the move the whole time. So, so ahead of his times.
There is some debate about this. Two of the foremost authorities on Charlie Christian, Leo Valdes and Garry Hansen both state that contrary to CD liner notes, it was Kersey not Monk who played on this track. In fact Hansen states that Monk played on none of the live Mintons recordings featuring Charlie. I've got an open mind on the matter and would love to hear of any unambiguous evidence on the issue.
@wilsonmcphert You are correct. It is Kersey. None of the recordings feature Monk or Gillespie, unless you count the ones without Christian - "Stardust" and "Kerouac."
I've been playing guitar for many, many years and I will never tire of his brilliance. Listen to his sound, tone, etc. And he was the first to do it!!
@thefuturesouvenirs. You really can't compare Wes and CC, they're both too talented... Wes' greatest influence was CC and Wes learned every solo of CC's.
@jamesb9119 It's in Bb. See 'Solo Flight' the CC website by Leo Valdes for a transcription of the track in tab under its alternative name of 'Topsy'. The link is contained in my comments immediately below the video clip.
@wilsonmcphert One thing to keep in mind with the transcriptions on Valdes's site, the notes are 100% accurate but I only agree with about 94% of his fingering positions. His interpretation is based playing with 2 fingers which I have not heard anywhere else, also in he has a lot of what is called false fingerings which I haven't seen much of in other transcriptions of Charlie's solos. I do appreciate the work that it took to do and him making it available on his site though.
And not a bent note in sight! It's like he's getting all that music out of half-a-guitar!
conoclast2 1 day ago
EEEEEEOOOOOWWWWW !!!
j6449663 2 days ago
Charlie Christian was born to play the guitar....Enough said!
johnartwork 3 days ago
gogo charles!
godfather of electric guitar playing (not just jazz...).
neilraoufsw 2 weeks ago
Guys like Gambale and Birelli play more intervals and arpeggios these days, but you have to take your hat off to Charlie for really improvising, playing creatively, and not just recycling a bunch of licks.
Modes9 2 weeks ago
CONTINUALLY AMAZING TO LISTEN CHARLIE !!!
bluezabec 2 weeks ago
Continually amazing to see the younger generation guitarists "discovering" Charlie Christian still today even though he made those fantastic recorded solos about seventy years ago. In my opinion no guitarist has ever reached CC's level of genius and pure musical talent on guitar. He will never be matched.
jjjazzz1 2 weeks ago
this form of music is difficult to present without loosing the listeners interest...no such problem here.
LanceHelmut 3 weeks ago
what scales?
Django5198 1 month ago
Bream's in my pantheon also
Bogart1899 1 month ago
Charlie's solo in Stompin' at the Savoy is also incredible, just as good as this one. You would be hard pressed to find 2 of the greatest guitar solos ever recorded come from the same guy. I bought 'Solo Flight' over 40 years ago and the solos are still as fresh now as they were then. You can listen to them over and over and always find something new. This guy has serious improvisational chops. He's still years ahead of most of today's guitarists.
Bogart1899 1 month ago
CC, Django, Breau and Stochelo are in my pantheon. This solo is probably the best I've heard
Bogart1899 1 month ago
Jimi Hendrix
Duane Allman
and Charlie Christian
3 guitar gods who changed music who were taken from us far too early
Django5198 1 month ago
and to think that this is before hendrix's time...
really amazing..
000Z9A 2 months ago
grande charlie
scassciatos 2 months ago
I first heard this on a Smitthsonian compilation album I bought at age 15. Can't for the life of me remember why I would buy such an album since I was all about the Beatles and Stones and Ventures. Anyway, proceeded to listen to 'Swing to Bop' EVERY DAY for the next 4 years...
1crow 2 months ago 2
@1crow - It's great, ain't it? Beatles, Stones, Ventures are interesting, when we're younger. Understanding C. Christian, Lester Young, Red Norvo, Roy Eldridge and others are the next step.
jhb134 2 months ago
Phenomonal - total classic! One of the greatest solos ever recorded!
wesm65 2 months ago
The old stuff was the best genuine stuff,all true talent.
