@MasonRazavi Thanks a lot. Yeah, tone is so important. I constantly work on it and there's a big difference when playing without headphones I noticed.
Yes and no. Thank you, it's all true. It's for me also a matter of practice, gig routine. I've noticed that my plaiying changes after about 2 hr's of live playing. That's when I start actually playing less, more laid back and with more melodic sense. I wished I was doing more live gigs. Playing with my Bassplayer is also more intense and gives me more routine. I'll check your vids. Cheers, Pat
I googled Just Friends Standard. I suggest that you work on the fluidity of your eight note runs. Some of the guitar BS stuff needs to be dropped; the lingering blues guitar licks have their place, but not really here. You should definitely work on your rhythm too! The one problem i see with guitar players is because they dont have to breathe they keep playing. Musically the audience wants to have a break in there. Nobody listens to the person who yells all the time. Try to seperate your phrases
i've been working my ass off on this tune for an audition and one thing i might advise is phrasing, maybe try to give it some more breathing space, kinda sounds like u just keep running on and on and on without any breath
nonetheless, ideas, harmonies, technique are great, really enjoyed this
Thanks for your input. I always consider things said in comments and you are right. I noticed that, by playing with the thumb the music breathes much more and lines are more melodic. Cheers, Pat
cool stuff. one tip; when you are done playing a phrase keep your fretting hand where it is. at 1:54 you kind of shoot your hand off the neck and hit an open string in the process. it's very natural to do these type of things, but you save time if you keep your hand where it is. :)
good chops..i think you play ahead of the beat a lot..maybe its intentional..but sometimes it doesnt sound in 'the pocket'..i found it helps to practice at very slow tempos(mm=40) and try hit the beat dead centre..really makes you aware of where the beat is.
very good comment. i do that sometimes. it is also true that in the real world it takes a lot of effort to keep up your chops, unless you're one of those rare geniuses, for me at least it means always a lot of hard work. I promise, I'll do my best.
What's with all the hate on this guys vid? I think he does a fine job playing the tune. It's funny because the first time I heard Charlie Parker's rendition, I somehow knew Kessel had done it. Some songs just seem to beg to be played by Barney.
This comment has received too many negative votesshow
You don't have the right changes bro! It doesn't sound crisp?If you going to put your playing out for the world to hear. Make sure you have the right chords.Learn the changes and try again. No such thing your style when you are out of Key!
Very nice sound, what guitar and amp are you playing through, I have a Godin Flat 5 which I play through a Fender Bassman, it sounds a little hot sometimes though, I wonder if maybe new pickups, speakers in the amp or something along those lines would help, anyways I would love to have a sound like you one day.
thanks:) i use a 50ties L4 and play a polytone amp. perhaps you just need to turn down the volume. perhaps the the bassman is distorting. sometimes you need to check extreme positions, like turning the treble and bass to one, and the middle all the way up, ore something else. hope that helps;-)
Good chops man. It's too bad there were a few notes that didn't ring as much as they could've! Oh well, such is the art of the moment. Awesome though, I wish I had those skills. I'm still new to this thing.
I want to comment though, I'm pretty sure an easier definition of standard would be any song in the real books. :D But that might be simplifying it a little.
Swinging and flowing lines Pat. I agree, the 'Standard' is difficult to pin down. Most of them have a first 8, a bridge and a last eight, but there are many exceptions as we know, E.g. 'Beautiful Love'. Always seems to me to need a bridge, but I've never heard it played with one! I am working on that.
Spot on Pat. We know substitutions have to be the right ones, unless we play 'outside'! Polytonal chords and quartals, give me ideas. Some that I can't follow through with now I've slowed down. Happy fretting!
and/or list of changes/sheet music? Sorry for the double post but it just occurred to me that could create my own backing track if I had the changes. Thanks :]
Great job! Beautifully played! I especially appreciate the angle at which this was shot ... always appreciate being able to watch great guitarist's fingers.
