Added: 5 years ago
From: rtermini
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  • Great tutorial, I did a similar one using the Nord Lead... so people having a Nord, check out my channel for a similar tutorial but with the Nord layout :)

  • @LESDT Thanks very much.

  • Very good, I am starting to build one...now!

  • *starts building custom modular synth right now*

  • great video mate, very informative

  • Anyone who thinks a soft synth (that is not a sample/copy) can make sounds like this, clearly has deficient hearing. This is pure sound. Thanks for a great tutorial!

  • Any one no where i can buy a basic start kit ?

  • LOL this is great, haha, and in these times...there are fierce competitor software plugins for this bad boy

  • Lol, love "Get a kit and build one RIGHT now.."--that's what it's all about, actually DOING it.. Great vid..

  • Could someone explain something to me? Do you actually NEED to do all this stuff with wires in order to create your own sounds on a synthesizer?

  • @DameHaha2011 Depends on the synth. You don't need to deal with patch cords at all with something like a Yamaha Motif, just run some cables to an amp or powered speakers. For a modular synth, you need to wire it yourself, because there's no presets as such.

  • so how exactly is an oscillator generated. is it feedback, signal, what? what is the basic core of an oscillator?

  • I think modular synths sound really nice but I think that's mostly due to the fact that they mostly (always from what I've seen) have good oscillators and good filters. I don't really see much advantage to the patch cable system, surely it must be possible to have the routing options controlled by switches and circuitry in a way that makes possible for patches to be stored and recalled from digital memory....

  • @sinetravel that would require a basic microcontroller, analog switching chips and it wouldn't be that hard, I guess purists would rather just have everything in the analog domain and the cable system offers that flexibility where space and asthetics isn't at a premium.

    I'm actually hoping to design an analog synth based on the MFOS ultimate but doing away with all the cabling. My solution uses only three two-way slide switches which together would allow eight different signal routes!

  • Can someone answer me this question I've always wanted to know! I'm in a band okay and I've been around music all my life, when I record I have multiple synth sounds (by the way I'm the guitarist), how would a keyboardist play all the sounds live? Do you play it through a computer or through a analog synth? I sometimes think you could use a loop effect pedal and play all the other sounds. PLEASE ANSWER!!!

  • @Khampower synths work with midi or cv gate so when you record your actually not recording sound but information... you basically need a sequencer like computer or a hardware version and then you can do as many layers as you want..

  • too complex to control :-D

  • how much many ?

  • Before you Put the CV into the oscilators, how was pitch being created?

  • The .com systems are so great. This is very helpful for beginners.

  • I've been trying to wrap my head around synths for a week. Thanks for the straightforward explanation. I get it now lol

  • @pyka246 Cheers. Happy to help. Now make some great sound.

  • @pyka246 How make a lot of variations with soft synthesizer? I try self but i can do little sounds , and sounds quality is so ****...i dont understand how professional makes very cool synth sound. how much i tried always be a bad sound. Becouse my sound aplitude a lot of 20 sound variations if u know what write for me PM thank you very much ...

  • that's a lovely synth, nice filters, still i can't really be dealing with hardware anymore i need polyphony, lots of it lol :)

    are those oscillators analogue to?

  • @DarkShroom @DarkShroom Yes these synths are all analog.

  • awesome

  • helped me a lot, thanks!

  • @TimeIsTheMatter  Glad you liked it. Cheers.

  • @rtermini I apologize for the bluntness, but what the hell do these things do exactly? I've probably watched every video I can find on modulars, but I can't quite figure it out. How does one go about programming a modular synth? Is it capable of making sounds/tones/textures similar to say, a daft punk record, or can it only bleep and bloop on random intervals? Thank you!

  • @stutwostep Hi-

    Well you don't really 'program' this kind of machine. I has no memory. You simply connect or patch on thing to another and build a sound via those devices or modules. It is not unlike starting with a guitar and then running it through flangers and fuzz and wha and eq etc... 'cept here the starting tone is electronic via our tone generators or oscillators. On a typical machine like this you can play the resulting sound using a keyboard to drive it as i do in this demo.

