Al Jackson from Stax, Roger Hawkins from The Muscle Shoals Band and Gene Chrisman from The American Studios Band. The three best studio drummers ever. Anyone disagrees with me will have a hard time speaking when you are COLLECTING YOUR TEETH OFF THE GROUND!!!!!!!!
@GayleMI: Tea-bagger? Isn't that an insult? You sound kind of "intolerant" yourself, GayleMI. My comment was actually an inside joke. It was silly musician humor. You are clearly humorless, musically clueless and politically retarded.
@tomthefunky If that's what passes for humor out your way, I hope your chops are sharper than your wit. The three drummers you mentioned are all exceptional, esp. Jackson. I prefer drummers who can underplay (Earl Parlmer, Keltner, Buttrey), but this is Hal F*ucking Blaine we're talking about. True, singers & producers would record at the studios you mentioned to get the local sound. Blaine would adapt & contribute to the artists' sound, a huge variety of artists. That's why he's a god..
Hal is a Legend ,his drumming,and professionalism,and his ability to play anything that was required of him, he is such an inspiration to me ,one of my all time drum Heroes ! Rock On Hal !!
It's about time that Hal Blaine got some credit for all this. Drums are the music of the mind! I only wish that Earl Palmer were around for his share of all this. Does anybody remember "Sticks Seven"?
Heartthrobber! Soul stirring.. Just downloaded it at DownloadMusic/./im , remove the slashes.. download it, plug ur ear phone, close ur eyes, listen to the beat and forget the world.
Those with enough true interest in Motown, google "lost my athletic scholarship after participating in the civil rights sit-in". This is from that page about Frank Wilson of Motown (& note "regulars"): "The[...] musicians for [a particular late '65 Motown session] were pulled from the studio regulars that included Billy Strange, Glen Campbell, Hal Blaine, Al De Lory, Carol Kaye and Tommy Tedesco.[...] As far as it can be established the tapes were dispatched to Detroit [in] November 1965[....]"
Quote from Frank Wilson of Motown from that page, which says "Frank Wilson March 2009" near the top: "Gordy came out several times [to L.A....] [W]e were taking [him] to the airport[...] and he said, 'What makes you think you can produce?', I said, 'Because I've been producing much of the stuff that you've been hearing'. So he turned to Marc [Gordon] and Hal [Davis]. He said, 'Is that right?' And they said, 'Yes, that's right'." (Matches very well with claims CK made to me JNS about 8 years ago)
More from that page re Motown producer (etc.) Frank Wilson and his peers (who don't include Slutsky, who never attended any '60s Motown session or met Jamerson or Benjamin): "When Berry Gordy decided to open a West Coast Motown office, following his visit there to attend a disc jockey convention in 1963, he asked L.A. veterans Hal Davis, and Marc Gordon to take charge." (Matches what CK's been saying publicly for years -- frequently resulting in scornful reactions from her energetic detractors)
More from that F. Wilson page you can find by googling "I lost my athletic scholarship after participating in the civil rights sit-in demonstrations": "During 1964-65 Frank [Wilson] saw an increasing number of his compositions being released[....] Frank[...] soon found himself[...] supervising recording sessions.[...] At some point in 1965 the decision was taken to launch Frank Wilson as a Motown artist in his own right[... recording in] Armin Steiner's 8 track Sound Recorders studio[....]"
Here is part of a 2/18/2002 (2:03 P.M.) post on the Soulful Detroit Forum: "[...] I'm Billy Wilson President of the Motown Alumni Association.[...] Carol did play on a few lesser know recordings at Motown . . . and I do mean LESSER KNOWN! [...] From 1964 to 1968 the company only used Jamerson." Note that that last sentence contradicts that Frank Wilson page, on which Andrew Rix describes Kaye as one of the "regulars" in L.A. as of '65. (cont.)
Note that Billy Wilson presents himself in the 2/18/2002 post as knowing who played bass on every 1964-1968 Motown recording. (!!!) Now check this out from the same post: "The Motown Alumni Associaton provides information and gives assistance to entities such as the Library Of Congress, the Smithsonian Institute, Motown/Universal Music Group [this is people like Harry Weinger] ,Rythum & Blues Foundation, Motown artists[...]" Should we be surprised there's a Kaye-is-a-liar myth?
Quote from Armin Steiner, Mix magazine interview with Maureen Droney, 2001; compare it to Frank Wilson who was there -- and then to Billy Wilson, and to the Kaye detractors' myths: "From that moment on, word started traveling. Motown got interested, and I was busy all the time. I had Glen Campbell, Billy Strange, Tommy Tedesco, Dennis Budamir, [...] Ray Pohlman[...]. Hal Blaine, Earl Palmer, Joe Osborne, Larry Knecht[e]l[...]" (cont.)