Great, warm sounds ... saw the comments on your amp. What kind of guitar are you playing?
you can do a lot already with the way you attack the strings. i try to develop a soft touch while maintaining a firm grip to the strings. howard roberts has written a good book called superchops. cheers, pat
Enz, pardon me for being so elementary, but could also be somewhat specific. For instance, how would you approach Out of Nowhere, key of G, with diminished scales? Thanks.
Yo, enz. I hear the diminished scale throughout, but could you clarify playing diminshed over--did you say the II-V or did you mean the entire II-V-I phrase?
Okay, so in a blues in F, the V7 is C, and you will play off of Db? But then also if you drop down three frets you will be playing off of the IV, the Bb? Do I have this right?
Beautifully played..:-) such a lovely song
chaz2wells 3 months ago
great tone and phrasing ;) Were you soloing over chord tones or specific scales or modes?
cochi256 9 months ago
Great tone, great solo. Nice work!
MasonRazavi 1 year ago
@MasonRazavi Thanks a lot. Yeah, tone is so important. I constantly work on it and there's a big difference when playing without headphones I noticed.
enzmusic 10 months ago
love the bird lick at 1:46 ish Im a bass player and think you have a fine sense of time.
sri888 1 year ago
you are great! Bravo!!
vinyl55 1 year ago
you are so brilliant jazz lines performer bu jus a couple of voicing make the perfection but you sounds great
juaco39 1 year ago
Great playing! And very nice woody sound. Could you tell me what guitar and pickup you're using here? Cheers!
mctabla 1 year ago
now i think that's an jazz improvisation, all the way up and down through the module sounds, i'm pleased to hear music like this, rate 10
zana2piano 1 year ago
Just Friends - y mo afyonoría o chanfies maomao. tse dong. hahaha
I really like it. Fantastic guitarist.
gui chao min dough, wonk?
wonk.
LeBockwurst 2 years ago
your tough man!bravo!
RyMuEntertainment 2 years ago
I assume you've probably already done all this though, since you posted the vid 2 years ago!
soraferret 2 years ago
Yes and no. Thank you, it's all true. It's for me also a matter of practice, gig routine. I've noticed that my plaiying changes after about 2 hr's of live playing. That's when I start actually playing less, more laid back and with more melodic sense. I wished I was doing more live gigs. Playing with my Bassplayer is also more intense and gives me more routine. I'll check your vids. Cheers, Pat
enzmusic 2 years ago
@enzmusic
hi, what key are you playing, is it start from F7 chord on first note?
michelleshihguitar 4 months ago
I googled Just Friends Standard. I suggest that you work on the fluidity of your eight note runs. Some of the guitar BS stuff needs to be dropped; the lingering blues guitar licks have their place, but not really here. You should definitely work on your rhythm too! The one problem i see with guitar players is because they dont have to breathe they keep playing. Musically the audience wants to have a break in there. Nobody listens to the person who yells all the time. Try to seperate your phrases
soraferret 2 years ago
good advice, i second this comment
songsmadeforyou 2 years ago
gorgeous tone first off
i've been working my ass off on this tune for an audition and one thing i might advise is phrasing, maybe try to give it some more breathing space, kinda sounds like u just keep running on and on and on without any breath
nonetheless, ideas, harmonies, technique are great, really enjoyed this
musicman9897 2 years ago
Thanks for your input. I always consider things said in comments and you are right. I noticed that, by playing with the thumb the music breathes much more and lines are more melodic. Cheers, Pat
enzmusic 2 years ago
I really enjoyed this all the way through.Nice sound. Good ideas.
fourstring1 3 years ago
Wow, thanks+! I always wonder if people watch the videos to the end.
enzmusic 3 years ago
cool stuff. one tip; when you are done playing a phrase keep your fretting hand where it is. at 1:54 you kind of shoot your hand off the neck and hit an open string in the process. it's very natural to do these type of things, but you save time if you keep your hand where it is. :)
Abaddon2005 3 years ago
Thanks, I alays take advise seriously:)
enzmusic 3 years ago
my guitarist in my band always does it and its fun to watch :)
RogerSquawk 3 years ago
I had a fellow student at GIT who did this very thing! I never thought it would happen to me, lol
enzmusic 3 years ago
good chops..i think you play ahead of the beat a lot..maybe its intentional..but sometimes it doesnt sound in 'the pocket'..i found it helps to practice at very slow tempos(mm=40) and try hit the beat dead centre..really makes you aware of where the beat is.
