Added: 5 years ago
From: powerload
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  • That guitar is insane!!

  • The I'm just wondering how this would sound on the sitar...it should give a different feel with the acoustics...

  • Es una guitarra española de 10 cuerdas hecha especialmente para él.

    It´s a spanish nylon 10 strings guitar specially made for him.

  • Yepes el mas grande que jamas ha existido

  • Narcisco is unico!!!

  • the guitar is really special :X :))

  • que tipo de instrumento es este?

  • una guitarra española de 12 cuerdas

  • Vale' tio simplemente Fenomenal!!!

  • Jim Greeninger is all i have to say.

  • perfect!!!

  • Romantic ...

    Narciso Yepes' performance is much better than any other one of a guitarist in the world.

  • personally I think that these guitarists are much better: C. Parkening, Andres Segovia, Pablo Sainz Villegas, Meng Su, and Julian Bream. Take a look at them if you like. But everyone has an opinion. regards

  • Yes you are right,correct.

    But I love Narciso Yepes' strong and rhythmic guitar technique. It's heard so romantic.

  • Que rapidez.Os Recuerdos de la Alhambra são mesmo uma música própria para guitarra.

    Gostava de os ver em violino.

  • que bueno! iria mejor un poco más lento quizás, pero se sale!

  • el mejor interprete de esta cancion es su creador y compositor el gran francisco tarrega el es el unico que sabe interpretarla perfecta por eso nunca sera comparable con el porke solo el sabra que es lo que queria transmitir con esta maravillosa cancion

  • mmm tocar rapido no es tocar bien, lo toca demaciado rapido, ni siquiera interpreta bien recuerdos de alahambra, simplemente no me gusto asi ademas le da demaciadas pausas y tiene que ser corrido a la misma velocidad

  • se nota que no tienes ni la minima idea de lo que es interpretacion, las pausas y pequenos silencios son lo que hacen a esta pieza lo que es, hay que interpretar con sentimiento, no todo plano

  • de acuerdo contigo

  • gran compositor

  • I like the way that he plays this piece. It's still peaceful but it doesn't put you to sleep. Some artists play this piece too slowly or too fast. Yepes's playing is just in between. :)

  • I like Yepes' tempo (speed or pace?).

    Pepe Romero is sweeter, thats right,

    but Yepes makes me move.

  • Para mí, Yepes es el mejor interprete de este tema.Muy buen uso de las dinámicas, las intensidades, volumen y claridad en la técnica. Al tocar mas rápido y más cerca del puente logra un sonido más flamenco, rememorando la herencia árabe y la influencia omnipresente del duende flamenco en las calles, cuevas y montes granadinos. No se puede aislar a la música de su entorno, y esto es " Guitarra Española", no "Guitarra Clásica", y las diferencias de técnica son apreciables.

  • si pero toma en cuanta que recuerdos de alhambra esta considerada como clasica, y tocarla de otro modo sin interpretacion y muy rapido, yo lo veo como un insulto a los guitarristas clasicos, bueno ese es mi punto de vista, por lo general la velocidad para recuerdos es 120 y yepes facil lo a de tocar a 160 o mas aproximadamente, "tocar rapido no es tocar bien"

  • Actually, my third comment should be read first, second follows the third and third is the last.

  • For example, my preferred piece is Asturias (Leyenda) and I have 25 interpretations by 25 more or less known names in classical guitar. Some interpretations are slower, some faster, some are exciting, some rather boring, but only the one by Yepes flows the way my ears consider natural.

  • For pure cops, Yepes´ certainly had more technique and fluidity. The difference between Segovia´s Villa-Lobos Estudo 1 and Yepes´ is like night and day. But those are individual pieces. Unfortunately, we have to compare to have some references and, the good thing, is that we find both are references. Neither should be discarded but rather appreciated dialectally as a thesis (Segovia) and antithesis (Yepes) whose synthesis (both side by side) is our pleasure.

  • As I said, both Yepes and Segovia are great masters, but as I hear it, Yepes builds his interpretations based on his own feelings, more than Segovia does.