"[...] Bill Pittman, Mike Deasy and, of course, Carol Kaye.[...] I used to have The Supremes up there, Marvin Gaye — my mother used to cook for them. Stevie Wonder was in when he was 9 years old. People think I'm making this stuff up, but it's true. As a matter of fact, I did a film session with Stevie awhile back, and he remembered both me and my studio. It was a different time, a different place. You couldn't do that kind of thing now, the city wouldn't allow it. I mean, it was all illegal."
For people interested in Los Angeles & Motown, some questions fair-minded person can ask themselves. These are _Qs_, so anyone giving this post a thumbs down or removing it would be opposed to people asking these Qs (hmmmmm).
Does the Supremes' "The Happening" sound like HB?
Did JJ use a pick?
Is a pick audible on the Four Tops' "Eleanor Rigby"? Who may have played bass on it?
Same Qs, Stevie's "Respect"?
Same, B. Holloway's "Just Look What You've Done"?
turned onto this guy through his work with and respect for my fave : brian wilson... and now im surprised after re-discovering how much i love john denver... that hal played the drums for some of his best... IF ANYONE IS INTERESTED IN FASCINATING MUSIC LEGENDS LIKE HAL ITS WORTH A NETFLIX ACCOUNT JUST TO WATCH:
"Tom Dowd and the Language of Music"
its absolutely amazing how talented some of these behind the scenes guys truly were... i say WERE, they dont make em like they used to......
But I gotta say I missed a lot of stuff, and I watched it several times. If someone could subtitle it or just transcript it and post anywhere, it would be greatly appreciated!
I´d love to have the 1.000.000 th part of the drumming and musicial talent Hal Blaine has. Such a great talent, must be very nice to reminisce with him, must have tons of anecdotes.
There was something Palmer did w/ the Beach Boys that I liked -- can't think of it now -- later '60s. But I love Hal's and Dennis' work, too, both expressing what Brian wanted.
I love the answer to the first question - the hardest part about being a Studio Musician is finding a Car Park!
georgebur 5 months ago
I think he worked with The 5th Dimension too.
Streamline09 8 months ago
But he dated hookers and beat his wife... O well, not a nice guy but a machine in the studios. btw: Above came from a fellow session artists.
mmlight 9 months ago
Did you ever hear of a studio musician named Dee or Derryl Brown? Drummer for Sun Records and played for Elvis as a studio musician in the 70's?
toyshopper1 1 year ago
Bears a slight resemblance to George Jones!
66buff 1 year ago
Hal is the man!
lynnda99 1 year ago
Hi Hal the other hard thing was to find a good quality wallet back then.
1960COBLudwig 1 year ago
i never thought about now if i do this did i do this on another record
that is such a great thing to here. its always something i worried about but i kinda see what he means. great advice
Kobeownzu81 1 year ago
Al Jackson from Stax, Roger Hawkins from The Muscle Shoals Band and Gene Chrisman from The American Studios Band. The three best studio drummers ever. Anyone disagrees with me will have a hard time speaking when you are COLLECTING YOUR TEETH OFF THE GROUND!!!!!!!!
tomthefunky 1 year ago
@tomthefunky Bet if you crossed a music fan with an intolerant, Tea Bagger kinda attitude, you'd get something like this.
GayleMI 1 year ago
@GayleMI: Tea-bagger? Isn't that an insult? You sound kind of "intolerant" yourself, GayleMI. My comment was actually an inside joke. It was silly musician humor. You are clearly humorless, musically clueless and politically retarded.
tomthefunky 1 year ago
@tomthefunky If that's what passes for humor out your way, I hope your chops are sharper than your wit. The three drummers you mentioned are all exceptional, esp. Jackson. I prefer drummers who can underplay (Earl Parlmer, Keltner, Buttrey), but this is Hal F*ucking Blaine we're talking about. True, singers & producers would record at the studios you mentioned to get the local sound. Blaine would adapt & contribute to the artists' sound, a huge variety of artists. That's why he's a god..
GayleMI 1 year ago
@GayleMI: I don't give a shit what drummers you like. And I don't give a shit why.
tomthefunky 1 year ago
@tomthefunky Logic always triumphs over intolerance, Teabag Tom. Now pick up your teeth and go away.