  • I still have that shirt.

    

  • I still have that shirt.

  • what the shit, why is that thing such a beast, i want one.

    and why do i suddenly feel like styling my hair like flock of seagulls...

  • Im going to study your Videos if I just went out and got a Soft synth I would not understand it even if I watch a million videos on the soft synth I need to learn the ins and out out Synths ...

  • Could you provide a the parts list to yours? I'm looking at a DotCom synth or the Doepfer A-100.

  • nice

  • !@#! I hate my soft synth plug-ins even more now.. thanks dude!!

  • @DarkShroom Yeah...and there are sounds you can't get out of digital shit that you can out of analog. Don't be doggin Moog, you'll make yourself sound like an idiot.

  • What is a good keyboard to use that has a CV out?

  • Hey! Thank you! Everything was pretty clear!

  • Rule 34

  • But I can't download that from a torrent. : (

  • just get a synth man...nothing beats haiving a knob, cable, touch ribbon to alter the sounds you're trying to a\make... i mean seriously, don't you get tired of clicking a mouse all damn day?

  • Just keep ripping off software makers, and eventually they'll all go out of business and the decision will be easier to make I guess. People don't stop to think about how destructive their actions are to the people who are working hard to create good software. It's pretty sick.

  • sounds great but where the fuck do i put it????? look at the size of it!!!! Pluggins are where its at im afraid!!!

  • yes, be afraid. your plugins sound like shit compared to this :-)

  • you are so right my friend...

    try forever... youll never bet real hands on analog..

  • @toranamunter, nah uh. Plenty VSTs can reproduce these sounds and better

    heard of albino? absynth? predator? just to name a few

  • That's a very small 22 space portable unit. Put it on a table. Mount it on the wall. It's worth it's sonic value in gold, and will put any plugin to shame.

  • @Voltor07 Ha ha! Love it. Tell it to a software type like Bill Gates, I would love to see the reaction on his face!

  • Dude, I want some synth porn on that shit!

  • andromeda rules but old modulars are awesome

  • im a complete noob to this. how much would one of these cost?

  • His system is in the $2000-US range. They're very expensive, but also very awesome. I want one!

    If you're new to synthesizers I recommend starting with a cheaper, simpler non-modular. You can pick up old synths from the 70s and 80s on Ebay for much cheaper ($300 to $1200 depending on the model you want). The Korg Polysix and Roland Juno-60 are good ones to start with.

  • I cried. Freakin awesome man.

  • software,software...NOW THIS IS haRRdWARE!

  • We want more!

  • "just for fun.." hahaha cool tutorial

  • Oscillators generate the wave forms and output those signals. You then route the Osc out to where ever you like.

  • great video man, thanks

  • good tutorial

  • thats awesome only if I could figure out my alesis fusion!

  • EXCELLENT! Well done! (But more should have been mentioned about the envelope generators).

  • are theese hard to play?

  • Not at all - if your good at the piano or keyboard, this should be easy. In fact easier (for some at least), because you can only play one note at a time, since it's a monophonic syntesizer.

    Patching up the synth isn't that hard once you grasp the basics, and remember that there just about isn't anything you can do wrong. Only real problem is that they're hella expensive.

    The system in the video costs $2550 without keyboard.

  • nice !

  • I have a question about the effect of technology on musical activities- is music going back into a more 2-dimensional 'thing' with the ever increasing use of technology, and is this technology taking away musicianship?

  • u have written excactly the same to another video. No it isn t, u still have to know music in order for people to make sense of your composition, and u can explore sounds that cannot be produced by conventional means. A tool is as good as the one that uses it. Either a violin, a moog, a knife or whatever

  • Yeah for me anyway electronic music provides relief from the boringness of most instruments which have existed so many centuries that pretty much everything has been done with them.

