thought poly meant 5 instead of many. because 3 in RH + 2 in LH = 5. Anyway, fantastic video didn't realise I was playing polyrhythms, really good at explaining them thanks :-)
Your counting for 4 vs 3 doesn't work well, because it suggests having the beats in "dif-i-cult" evenly spaced, which in fact is not correct. I learned it with: Pass the god-damn butt-er. That counting is not as motivating as yours, though. :)
I don't think the counting for the 3 vs. 4 works perfectly...it gives you 4 16th notes against 2 dotted 16ths followed by a 16th, as opposed to even triplets. Oh well, this video still helps a lot, thanks very much :D
wow finally ,now i understand ! in chopen nocturne in c charpe are o lot of polyrhythms and i did not understand everything , but now i am happy ,huaaaaaaaaaaaaaaaaaaarayyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
this video makes takes something easy and makes it difficult. The easy way to understand the polyrhythm of 3 against 2 is to simply think of quarter, eighth+eighth quarter, i.e. 1, 2&, 3. One voice gets 1 2 3, the other gets beat 1 and the "and" of 2.
@swordchucks4life first off, you are flat wrong. It is a true 3 against 2 rhythm. Do the math. Secondly, I was trying to be nice and not mention what a horrible video lesson this is. Learn your shit.
@jazzadellic Everybody has their own way of figuring out polyrhythms and explaining polyrhythms. You just have to take your time until the light goes on.
Indeed even though I never knew what a polyrythm was I realised that 3/4 polyrythm was wrong.
Since you happen to have 2 metronomes I'd suggest you set one at 60bpms and the other at 80bpms and start them at the same time. You will hear the correct polyrhythm.
I really think you should reupload a fixed version of this lesson since these piano lessons are so great it would be a shame to leave something like this wrong.
ok but 4/3 cant be just played any way I like it, the third 8th note has to be right before the 4th 16th note, can't be played in the middle of the two or just right after the 3rd 16th note, otherwise the triplet would sound weird. That's what happens to me, I can't get the 3rd 8th note in the right place, I either get the right hand ok or the left hand, cant do both, I tried singin about the butter, writing everything as a 12/4 measure, recording, listening to a midi file...
polyrythm is playing 2 different time signatures at the same time. usually they will meet up at the same amount of bars every time and start over again. like if you are playing 4\4 timing on one hand and 9\8 timing on the other hand they meet up at the 5th bar. for drumming lessons you normally should start learning 4\4 on the hi hat doing quarter notes with left foot, and do a 6\4 snare roll using quarter notes.
Sorry, but TheApocalypseKid is right, your 3 vs. 4 was what I came to learn (I already knew the 3 vs. 2), and what you played wasn't a polyrhythm. The 4 semiquavers (I'll count that as 1 + 1 + 1 + 1) underneath were right (as in consistent, all note lengths equal) but the other hand played a grouping of dotted quaver + quaver + dotted quaver (1.5 + 1 + 1.5). To be a polyrhythm, that other hand would need to change to a group of 3 quaver triplets, so (1.333 + 1.333 + 1.333). Thanks, though...
Hi, just started looking at your vids - seem like there's some great stuff in all of them, but i just noticed this youtube clip for #26 seems to be broken - it consistently stops at about 3:27 into the clip (only accesses about 8mb of the 30+ mb file). Hopefully this is easy to fix?
@mexrilla you get a grade for it NOW buddy, and it is a failing grade. Self respect should give you the inspiration to apply the proper language you learned in school. We studied to prepare ourselves fou society, but now everyone wants to act like the ignorant black people, thinking that shit is cooooooooooool. Your daily life is your classroom now, it's time to apply what you cost your parents to send you to school to learn.
Like a few of your other viewers have pointed out: The way you use the word string 'Not very difficult' does not bring out the 3 vs 4 nor the 4 vs 3.
I have made a video which may elucidate it.
