@sirajrizvi I think he made it pretty clear that the client had a say in the "Creative Concept" working directly with him to give their say in the feel.
Would you please take a look on one of my underwater videos and give me your opinion. Most of the pictures here where taken some year ago with film camera, I bought a Nikon D300s with and Ikelite housing so I can improve the quality of the pictures.
Thanks for all your tips, I have learn a lot from them.
just stumbled upon this video searching for Chase Jarvis videos. I happened to notice that one of the female golfers is the late LPGA golfer Erica Blasberg. RIP.
Awesome video! I really appreciate you putting the time to create this video and teaching us all a little bit more about the steps of the Photography business; because there are many people who think that photography is just taking the pictures, and then what, how do you go from there? For people like me who actually wants to be a reputable photographer it's really helpful. Thanks!
hi, my mom gave me the sony alpha 200 Im starting to take photo for a local teen magazine. I really need some new cheap and good lenses for sport photography . Please help me get the correct lenses....
I Hope and pray that my images can grab you and make a true meaning in your life. God Bless the Support and all my clients and friends. My family also.
It's because he uses light outside. When you use light to create highlights that surround an object, you get detail in all areas of the image, which is what HDR does.
Creative and Pre-pro: a week of sporadic but frequent contact.
Traveled one day (to San Fran), scouted same day, shot the next day (5 hour shooting time), traveled back the next day. Sent gallery for review to client, got edits and retouch notes in one week. Turned the files back around to them in about 4 days after that. Check comes 30 days later ;)
That gives me a better time line on the processes of photo biz !
I've been a fan of your work since american photo had an article of you back in 2008. I like the way your photographs have a very raw feel playing with colour and texture. I'm curious as how you establish this sort of look. I've been playing with sharpness and contrast of the photos but your depth far exceeds anything I could imagine. Any tips for an aspiring amateur?
Because 90% of the magic happens in camera "NOT" in photoshop. Beginners these days never seem to understand this and is the main reason why most dont get ahead. Those learning today seem to have this mental picture that to get that "Look" is a "One" Button" click in PS or magic PS action. When in Commercial work its a combination of many things executed in a balanced combination that works to make a "Look" . Which may or may not working in all situations. The pro knows how t use what & when.
It's funny you say that because picked up an old Nikon F2 and been playing with lighting equipment from my college(stole the code to the stuff from my roommate) and have started getting effects I wanted in my photo's. After that using a DSLR is a breeze and I dont do any (other the white balance since Nikon's such at it) post editing. It's nice getting want you want without wondering "is this going to work later?"
It varies on how much the customer is willing to pay for your services, this determines the length of the photoshoot and also how much post-production work that is included into the image.
Also if you are a successful well known photographer you can get away with charging more.
For this particular shoot why did you choose the 24-70mm 2.8 if you were shooting at f11? Could a kit lens like the 18-70 F3.5 greated as beautiful images or is the glass in the 2.8 lens that much better? I ask only because I have the 80-200mms F2.8 lens that cost a grand and when shooting at 2.8 it looks like my 50mm F1.8 that I bought used for $80. Maybe you can create a list of "must have" lens for both proam shooters and pro shooters.
The reason being is that f/2.8 lenses stopped down at f/11 and kit lenses stopped down as well, will look almost identical. Professionals usually have fast lenses for available light without flash, he just happens to have a fast lens attached. Most pros carry a fast zoom, tele, macro, fisheye, and ultra wide as well as some primes.
Treykaiza: PhotoRepublic is on the mark here for the most part. We do carry 2.8 lenses because they give faster shutter speeds in lower light. There are other factors involved in lens selection as well. The professional lenses generally have faster auto-focus, higher quality glass, less distortion, and more durable construction in addition to the 2.8 aperture. FWIW, I too carry the 50mm 1.8. Sweet lens, and what a smokin' deal!
do you shoot the pictures in tiff or in raw? my ps CS3 doesn't support the raw pictures. it used to do it with the old d70s, but now with the d700, it doesn't work.
hi, when you said that you used aperture to watch the pictures directly. how did you make it possible to send the pitures right from the camera when you shot them?