GayleMI 1 year ago
I know him for playing on Love WIll Keep Us Together with Captain and Tennille, and some of my favorite riffs are on that song...Love him!!!~
nynynyny44 1 year ago
jimmy, you forgot to mention
"Be My Baby" - The Ronettes (1963)
.. along with his drumming on all of The Beach Boys Pet Sounds
I think its some of Hal's best work!
BTW search on youtube "behind the sounds wouldn't it be nice". you won't regret it as it's Hal playing on all the sessions
turtlegiant 1 year ago
Hal is a Legend ,his drumming,and professionalism,and his ability to play anything that was required of him, he is such an inspiration to me ,one of my all time drum Heroes ! Rock On Hal !!
gyro62 1 year ago
Excellent drumming on these hit songs by a real team player!
DancingSpiderman 1 year ago
Hal Blaine, Benny Benjamin, Pistol Allen are in a 3 way tie for best drummers of all time.
jmua04 1 year ago
Jesus, hire a soundman so we can hear what Hal has to say. 1 man bands don't cut it.
conkyjoe 1 year ago
It's about time that Hal Blaine got some credit for all this. Drums are the music of the mind! I only wish that Earl Palmer were around for his share of all this. Does anybody remember "Sticks Seven"?
VinDcator 2 years ago
Heartthrobber! Soul stirring.. Just downloaded it at DownloadMusic/./im , remove the slashes.. download it, plug ur ear phone, close ur eyes, listen to the beat and forget the world.
arsenal754307 2 years ago
I wouldn't call him the world's greatest studio drummer. There's Benny Benjamin! However, Hal is up there though.
MotownConnoisseur30 2 years ago
"Hit it, Hal!"...
Love his playing on John Phillips "Wolfking of LA" album.
DangerousBastard 2 years ago
I can't wait until "the Wrecking Crew" documentary is available.
Corporations8MyBaby 2 years ago
Check out "The Wrecking Crew" documentary it's great!
Bmodemusik 2 years ago
This has been flagged as spam show
Those with enough true interest in Motown, google "lost my athletic scholarship after participating in the civil rights sit-in". This is from that page about Frank Wilson of Motown (& note "regulars"): "The[...] musicians for [a particular late '65 Motown session] were pulled from the studio regulars that included Billy Strange, Glen Campbell, Hal Blaine, Al De Lory, Carol Kaye and Tommy Tedesco.[...] As far as it can be established the tapes were dispatched to Detroit [in] November 1965[....]"
JosephNScott 2 years ago
This has been flagged as spam show
Quote from Frank Wilson of Motown from that page, which says "Frank Wilson March 2009" near the top: "Gordy came out several times [to L.A....] [W]e were taking [him] to the airport[...] and he said, 'What makes you think you can produce?', I said, 'Because I've been producing much of the stuff that you've been hearing'. So he turned to Marc [Gordon] and Hal [Davis]. He said, 'Is that right?' And they said, 'Yes, that's right'." (Matches very well with claims CK made to me JNS about 8 years ago)
JosephNScott 2 years ago
This has been flagged as spam show
More from that page re Motown producer (etc.) Frank Wilson and his peers (who don't include Slutsky, who never attended any '60s Motown session or met Jamerson or Benjamin): "When Berry Gordy decided to open a West Coast Motown office, following his visit there to attend a disc jockey convention in 1963, he asked L.A. veterans Hal Davis, and Marc Gordon to take charge." (Matches what CK's been saying publicly for years -- frequently resulting in scornful reactions from her energetic detractors)
JosephNScott 2 years ago
This has been flagged as spam show
More from that F. Wilson page you can find by googling "I lost my athletic scholarship after participating in the civil rights sit-in demonstrations": "During 1964-65 Frank [Wilson] saw an increasing number of his compositions being released[....] Frank[...] soon found himself[...] supervising recording sessions.[...] At some point in 1965 the decision was taken to launch Frank Wilson as a Motown artist in his own right[... recording in] Armin Steiner's 8 track Sound Recorders studio[....]"
JosephNScott 2 years ago
This has been flagged as spam show
Here is part of a 2/18/2002 (2:03 P.M.) post on the Soulful Detroit Forum: "[...] I'm Billy Wilson President of the Motown Alumni Association.[...] Carol did play on a few lesser know recordings at Motown . . . and I do mean LESSER KNOWN! [...] From 1964 to 1968 the company only used Jamerson." Note that that last sentence contradicts that Frank Wilson page, on which Andrew Rix describes Kaye as one of the "regulars" in L.A. as of '65. (cont.)