    How much 10-string guitar contributes to what I hear? Sound is fuller, giving deeper meaning to ideas composers built into their pieces. And how I see/hear it, Yepes digs these ideas out, almost guessing authors' thoughts.

    One might nor agree with me, but that's how I experience both Yepes and Segovia.

  • Yepes is Yepes and Segovia is Segovia. Both are/were masters and in the realm of classical guitar there is no one (so far) to be like any of them.

    Requerdos de l'Alhambra as Yepes plays it is THE best interpretation of the piece ever. Segovia was never able to breath in so much emotions and rhythm as Yepes did. (Having said that, there are pieces where Segovia rules.)

    30 years ago I saw them both on the stage. What can I tell you ... Yepes had to play 12 encores.

  • For Ulixa: since you saw them both live, what is your evalutaion of the sound and projection of each. Does a ten string guitar project better? I saw Segovia many years ago and was impressed by the fullness of his sound, but also the squeaks and buzzes.

  • I saw them both alive long time ago in my early twenties and was impressed by both, not paying too much attention to anything but sound produced by their fingers. I didn't have a chance to hear them in concert again.

    They made me dream about playing classical guitar and later, listening their music again on records, I decided that Yepes is my preference, more so because my boyfriend (today my husband) was listening only Yepes and Manitas de Plata. (He didn't change his preferences since.)

  • Much has been said about Yepes' choice of tempo for this piece. My belief is that those who prefer the usual slower tempo do so more out of habituation than musical sensibility. Should a violinist, flautist, or singer perform the melodic line of the piece, to achieve a cantabile line that does not drag, the tempo would necessarily be faster than that of most guitarists (who perhaps cannot sustain that tempo). Why should Yepes not do the same, simply because he can and because it SINGS?

  • I certainly don't enjoy how unsentimental this

    interpretation is.On the other hand,playing every-

    thing so crisply staccato lends a virile-quasi

    flamenco-moonlit-effect,that is very appealing.

  • One of the best tremolo I have ever heard! He was a great master!

  • he is good,,of course not the best

  • Dios dio a el mejor guittarista y descansa ahora con el!...Que te tenga en su Santa Gloria, Don Narciso Yepes!...

  • GRANDE MAESTRO!!

  • el mejor!!!

  • A todos estos desgraciados que critican a Narciso García Yepes, decirles que es el mejor guitarrista de toda la historia de la humanidad.

  • that tremolo is amazing, so smooth definitely part of a master in the guitar

  • Wtf.Listen pepe romero.He tells more&more.

  • el tremolo mas hermoso

  • I put his comment on the Narciso Yepes plays Bach Prelude. I hate to be redundant but does he really needs 10 Chords to play with 6 Cords?? He is really a fantastic interpreter (Concertist) but give me a break!! what's the purpose of the 10 cords?? showing off coño!!

  • Come on now...give the man a break. If he can play like this he can also afford to be a bit of "a Narcissus" :P (are you a Virgo btw?)

  • Real reason: physics. The 4 lower strings improve harmonic ressonance of the other strings.

  • cresta , no seais ignorante, asi como el piano, que tiene 96 teclas esta guitarra esta destinada para el mismo fin pedazo de pericuaco

  • Notice the stacatos in the last section of the A major - repeats of the E and F. Very interesting. As for tempo this is about right as F. Tarrega emphisized ANDANTE. QUARTER NOTES M.M = 98 - 108.

  • are u insane???? Yepes is probably the best guitar player ever!!! U don't have a clue what ur talking about matey!

  • Are you cooking or playing music? What is there to rush? Totally lacks the smooth feeling of this piece. It is a shame to play it like that with this your capability...

  • What are you talkin about? The piece is still peaceful but has the fantastique technique of Narciso Yepes. He gives the piece his own feelings.

  • you know nothing....infact yepes is one of the masters like segovia,(they look the same)..listen and watch carefully...he made this on purpose,,,"because he can play"....

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