Man how do you come up with the ideas of doing all those tiny changes, layering, sampling, crushing, filthering... with 12 trompets an 20 bloody strings... and so on... truly disco-sound need's this i guess. For my taste less is more but thats your production style i guess. Good video great idea's... thank you...
nice vid, loving the emphasis on live recording! would add that it's not just mistakes which cause problems for string samples. Part of the problem is that the variable vibration of the strings themselves, which will vary depending on bow angle, speed and pressure - the 'constant' nature of traditional samples can't really compete. Even simple, common things such as string or bow changes will sound wrong, let alone less straightforward techniques.
Nice vid, loving the emphasis on live recording. String samples are virtually never good enough - can always tell when strings are faked (especially as a string player...). The very 'constant' sound of sampled strings cannot replicate the large variation in vibration modes produced even for simple, common things such as bow or string changes, let alone account for different bowing techniques. sampled pizz is better, but you can still often pick up on it.
Nice vid. How do you achieve the 'squelchy' sound on the Aurturia moog? Was it 'played in' with the mod and pitch wheel or did you tweak the midi note properties.
Hal says : "The moog is basically played in live with nothing fancy. Moogs auto squelch! It may be the portamento that is making the squelch you refer to? Just set it to a nice length where you can hear the pitch slide, but not so slowly you lose the note.
why does the kickdrum drown out the rest of the music? is it some sort of a system overload? is it something that only happens with software because i doubt it would happen on a workstation like yamaha motif or something
I think the answer is Logic's own "Space Designer" convolution reverb set to the "Old Vintage Reverb" preset in the Vintage Reverbs Bank. The "Vintage Gear Hall" setting is a good retro verb too.
This lesson s incredibly helpful. I've spent the last 5 years writing and producing rock/pop and it's an entirely different field to making dance music.
Thanks for taking the time to help people out, much appreciated.
Hal replies : It never seems to have any problems. The computer is a quad core 4x 2.5Ghz with 2GB ram , but 3 or 4 years old. Never had any problems with the big software plugin strips. Need a new computer soon to go intel, but not because this one isn't working..
Very cool, you seriously understand compression and all it can do. Your aproach to finding room in the sonic pallete for all the different elements is great. Never had much use for side chains previously. Very respectable approach to "new music", that no old pro's can critisize.
I started mixing down through an old desk(8 stems) with analog FX to loose some more of that digital feel. Might work great for what you are doing. Using a 1/2 inch machine to capture that mix doesn't hurt either.
Just goes to show that production techniques are equally as important as writing the music. I use the over compression technique. Put a bassline and a kick on a soft knee compressor then turn the release down. Pumping bass great for club tunes but I don't do it as much now.
Hal replies "There are no plugins that really capture the sound, feel and creativity of a good live rhodes. Both sample based and modeling based rhodes plugins are OK for simple parts, but just like nothing on logic can fully replace a live guitar, there is nothing like the real deal for rhodes."
I did an HND in music production at Perth college which was mostly aimed at rock/pop music whereas this is exacty the kind of stuff i work on in my studio...
is quite easy. create a copy of the kick in a different channel. mute it, now you need a compressor in the channel you want to side chain, in the compressor there is an option for side chain, send the sidechain to the muted kick track. and you should have it/
this is mega, fascinating insight into production
Ianmundo 1 year ago
Wow! Thanks for doing this. I learned a lot.
lisa1234z 1 year ago
this was a great video, lots of info and ideas. gets you thinking
robfisher1 1 year ago
very good tutorial
beatsone 1 year ago
If i buss 3 snare tracks they end up not hitting the same, why?
disciple21781 2 years ago
Good vid. Thanks!
mattyscoll 2 years ago
14:31 lol wtf
poopyscoopy5 2 years ago
Man how do you come up with the ideas of doing all those tiny changes, layering, sampling, crushing, filthering... with 12 trompets an 20 bloody strings... and so on... truly disco-sound need's this i guess. For my taste less is more but thats your production style i guess. Good video great idea's... thank you...