  • @ Dannysince1985:

    To some, it does.

    To others... it only grants more possibilities :)

  • Music is music. Made up of bars. Electronica is just another genrea of music made of 16-32 beat loops. thats the most basic answer lol

  • are slew limiters and oscillator aids absolutely necessary to have in a basic system?

  • Nope

  • Nope - although a slew limiter IS pretty useful for portamento (note slide)... amongst other things ...

  • Id like to get the 960-62-63 and stick that in one of these portable units with some basics, ie 2 osc's 1 envelope gen, a filter, a mixer, amp, midi interfce and power.. but dont know if I could get away with it.. the 960 clone is like 8 spaces, Id probably be missing the multiplier and something else essential to do it.. what do you think?

  • It CAN be done, but it'd be almost too cramped.

    With the 960 and the proper control modules for it, you would be down to 11 modules for the synth itself. 4 for two oscillators, 2 for a filter, 1 for an amp, 1 for an EG, 1 for a mult, 1 for a midi and 1 for power - that's it, no space for the mixer, for instance. Would be unusable, IMO.

  • Wow, that must be some instrument.

  • For a digital solution for not being able to affort an analoge synth I would recomment

    Timewarp 2600 it's marvelous.

    Vaz Modular is great too.

  • Thanks Richard. I appreciate the demo. Love to see a part two.

    Also, if you do another, one suggestion would be to zoom in on the modules so that the viewer can see the labels, inputs and outputs more clearly.

    cheers,

    snuf

  • I'm sorry... you lost me after patching it through the filters. I think I'm going to stick with digital for now. I'm way too ADD for analogue, but damn I love those warm sounds.

  • what's a cheap simple synthesizer to start with? no point in me buying an expensive one if a blow it up right?

  • Well the old school analog stuff is never too cheap but if you want a modern digital machine or an analog digital hybrid you could look online 'ebay' whatever for anything by Korg or Roland or Yamaha.  You should be able to find one of those cheap and used. The US or UK made stuff tends to hold higher value used. Look around. You will find something fun to work with.

  • thanks for the reply. what kind of prices are you talking about? i have no idea about music or electronics. what do you think's a sensible price for a beginner to pay? or any particular model? apologies for asking more of you but being a 1st timer is a *****! thanks

  • Try the microkorg they're about 400 dollars new, and you can get one for about 300 used. A lot of people say its not that good (they call it a toy), but if you're just starting out I think it is a good choice. You don't have to mess with patch cables but you can still modify the sounds, it even comes with a simple sequencer.

  • Are there Korg modules available that have a lot of the synthesizer sounds that the synthesizers from the 1980s have?

  • I have one, had it for over 7 years, and I love it, rock solid.

  • @panickingjuggler or you can build your own synth!

  • wow technology has moved on to think i have packed all of that into my guitar pedal haha!

  • What a sound!!

  • great video, now my modular softsynth is so much more fun!

  • Software is great. I sill love the hardware stuff a bit more. The digital emulation of analog is often well done but as they say, it is not the same.

  • Very good video! I have a Rack 24 on its way-I'm very excited! :D

    BTW... Is it just me, or is there something weird about your sample rate and signal processor gain knobs? Are they missing caps?

  • The thin cap that tops off the knob came off. Nothing functional so I never got around to gluing them back. You got good eyes.

  • It's a shame I can't order these, since my country is in the EU etc.

    Oh well, since my room doesn't have much space... a eurorack has to do.

  • As I understand it the Doepfer has a default CV and trigger which saves having to patch a CV to each osc.

  • There are many machines that have preset connections. In fact there are modules you can get for this system that presets some basic connections too. This system is set up the way a machine might look in the late 1960's. That is one of the cool things about it. Raw and basic.

  • The coolest thing about this was the tiny red blinking light at the bottom. That was awesome! Can't wait to get one of those.

  • You just can not go wrong with a small red blinking light. If it is say a really big light- it just is not the same. It has to be just the right size of smallness to hit the spot just right. And it has to blink at a nice rate. Not too fast and not too slow.