Aperture 2.0 brought us an ability to tether to certain cameras, including the D3. You simply connect the camera via a USB cable and go up to File/Tether/Star Session ...
Make sure that you have a project open, and selected in the sidebar. You can have Aperture automatically place the images, in a specified folder, or store them in the library, and rename them too!
Hey there. I've shot quite a lot throughout Italy - although not in the last 12 months. Are you subscribed to my blog (email or RSS)? When we need an extra set of hands or some contacts somewhere, I usually post something there first. ... Thanks!
Creative and Pre-pro: a week of sporadic but frequent contact.
Traveled one day (to San Fran), scouted same day, shot the next day (5 hour shooting time), traveled back the next day. Sent gallery for review to client, got edits and retouch notes in one week. Turned the files back around to them in about 4 days after that. Check comes 30 days later ;)
so did you shoot photos of the people and then add more landscape to the right of the picture too all the pictures or just that one with all the people in it?
The creative direction for the job mandated that we just create a panoramic for one of the images (one with the 3 golfers and their caddies). And for that image, yes, we shot adjacent frames with no strobes in the shot and then composited them together. The other images were not composites.
Yes, it's the Nikkor 24-70mm 2.8. Although stylistically I usually shoot longer or shorter, when I DO need to shoot in that range, I love this lens. Super solid piece o' glass.
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Merry Christmas!
SebastianKaczorowski 1 month ago
Prison Break - Poster 3:22
kandle1988 1 month ago
not that hard when you got all that equipment..
DivivnoC 1 month ago 2
Very cool rundown. I definitely dig Chase Jarvis. One cool Kat.
joeyjoinerphoto 2 months ago
Awesome shoot. Would love to see some post production tips one day
DNPhotography215 2 months ago
You prefer aperture over Lightroom?
I'm deciding between the two right now and am currently leaning toward aperture.
dalmation257 2 months ago
@dalmation257 aperture was more in use before. lightroom is now a lot more in use than aperture.
ashkibala1 2 weeks ago
Can you tell us about the postproduction on this shoot ?
BADtimmay 3 months ago 3
thanks for the tips, i like the lighting set up, soon as i get my second light, ill be working on my sandwich set up
DdamienBroderickK1 7 months ago
What was the lighting ratio on the two soft boxes? Thanks great video
Amoyal73 7 months ago
awesome video:)
SunfireGTX25 8 months ago
Love this
KristopherGerner 9 months ago
Hi Chase; great work!!. I´d like to ask you about the lights you used for this photoshoot. How much power are we talking about? Thanks
josecarrasquillafoto 9 months ago
Hi, 2 quick questions..
What type of economic flashlight and softbox would you recomend best for outdoor shooting?
What would be some basic final touch ups to make the pic. look proffecional, or aka magazine look? Thanx for the time!
Santiagoyt18 10 months ago
what program or plugs do u use to view the pictures on the computer while taking them on ur camera? thank you. im a beginner :D
thesingingsunflower 10 months ago
8 people who did not like this.
Man...
Yes, totally Reader's Digest version but, loved it just the same.
Thanks for taking the time to post this.
NIKONGUY1960 11 months ago
never happen like that in professional advertising photo ! I sware
harald968 11 months ago
Don't drink on the job! Voids all of the insurance and is just unprofessional.
JoJoetheMonkey 11 months ago
Great behind the scenes! Very interesting stuff. Really learned something by watching this vid. Tnx!
vanesvincent 1 year ago
it's like being in heaven. this is a rock stars life!!!! thanks for the all tech - we may or may never use.
tleparskas 1 year ago
can i get a similar look with a nikon d200 and lower end softboxes? thanks
disfan14 1 year ago
thanks for share, cheers from Mexico
flickr dot com /davii
alvarock68 1 year ago
Hey are you tethering wirelessly or something? If not where do you find such a long usb cord?
soulfulll 1 year ago
Now that is an awesome, straight to the point, information packed tutorial !!!!!
10'/10 ! for me, one of the best on YouTube Thanks !
rhykko77 1 year ago
a lot of production for just mediocre location images...
mgu1N1n1 1 year ago
What software/technique do you use at the end of this video to pan in/out of the final images??