daveus111 2 years ago
nice vid, loving the emphasis on live recording! would add that it's not just mistakes which cause problems for string samples. Part of the problem is that the variable vibration of the strings themselves, which will vary depending on bow angle, speed and pressure - the 'constant' nature of traditional samples can't really compete. Even simple, common things such as string or bow changes will sound wrong, let alone less straightforward techniques.
nathan87 2 years ago
Nice vid, loving the emphasis on live recording. String samples are virtually never good enough - can always tell when strings are faked (especially as a string player...). The very 'constant' sound of sampled strings cannot replicate the large variation in vibration modes produced even for simple, common things such as bow or string changes, let alone account for different bowing techniques. sampled pizz is better, but you can still often pick up on it.
nathan87 2 years ago
great vid loads of info done in enjoyable way top man ......
lunchboxron 2 years ago
Nice vid. How do you achieve the 'squelchy' sound on the Aurturia moog? Was it 'played in' with the mod and pitch wheel or did you tweak the midi note properties.
uptightkid 2 years ago
Hal says : "The moog is basically played in live with nothing fancy. Moogs auto squelch! It may be the portamento that is making the squelch you refer to? Just set it to a nice length where you can hear the pitch slide, but not so slowly you lose the note.
PeteMoore 2 years ago
BEST TUTOR EVA! :)
csati 2 years ago
why does the kickdrum drown out the rest of the music? is it some sort of a system overload? is it something that only happens with software because i doubt it would happen on a workstation like yamaha motif or something
akarc24 2 years ago
it's nothing to do with whether it's software or not,
it's probably just because they recorded the video's audio via shitty microphone, rather than direct line.
cartesiaLive 2 years ago
it's an effect. google 'side chain compression'
DannyCogari 2 years ago
thats called a kick sidechain
Ninehunid415 2 years ago
camcorder microphone ducking the highs
skatechatham 2 years ago
This really made me want to make this kind of music, and it really made me want logic even more :/ It's to bad it's only on Mac :(
LzI 2 years ago 2
whats the name of this reverb petee??
KalokoTube 2 years ago
I think the answer is Logic's own "Space Designer" convolution reverb set to the "Old Vintage Reverb" preset in the Vintage Reverbs Bank. The "Vintage Gear Hall" setting is a good retro verb too.
PeteMoore 2 years ago
This lesson s incredibly helpful. I've spent the last 5 years writing and producing rock/pop and it's an entirely different field to making dance music.
Thanks for taking the time to help people out, much appreciated.
ps. Guthrie is the bomb lol.
johnaiton 2 years ago
Thanks you so much for this video! I have learned so much usefull things, thanks alot!
EdynWardenhari 2 years ago
How does your CPU cope with all the effects?
Sharazapam 2 years ago
Hal replies : It never seems to have any problems. The computer is a quad core 4x 2.5Ghz with 2GB ram , but 3 or 4 years old. Never had any problems with the big software plugin strips. Need a new computer soon to go intel, but not because this one isn't working..
PeteMoore 2 years ago
Lucky you ;-)
Sharazapam 2 years ago
Very cool, you seriously understand compression and all it can do. Your aproach to finding room in the sonic pallete for all the different elements is great. Never had much use for side chains previously. Very respectable approach to "new music", that no old pro's can critisize.
I started mixing down through an old desk(8 stems) with analog FX to loose some more of that digital feel. Might work great for what you are doing. Using a 1/2 inch machine to capture that mix doesn't hurt either.
cribbiesteve 2 years ago
Anyone know what make of printer that is?
LALLZ 2 years ago
Hal Ritson = Cool, talented and very nice fella.
chappy0000 2 years ago
i wish i could produce music like this i wouldnt know where to begin tho
wiseGUY1288 2 years ago
PRIVATE STUDIO OR PUBLIC?
madziontist 2 years ago
Private...
PeteMoore 2 years ago
Where can i get this track!?
DJChrisMack 2 years ago
Which track are you after?
PeteMoore 2 years ago
Dont worry mate i got it from beat port. i was thinking of the hideaway one.
cheers!
DJChrisMack 2 years ago
YOu can get it from almost everywhere, just search for it.
