Added: 1 year ago
From: AURORA4DTH
Views: 8,262
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  • mark :D

  • Wow that is an impressive kit. Could you share some of your warm up exercises?

  • @NuzratHussein Thanks, I usually start with some basic stretching to loosen up the calves and hamstrings. For hands I'll gently move around the kit involving all the drums to get the parameters for movements down and the feel of the kit. Then as I start to feel more comfortable I'll increase the speeds to get a good burn and then take 30 second break and do this over and over til warmed up. I like to do doubles all around the toms for a few minutes too. Seems to help single strokes a lot.

  • @NuzratHussein Other than that I just play the drums starting at a reasonable, comfortable speed to loosen up before trying to go fast. I found getting on the kit and trying to spaz out right away will make you deviate from the muscle memory and can results in cramping up and psychologically drive you to failure. Most of all approach it with the goal to have fun and you'll play a lot better. Work towards a task and accomplishment but don't stress out about getting there.  It takes years.

  • I'm glad how the guy explains the set up with an attitude, just to show and hammer those kids who give typical comments about this and that with technicalities.

  • wtf? cymbals touching each other. what happens when he smashes the shit out of the cymbals :|

  • @SubrosaBMXSalvador Where are cymbals Touching each other?

  • @AURORA4DTH ahh, the Hi-Hat and the cymbal located above it look to be touching.. could just be the camera?

  • @SubrosaBMXSalvador

    Yeah that is just the camera, no way any two cymbals should be touching.

  • @SubrosaBMXSalvador , What's up man? the cymbal above the hi-hat is another hi-hat bottom. I use it as a ride cymbal cause it just happens to be thick enough to have a decent bell sound. So I get the ride sound without having a 22 inch cymbal on my left side. I only hit that cymbal like a ride, as opposed to a crash and its on there nice and tight so it barely moves when I hit it. It isn't touching but it's damn close ha ha. It's all about precision.

  • @Grindtechnician Ahh, i see bro. no worries :) just looked like something wasnt right but its all good!

  • @SubrosaBMXSalvador It's all good.  I probably should have taken more time to explain my kit but I didn't think. I actually thought we might redo that part but it never happened. Ohh well. next time.

  • @SubrosaBMXSalvador There not touching, he has them set up close for quicker access, shorter reach without exerting too much effort, and there's no reason to "smash the shit" out cymbals..

  • Hook me up with some samples ;)

  • i absolutely LOVE how that kit is set up

  • Thanx, it is a blend of 4 different samples I think it had just the right amount of power and click.

  • By the way Ron, those kick samples sound GREAT!

  • Sean, On my toms I actually use a blend of real and trigger but the mix is usually 60 40 or 70 30 in favor of the real toms, the only thing I love triggers only on is kicks. even my snares are a blend.  I hardly ever go trigger only on anything besides kicks, in metal i mean.

  • Sean thanx, although I really disagree with you on the sampling thing in metal music i respect your opinion. In metal any slight inconsistencies sound bad to me. A lighter hit on the kick drum wont produce the same tone as a hard hit and since this is very fast music it has to be the same. In other genres I always like to mic everything, just in metal I have a different process. Besides tuning a kick drum properly can take forever, my samples are a done deal already. Assigning them is very easy

  • Hmm just my honest opinion, sampling and assigning drum samples is much more of a hastle than just tuning/muffling/gating your drums which gives you the same results. Since you have nice mics/pres, if I were you, I would go all miced (aside from the kick obviously). But there's no "wrong" way to do anything, and your recordings came out great! I love these videos too, as someone else said, these are how all studio videos should be.

  • @SeanHart213

    Gotta agree with Ron here. Plus, to me, there's NO WAY tuning, muffling, gating, Eq'ing etc. all drums is less of a hassle than assigning samples.

    And even with the proper gating, compression etc. , you won't get the same consistency as with triggers.

  • @MetalDrumsBavaria Yeah, I've done both approaches, and I probably shouldn't have said that the natural process was simpler, because 9 out of 10 times I trigger to get that nice consistency and MIDI editability. But I still think if you put the work into it, the natural way with a nice amount of gating, tuning, muffling, and automations will sound better on the toms/snare. Just my opinion, it doesn't work for everyone, especially uber-tech metal like Beneath The Massacre and such.

  • wicked!

  • Cool stuff. Awesome drummer!

  • Fuckin awesome Ron! Can't wait to hear the new stuff! 

  • I like watching studio videos, and this is one of the coolest.

  • Sick studio Ron

  • Holy Fuck!!! Drums are sweet sounding, gotta hear sum more of this when you get a vid of the guitars. The little bit I heard was KILLER!!!

  • subbed !!!

  • Thanx guys glad you like the video

  • Ron you fucking dude, this is sick - this is how studio vids should be done :)

  • I love these kind of videos, thanks Ron/Mark!

  • GREAT!

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