I think what is great about this piece is that it gives the double bass another truly romantic, melodic concerto to add to the repertoire. I also believe it has its shortcomings as a composition, i.e. it is rather repetitive. However it is certainly a quintessential part of the repertoire.
@dcco76 I'm saying anyone with a minor grasp of music literature for this time period knows this piece is a big pile of poo-poo. The playing of the soloist is quite nice, however. I also like the orchestra. But again, the composition is a novelty at best, in my humble opinion, of course.
@kurd55 You are entitled to believe whatever you wish.I would just like to point out, however, that Koussevitzky premiered his own concerto at age 31. With his illustrious career he obviously knew something about music and how to perform. He knew what music was terrible and what was wonderful. This composition, I will admit, has a big flaw in the 3rd Mvt. but it is definitely not a novelty. A novelty would be writing only for the strings for this concerto. Clearly the whole orchestra is involved
@dcco76 And you are entitled to believe what ever you wish. No serious analysis class or seminar would characterize this piece as special in any way. Sounds like a novelty piece to me. In and of itself, being a novelty piece is not really that bad, and I'm glad people continue to perform odd pieces like this. However, another strike against it was that it was written in the early 1900's. Sounds like a cheap imitation of Tchaikovsky music written 30 years before!
@kurd55 I don't quite understand how it is a novelty piece. Please explain what a novelty piece is, and how this concerto fits that description. Also, what piece(s) would you classify as a "Non-novelty", and why?
@dcco76 Okay. But I need to understand more about where you're coming from. 1st, do you think this concerto is on-par with the great concertos, like Tchaikovsky's, Beethoven's, Schoenberg's, Mozart's, concertos, or even Bach's cello suites? Surely you can't think that all "classical" pieces are equal. Now if you tell me that you believe this Koussevitsky piece is as great as the acknowledged masterpieces, perhaps I can go from there. In other words, how great do you think this piece is?
@kurd55 Personally, I love this concerto (apart from the repetition of mvt.1 in mvt.3). I think it is one of the best concertos written for bass. That being said, I also love the popular violin concertos (Tchaik, Beethoven, Sibelius, etc.) I wouldn't say it is as great as the acknowledged masterpieces, but it is up there. The cello suites are one of my favorite compositions ever, and are a definite masterpiece. I still don't see how this piece is a novelty or how you define a "novelty".
@dcco76 I think it's obvious that Koussevitzky's "inspiration" for this piece was due to the lack of repertoire for basso. Due to that very extensive lack of repertoire, proves that this piece is a novelty by definition. A novelty is: state or quality of being novel, new, or unique. Koussevitzky knew he wasn't a composer by a long shot. That's why he didn't do much composing. He tried to fill a void and hoped composers would follow. Eventually, composers did follow--Hindemith & Druckman etc.
@dcco76 To continue. I'm glad you and others love this piece. It's important in a lot of ways besides on a compositional level. It's a integral part of music history. Therefore, even if a person doesn't like the piece, we can still be aware of it's importance--and like the fact that other people really enjoy it. And thanks for answering my question. You are quite logical and articulate. I like that. And I concede that you probably know this particular piece better than I do.
great performance, but theres waaay to much portamento in my opinion... makes it sound like he has to slide to hit the right notes... which i dont think he really needs to!
just my opinion though, this is a great bass player of course!
looks like he listen to old Koussevitzky recordings. but Koussevitzky have a problems with hands while recordings, so this "sliding" not appropriate. However, i like this interpretation))
Yes likeyou said its your opinion, some peole like it some people dont, but hes a reallygreat bass player, winnin in berlin at 17 years its just incredible!! i belive there is more for comig
In regards to ElJuapeador's comment about the portamento... it's very characteristic of Koussevitzky to use huge amounts of portamento, even more than what Edicson uses. If you listen to his performances of Chanson Triste, this concerto, or the Eccles Sonata it's almost humorous how he glisses into every other note.
felicitaciones edicson en chile te admiramos mucho,ojala en chile tubieramos un sistema de orquestas como en venezuela ya que solo es para una elite y a la gente del pueblo le cuesta mucho estudiar musica,pero le ponemos mucho esfuerzo.
sabes algo el sistema de orquestas de mi pais venezuela, es una propuesta que introduce gente de bajos recursos. Es algo muy especial, el unico problema es que en venezuela todovia estamos coloniazados culturalmente. Te digo
@pepobass Sorry pero la Fundacion de Orquestas Juveniles e Infantiles es exactamente igual a la de venezuela, hay orquestas en todos los pueblitos de escasos recursos o no yo pertenesco a una de ellas :D, la diferencia si es otro tema con el estudio para eso si que estamos mal x que solo las persona con buenos recursos economicos pueden estudiar en los mejores conservatorios de la Catolica y de la U. de Chile. en eso te apoyo,aaaa ademas, ojala que edicson Ruiz benga a Chile .. :D
@pepobass Acuerdate que en Chile tenemos a la fundacion de orquestas, gracias a ella es que yo toco contrabajo, y estudio en un conservatorio, sin tener recursos.