MacawRealty 1 year ago
thats too much drama I think photos should be pure not artificial.
sirajrizvi 1 year ago
@sirajrizvi I think he made it pretty clear that the client had a say in the "Creative Concept" working directly with him to give their say in the feel.
ckswartwood 1 year ago
shouldnt be using a macbook pro to shoot on location... :(
kiashadowwave 1 year ago
@kiashadowwave and that's because:
Dreadfultime 1 year ago
@Dreadfultime Mainly because TN panels reproduce color unrealistically and Macbooks have no and/or unreliable eSata compatibility.
kiashadowwave 1 year ago
@kiashadowwave ...why not?
FloatingOnAZephyr 1 year ago
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fittingciobb 1 year ago
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lavernedi 1 year ago
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baccaratbargaineq 1 year ago
those r some pretty NICE pics man!
nightdrifterable 1 year ago
those r some pretty NICE pics man!
nightdrifterable 1 year ago
This has been flagged as spam show
The big Oil corporations are trying their best to stop free energy ideas from spreading to common ppl.
We need to put an end to this corruption ,start generating ur own electricity now.
Visit LT-MAGNET-MOTORdotCOM and get the blueprints . Join the Revolution!!
hungarylnnjsd 1 year ago
Hi chase,
Would you please take a look on one of my underwater videos and give me your opinion. Most of the pictures here where taken some year ago with film camera, I bought a Nikon D300s with and Ikelite housing so I can improve the quality of the pictures.
Thanks for all your tips, I have learn a lot from them.
davidabr1964 1 year ago
You think those girls are nice? Check out these: hotgirlsrus(D0T)TK
excessvidz 1 year ago
Hey Chase I'm not sure you'll respond to this or maybe it was in the video and I didn't catch it but do you shoot RAW or Jpeg?
HokieFanatic1 1 year ago
crispy dude
uwillshitinurpants 1 year ago
just stumbled upon this video searching for Chase Jarvis videos. I happened to notice that one of the female golfers is the late LPGA golfer Erica Blasberg. RIP.
tigerwoods1974 1 year ago
show de bola
commandux 1 year ago
Could I become your apprentice? Haha I'm actually serious about this, I live in Seattle. E-mail me please.
ZenStone90 1 year ago
love all your vids. You said PS? Are the pics we see retouched slightly or would you say they are HDR, done with multi layers?
phirepix 1 year ago
Thanks Chase!! Great stuff!!
masterplan8 1 year ago
Awesome video! I really appreciate you putting the time to create this video and teaching us all a little bit more about the steps of the Photography business; because there are many people who think that photography is just taking the pictures, and then what, how do you go from there? For people like me who actually wants to be a reputable photographer it's really helpful. Thanks!
chuda99 1 year ago
Hi Guys, quick questions from newbie hehehe... are they using filters here?if there is, what kind? thanks :)
konek2r 1 year ago
Chase, det er fuckin killer !
msrock78 1 year ago 2
wow thanks. cheak out some of my photography on my channel :)
therawofrain 1 year ago
WWJD (What Would Jarvis Do)
IntensePizza 1 year ago 3
hehe i need a cold beer now :)
MortallicA91 1 year ago 2
I believe that was a FAT TIRE!?!? MY FAVE BREW lol
miavonni 2 years ago
This is very a helpful video for someone like me who has photography as one of the major interests. Thanks!
travishenry11 2 years ago
Amazing work! And very useful vid! Thanks. Am a photography geek myself LOL
Boromir26 2 years ago
Wow, this is incredible work!
ScarySquirrel 2 years ago 13
That was awsome, totally my favorite.
iCALEBORiCUA 2 years ago
This has been flagged as spam show
hi, my mom gave me the sony alpha 200 Im starting to take photo for a local teen magazine. I really need some new cheap and good lenses for sport photography . Please help me get the correct lenses....
graffsax 2 years ago
You are a beast.
lSpadel 2 years ago
really nice. thanks for sharing
jamespg20 2 years ago
Jarvis= !!!!*G*E*N*I*U*S*!!!!
totyfotos 2 years ago 24
thank ++++++
nongpoycomputer 2 years ago 2
what an awesome setup and photographer! well done!
