I wonder how much Butterfield's use of this kind of lick was influenced by Mike Bloomfield. That sounds very much like the kind of fancy phrases that a guitarist might play on the turnaround.
Good idea. I actually play a few xmas carols, so I just might do that. I certainly won't name my harmonica Jesus, though. That might get me sent back to the Sudan. :)
Butter's playing works good with the accordion (another reed instrument) One of the most inspiring gigs was Paul sitting in with Clifton Chenier (Zydeco accordionist) at the New Orleans Jazz and Heritage Festival cica.1979-81. That sound was like a locomotive comin' at ya'. Blue Phantom
Listen to Little Walter on his Mellow Down EZ ride. He is way up there in the top of the harp with such ease and grace. Again, Walter listened to swing and Jazz of the day as well as Blues. Great topic Adam!! Bluesfully, Blue Phantom
Absolutely. But Walter, even on that wonderful track, did nothing that leads directly to the lip-pursed seamless waterfall of triplets that Butterfield does here. LW's tongue blocked notes are much more angular. He and Butter are both geniuses: origin points. That's precisely my point.
That sound Butter gets on the Woodstock album can really be acheived with an Echoplex and a Super Reverb with a fine balance of lip pursing and tongue blocking(for the octaves). He listened to alot of jazz as well as every living harmonica player of his generation, and before. Blue Phantom
Butter played the harp up side down ( no, not on his head ) with the numbers on the bottom. So did William Clarke. Paul also was such a rhythmic player without sounding like he was noodling. Blue Phantom
Even when you do something you really like, there are times you feel that "the thrill is gone" :) Adam, your lessons bring the thrill back! Thank you!
Adam I kind of forgot how damn good you blow,love it and I do believe that Sam is a Boston Terrier,damn cute dogs,second only to baby orangutans for cuteness IMHO.
Thanks for another great lesson. Butterfield was a huge influence on me. I was lucky enough to see him play live four or five times and was always blown away. Speaking of being blown away, I saw Jason Ricci the other night and was able to thank him in person for his youtube lessons. I hope you come to the L.A. area some day so I can thank you also. (You guys got me firmly in the woodshed now, brother!)
They both sound totally cool, but Butterfield is definitely hitting the 5db on the way down and not descending straight down to the 1b like Adam's lick. Slow it down and see!
Thanks Adam for another great vid giving us your insight to the Blues. I just want to let you and the viewers know, if you already don't, that Pauls son is filming a biography about his father and the teaser can be seen on Youtube at Dharmabum333 or use Paul Butterfield Biography as a search engine request. It is going to be a good Bio. One he deserves. Thanks again Adam!!!
One of the things he does in his solo that I don't touch on is hit the blue third in bar 3 and then holds it, nurses it, until the change in bar 5, when the IV chord comes in and it makes more harmonic sense. I know no other player who has done that.
I wonder how much Butterfield's use of this kind of lick was influenced by Mike Bloomfield. That sounds very much like the kind of fancy phrases that a guitarist might play on the turnaround.
MrDzhimbo 1 year ago
how do you get that kind of stuff?? really fluid, i just cant ..
yaguarete167 2 years ago
Wanna get the balance right Gussow? Try turning yourself DOWN! Just a little friendly razzing!
wheatbreadjohnson 3 years ago
how did u get that delayed sound?
thedavman10 3 years ago
just got this album today
many thanks it blew me away.I havent stopped playing it , wonderfull stuff
robthebog 4 years ago
Is that puppy a boxer? Boxers are awesome, I have two of them. (And also a bunch of harmonicas...)
Man, I've become rusty, but I promise I'll get back in shape, so that I'm able to play a little harmonica again!
meatpackingdistrict 4 years ago
Adam.Thx for playing ths LP; iTunes didn't have the woodstock version of it.
Another Butterfield song I felt was inspirational is "Drift'n"; the Ep version (14 mins)
bettifamily 4 years ago
You're right. I covered that a lesson or two back.
KudzuRunner 4 years ago
Great video once again Adam, that's some migthy impressing Harp Playing there Mister 8-)
Btw any chance of an Xmas Edition one day, you know blusy xmas song (just for the fun of it) or is that a big crime against the Christmas ?