  • I loved this! Thank you.

  • very well done. funny thing is, I actually understood everything!

  • one hit of acid per ocsillator

  • HI, just had 1 question. Has anybody actually included these effects as part of a song like GOA genre?

  • Yes, of course. But it tends to be the earlier stuff.

  • Wow! That sounds so hardcore. How much does something like that cost?

  • This unit cost about $2,500.

  • TERMINI IS A LEGEND IN THE MUSIC PRODUCTION CIRCUIT IN NY. He was my teacher at IAR. "I'll kick your ass!" ....lol

  • Now your talkin! How the hell are ya?

  • Explained signal flow very clearly!! Thanks Much!!

  • thats cool sounding

  • Thanks much.

  • A very great (and usefull) tutorial about modsynths, I myself am not wealthy enough to own one (I'm a mere student :-) ), but one day will come when I shall experiment with this or that. And when that day comes, I won't forget this tutorial :)

    I don't think it will be too comlicated, just think where the input and the output goes.

    Btw, on 04:42 you talk about a low-pass filter, what is that if I may ask?

  • Thank you very much. A Low Pass Filter is as its name implies. It is a filter that allows frequencies below a certain point through but filters out frequencies above that point. The point of cutoff is called 'the Cutoff Frequency'. On a synth the cutoff frequency can be set and or swept by the user. It can get a bit more complicated than this because the slope or rate of change of the filter can vary and this is one variable that can give a filter its character. (MORE)

  • But in general just think of it like this: if you set the cutoff to say 1000Hz than everything below 1000Hz will be heard and everything above will be cut out of the sound. So why not call it an High Cut filter? Well some people do but think about light. A Red filter passes RED and cuts everything else out so an audio filter follows this tradition therefore a Low Pass filters Lower than the Cutoff and Cuts everything above the Cutoff.

    I hope this helps.

    Thanks again Termini

  • In 1897 Thaddeus Cahill patented (pat no 580,035) what was to become the "Telharmonium" or "Dynamophone" which can be considered the first significant electronic musical instrument . The first fully completed model was presented to the public in 1906 in Holyoke, Mass.

  • What's a Teleharmonium? I know about the Theremin. But then again the pipe organ has been described as the origina; synthasizer from time to time.

  • Check it out

    http://www.obsolete.com/120_ye­ars/machines/telharmonium/inde­x.html

  • that was useful, i have only used standard synths, not modular - cheers

  • I hope to add a few more basic tutorials soon. Sample and Hold should be a good one. ADSR/envelopes seem to confuse people so I will do a thing on that too. Thanks very much for the comment. Cheers.

  • ADSR would be great.... differences in filters too! band pass vs. low/ high pass... that sorta stuff... :)

  • I just ordered the larger studio 66 from SynthesizersDotCom. I should be getting it in a couple of months. I will be doing ADSR and more with that machine. Thanks very much and cheers. Richard

  • Modulars ARE "standard" synths. The rest are the nonstandard ones.

  • Maybe we should call the Modular synths the ORIGINAL synths unless you want to go back to the Telharmonium in 1906. Calling Thaddeus Cahill's machine a synth might be pusing it though. I think the journey of electronic music is partly about not having a fixed standard but rather pusing things further along and adding to the vocabulary or the art.

  • OK but what the heck is a Telharmonium? I guess you could almost think of pipe orgrans as the original. I sit cowrected.

  • Check it out

    http://www.obsolete.com/120_ye­ars/machines/telharmonium/inde­x.html

  • Excellent! Thank you for posting this in the Analog Synthesizers group! This is just the sort of thing I had hoped would be posted! Aren't .com modulars great?

  • Thanks much. Yes DotCom synths are fantastic. I intend to expand my system soon. I also use vintage Oberheim gear circa 1975.

    I hope to be adding more tutorials soon. Thanks again for your kind words.

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