TheAustinBorkenhagen 2 years ago 2
Chase Jarvis on of the best. Cool vid thanks
tramoska 2 years ago 3
Great work. Thanks for posting.
Tenochtitlan2012 2 years ago
I Hope and pray that my images can grab you and make a true meaning in your life. God Bless the Support and all my clients and friends. My family also.
FuryPhotos 2 years ago
Love the wide format shot you stitched together. Looks fabulous.
jdsony 2 years ago
Go to my page!
New Photo shoot!
includes SUNSHINE by ATMOSPHERE
nicofernando1 2 years ago
Awesome video. Thanks a heap for sharing. Great info and wow, shots looked very very cool!! Mick.
Hellbelly01 2 years ago
why do all of his shot looks like they're HDR???
timmyguy13 2 years ago
It's because he uses light outside. When you use light to create highlights that surround an object, you get detail in all areas of the image, which is what HDR does.
ajlepisto 2 years ago 2
3 Months from Agency first contacting me. Then...
Negotiations: 3 days.
Creative and Pre-pro: a week of sporadic but frequent contact.
Traveled one day (to San Fran), scouted same day, shot the next day (5 hour shooting time), traveled back the next day. Sent gallery for review to client, got edits and retouch notes in one week. Turned the files back around to them in about 4 days after that. Check comes 30 days later ;)
That gives me a better time line on the processes of photo biz !
decnat007 2 years ago
I love that highly polished final image thats common for these promo images etc
genkibald 2 years ago
Nicely done once again.
ejicon 2 years ago
thank you... you the man... right on for sharing...
high1cloud 2 years ago 19
I like the "doll" skin of models. Is it produced by a 2 softboxes between models?
luna8181 3 years ago
Great Camera. The Sony sensor inside the D90 does well.
JillAnderson 3 years ago
I've been a fan of your work since american photo had an article of you back in 2008. I like the way your photographs have a very raw feel playing with colour and texture. I'm curious as how you establish this sort of look. I've been playing with sharpness and contrast of the photos but your depth far exceeds anything I could imagine. Any tips for an aspiring amateur?
burnslondon 3 years ago
Because 90% of the magic happens in camera "NOT" in photoshop. Beginners these days never seem to understand this and is the main reason why most dont get ahead. Those learning today seem to have this mental picture that to get that "Look" is a "One" Button" click in PS or magic PS action. When in Commercial work its a combination of many things executed in a balanced combination that works to make a "Look" . Which may or may not working in all situations. The pro knows how t use what & when.
rmstudio 2 years ago 2
It's funny you say that because picked up an old Nikon F2 and been playing with lighting equipment from my college(stole the code to the stuff from my roommate) and have started getting effects I wanted in my photo's. After that using a DSLR is a breeze and I dont do any (other the white balance since Nikon's such at it) post editing. It's nice getting want you want without wondering "is this going to work later?"
burnslondon 2 years ago
If you dont mind me asking Chase (your amazing at your work),
whats your opinion on the best way to get into
photography as a career?
i mean like some sort of school or what?
awesomeo123456 3 years ago
you didn't mention the getting payed part!:D
i loved the video!
candyman200300 3 years ago
It varies on how much the customer is willing to pay for your services, this determines the length of the photoshoot and also how much post-production work that is included into the image.
Also if you are a successful well known photographer you can get away with charging more.
specdecible 3 years ago
For this particular shoot why did you choose the 24-70mm 2.8 if you were shooting at f11? Could a kit lens like the 18-70 F3.5 greated as beautiful images or is the glass in the 2.8 lens that much better? I ask only because I have the 80-200mms F2.8 lens that cost a grand and when shooting at 2.8 it looks like my 50mm F1.8 that I bought used for $80. Maybe you can create a list of "must have" lens for both proam shooters and pro shooters.
treykaiza 3 years ago
The reason being is that f/2.8 lenses stopped down at f/11 and kit lenses stopped down as well, will look almost identical. Professionals usually have fast lenses for available light without flash, he just happens to have a fast lens attached. Most pros carry a fast zoom, tele, macro, fisheye, and ultra wide as well as some primes.