In stead I use the strings 'We can feel the rhythm' and 'A polyrhythmic flow' - whose natural accentuations respectively bring the two different polyrhythmic layers in to focus.
It's a nice tutorial but this is not true 3 against 4. This is just a method to learn the sequence of the notes. But the durations of the notes aren't quite right.
hm when its slow it sounds like 1 2and3. then when i do it faster i just count the triplets and that seems to work for me. i didn't know it was so simple thanks.
For three over four I worked with a metronome, isolating three over one in one hand, then four over one in the other, and alternating between the two. I found you really need to be able to feel one, which is hard a such a slow tempo.
just by writing it out and goin really slowly, i found it quite easy. for 3 against 5, i wrote down 15 lines and on every three i put a black dot and every 5 i put a blue one and i just counted one two three and added the five on top, i then got the feel of it and sped it up.
the more we discover the intricacies of music theory, the more we realise the true genius of inspirational composers such as chopin debussy, stravinsky, and liszt.
Excellent lesson. I think I understand now. I had a hard time playing 3 over 2, but it's getting easier now. Also, what is the piece you play at 1:30? Thanks!
Thanks for this! I'm 50 and have played on & off since I was 8. Only had about 5 years of lessons (often skipping months in between). Different L/R hand rhythms (esp. Chopin Impromptu #4) had me stumped. This was helpful (and entertaining).
1. count and tap sixteenths with the left hand '1-ee-an-uh 2-ee-an-uh...'.
2. the syllables 'not' 'ver' 'diff' 'cult' correspond with the sixteenth. the syllables 'not', 'ee(y)', and 'i' correspond with the triplet. tap sixteenths while saying 'not' 'ver' 'diff' 'cult'.
3. add the right hand on 'not'.
4. add the right hand on 'ee(y)'.
5. add the right hand on 'i'. it may have fallen into place already.
1. count steady triplets while tapping with the right hand. '123123...'.
2. the triplet corresponds with the syllables 'not', 'diff', and 'cult'. the eighth corresponds with the syllables 'not' and 'i'. say the corresponding syllables, 'not' 'diff' 'cult' while tapping the triplet with the left hand.
3. add in the left hand on 'not'.
4. add in the 'i' syllable with the left hand, between the 'diff' and 'cult' syllables.
This is great and after so many years of playing Piano I finally got an answer. The only problem is whit Fantasy Impromptu it is so fast you have to say not ve-ry-dif-fi-cult really fast. I guess it just means that you have to start slow :/. Great 5/5!
Of course, another important aspect of this is that once you start playing the approximated polyrythm your hands should find the real rhythym naturally, since each hand will eventually seek equal intervals. Anyhow, Kudos to Lypur! This series is awesome, thought provoking, instructive and filled with humour and grace. Cheers!
Now, my interpretation of the "Not-ve-ry-dif-fi-cult" approximation is: 1/4, 1/8. 1/8, 1/8, 1/8 1/4, and repeat... Which is very cool because approximation takes a complicated progression and give you something in 1/4 and 1/8 notes. The difference between the true and approximated rythym is just that you tweak the second note of the 3-rythym forward by 1/24 and the 3rd note backward by 1/24...
Yesterday I came upon this excellent video and was by intrigued the obnoxious (but kind of insightful) comment by "Lypur". He claims your "Not-ve-ry-dif-fi-cult" method is mathematically incorrect. So I made a little diagram to check out his claim. Well, it turns out that a perfect 3-4 polyrhythym has the following mathematical rythym... Starting with the two hands together: 1/4, 1/12, 1/6, 1/6, 1/12, 1/4, and repeat ...
I don't think "Not-ve-ry-dif-fi-cult" is a very good method to use. There has to be a long pause between the notes corresponding to "dif-fi". I attempt polyrhythms by counting 12 beats, and playing as the following
the RH plays a note every 3 beats and LH plays every 4 beats. This method helps me get a feel for polyrhythms, but the problem with it is that, although it's accurate, it's impossible to use this in difficult ones like 6 against 7.
i agree with you 100% on the "Not-ve-ry-dif-fi-cult" phrase i find "Pass the gol-den but-ter" comes much more natural to me.