Grande Edicson algun dia llegare a tocar como tu :D
Eccomi come ai vecchi tempi...il Dragottesini è morto perchè ormai lo hai sputtanato con troppi nomi, sputtanando della gente che non c'entra un cazzo, poverini!. caro il mio pazzoide... ma non ti ricordi nei tempi della yahoo? Contrabbasso Italiano? Contrabbassisti Italiani? Ciro e la sorella? etc etc?.. allora ero un certo ubaldo per cambiare nei tempi nei vari massimo, silvio, fernando, daniele, pino, giuseppe, alberto e via dicendo, no eh?? hahahahahaa....
... ora mi hai rotto le palle dopo che non sei stato capace di rispondermi su youtube... non è possibile che dopo 10 anni non sai chi cazzo sono ... sono voluto tornare al passato così magari ti rinfreschi quel piccolo cervello che hai, leccaculo di merda! E sopratutto fascista!
I think what is great about this piece is that it gives the double bass another truly romantic, melodic concerto to add to the repertoire. I also believe it has its shortcomings as a composition, i.e. it is rather repetitive. However it is certainly a quintessential part of the repertoire.
danbcarson 11 months ago
Comment removed
padredemishijos12 1 year ago
Great playing---terrible piece! o_O
kurd55 1 year ago
@kurd55 Haha. Still, it's not as bad as Dragonetti's or Botessini's concertos. I think this is alright.
JupiterAdept 1 year ago
@kurd55 nah... this piece is great!
samdajellybeenie14 1 year ago 3
@samdajellybeenie14 It has a humorous appeal, I admit. I've listened to it more than once---so it must have something to it! =)
kurd55 1 year ago
@kurd55 the piece is epic :)
jabba987654321 1 year ago 3
@kurd55 What are you talking about???
dcco76 1 year ago
@dcco76 I'm saying anyone with a minor grasp of music literature for this time period knows this piece is a big pile of poo-poo. The playing of the soloist is quite nice, however. I also like the orchestra. But again, the composition is a novelty at best, in my humble opinion, of course.
kurd55 1 year ago
@kurd55 You are entitled to believe whatever you wish.I would just like to point out, however, that Koussevitzky premiered his own concerto at age 31. With his illustrious career he obviously knew something about music and how to perform. He knew what music was terrible and what was wonderful. This composition, I will admit, has a big flaw in the 3rd Mvt. but it is definitely not a novelty. A novelty would be writing only for the strings for this concerto. Clearly the whole orchestra is involved
dcco76 1 year ago
@dcco76 And you are entitled to believe what ever you wish. No serious analysis class or seminar would characterize this piece as special in any way. Sounds like a novelty piece to me. In and of itself, being a novelty piece is not really that bad, and I'm glad people continue to perform odd pieces like this. However, another strike against it was that it was written in the early 1900's. Sounds like a cheap imitation of Tchaikovsky music written 30 years before!
kurd55 1 year ago
@kurd55 I don't quite understand how it is a novelty piece. Please explain what a novelty piece is, and how this concerto fits that description. Also, what piece(s) would you classify as a "Non-novelty", and why?
dcco76 1 year ago
@dcco76 Okay. But I need to understand more about where you're coming from. 1st, do you think this concerto is on-par with the great concertos, like Tchaikovsky's, Beethoven's, Schoenberg's, Mozart's, concertos, or even Bach's cello suites? Surely you can't think that all "classical" pieces are equal. Now if you tell me that you believe this Koussevitsky piece is as great as the acknowledged masterpieces, perhaps I can go from there. In other words, how great do you think this piece is?
kurd55 1 year ago
@kurd55 Personally, I love this concerto (apart from the repetition of mvt.1 in mvt.3). I think it is one of the best concertos written for bass. That being said, I also love the popular violin concertos (Tchaik, Beethoven, Sibelius, etc.) I wouldn't say it is as great as the acknowledged masterpieces, but it is up there. The cello suites are one of my favorite compositions ever, and are a definite masterpiece. I still don't see how this piece is a novelty or how you define a "novelty".