Rickswars 3 months ago in playlist Legends
SAY WHAAAAAAAAAAT! daaaaaamn what the fuck has happened to music??? music is so dead now, can anyone do something like this anymore???
the more tools we have the less creative we get
brendananimation 3 months ago 11
@brendananimation wes montgomery...
innicoco57 1 month ago
truly amazing - anybody else feel that Johnny Marr may have listened to this once or twice. There is a definite link to his smith's era playing.
Gartonsleeds 3 months ago
sounds a lot like Django
olystercrowley 3 months ago
@olystercrowley More melodic, IMV.
SmelOdies 2 months ago
0:59 love that part
AUSROTTENY2K 3 months ago
Take out one note and the phrases wouldn't work. Amazing master of playing in and out of the chords.
hummarstra 3 months ago
Are they playing with metronome?
TomasMikaX 4 months ago
Your posts are informative and interesting. Thanks to all of you for teaching me things I didn't know.
lensellers 4 months ago
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lensellers 4 months ago
Hearing Charlie play just hits me in the gut every time.
He was such a raw genius who died at such a young age. It's sad to think what he could have gone on to do. We have to cherish the few recordings we have of him.
sesshin 4 months ago
That's where its at! Love it!
bolder2009 4 months ago
had A 1940 blond ES250 bought at Elderly instrument in the late 90's for 12000$, it was plummy sweet warm balanced, nice guitar
Serial number 9608
callasexperience 4 months ago
Died at age 25. He reminds me of Hendrix, becasue he was so young with so many chops and did so much with the guitar.
snorky500 5 months ago
In questo video c'è la storia della chitarra jazz . Ascoltando attentamente ci si accorge quanto è ancora moderno oggi giorno. Viva Charlie Christian per sempre. Nelle frasi piccole ripetute spostando gli accenti è veramente unico.
gabri3l367 5 months ago
That's really swinging! I love the energy of his playing!
ausgang 5 months ago
awesome, I love this kind of jazz guitar sound and I've been trying to find a name of an artist to match it.
Charlie Christian. very cool.
rockingrobot 5 months ago
b flat
jbowden66 5 months ago
whoa... that was so so good
blubro 6 months ago
ok... i've listened to it six times now and it just keeps getting better... my only complaint is it doesn't go on forever
blubro 6 months ago 2
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the real shredder ^
34bostonceltic 6 months ago
the real shedder ^
34bostonceltic 6 months ago
Just look at the year of this playing.
minutegongcoughs 6 months ago
HELL YES!!!
n64wilbert 6 months ago
This has been flagged as spam show
chack out the drummer how he is interacating to every move of Charlie...this way before drummers use the use open ride symbals....I listen to this may be twice a day...wow...
motreby 6 months ago
chack out the drummer how he is intercating to every move of Charlie...this way before drummers use the use open ride symbals....I listen to this may be twice a day...wow...
motreby 6 months ago 3
@motreby : me too.....I've been listening to it for more than 2 years regularly.....& I hear new things all the time...
kevinherbert 5 months ago
Great music never goes out of style!
BillyRosinet 7 months ago
The flow is unbelievable
lepricon989 7 months ago
@callasexperience: anticipating a chord change; that's what I've been trying to get from this genius playing for so long. Thank you!
gruniongrady 7 months ago
The concept and playing on the bridge at 2:37+ is from someplace like heaven. Still astonishing, even nearly four decades after I first heard it.
gruniongrady 7 months ago
2:00 !!
SedanChair 7 months ago
Man, his lines were so tasty all the time, it's like he came from another planet and we've been trying to catch up with him ever since
SedanChair 7 months ago
have listened to this 100s of times on LP and thrilled to hear again here , even now all these decades later he's fresh and fabulous
(and the Kenny Clarke dropped beats... beyond )
fastborzoi 7 months ago
One of the many great virtues of this clip is that it shows that,at their very best,all great forms of American music(jazz,blues,country,r&b,rock)come from the very same roots,and are really all one. I realize this is a simple truth,but it is still a very powerful one,and makes me grateful for having it all available!
postatility 8 months ago
outstanding.