Why is impossible to use TUBS notation for 6 against 7 though? Surely if you find the lowest common multiple of both numbers, this will indicate the number of arbitrary units of time you will need? e.g 3 against 4 =12 units, 6 against 7 = 42 units
Thanks for the lecture. when I first practiced Fantaisie Impromptu (an example of pieces that use 3/4 rhythm) I thought I was supposed to just play the notes fast to make them sound like a polyrhythm. Now I see that it requires practice. How long did it take you to master 2/3, 3/4 rhythms? I have been so frustrated about them. The middle part of Chopin Sonata No.3 Finale, Op.post Etudes in F minor, in A flat major. My major problem in these pieces is polyrhythm! I must get it right eventually.
For 3 against 2 I was taught "nice cup of tea". I suppose being from England that makes sense. It's always worked for me but I still drink too much tea.
Thank you for this tutorial. It was very entertaining and effective. It makes me want to practice my polyrythyms. I used to hate them but now I'm on better terms.
This comment has received too many negative votesshow
your three beats over four sounds completely wrong. you are playing the rythm like you might play eighth sixteenths, and it does not sound mathamatically correct at all.
please make a video and demonstrate your way of doing things. :) I've had nothing but compliments on this way of working out polyrhtyhms. It was taught to me by a well known teacher in Canada, it does produce the results needed to get your mind wrapped around the polyrhythm. Anyway, if for some reason all this time I've been doing it wrong, I'd love to be enlightening so please show me what you mean. If you're going to present an argument you must present the solution as well.
I'm glad to see this video, I saw/heard you playing this piece and I got a copy of the sheet music. Have have been having my teacher help me, but I really struggle. Getting the hang of the timing is tough.
thought poly meant 5 instead of many. because 3 in RH + 2 in LH = 5. Anyway, fantastic video didn't realise I was playing polyrhythms, really good at explaining them thanks :-)
00BuCkErZ00 1 week ago
Comment removed
jukeboxjoe123 2 weeks ago
bow down to the polyrhythm king cause now i know how this goes thanks andrew
augie150 1 month ago
Your counting for 4 vs 3 doesn't work well, because it suggests having the beats in "dif-i-cult" evenly spaced, which in fact is not correct. I learned it with: Pass the god-damn butt-er. That counting is not as motivating as yours, though. :)
qwert789456 1 month ago 2
Rondo in C by Beethoven is quite annoying because of the Poly Rhythm! :P
mose0109 2 months ago
Thank you so much for this! I can play 2 versus 3 now, which I've been trying so hard for so long.
ToolPuritan 3 months ago
ze wrong ahi u sux
thepactissealed 4 months ago
You rock
TheDropismVlog 4 months ago
Radiohead - Bloom is full of polyrythms. It sounds so chaotic and off-beat.
SuperMegaPeanut 5 months ago
I don't think the counting for the 3 vs. 4 works perfectly...it gives you 4 16th notes against 2 dotted 16ths followed by a 16th, as opposed to even triplets. Oh well, this video still helps a lot, thanks very much :D
linnaes 6 months ago
Hi Andrew what is the piece you are playing in this video called?
kirstenization 6 months ago in playlist Learn How To Play Piano (NEW)
"my tarzan ... me king of the polyrithaaams "
keksnicoh 7 months ago 2
thanks a lot need mor to show the piano while playing in a slow motion for beginners like me
MrNadav1995 7 months ago
after you watched this video please leave a like!!! It deserves it!!!
LeechesInMyBlood 7 months ago
wow finally ,now i understand ! in chopen nocturne in c charpe are o lot of polyrhythms and i did not understand everything , but now i am happy ,huaaaaaaaaaaaaaaaaaaarayyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
LeechesInMyBlood 7 months ago 2
I freaking loce this dode
ImCalebRosengard 8 months ago
@ImCalebRosengard Love* and dude*
ImCalebRosengard 8 months ago
@ImCalebRosengard Oookaaayyy, learn to spell or type quickly and I would agree with you :)
CallingTheNight 7 months ago
dude you high?