LzI 2 years ago
Great video thanks
marksun 2 years ago
Just goes to show that production techniques are equally as important as writing the music. I use the over compression technique. Put a bassline and a kick on a soft knee compressor then turn the release down. Pumping bass great for club tunes but I don't do it as much now.
smash4686 2 years ago
thanks so much for this
onlydlonly420 2 years ago
anyone interested in music production should watch this!
froodgoose 2 years ago
this is sick
very helpful
ive just started making beats using cubase
check out my tracks, and tips would be appriciate safe
harryy179 2 years ago
Thank you so much for talking in detail about how you layer the tracks. Really educational!!
Your toons are fat too.
acidbass808 2 years ago 3
why do you need a rhodes when logic has so many that sound so good if not better?
greg0716 2 years ago
Hal replies "There are no plugins that really capture the sound, feel and creativity of a good live rhodes. Both sample based and modeling based rhodes plugins are OK for simple parts, but just like nothing on logic can fully replace a live guitar, there is nothing like the real deal for rhodes."
PeteMoore 2 years ago
Comment removed
exactspace 2 years ago
Great video for me guys!!!!
I did an HND in music production at Perth college which was mostly aimed at rock/pop music whereas this is exacty the kind of stuff i work on in my studio...
Thanks a lot!!!
Vandalgrease 2 years ago
met this guy a while ago in jersey.safe dude
rekage11 2 years ago
such skills man respect im only 19 but wish to learn your techniques and incorperate it in my dubstep
dectronica 3 years ago
whats the name of the dnb track at 33:40 ?
BASSLINESSSS 3 years ago 2
"Drum and Bacharach" by The Young Punx
PeteMoore 3 years ago
cheers
BASSLINESSSS 3 years ago
Comment removed
BASSLINESSSS 3 years ago
name of the track please!!!:)
davori6te 3 years ago
The 2 tracks featured are "It doesn't stop" by The Young Punx and The Young Punx remix of Hideaway by De'Lacey.
PeteMoore 3 years ago
cheers pete, very inspirational insight into logic vintage/ modern production.
nice one -)
topazuk 3 years ago
10 out of 10. Soooo good to see that dance music producers do "go in" still. :-)
Lazune 3 years ago
love the fact there is a printer in sitting predominately right in the prime position of a working recording studio.
SaySimonSaid 3 years ago 2
WOW, i would love to do that!! I really want tooooooo! Thanks for the video!
ninis74321 3 years ago
are the brass sounds live brass or a vst-öinstrument of logic?
and what about rest of the sounds?
thanks really nice video!
but i really to know what is the different between logic and pro tools, what do u prifer to use?
THANKS
1xpro 3 years ago
logic is outstanding for writing music start to finish. protools is mainly just for post production
jacknesky 3 years ago
What type of compression do you use for the side chain?
I tried but it didnt work.
By any chance can u make a video on just that topic!
Thanks,
Super N.E.S.
cnote0187 3 years ago
is quite easy. create a copy of the kick in a different channel. mute it, now you need a compressor in the channel you want to side chain, in the compressor there is an option for side chain, send the sidechain to the muted kick track. and you should have it/
djkazazza 3 years ago
This was an excellent video! Really gave me alot of info for my future music production career! Nice job!
djrjofficial 3 years ago
at 13:30 he says the sound is due to side chain compression? how is that done?
hwy9nightkid 3 years ago
its nice to see good music production.good inspiration
junevortex 3 years ago
clever stuff also inspiring! great upload
antsoner 3 years ago
fuckinell!
Young Punx are fuckin genius' fair play to yaz!
sounds so good this!
great video!!
KevWillow7 3 years ago
Ive got that exact production desk thing!
I bet I payed a fuck of a lot less for it than him too! Har har!
leodabatc 3 years ago
do you know if the fuzzwah(*?) is a vst for multi programs or is it just for logic?? cant find it anywhere.
eArtrash 3 years ago
Fuzzwah is just a logic plug in
PeteMoore 3 years ago
thanks for uploading this! Iv actually had the DVD but lost it! what great producers young punx are!
eArtrash 3 years ago