TheDarmardar 8 months ago
can anyone tell me what key this piece is in?
ethan4sk8 8 months ago
@ethan4sk8
It's in Bbm. See the link under the video for the CC site which has the transcription for this and other CC solos.
wilsonmcphert 8 months ago
@wilsonmcphert it sounds like Bm
nymetsrock 7 months ago
@wilsonmcphert It sounds in Bm on my instrument. CC's Blues in B sounds B on my instrument and I don't have any tuning difficulties with anything else either).... I don't know how the transcriber tuned his instrument but I play flute, it's perfectly in tune with the piano, and there's no way I can play over this in Bbm.
Odd..
Blackgeoff1 2 months ago
@ethan4sk8
it's in B. perhaps the recording was sped up due to the recording process, so maybe he played it in Bflat, but it sounds like B.
stretch1973 6 months ago
This is the defining electric guitar album. There are not 2 ways about it! Anymore questions? All roads lead back to Charlie Christian. T-bone Walker was mates with Charlie and learned a great deal from him. Most early jazz guitarist define him as his sole inspriation. Think about Bill Haley, the father of rock and roll. His first band was a western SWING band. Check out his guitarist version of Caravan. It has Charlies tone and phrasing all over it. I could go on. You do the math.
dreamtimej 9 months ago
Wow.... And to believe he did all this and became this famous and was only 25 when he died! It's insane! Truly phenomenal!
Margret2you 9 months ago
70yrs ago & STILL fresh today :)
CadillacL 9 months ago
holy crap. genius!!!!!
fmilktoast 10 months ago 13
Lots of comments from people trying to show how clever they are and how much they know about jazz - for goodness sake, just listen to the music and wonder at his talent. No one else has come close to his style, and I hope this doesnt start another long discussion etc etc etc. Thanks for posting
bud0070 11 months ago
@bud0070 Im so clever i think i have worked out that judging by the pictures of charlie, the guitar strap was not yet invented!
mrmrmanlyman 10 months ago
@bud0070 little hypocritical here...
DimebagsLeftToe 10 months ago
@bud0070 What's that outburst supposed to mean? Everybody on here can just shut up - except for you of course ? :-)
Hate to tell you, but that's just your opinion, which is just as valid and just as worthless as everyone else's on here, including mine :-)
twangbarfly 9 months ago
The grandfather of Rock and Roll... thanks broseph
TeamXTREMEPANTERA 11 months ago
Very hip, sophisticated, swinging music.
cosmo2631 11 months ago
That was great.
FreeGuitarLicks 1 year ago
This man's licks are mad and precise! And nobody taught him to play like that.
49kasey 1 year ago
Chalie at his swingin' finest! His playing is an eternal inspiration!
pickin6 1 year ago
Bird copied his licks. That's the greatest tribute a musician can get.
GhostofCliffGullett 1 year ago 2
love the space in his playing, and to think he's the first! feels more like something refined back to simplicity from 'shredding', but his experience of soloists was entirely horn and piano players outside of Django maybe? or did he influence Django? both? gotta look further into this...
jayscott49 1 year ago
@jayscott49 — I don't know about their influence on each other, but the way I hear it Charlie Christian's sound is very similar to Django's, although Django played through more genres. Both extremely precise—every note counts and is integral to the melody. But Charlie's slower playing seems to me to be a little more coherent, perhaps simply because of the sheer manic speed that Django reaches.
hubertrogers 1 year ago
Another world-class guitar genius who died way too young.
ManyGodz 1 year ago
wow, and who was the DROPPED BEATS????
can't hear this enough
fastborzoi 1 year ago 6
Charlie was just so unreal with his technique and playing!
hnksnw 1 year ago
Fantastic player! A real pioneer!
carlolaurenzi 1 year ago
clarification... I've heard a recording of swing to bop that continues past 3:35, and on some recordings you can hear a trumpet come in for a solo during the fade out. Turns out that I have a album that strongly implies the trumpeter is Diz. Any takes? If it is him on trumpet, why do most other recordings cut it? If it's not, they're still really sick choruses...
jamesb9119 1 year ago
I love this guy's playing, but I kinda hate what the guitar did to Jazz.
kristofor12345 1 year ago
@kristofor12345 why would you say that?