Eamon1390 8 months ago
THANK YOU
KH2fanatic2010 8 months ago
excellent lesson. thank you very much
ronalsanchezdotcom 9 months ago
This was helpful. Don't pay attention to the negative comments
renegeesnegnar 9 months ago
This has been flagged as spam show
This guy is such a skeevey weirdo.
meginis8 10 months ago
This guy is such a skivey wierdo.
meginis8 10 months ago
thank you for uploading!
kitsukawa 10 months ago
The Shermanator from American Pie..
v2vroth 11 months ago 14
Yo your hair looks weird.
elsrocks 11 months ago
this video makes takes something easy and makes it difficult. The easy way to understand the polyrhythm of 3 against 2 is to simply think of quarter, eighth+eighth quarter, i.e. 1, 2&, 3. One voice gets 1 2 3, the other gets beat 1 and the "and" of 2.
jazzadellic 11 months ago
Comment removed
swordchucks4life 9 months ago
@swordchucks4life first off, you are flat wrong. It is a true 3 against 2 rhythm. Do the math. Secondly, I was trying to be nice and not mention what a horrible video lesson this is. Learn your shit.
jazzadellic 9 months ago
@jazzadellic Everybody has their own way of figuring out polyrhythms and explaining polyrhythms. You just have to take your time until the light goes on.
Lehmann108 9 months ago
Indeed even though I never knew what a polyrythm was I realised that 3/4 polyrythm was wrong.
Since you happen to have 2 metronomes I'd suggest you set one at 60bpms and the other at 80bpms and start them at the same time. You will hear the correct polyrhythm.
I really think you should reupload a fixed version of this lesson since these piano lessons are so great it would be a shame to leave something like this wrong.
blastamos 1 year ago
mas'e sampeyan ki kog ga maen dii piano tow?saya kan nda' ngerti sampeyan ki ngoceh opo...woalah dalah...piye iki...
yudhamaria 1 year ago
great and simple explanation!
thank you!
13binghiroots 1 year ago
Sorry, but your 3 against 4 rhythm is WRONG!!! „not very difficult“ ist NOT 3 against 4.
helmige 1 year ago
search youtube for: How to Do the 4 Over 3 Motion on Drums. this is the correct rhythmical pattern.
helmige 1 year ago
Thank you so much! This video in collaboration with my daughters piano teacher helped her play Arabesque 1# By Debussy!
hairong5258 1 year ago
you have some good mnemonic tools, thanks! check out 'animals as leaders' for some polyrhythms on guitars and drums and stuff.
godthegourd 1 year ago
CHEERS FOR THE LESSON >> A GREAT HELP !!
thesimplefineline 1 year ago
this is really helpful, thank you for posting! You know you've made a good lesson when a drummer can find use in a piece meant for pianists!
tambian89 1 year ago
hahahahahahahahahaha
he kicks Austin McBride's ass.
SSSOO HAARD when it comes to piano teaching
hahaha if you havent seen his videos you should
its like a epsiode of roseanne
FUCKING HILARIOUS!!!
sk8ter3699 1 year ago
i think that 3+4 is heard in the pirates of the caribbean intro.
myrddin021 1 year ago
tool anyone????? lol
humbleleon991 1 year ago
@humbleleon991 how is he a tool? hes seems cool, albeit awkward and quirky... but thats awesome
calvinandhodge 1 year ago
ok but 4/3 cant be just played any way I like it, the third 8th note has to be right before the 4th 16th note, can't be played in the middle of the two or just right after the 3rd 16th note, otherwise the triplet would sound weird. That's what happens to me, I can't get the 3rd 8th note in the right place, I either get the right hand ok or the left hand, cant do both, I tried singin about the butter, writing everything as a 12/4 measure, recording, listening to a midi file...
