Well, I do have a better understanding of what modes are, and I understand how they can immensely improve your soloing/overall playing... But damn it's intimidating. The learning curve seems a bit over whelming, especially to a self taught guitarist who's already lacking in music theory.
@RawkinOutt I know exactly what you mean. I'm still learning, but the curve seems exponential, if that makes sense. The more you learn, the quicker everything seems to fall into place and make sense. Work your way through my theory and scales sections and see how much progress you make in a year.
@fretjamdotcom I think I'll do just that. I haven't checked out any of your other videos yet, but you're the first person that actually helped me make some sense of modes. I'll check out some more of your vids. Thanks =] Subscribed.
keep the modes in the mind as "i dont punch little men after lunch"..each letter starts with the same letter as the mode order...this lesson is great...
@corporacionmonstruo It's one of those things where you only realise how beneficial they are once you learn them. I think the main benefit is being able to associate a given chord progression with a mode. E.g. a ii IV V progression would imply Dorian (where the ii chord is the tonic). I go into this in the 2nd part. Learning modes helps you connect a sequence of chords to a tonal center. More directly, learning modes gives you several new scales to use in your solos.
So if you're in the key of G major, and you start on the 2nd of G major (the note A) and play the major scale pattern, you'll be playing the A Dorian mode?
I would like to know how to improvise more melodically over a chord progression in any key; being aware of the scales and mode positions for the shapes along the length of the neck that one can use to solo over a specific chord. And, how to pick out the chord tones and strong notes - i.e. resolving a lick/riff to the root and including the chord notes, etc...
I would like to know how to improvise more melodically over a chord progression in any key; being aware of the scales and mode positions for the shapes along the length of the neck that one can use to solo over a specific chord. And, how to pick out the chord tones and strong notes - i.e. resolving a lick/riff to the root and including the chord notes, etc...
Thanks for the reply. My question (I think my question, that is!) is if I play a Lydian scale over a chord progression of perhaps a I, IV V, in C, would the scale be based on the major scale starting on the forth position with root for the scale of C or of F?
@nilla003 in the case of I IV V, the tonic would be C major so yes, the scale would be based on the major (Ionian) scale. If you played Lydian from the root of F, it would still be C major because that's the tonic chord of the progression.
Hi there,I've just noticed how the descending intervallic relation of each mode reflects an other mode:ionian is an upside down phrygian,lydian is an upsidedown locrian and mixolydian is an upside down aeolian...except for dorian which reflects it self....! does this have any practical aplication or is it just coincidence?
Thanks for a great lesson. One thing I am not too clear about. Say I want to play A Phrygian over an Am progression. I believe that I could play the F Major scale. But, do I start in F and resolve in A , or start and resolve in A, within the F Major scale.
Sorry for the dumb question, but I am new at this.
Thanks for a great lesson. One thing I am not too clear about. Say I want to play A Phrygian over an Am progression. I believe that I could play the F Major scale. But, do I start in F and resolve in A , or start and resolve in A, within the F Major scale.
Sorry for the dumb question, but I am new at this.
That's the best video tutorial for modes on the guitar I ever seen, very well explained in fact! But What happen if you start building modes on a Minor Scale? How about the chords attached to it?
@TheCastagne please don't apologise. Perfectly clear. There are in fact modes of the melodic minor and harmonic minor scales. However, as the natural minor scale is the 6th mode of major scale (Aeolian) we just use the major scale as the parent scale.
Well, I do have a better understanding of what modes are, and I understand how they can immensely improve your soloing/overall playing... But damn it's intimidating. The learning curve seems a bit over whelming, especially to a self taught guitarist who's already lacking in music theory.
RawkinOutt 3 weeks ago
@RawkinOutt I know exactly what you mean. I'm still learning, but the curve seems exponential, if that makes sense. The more you learn, the quicker everything seems to fall into place and make sense. Work your way through my theory and scales sections and see how much progress you make in a year.
fretjamdotcom 3 weeks ago
@fretjamdotcom I think I'll do just that. I haven't checked out any of your other videos yet, but you're the first person that actually helped me make some sense of modes. I'll check out some more of your vids. Thanks =] Subscribed.
RawkinOutt 3 weeks ago
bloody hell
Subzro777 1 month ago
keep the modes in the mind as "i dont punch little men after lunch"..each letter starts with the same letter as the mode order...this lesson is great...
mulholland1985 2 months ago
Thanks for this!
Your videos and site are really helpful.
But seriously, what's the point of the scary thing at the start and end of videos?