HiImJerry8 1 year ago
@kristofor12345 What d´you mean?...what did Christian,Benson,Pass,Byrd,Wes montgomery and so many others do wrong?...I would like you to give me an answer...
renemill 1 year ago
@renemill I'm talking about modern jazz with electric instruments like Bass Guitars, Synths, and of course guitars. I always preferred the soulful style that's in kind of blue, and I do like some of Django's playing. But now we have boring guitar playing in people like Al Di Meola or John Scofield. So maybe not just the guitar but Electric instruments in general and uninspired rich white people ruined the sound of Jazz for me.
kristofor12345 1 year ago
@kristofor12345 Now that’s one dumb statement. Fine, everybody goes with their own tastes but to wipe out modern jazz is retarded. Don't want to go into the morbidly moronic rich-white-people-ruined-the-sound-of-jazz reference though I' m totally sick of the whole "political correctness" bullshit
5507156693 1 year ago 3
@5507156693 Yeah, pretty stupid when somebody has an opinion about music and supports it with further elaboration. I don't like the current jazz style, so I'm a retard, good to know I guess.
kristofor12345 1 year ago
@kristofor12345 Not liking current jazz because it's made by "rich white people" kind of justifies your self-assessment. I’m not gonna fight you back on that
5507156693 1 year ago 3
@5507156693 That's not the reason that I don't like it, I don't like it because I don't see any sort of soul in it, and that's probably because the people who make it don't see any real hardship. The rich white people part is just a theory based on what I've seen and heard from those guys
kristofor12345 1 year ago
@kristofor12345 : Now that sounds reasonable and I have to agree & you. I think today most of the so called "popular" genres lack soul no matter what ethnicity is doing them
5507156693 1 year ago
@5507156693 Not just popular music (which I believe is now devoid of any real songwriting), but strictly speaking of Jazz, there's really no feeling in the new stuff that I can see. And it's not really the ethnicity that I was referring to, it's just the upper-middle class suburban people, and most of the musicians in that group are white.
kristofor12345 1 year ago
@kristofor12345 : Well, I see you still want to make it racial.
Tell me, did the born and lived in wealth non-white Miles Davis have soul?
Do the current "speakers- for- the-ghetto" non-white hip-hop millionaires have soul?
Do you think only starving musicians have soul?
(BTW, I heard a critic calling today’s jazz “intellectual”, lol; maybe that’s the problem?)
5507156693 1 year ago
@5507156693 I dunno, I'm trying not to make my opinion sound racial while still admitting that it is sort of, it's hard to explain. I understand that a skin color or ethnicity is not the reason for a personality (or anything really), but if I see a certain personality, like an annoying rich kid who tries to act like he lives in Compton, I (and plenty of other people) may call him "the whitest kid ever" regardless of his race. There, that's the extent of my racism, whether that helps I dunno.
kristofor12345 1 year ago
@kristofor12345 I didn't take the time to read every single post in this discussion, but I don't have to. I agree with what you've said. I don't think it's racial, its cultural. And its not just in jazz. I don't know what causes it, but there is something that caused Rock to lose its Roll, and for jazz to lose its soul, and for blues to lose some authenticity. There are some people who think that good guitar play is only about how many notes you can play a second.
Odin029 1 year ago
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Odin029 1 year ago
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Odin029 1 year ago
those riffs at 2:37 ....
wilhoitsux 1 year ago
good , good video thank you a lot
MoreDiscoShow 1 year ago
Even though the recording quality is bad, you can still hear how good his guitar tone was!
riskotibor80 1 year ago
Charlie Christian puts Wes Montgomery in the pocket.
mrcdutra 1 year ago
@mrcdutra Comparing any other electric guitarist, even Wes, to Charlie Christian is like comparing a kid who gets an A in calculus to Sir Isaac Newton.