JosephNScott 2 years ago
This has been flagged as spam show
Note that Billy Wilson presents himself in the 2/18/2002 post as knowing who played bass on every 1964-1968 Motown recording. (!!!) Now check this out from the same post: "The Motown Alumni Associaton provides information and gives assistance to entities such as the Library Of Congress, the Smithsonian Institute, Motown/Universal Music Group [this is people like Harry Weinger] ,Rythum & Blues Foundation, Motown artists[...]" Should we be surprised there's a Kaye-is-a-liar myth?
JosephNScott 2 years ago
This has been flagged as spam show
Quote from Armin Steiner, Mix magazine interview with Maureen Droney, 2001; compare it to Frank Wilson who was there -- and then to Billy Wilson, and to the Kaye detractors' myths: "From that moment on, word started traveling. Motown got interested, and I was busy all the time. I had Glen Campbell, Billy Strange, Tommy Tedesco, Dennis Budamir, [...] Ray Pohlman[...]. Hal Blaine, Earl Palmer, Joe Osborne, Larry Knecht[e]l[...]" (cont.)
JosephNScott 2 years ago
This has been flagged as spam show
"[...] Bill Pittman, Mike Deasy and, of course, Carol Kaye.[...] I used to have The Supremes up there, Marvin Gaye — my mother used to cook for them. Stevie Wonder was in when he was 9 years old. People think I'm making this stuff up, but it's true. As a matter of fact, I did a film session with Stevie awhile back, and he remembered both me and my studio. It was a different time, a different place. You couldn't do that kind of thing now, the city wouldn't allow it. I mean, it was all illegal."
JosephNScott 2 years ago
This has been flagged as spam show
For people interested in Los Angeles & Motown, some questions fair-minded person can ask themselves. These are _Qs_, so anyone giving this post a thumbs down or removing it would be opposed to people asking these Qs (hmmmmm).
Does the Supremes' "The Happening" sound like HB?
Did JJ use a pick?
Is a pick audible on the Four Tops' "Eleanor Rigby"? Who may have played bass on it?
Same Qs, Stevie's "Respect"?
Same, B. Holloway's "Just Look What You've Done"?
Where has BH said the last was recorded?
JosephNScott 2 years ago
turned onto this guy through his work with and respect for my fave : brian wilson... and now im surprised after re-discovering how much i love john denver... that hal played the drums for some of his best... IF ANYONE IS INTERESTED IN FASCINATING MUSIC LEGENDS LIKE HAL ITS WORTH A NETFLIX ACCOUNT JUST TO WATCH:
"Tom Dowd and the Language of Music"
its absolutely amazing how talented some of these behind the scenes guys truly were... i say WERE, they dont make em like they used to......
stumptacular 3 years ago
today I saw a bit of the documentary of the Wrecking Crew! Hal Blaine is such an amazing drummer!!!
ClubViking63 3 years ago
This guy laid down hits while a band's drummer went for a smoke. Now computers can take care of the shitty playing
releewasgay 3 years ago
I never realized I had a big stack of his records! Amazing.
1musiclvr 3 years ago
Hal Blaine is the best. He played on more hits than Ringo, Keith Moon, Charlie Watts, John Bonham, & all drummer combined.
rockerdude59 3 years ago
Awesome post, dude. Thank you very much!
But I gotta say I missed a lot of stuff, and I watched it several times. If someone could subtitle it or just transcript it and post anywhere, it would be greatly appreciated!
Thanks again.
ppetracco 3 years ago
Right on Mr. Blaine! There's a saying in the Musician's Union, "If you are there just in time, you're already late!"
Thank you "askjimmycarter" for posting this interview. (A lot of musicians should hear this!)
808beatbox 3 years ago
if you're early you're on time, if you're on time you're late....
that was my band teachers moto, and I still use it today in my life..
sgtpepper1138 2 years ago 6
I´d love to have the 1.000.000 th part of the drumming and musicial talent Hal Blaine has. Such a great talent, must be very nice to reminisce with him, must have tons of anecdotes.
sanchorb 3 years ago
I'll take Earl Palmer ANY day of the week..
steviedeedee 3 years ago
There was something Palmer did w/ the Beach Boys that I liked -- can't think of it now -- later '60s. But I love Hal's and Dennis' work, too, both expressing what Brian wanted.
ericebryan 3 years ago
you are the BEST Hal
28mark 3 years ago 5
this is an excellent post.
THANKS!!
fundy76 3 years ago
Responsibility & Reliability! What a hero! Thank you Hal xx
annarrr 3 years ago 3
Greatest drummer. Agree. Does good interviews too.
caressers 3 years ago
very cool.
mettanc 3 years ago