MrJasonPDK 2 months ago
Comment removed
geeiwoder 4 months ago
Wow! I don't get it but I'm going to continue trying! I will now subscribe to your channel. Thank you for sharing!
downhill240 5 months ago
why you need to know modes?
corporacionmonstruo 6 months ago
@corporacionmonstruo You don't need to know modes, but it's definitely beneficial to know them.
fretjamdotcom 6 months ago 3
@fretjamdotcom i formulated the question wrong,sorry. why they are beneficial ?
corporacionmonstruo 6 months ago
@corporacionmonstruo It's one of those things where you only realise how beneficial they are once you learn them. I think the main benefit is being able to associate a given chord progression with a mode. E.g. a ii IV V progression would imply Dorian (where the ii chord is the tonic). I go into this in the 2nd part. Learning modes helps you connect a sequence of chords to a tonal center. More directly, learning modes gives you several new scales to use in your solos.
fretjamdotcom 6 months ago
@fretjamdotcom thanks for the long answer
corporacionmonstruo 6 months ago
I believe I am correct. Just wanna make sure I understand (=
ZeppelinFloydRoses 7 months ago
So if you're in the key of G major, and you start on the 2nd of G major (the note A) and play the major scale pattern, you'll be playing the A Dorian mode?
ZeppelinFloydRoses 7 months ago
@ZeppelinFloydRoses yes.
CasualT840 4 months ago
This has been flagged as spam show
I would like to know how to improvise more melodically over a chord progression in any key; being aware of the scales and mode positions for the shapes along the length of the neck that one can use to solo over a specific chord. And, how to pick out the chord tones and strong notes - i.e. resolving a lick/riff to the root and including the chord notes, etc...
casschnur 9 months ago
Also, some advice on practicing the scales/modes around chord progressions would also be ideal.
Could you tell us for example, What mode could be used in a 1,4,5 in C? That would be great. Thanks in advance, great stuff here!
casschnur 9 months ago
I would like to know how to improvise more melodically over a chord progression in any key; being aware of the scales and mode positions for the shapes along the length of the neck that one can use to solo over a specific chord. And, how to pick out the chord tones and strong notes - i.e. resolving a lick/riff to the root and including the chord notes, etc...
casschnur 9 months ago
flippin awesome lesson, i will be able to advance further in my guitar playing :)
KILL3RKI3R4N 11 months ago
The opening dialogue is awesome! LMFAO!!!
td7474 11 months ago
Thanks for the reply. My question (I think my question, that is!) is if I play a Lydian scale over a chord progression of perhaps a I, IV V, in C, would the scale be based on the major scale starting on the forth position with root for the scale of C or of F?
nilla003 11 months ago
@nilla003 in the case of I IV V, the tonic would be C major so yes, the scale would be based on the major (Ionian) scale. If you played Lydian from the root of F, it would still be C major because that's the tonic chord of the progression.
fretjamdotcom 11 months ago
wtf creepy ending
smashingpoop 11 months ago
Thanks for this clearly expressed lesson.
TheFolksinger 11 months ago
top banana, finally a video that makes sense :)
kamikazie1974 1 year ago
Finally explained so I could understand ..tks
heatmanable 1 year ago
Hello ! ur lesson was v Helpful nd ur way of teaching was perfect, Thank u so much !
MyShassan 1 year ago
Great <3
Winzter04 1 year ago
Hi there,I've just noticed how the descending intervallic relation of each mode reflects an other mode:ionian is an upside down phrygian,lydian is an upsidedown locrian and mixolydian is an upside down aeolian...except for dorian which reflects it self....! does this have any practical aplication or is it just coincidence?
thanx for your lessons
cyberflea07 1 year ago
perfect!! you've really made the complicated so simple on this vid :)) thanks!
ultramanrichie 1 year ago
This has been flagged as spam show
Thanks for a great lesson. One thing I am not too clear about. Say I want to play A Phrygian over an Am progression. I believe that I could play the F Major scale. But, do I start in F and resolve in A , or start and resolve in A, within the F Major scale.
Sorry for the dumb question, but I am new at this.
Many thanks
kenmerloo 1 year ago
This has been flagged as spam show
Thanks for a great lesson. One thing I am not too clear about. Say I want to play A Phrygian over an Am progression. I believe that I could play the F Major scale. But, do I start in F and resolve in A , or start and resolve in A, within the F Major scale.
Sorry for the dumb question, but I am new at this.
Many thanks
kenmerloo 1 year ago
That's the best video tutorial for modes on the guitar I ever seen, very well explained in fact! But What happen if you start building modes on a Minor Scale? How about the chords attached to it?
Sry for mistakes, english is not my language
TheCastagne 1 year ago 2
@TheCastagne please don't apologise. Perfectly clear. There are in fact modes of the melodic minor and harmonic minor scales. However, as the natural minor scale is the 6th mode of major scale (Aeolian) we just use the major scale as the parent scale.
fretjamdotcom 1 year ago 2
Thanks to all who commented. Remember, this is just an introduction to a larger series on the site which looks at each mode individually.
fretjamdotcom 1 year ago
Nice one. It's given me more of a grasp of the subject than most tutorials have.
Soma874 1 year ago
Excellent stuff!
thebrianpm 1 year ago
I was listening to the video and I forgot it had that crazy voice altered stuff at the end and it cracked me up when I heard it.
redcarsarasota 1 year ago
Keep up the good work!
LohTek 1 year ago