Hoopermazing 1 year ago
I had quite forgotten the name Freddie Green, and would have been less likely to have guessed that they might ever have sharded a stage. Are you telling me there are duets? Nawh... I go to check Freddie Green on this thing...
monjoUtube 1 year ago
One wonders who the other guitar player in the photo might be?
monjoUtube 1 year ago
@monjoUtube That's Freddy Green, playing along with Lester Young and Count Basie amongst others.
wilsonmcphert 1 year ago
HiImJerry8, Thanks I hope it helped you,
callasexperience 1 year ago
did he play with a pick? or with his thumb? those two images at 1:13 and 1:16 really confuse me :S
HiImJerry8 1 year ago
He had such a great style.
mjazzguitar 1 year ago
Of course kids could figure this out and say he was way over rated.
mjazzguitar 1 year ago
Is the any footage of Charlie Christian playing?
LoneWolfHowl1 1 year ago
@LoneWolfHowl1
Sadly no.
wilsonmcphert 1 year ago
Its like the Robert Johnson of jazz guitar playing
LoneWolfHowl1 1 year ago
Wow. Charlie Christian was so advanced for his day. this my favorite track of his, the phrasing, the intensity, just a fantastic solo. Thank goodness someone had the recorder running!!!
knotinnswervice 1 year ago
the young man who recorded the tracks knew who the piano player was.. period
callasexperience 1 year ago
yep Cholocharlie is correct charlie Doesn't play scales, he just run changes shaping the inside or ouside of chords in geometric shapes linking them with little chromatic runs called passing notes ... Simple but Deadly. never heard anything like it since..
Also anticipating a chord change by a couple of beats creating a feeling of great drive like a plane diving, Charlie Parker used this Technic too.
callasexperience 1 year ago
@callasexperience wait, so he took notes from chords and linked them with other notes using chromaticism? what a tough technique!
HiImJerry8 1 year ago
por dios.... que guitarrista ...
sexomandos 1 year ago
Is it true that he was Jewish?
LarryUreyVision 1 year ago
I'm pretty sure Bird copied licks from CC.
GhostofCliffGullett 1 year ago
What has always been most impressive to me on this track is his awesome flow of ideas. Except for the times when he takes a motif and works it over he's conceptually on the move the whole time. So, so ahead of his times.
Biggus63 1 year ago 18
The drummer is fucking crushing it, whoever he is..
mendocinoplayboy 1 year ago
@mendocinoplayboy
Kenny Clarke
MJLatora 1 year ago
Isn't that Charlie Mingus on bass? And Max Roach on drums? That's what I heard, not that it matters b/c Christian takes it all over the place.
GhostofCliffGullett 1 year ago
i hate it when they call only monk, bird and dizzy the fathers of bebop. charlie was a huge part of the develop of bebop too!
BeatBay 1 year ago
what scale does he use on this track?
cholocharile 1 year ago
@cholocharile Charlie doesn't play scales, his solos are based more on arpeggios, and chromatic runs.
DCmey 1 year ago
the guitar is so great it would be easy to ignore the amazing drummer and thelonius monk of course is always mind bending
Mythlcshadowz 1 year ago
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GhostofCliffGullett 1 year ago
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GhostofCliffGullett 1 year ago
zomg its tay zonday
breaththeair 1 year ago
thats weird my name is charlie christian :^)
cachristian123 1 year ago
@cachristian123 , You're weird.
guitarslim56 1 year ago
1:38 Is that Gene Krupa?
cholocharile 1 year ago
@cholocharile
That's Georgie Auld, tenor sax player with Benny Goodman's sextet, of which Charlie was also a member.
michaelbackhouse 1 year ago
@cholocharile That's Dave Tough on drums
jimraw1 1 year ago
That is NOT Kenny Kersey on Piano.. That is Thelonious Monk!
DrunkenMantis 1 year ago 2
@DrunkenMantis
There is some debate about this. Two of the foremost authorities on Charlie Christian, Leo Valdes and Garry Hansen both state that contrary to CD liner notes, it was Kersey not Monk who played on this track. In fact Hansen states that Monk played on none of the live Mintons recordings featuring Charlie. I've got an open mind on the matter and would love to hear of any unambiguous evidence on the issue.
wilsonmcphert 1 year ago
@wilsonmcphert You are correct. It is Kersey. None of the recordings feature Monk or Gillespie, unless you count the ones without Christian - "Stardust" and "Kerouac."
kmc56 1 year ago
According to Robin D.G. Kelley's biography on Monk, it was indeed Thelonious (uncredited) on the May 12th 1941 jam session at Minton's.