PhotoRepublic 3 years ago
Treykaiza: PhotoRepublic is on the mark here for the most part. We do carry 2.8 lenses because they give faster shutter speeds in lower light. There are other factors involved in lens selection as well. The professional lenses generally have faster auto-focus, higher quality glass, less distortion, and more durable construction in addition to the 2.8 aperture. FWIW, I too carry the 50mm 1.8. Sweet lens, and what a smokin' deal!
achaser123 3 years ago 16
@treykaiza Optics quality!
kaihao96 1 year ago
@treykaiza I think a big issue is that they have a lot of negative space. They really don't need bokeh.
jfahler 1 year ago
okey, thanks. the cd didn't help to much. So i had to convert all the raws into tiffs.
Masc06 3 years ago
do you shoot the pictures in tiff or in raw? my ps CS3 doesn't support the raw pictures. it used to do it with the old d70s, but now with the d700, it doesn't work.
Masc06 3 years ago
Always RAW. The plugin for the D700 should be released very shortly, if it hasn't been already. Check with Adobe.
achaser123 3 years ago 6
well done chase + team
thanks that you share your knowladge and workflow with us
greets from germany
HansPeterLudollf 3 years ago
Thanks!!!!!!!!
Masc06 3 years ago
hi, when you said that you used aperture to watch the pictures directly. how did you make it possible to send the pitures right from the camera when you shot them?
Masc06 3 years ago
Masc06,
Aperture 2.0 brought us an ability to tether to certain cameras, including the D3. You simply connect the camera via a USB cable and go up to File/Tether/Star Session ...
Make sure that you have a project open, and selected in the sidebar. You can have Aperture automatically place the images, in a specified folder, or store them in the library, and rename them too!
Dartanyon - for Chase
dartanyonrace 3 years ago
Im lacking on my PS skills for doing manipulation like what was needed for this shoot.
How do you handle request that may not be right up your skill set as far as PP
blackouttsi 3 years ago
Outsource it at first, then sink some time into learning it for yourself.
achaser123 3 years ago 7
I'd actually like to hear more about the business side in a future video, believe it or not.
Thornfox 3 years ago
hi, nice video
i'm italian. Have u got any contacts here? have u ever been to work here?
LSRPR 3 years ago
Hey there. I've shot quite a lot throughout Italy - although not in the last 12 months. Are you subscribed to my blog (email or RSS)? When we need an extra set of hands or some contacts somewhere, I usually post something there first. ... Thanks!
achaser123 3 years ago
That's an amazing job. Wish I done that too. Great gear, great conception and great photos.
Lipito 3 years ago
So the video is 180 seconds... but in reality how much time does a project like this takes?
Specially Postproduction?
Thank for this neat video!
salvadormagno 3 years ago
3 Months from Agency first contacting me. Then...
Negotiations: 3 days.
Creative and Pre-pro: a week of sporadic but frequent contact.
Traveled one day (to San Fran), scouted same day, shot the next day (5 hour shooting time), traveled back the next day. Sent gallery for review to client, got edits and retouch notes in one week. Turned the files back around to them in about 4 days after that. Check comes 30 days later ;)
achaser123 3 years ago
Cool! thanks for the info...
salvadormagno 3 years ago
A realy nice videoo but i would like to have seen more of the shoot and the set up.
otfphotography 3 years ago
wow so much knowledge in 3 and a half minutes.
so did you shoot photos of the people and then add more landscape to the right of the picture too all the pictures or just that one with all the people in it?
cheers, lucas
lsphoto 3 years ago
The creative direction for the job mandated that we just create a panoramic for one of the images (one with the 3 golfers and their caddies). And for that image, yes, we shot adjacent frames with no strobes in the shot and then composited them together. The other images were not composites.
achaser123 3 years ago
Which lens are you using at that shoot? Is it the Nikon 24-70mm f/2.8? If it is, what do you think about it?
KristianSolli 3 years ago
Yes, it's the Nikkor 24-70mm 2.8. Although stylistically I usually shoot longer or shorter, when I DO need to shoot in that range, I love this lens. Super solid piece o' glass.
achaser123 3 years ago
Nice, thanks for the video. It's really helpfull for us amateurphotographs to see how professionals works.
KristianSolli 3 years ago