HarpKenneth 4 years ago
Good idea. I actually play a few xmas carols, so I just might do that. I certainly won't name my harmonica Jesus, though. That might get me sent back to the Sudan. :)
KudzuRunner 4 years ago
Butter's playing works good with the accordion (another reed instrument) One of the most inspiring gigs was Paul sitting in with Clifton Chenier (Zydeco accordionist) at the New Orleans Jazz and Heritage Festival cica.1979-81. That sound was like a locomotive comin' at ya'. Blue Phantom
harpman1896 4 years ago
Listen to Little Walter on his Mellow Down EZ ride. He is way up there in the top of the harp with such ease and grace. Again, Walter listened to swing and Jazz of the day as well as Blues. Great topic Adam!! Bluesfully, Blue Phantom
harpman1896 4 years ago
Absolutely. But Walter, even on that wonderful track, did nothing that leads directly to the lip-pursed seamless waterfall of triplets that Butterfield does here. LW's tongue blocked notes are much more angular. He and Butter are both geniuses: origin points. That's precisely my point.
KudzuRunner 4 years ago
That sound Butter gets on the Woodstock album can really be acheived with an Echoplex and a Super Reverb with a fine balance of lip pursing and tongue blocking(for the octaves). He listened to alot of jazz as well as every living harmonica player of his generation, and before. Blue Phantom
harpman1896 4 years ago
Butter played the harp up side down ( no, not on his head ) with the numbers on the bottom. So did William Clarke. Paul also was such a rhythmic player without sounding like he was noodling. Blue Phantom
harpman1896 4 years ago
Good video, I am looking forward to the next one..
8BarBluesBoogie 4 years ago
Even when you do something you really like, there are times you feel that "the thrill is gone" :) Adam, your lessons bring the thrill back! Thank you!
stas 4 years ago
Adam I kind of forgot how damn good you blow,love it and I do believe that Sam is a Boston Terrier,damn cute dogs,second only to baby orangutans for cuteness IMHO.
Great post maestro,thanks.
blopper68 4 years ago
Thanks for another great lesson. Butterfield was a huge influence on me. I was lucky enough to see him play live four or five times and was always blown away. Speaking of being blown away, I saw Jason Ricci the other night and was able to thank him in person for his youtube lessons. I hope you come to the L.A. area some day so I can thank you also. (You guys got me firmly in the woodshed now, brother!)
bluzlvr 4 years ago
I like what you said about "the guy who play too many notes" I agree that less is more when it comes to the harp.
TYSOHN 4 years ago
does anybody knows exactly know what notes he playes in that lick?
yigoyama 4 years ago
I think Adam is playing:
6db^6d^6db 6b 5d 5b 4d 4db 4b 3db 2d 2db 1d 1db 1b 1db 1d 2d ...
^ = whailing bending slur
d = draw
db = draw bend
b = blow
axvxia 4 years ago
Adam may be playing that, but Paul Butterfield is playing something different:
6db^6d^6db 6b 5d 5db 5b 4d 4db 4b 3b 3db 2d 2db 2d 3db 2d 2d 2db 1d 1db 1b 1d 2d ...
They both sound totally cool, but Butterfield is definitely hitting the 5db on the way down and not descending straight down to the 1b like Adam's lick. Slow it down and see!
learningharp 4 years ago
Thanks Adam for another great vid giving us your insight to the Blues. I just want to let you and the viewers know, if you already don't, that Pauls son is filming a biography about his father and the teaser can be seen on Youtube at Dharmabum333 or use Paul Butterfield Biography as a search engine request. It is going to be a good Bio. One he deserves. Thanks again Adam!!!
Wharty 4 years ago
Another 5 star lecture for sure, professor!
I think your description of Butterfield "holding it in reserve" was remarkably apt.
I like the idea of cultivating a buildup in a song so that when you do end up cranking the throttle wide open, it blows away the listener.
To be perfectly honest, I'm gonna have to re-watch most of your tutorials to digest all of the stuff you touch on.
Keep em coming!
kokoro86 4 years ago
One of the things he does in his solo that I don't touch on is hit the blue third in bar 3 and then holds it, nurses it, until the change in bar 5, when the IV chord comes in and it makes more harmonic sense. I know no other player who has done that.
KudzuRunner 4 years ago
Cool!!!! Back to Harmonica lessons!!!!!!!
sunsetloungejc 4 years ago
Your neighbors love you now!
MH
leanground 4 years ago
Adam,
Very insightful advice. It's sometimes difficult not to play too much, and proper mix is important.
Thanks for sharing.
Jam On!
-BB
bobblunn 4 years ago
Five more stars for the Harlem white boy.
2HoleDraw 4 years ago
You're a trip Gussow! Amazing stuff man
bluenote335 4 years ago
That's a killer riff!
axvxia 4 years ago
fabulous as always some important lessons in this 1
robthebog 4 years ago