margotlorena1 1 year ago
polyrythm is playing 2 different time signatures at the same time. usually they will meet up at the same amount of bars every time and start over again. like if you are playing 4\4 timing on one hand and 9\8 timing on the other hand they meet up at the 5th bar. for drumming lessons you normally should start learning 4\4 on the hi hat doing quarter notes with left foot, and do a 6\4 snare roll using quarter notes.
freakoutguitarsolo1 1 year ago
i dont think it takes 12+ minutes to explain polyrythems
gErgx12 1 year ago
Sorry, but TheApocalypseKid is right, your 3 vs. 4 was what I came to learn (I already knew the 3 vs. 2), and what you played wasn't a polyrhythm. The 4 semiquavers (I'll count that as 1 + 1 + 1 + 1) underneath were right (as in consistent, all note lengths equal) but the other hand played a grouping of dotted quaver + quaver + dotted quaver (1.5 + 1 + 1.5). To be a polyrhythm, that other hand would need to change to a group of 3 quaver triplets, so (1.333 + 1.333 + 1.333). Thanks, though...
Arachnidius 1 year ago
Hi, just started looking at your vids - seem like there's some great stuff in all of them, but i just noticed this youtube clip for #26 seems to be broken - it consistently stops at about 3:27 into the clip (only accesses about 8mb of the 30+ mb file). Hopefully this is easy to fix?
dewulf2 1 year ago
the saying i use is "cold-cup-of-tea" HAHAHA
GregoryGraveyard 1 year ago
hello Mr. Andrew you are realy great .
you are my best hero in the world.
And I am your best fan from India by
Beni
MrDbeni 1 year ago
dude, you helped alot with that sheet music in the back.......!
mexrilla 1 year ago
@mexrilla "alot" is not a word. That should help you "a" "lot".
p52xtra 1 year ago
@p52xtra
This is youtube, not english class buddy :)
mexrilla 1 year ago
@mexrilla If you are not going to apply what you were taught in a public forum, then when would you ever bother to spell correctly?.... BUDDY
p52xtra 1 year ago
@p52xtra
When it is neccessary, buddy :)
mexrilla 1 year ago
@mexrilla when would you deem it necessary,.... BUDDY? :-)
p52xtra 1 year ago
@p52xtra
As soon as i get a grade for it ....buddy :^)
mexrilla 11 months ago
@mexrilla you get a grade for it NOW buddy, and it is a failing grade. Self respect should give you the inspiration to apply the proper language you learned in school. We studied to prepare ourselves fou society, but now everyone wants to act like the ignorant black people, thinking that shit is cooooooooooool. Your daily life is your classroom now, it's time to apply what you cost your parents to send you to school to learn.
p52xtra 11 months ago
This has been flagged as spam show
Thank you so much! This really taught me how to play polyrhythms!
partygurl41 1 year ago
Thank you so much! This tutorial really taught me how to play polyrhythms!
partygurl41 1 year ago
OMG thank you so much!! This tutorial helped me so much in learning how to play polyrhythms!
partygurl41 1 year ago
I've played wind instruments for 30 years and just re-started piano. I avoided polyrythms like the plague. You've given me hope!
christopher100 1 year ago
this helped me alot
nuggetowow 1 year ago
This is so boring, & far to advanced. We should have been practising with actual songs up until now. Not just video after video of theory
1091Floyd21 1 year ago
Thank you:0 this was very helpful!
HairGlitter 1 year ago
is there a differnce between 3 vs 4 and 4 vs 3
ibanezxiphos700 1 year ago
Like a few of your other viewers have pointed out: The way you use the word string 'Not very difficult' does not bring out the 3 vs 4 nor the 4 vs 3.
I have made a video which may elucidate it.