dcco76 1 year ago
@dcco76 I think it's obvious that Koussevitzky's "inspiration" for this piece was due to the lack of repertoire for basso. Due to that very extensive lack of repertoire, proves that this piece is a novelty by definition. A novelty is: state or quality of being novel, new, or unique. Koussevitzky knew he wasn't a composer by a long shot. That's why he didn't do much composing. He tried to fill a void and hoped composers would follow. Eventually, composers did follow--Hindemith & Druckman etc.
kurd55 1 year ago
@dcco76 To continue. I'm glad you and others love this piece. It's important in a lot of ways besides on a compositional level. It's a integral part of music history. Therefore, even if a person doesn't like the piece, we can still be aware of it's importance--and like the fact that other people really enjoy it. And thanks for answering my question. You are quite logical and articulate. I like that. And I concede that you probably know this particular piece better than I do.
kurd55 1 year ago
esta y la de goiliav son las mejores versiones que esc uhce!!!!!!!!
gonferar 1 year ago
this is beautiful
RATM104 1 year ago 2
arileable
Edicson te felicito tu eres un fiel ejemplo de que venezuela es una cuna de buenos hombres.
arileable 2 years ago
what? this is slide IS, of course, apropriate because is a pos-romantic music. That you have to be "dramatic" .
Edicson Ruiz is the best
dbassgabrieltd 2 years ago 4
great performance, but theres waaay to much portamento in my opinion... makes it sound like he has to slide to hit the right notes... which i dont think he really needs to!
just my opinion though, this is a great bass player of course!
multifaros 2 years ago
looks like he listen to old Koussevitzky recordings. but Koussevitzky have a problems with hands while recordings, so this "sliding" not appropriate. However, i like this interpretation))
prostobalbes 2 years ago
Yes likeyou said its your opinion, some peole like it some people dont, but hes a reallygreat bass player, winnin in berlin at 17 years its just incredible!! i belive there is more for comig
pelonpelonchaz 1 year ago
@multifaros Have you heard Koussevitzky play his own 2nd Mvt?
dcco76 1 year ago
fierce
work itttt
violinbecca15 2 years ago
WOW! what an incredible player.
will9999100 2 years ago 4
Felicitaciones Edicson!!! Te saluda un colega Argentino, espero poder encontrarte cuando ande por Alemania.
Un fuerte abrazo!!!
gerardoscaglione 2 years ago
Great biece. Great performance. I love his bass!
drgabrielsoileau 2 years ago
edicson Ruiz e Gustavo dudamel os venuelanos que eu mais gosto xD
dbassgabrieltd 2 years ago
@dbassgabrieltd e tambeim a Chavez nao?
alejoeisabel 1 year ago
sencillamente excelente interpretacion!!
Darling3112 2 years ago
In regards to ElJuapeador's comment about the portamento... it's very characteristic of Koussevitzky to use huge amounts of portamento, even more than what Edicson uses. If you listen to his performances of Chanson Triste, this concerto, or the Eccles Sonata it's almost humorous how he glisses into every other note.
EstringWarrior 2 years ago
dios! esto es impresionante! yo soy contrabajista y lo admiro mucho! es espectacular! edicson hace ver todo tan facil con su naturaleza! te amamoOos!
MARIANITAX96 2 years ago
es facil entender porq entro a la filarmonica de berlin con 17 años... que talento. wow
carlosvaldivia22 2 years ago
Yes! That's how it's done. I love his playing. Especially how's he's not biting the long first note on the first couple of phrases.
JupiterAdept 2 years ago
Fantastico simplemente es una obra de arte todo lo q hace edicson...
CeSarBasS1 2 years ago 2
So much passion. beautiful.
rugdoctor 2 years ago 5
how is this not one of best solo works????
marcobass123 2 years ago
Don't get me wrong...I love the piece.
...it's just that I don't really enjoy this particular soloist's playing.
DcMbass 2 years ago
No way man. I like the piece, but the soloist is what makes this stand out for me.
JupiterAdept 2 years ago
This comment has received too many negative votes show
by saying "work"...I was not referring to the composition, I was referring the soloist's interpretation/intonation/playing in general.