aidybop 3 years ago
very good comment. i do that sometimes. it is also true that in the real world it takes a lot of effort to keep up your chops, unless you're one of those rare geniuses, for me at least it means always a lot of hard work. I promise, I'll do my best.
enzmusic 3 years ago
What's with all the hate on this guys vid? I think he does a fine job playing the tune. It's funny because the first time I heard Charlie Parker's rendition, I somehow knew Kessel had done it. Some songs just seem to beg to be played by Barney.
yagamei 3 years ago
This comment has received too many negative votes show
You don't have the right changes bro! It doesn't sound crisp?If you going to put your playing out for the world to hear. Make sure you have the right chords.Learn the changes and try again. No such thing your style when you are out of Key!
mudywaters1 3 years ago
Comment removed
griffinsemple 3 years ago 3
As much as one would want to disagree, you speak the truth man
crs251 2 years ago
The Real Book changes in F. cheers, pat
enzmusic 3 years ago
what chords are you using, or what progression in what key?
tofudrift1986 3 years ago
I'm SO jealous right now..........
stormbringer67 3 years ago
It's on bars 7+8. For me there are already enough II-V's in standards;-) Cheers, Pat
enzmusic 3 years ago
"Where as many musicians prefor to substitute the diminished chord by a II-V, I stay with diminidhed also for rehearsing purposes"
I've looked at a few lead sheets for this tune and there's no diminished chord, where do you play it?
MontgomerylandFunk 3 years ago
any chance to get any note charts of this solo?
lirzy1 3 years ago
In my opinion you play the theme without swing.
gabrielejazz 3 years ago
Very nice sound, what guitar and amp are you playing through, I have a Godin Flat 5 which I play through a Fender Bassman, it sounds a little hot sometimes though, I wonder if maybe new pickups, speakers in the amp or something along those lines would help, anyways I would love to have a sound like you one day.
django50 3 years ago
thanks:) i use a 50ties L4 and play a polytone amp. perhaps you just need to turn down the volume. perhaps the the bassman is distorting. sometimes you need to check extreme positions, like turning the treble and bass to one, and the middle all the way up, ore something else. hope that helps;-)
enzmusic 3 years ago
Good chops man. It's too bad there were a few notes that didn't ring as much as they could've! Oh well, such is the art of the moment. Awesome though, I wish I had those skills. I'm still new to this thing.
I want to comment though, I'm pretty sure an easier definition of standard would be any song in the real books. :D But that might be simplifying it a little.
rebelmachine88 3 years ago
very swingin', don't stop playing
turbolawnmower 3 years ago
kul pretty solid
inversion13 3 years ago
altered scale?
flimflam0069 3 years ago
wholetone
enzmusic 3 years ago
Just when you think you've gotten pretty good a Jazz guitar, you watch something like this and you realise that you've so much more to learn!
Incredible playing. I especially liked the quick chord changes at the beginning and the end. Thank you for uploading this wonderful clip!
fdrstrat 3 years ago
thanks a lot, you made my day:)
enzmusic 3 years ago
Playing a lot, but not saying much!
scerplaya 4 years ago
very very nice....keep on swingin'
davididave 4 years ago
Swinging and flowing lines Pat. I agree, the 'Standard' is difficult to pin down. Most of them have a first 8, a bridge and a last eight, but there are many exceptions as we know, E.g. 'Beautiful Love'. Always seems to me to need a bridge, but I've never heard it played with one! I am working on that.
regards
John
Chordwayze 4 years ago
i wonder what's the tempo the composer played it in, perhaps we would hear the changes differently... depending on tempo...
enzmusic 4 years ago
Spot on Pat. We know substitutions have to be the right ones, unless we play 'outside'! Polytonal chords and quartals, give me ideas. Some that I can't follow through with now I've slowed down. Happy fretting!