In stead I use the strings 'We can feel the rhythm' and 'A polyrhythmic flow' - whose natural accentuations respectively bring the two different polyrhythmic layers in to focus.
skyelof 1 year ago
this is a stupid question but whats the time signature for the first one? is it 5/8?? im not real good with time signatures
imperfection32 1 year ago
ask a decent drummer they can explain it alot better :D this guy is pretty funny lol
razz11 1 year ago
Lol, dancing, cats is SOO, funny! That, dude must have a, looo,ong PENIS!
Lohnerider 1 year ago
Good video and you seem like a nice guy, but yeah you play the 3 over 4 wrong. I mean you're playing the triplet unevenly.
rololoo 1 year ago
thanks, this helps a lot.
iampalpal 1 year ago
proper gimp man lol good videos that ur a good teacher
jim48shaker 2 years ago
Yeah the 3 over 4 is slightly off on the piano (as he admits) but the notation is correct.
The best way to think of 3 over 4 would be a measure of 12/8:
1 and a, 2 and a, 3 and a, 4 and a
LH: (1) and a, (2) and a, (3) and a, (4) and a
RH: (1) and a, 2 (and) a, 3 and (a), 4 and a
Tap the first parentheses with your Left Hand and the second parentheses with your Right Hand.
vindikation 2 years ago
It's a nice tutorial but this is not true 3 against 4. This is just a method to learn the sequence of the notes. But the durations of the notes aren't quite right.
kankertriest 2 years ago
i can play infinity over negative infinity
mtabet02 2 years ago 14
I can play 7/4 over 11/4.
JackETProductions 2 years ago
you should explain the hard ones like 7 over 4 or 5 over 4 or o on
hairlessdog101 2 years ago
4:55
It decided to hypnotise us all with his evil polyrhythm stare beat
redheadhistorian 2 years ago
sweet video thanx!
jlaw666 2 years ago
hm when its slow it sounds like 1 2and3. then when i do it faster i just count the triplets and that seems to work for me. i didn't know it was so simple thanks.
Fartan117 2 years ago
For three over four I worked with a metronome, isolating three over one in one hand, then four over one in the other, and alternating between the two. I found you really need to be able to feel one, which is hard a such a slow tempo.
fluentc 2 years ago
You gave me a Cerebral front-end alignment! Thank you for your time. This is a virtuoso explanation.
drPeabody 2 years ago
Not Difficult!
:)
Patfromhutto 2 years ago
Raise your camera up man,
Feel'n short down here.
MickeyLWalker 2 years ago 3
you made me smile :)
redheadhistorian 2 years ago
just by writing it out and goin really slowly, i found it quite easy. for 3 against 5, i wrote down 15 lines and on every three i put a black dot and every 5 i put a blue one and i just counted one two three and added the five on top, i then got the feel of it and sped it up.
polyopulis 2 years ago
the more we discover the intricacies of music theory, the more we realise the true genius of inspirational composers such as chopin debussy, stravinsky, and liszt.
deadheadchemist 2 years ago
Excellent lesson. I think I understand now. I had a hard time playing 3 over 2, but it's getting easier now. Also, what is the piece you play at 1:30? Thanks!
rvorti01 2 years ago
That's Debussy Arabesque. Very pretty. Good practice for polyrhythms in both hands
billmorgan 2 years ago
Speak up!
KillingBosby 2 years ago
Nice hair.
sprite384 2 years ago
will the 3vs4 work with 4 32nd notes vs 3 16ths in 2/4 time?
jimmayl1 2 years ago
Thank You very much for best lesson, Dear Sir.
arrieweb 2 years ago
Thanks for this! I'm 50 and have played on & off since I was 8. Only had about 5 years of lessons (often skipping months in between). Different L/R hand rhythms (esp. Chopin Impromptu #4) had me stumped. This was helpful (and entertaining).
Any videos you might do on fingering?
Williepe 2 years ago
for the 16th against the triplet
1. count and tap sixteenths with the left hand '1-ee-an-uh 2-ee-an-uh...'.