DcMbass 2 years ago
felicitaciones edicson en chile te admiramos mucho,ojala en chile tubieramos un sistema de orquestas como en venezuela ya que solo es para una elite y a la gente del pueblo le cuesta mucho estudiar musica,pero le ponemos mucho esfuerzo.
pepobass 2 years ago 15
sabes algo el sistema de orquestas de mi pais venezuela, es una propuesta que introduce gente de bajos recursos. Es algo muy especial, el unico problema es que en venezuela todovia estamos coloniazados culturalmente. Te digo
pomontty 2 years ago
@pepobass Sorry pero la Fundacion de Orquestas Juveniles e Infantiles es exactamente igual a la de venezuela, hay orquestas en todos los pueblitos de escasos recursos o no yo pertenesco a una de ellas :D, la diferencia si es otro tema con el estudio para eso si que estamos mal x que solo las persona con buenos recursos economicos pueden estudiar en los mejores conservatorios de la Catolica y de la U. de Chile. en eso te apoyo,aaaa ademas, ojala que edicson Ruiz benga a Chile .. :D
AnibalKtbass 1 year ago
@pepobass Acuerdate que en Chile tenemos a la fundacion de orquestas, gracias a ella es que yo toco contrabajo, y estudio en un conservatorio, sin tener recursos.
Grande Edicson algun dia llegare a tocar como tu :D
AnibalKtbass 1 year ago 2
Epic ... watch him playing is mesmerizing ... amuzing interpretation ...
sebastianmitrious 2 years ago 3
very inspiring. an amazing piece and a fantastic interpretation.
TheMonkeyTookMyHat 2 years ago
un vibrato estilo shostakovich
benjairodomin 2 years ago 2
complimenti edicson!bellissimo!davvero bravo e bellissimo strumento!in Itaia è stato pubblicato un' articolo sul tuo Landolfi!
daddof 3 years ago
but b brato is good
qpdltm84 3 years ago
This comment has received too many negative votes show
interval is bad.......
qpdltm84 3 years ago
interpretación fantástica... que admiración... y orgullo
Castrocontrabass 3 years ago 5
te amo!!!!!!
chamandalica 3 years ago
qué talento...muchas felicitaciones, sigue estudiando siempre y transmite el conocimiento.
tapeteviejo 3 years ago 2
Felicitaciones muy buen concierto y la orquesta formidable . si vienes a paris por el congreso Bass2008 seria un honor conocerte.
Mauricio ROMERO
mauriciorome 3 years ago
Puede que te suene redundante! pero ahí te va!
Mis felicitaciónes!!! tu laburo es admirable y al mismo tiempo una motivación enorme.
Saludos desde el sur de Francia!
garotrombo 3 years ago
Muy bien Edicson!!te felicito.Un gran saludo!!!
diegotentuba 3 years ago
Bravo Edicson! Erinnerst du Dich noch an mich?
sandorka840809 3 years ago
This comment has received too many negative votes show
Link funktioniert nicht. Weg mit dem Mist!
otto15232 3 years ago
bravo maestro. jejeje gracias por subir este video. hay pocos videos de musicos venezolanos. y es una buena manera de apoyarlos.
NoX29 3 years ago
Man, I know some people would frown on it, but the hueg amount of portamento sounds so freakin gorgeous.
ElJuapeador 3 years ago 4
I was thinking the same.
bent96 3 years ago
Bravo, Bravo
sebawoj 3 years ago 2
for better sound quality add &fmt=18 to the end of the url. Great job Ruiz.
thedbassist 3 years ago
i want your bass
quiero tu contrabajo
futurebass09 3 years ago
Edicson Ruiz sta dimostrando in questo video di essere un vero solista.
Complimentoni
beddupiru 3 years ago 10
This comment has received too many negative votes show
I think some bars are different from the famous IMC Edition! Naturally always bowings!
Is this an "edition" of the great Maestro Stoll?
Thanks a lot
vitoliuzzi 3 years ago
This has been flagged as spam show
Eccomi come ai vecchi tempi...il Dragottesini è morto perchè ormai lo hai sputtanato con troppi nomi, sputtanando della gente che non c'entra un cazzo, poverini!. caro il mio pazzoide... ma non ti ricordi nei tempi della yahoo? Contrabbasso Italiano? Contrabbassisti Italiani? Ciro e la sorella? etc etc?.. allora ero un certo ubaldo per cambiare nei tempi nei vari massimo, silvio, fernando, daniele, pino, giuseppe, alberto e via dicendo, no eh?? hahahahahaa....
TREPPEK 3 years ago
... ora mi hai rotto le palle dopo che non sei stato capace di rispondermi su youtube... non è possibile che dopo 10 anni non sai chi cazzo sono ... sono voluto tornare al passato così magari ti rinfreschi quel piccolo cervello che hai, leccaculo di merda! E sopratutto fascista!
TREPPEK 3 years ago
This has been flagged as spam show
just 3 names from bad italians bassplayers..why can't you say that here if in italians boards you say to much shit about foreings bassplayers??
mcbortolo 3 years ago