John
Chordwayze 4 years ago
help!!!! theory doesn't rhyme with me:(((
enzmusic 4 years ago
Aw heck! Then you must be one of those amazing gifted naturals.. Lol! You sure go through some theory on this track! Great stuff Pat. Regards
John
Chordwayze 4 years ago
and/or list of changes/sheet music? Sorry for the double post but it just occurred to me that could create my own backing track if I had the changes. Thanks :]
happymasksalesman 4 years ago
you have to get the so called realbook.
enzmusic 4 years ago
Where do you retrieve your backing tracks?
happymasksalesman 4 years ago
most of the time band in a box 2007, i also did some myself.
enzmusic 4 years ago
Great job! Beautifully played! I especially appreciate the angle at which this was shot ... always appreciate being able to watch great guitarist's fingers.
Great, warm sounds ... saw the comments on your amp. What kind of guitar are you playing?
timwarneka 4 years ago
THNX for the explanation
Greetings Jacob
jacobhdejong 4 years ago
Ok !! And whar kind of pattern is that??
Is it from the book Patterns for Jazz
jacobhdejong 4 years ago
exactly:)132435etc in wholenotes
enzmusic 4 years ago
OK I experiment with that.
Another question; what do you play on the G7 (in this case) that's the only chord i don't know
jacobhdejong 4 years ago
i play a whole-tone-scale pattern by jerry cocker:)
enzmusic 4 years ago
OK THNX PAT,
jacobhdejong 4 years ago
oh, and for this sound a had a mic to record the guitar's natural sound and then mixed the 2 together.
enzmusic 4 years ago
thats sick
moocow1781 4 years ago
how do you get that really warm sound?? Is that the amp or the strings. Can you telle me??
jacobhdejong 4 years ago
you can do a lot already with the way you attack the strings. i try to develop a soft touch while maintaining a firm grip to the strings. howard roberts has written a good book called superchops. cheers, pat
enzmusic 4 years ago
OK Pat, thnx,
Can you tell me about you're AMP I want to by a polytone, cause i have heard, that this AMP will give a good Jazz-sound. What Kindda amp do you use??
And can you tell me about you're strings???
jacobhdejong 4 years ago
i use a polytone for gigs and 13th d'addario flatwounds.
i usually put the amp on a chair or a table.
enzmusic 4 years ago
thats a great warm sound dude
freddy692000 4 years ago
good licks -thx 4 that-, great performance :]
korntwist1 4 years ago
killer
TinSpajic 4 years ago
a am a little rusty on some theory. what is an "A1 A2 form?"
trevorisrad 4 years ago
the 1st 16 bars is different from the 2nd 16 bars.
enzmusic 4 years ago
Oh man, great stuff! I'm now a fan and have subscribed to your videos. Keep up the great work.
MarkFromHawaii 5 years ago
thanks a lot:)
enzmusic 5 years ago
good pick and finger coordination!
boone14 5 years ago
Very good sound an nice phrases, sen us more :))
carvalhotoze 5 years ago
Enz, pardon me for being so elementary, but could also be somewhat specific. For instance, how would you approach Out of Nowhere, key of G, with diminished scales? Thanks.
NAFTALI2 5 years ago
this is a run. i worked it out using my ears and checked which fingering applies best for me.
enzmusic 5 years ago
Yo, enz. I hear the diminished scale throughout, but could you clarify playing diminshed over--did you say the II-V or did you mean the entire II-V-I phrase?
NAFTALI2 5 years ago
i play diminished a third up or a 1/2 step higher from the root of a do 7th chord.
enzmusic 5 years ago
Okay, so in a blues in F, the V7 is C, and you will play off of Db? But then also if you drop down three frets you will be playing off of the IV, the Bb? Do I have this right?
NAFTALI2 5 years ago
yes, you got the principle.
enzmusic 5 years ago
Great job, keep up the good work!
noreht 5 years ago
Great stuff, need to see more Wes Montgomery tunes.
34956my 5 years ago
yeah nice man some really nice music in there
joebandana 5 years ago