2. the syllables 'not' 'ver' 'diff' 'cult' correspond with the sixteenth. the syllables 'not', 'ee(y)', and 'i' correspond with the triplet. tap sixteenths while saying 'not' 'ver' 'diff' 'cult'.
3. add the right hand on 'not'.
4. add the right hand on 'ee(y)'.
5. add the right hand on 'i'. it may have fallen into place already.
sellyoursoulformusic 2 years ago
if you're having trouble, try this:
1. count steady triplets while tapping with the right hand. '123123...'.
2. the triplet corresponds with the syllables 'not', 'diff', and 'cult'. the eighth corresponds with the syllables 'not' and 'i'. say the corresponding syllables, 'not' 'diff' 'cult' while tapping the triplet with the left hand.
3. add in the left hand on 'not'.
4. add in the 'i' syllable with the left hand, between the 'diff' and 'cult' syllables.
sellyoursoulformusic 2 years ago
Comment removed
sellyoursoulformusic 2 years ago
Lol @ 5:07. As soon as you started beating your chest I knew what was coming.
thinsulate007 2 years ago
Actually you do the four over three wrong, its more like three over two, but then ending with a flam.
kayamo 2 years ago
then it's like counting 16ths ?
krone191 3 years ago
i mean; when i'm saying "Not Dif-i-cult" I devide the beat into 4 equal parts - that's the same thing like counting 16ths , or not ?
krone191 3 years ago
This is great and after so many years of playing Piano I finally got an answer. The only problem is whit Fantasy Impromptu it is so fast you have to say not ve-ry-dif-fi-cult really fast. I guess it just means that you have to start slow :/. Great 5/5!
Pauliwog13 3 years ago
"Not Dif-i-cult" and"Not Ve-ry Dif-i-cult"
is SOOOOO brilliant
i was always confused by the cross rhythms
but your funny slogan really helped me clear up my problem
and i love your crazy wackiness
qualityfruits 3 years ago
friend, you would make a hell of a drummer
bubnjarovski 3 years ago
how would i apply 'not difficult' to guitar?
professorlamp 3 years ago
Yeah some one tell us?
mathiusvoodoo 3 years ago
you could either use a two handed tapping technique a bit like eddie van halen, or for chords you could try hammering on and pulling off added notes
blackerjack123 2 years ago
Oops, I meant that the obnoxious but insightful commenter is "TheApocalypseKid". Anyway, thank to Andrew for the great video.
mhm2341 3 years ago
Of course, another important aspect of this is that once you start playing the approximated polyrythm your hands should find the real rhythym naturally, since each hand will eventually seek equal intervals. Anyhow, Kudos to Lypur! This series is awesome, thought provoking, instructive and filled with humour and grace. Cheers!
mhm2341 3 years ago
Now, my interpretation of the "Not-ve-ry-dif-fi-cult" approximation is: 1/4, 1/8. 1/8, 1/8, 1/8 1/4, and repeat... Which is very cool because approximation takes a complicated progression and give you something in 1/4 and 1/8 notes. The difference between the true and approximated rythym is just that you tweak the second note of the 3-rythym forward by 1/24 and the 3rd note backward by 1/24...
mhm2341 3 years ago
Yesterday I came upon this excellent video and was by intrigued the obnoxious (but kind of insightful) comment by "Lypur". He claims your "Not-ve-ry-dif-fi-cult" method is mathematically incorrect. So I made a little diagram to check out his claim. Well, it turns out that a perfect 3-4 polyrhythym has the following mathematical rythym... Starting with the two hands together: 1/4, 1/12, 1/6, 1/6, 1/12, 1/4, and repeat ...
mhm2341 3 years ago
erm... surley the 3 v 4 one was wrong. you weren't playing an even triplet. ??? so its not really a polyrhythm.
the guy below that said you should use 'pass the golden butter' has the right idea!
tearup 3 years ago
Thanks for this lesson!
elhibassplayer 3 years ago
lol ur 4vs 3 are not even at all...
amrob 3 years ago
I can't wait to get to the Für Elise toturial now^^ Thanks for another great lesson, 5 as always:)
randomxemoxperson 3 years ago
Was that him playing the Heroic Polonaise at the beginning?