00SoulPower 1 year ago
This has been flagged as spam show
According to Robin D.G. Kelley's biography on Monk, it was indeed Thelonious (uncredited) on the May 12th 1941 jam session at Minton's.
00SoulPower 1 year ago
This has been flagged as spam show
According to Robin D.G. Kelley's biography on Monk, it was indeed Thelonious (uncredited) on the May 12th 1941 jam session at Minton's.
@00soulpower
00SoulPower 1 year ago
I've been playing guitar for many, many years and I will never tire of his brilliance. Listen to his sound, tone, etc. And he was the first to do it!!
TheFizz40 1 year ago
wow this is amazing
LaPriest 1 year ago
Amazing stuff!!!!! What an innovator!!!!!!
GuitarTheoryInDepth 1 year ago
"wes" is the best, say no more
thefuturesouvenirs 1 year ago
@thefuturesouvenirs. You really can't compare Wes and CC, they're both too talented... Wes' greatest influence was CC and Wes learned every solo of CC's.
charmister 1 year ago
Man what an awesome player. great stuff..10/10...Peace...Jake
JPRBlues 1 year ago
I love Charlie's playing! The man was way ahead of his time I think!
pedalhogg 1 year ago
Reminds me of Django
MegaYoshitsune 1 year ago
@MegaYoshitsune Django did incorporate some arpeggios in solos but his style was more gypsy jazz.
DCmey 1 year ago
One of my guitar heros. A legend..
kennsmith 1 year ago
i love this kind of jazz, oh man
TheBrownTies 1 year ago
is missing the trumpet ,piano and second solo of Charlie , anyway good post and fuck mtv !!!
alecaleblues 1 year ago
pure gold..such taste for melody and movement..rhythm and dynamics..glorious, bouncy and dashing
ewe2oobes 1 year ago
AMEN -- He should have lived longer.
Too bad Charlie and Django never got together.
JimmyDeLocke 1 year ago
The guitar equivalent to "Bird".One of the greatest soloists of any kind,ever!
postatility 1 year ago
Anyone know what key this is in?
jamesb9119 1 year ago
@jamesb9119 It's in Bb. See 'Solo Flight' the CC website by Leo Valdes for a transcription of the track in tab under its alternative name of 'Topsy'. The link is contained in my comments immediately below the video clip.
wilsonmcphert 1 year ago
@wilsonmcphert One thing to keep in mind with the transcriptions on Valdes's site, the notes are 100% accurate but I only agree with about 94% of his fingering positions. His interpretation is based playing with 2 fingers which I have not heard anywhere else, also in he has a lot of what is called false fingerings which I haven't seen much of in other transcriptions of Charlie's solos. I do appreciate the work that it took to do and him making it available on his site though.
DCmey 1 year ago
Comment removed
MultiPeaceboy 1 year ago
Ingenious... I understand the reason Wes was inspired by Charlie Christian. It flows in Charlie's blood... he should have lived longer... very sad !
abelmwagha 1 year ago
Amen...Spirits continue to walk among us
Zombiewulf1 1 year ago
Inspirational !
mallee17 1 year ago
sweet.
MattyMyhem 2 years ago
timeless.
inthecresents 2 years ago
Music would never be the same...
ginosupernova 2 years ago 4
Everyone who plays an electric guitar must be thankful to Charlie Christian.
tenorbanjo4 2 years ago 36
Herb Ellis entitled an album to that effect, i.e. "Thank You, Charlie Christian."
Hoopermazing 2 years ago 5
and anyone who ever sang...
kevinherbert 1 year ago
@tenorbanjo4 and everyone who plays saxophone should be just a little pissed.
pencert 1 year ago
a true legend...
kniphofiarufa 2 years ago 8
If I'm feeling a bit down....I listen to this, and hey presto......I'm cured
kevinherbert 2 years ago 4
when you think he is simply boppin some down home blues licks...amazing
callasexperience 2 years ago 15