GrandPatzer 3 years ago
yep, that's me playing a clip from Heroic Polonaise ^_^ It's my favorite piece to play by far.
Lypur 3 years ago 5
I don't think "Not-ve-ry-dif-fi-cult" is a very good method to use. There has to be a long pause between the notes corresponding to "dif-fi". I attempt polyrhythms by counting 12 beats, and playing as the following
RH: @ooo@ooo@ooo@ooo
LH: @oooo@oooo@oooo
the RH plays a note every 3 beats and LH plays every 4 beats. This method helps me get a feel for polyrhythms, but the problem with it is that, although it's accurate, it's impossible to use this in difficult ones like 6 against 7.
chopinandliszt 2 years ago 2
i agree with you 100% on the "Not-ve-ry-dif-fi-cult" phrase i find "Pass the gol-den but-ter" comes much more natural to me.
Why is impossible to use TUBS notation for 6 against 7 though? Surely if you find the lowest common multiple of both numbers, this will indicate the number of arbitrary units of time you will need? e.g 3 against 4 =12 units, 6 against 7 = 42 units
deadheadchemist 2 years ago
Thanks for the lecture. when I first practiced Fantaisie Impromptu (an example of pieces that use 3/4 rhythm) I thought I was supposed to just play the notes fast to make them sound like a polyrhythm. Now I see that it requires practice. How long did it take you to master 2/3, 3/4 rhythms? I have been so frustrated about them. The middle part of Chopin Sonata No.3 Finale, Op.post Etudes in F minor, in A flat major. My major problem in these pieces is polyrhythm! I must get it right eventually.
chopinandliszt 3 years ago
For 3 against 2 I was taught "nice cup of tea". I suppose being from England that makes sense. It's always worked for me but I still drink too much tea.
SwiftUK 3 years ago
thanks a lot! your method helped me a lot!
th3man12341 3 years ago
Thank you for this tutorial. It was very entertaining and effective. It makes me want to practice my polyrythyms. I used to hate them but now I'm on better terms.
FishingtonBurpPuzzle 3 years ago
i would use pass the golden butter for the 3 against 4. its smoother.
mrtyles 3 years ago 2
great stuff bro! engloti,please dont watch! ur boring!
saxomojo 3 years ago 3
thanks andrew, u're a great teacher
comet03 3 years ago 16
This has been flagged as spam show
My God.... You are anoying! You send shivers down my spine.
Engloti 3 years ago
then stop watching, no one is forcing you.
Lypur 3 years ago 25
This comment has received too many negative votes show
your three beats over four sounds completely wrong. you are playing the rythm like you might play eighth sixteenths, and it does not sound mathamatically correct at all.
TheApocalypseKid 3 years ago
please make a video and demonstrate your way of doing things. :) I've had nothing but compliments on this way of working out polyrhtyhms. It was taught to me by a well known teacher in Canada, it does produce the results needed to get your mind wrapped around the polyrhythm. Anyway, if for some reason all this time I've been doing it wrong, I'd love to be enlightening so please show me what you mean. If you're going to present an argument you must present the solution as well.
Lypur 3 years ago 13
@Lypur , some people just talk but don't walk......thank you for your videos.
luigiperso 1 year ago
@TheApocalypseKid , you, make a video and show us how 'mathamatically correct' you are.
luigiperso 1 year ago
I'm glad to see this video, I saw/heard you playing this piece and I got a copy of the sheet music. Have have been having my teacher help me, but I really struggle. Getting the hang of the timing is tough.
kkbbccgg 3 years ago 3
Just finished historyhour - awesome =)
This I know, but damn you got some great paste on posting videos now, hehe.. Soon finished! :)
thomandy 3 years ago 3