Added: 5 years ago
From: guitarfestival
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  • Damn the classical commentators here are snobby! How would this music be created in the first place if everyone followed one standard of perfection? About the right hand, check out rock guitarist Marty Friedman's awkward right hand and tell me he is not one of the most talented, technical and creative musicians around. Oh wait people here don't listen to rock, do they?

  • @metalborn couldn't agree with you more and I am a classical guitarist!

  • Can we cut the applause out? I had my sound cranked up to hear everything and then WHAM! cochlear cannonade.

  • This is excellent playing but I don't like the dramatic rubato and abrupt tempo changes.

  • this guy and paul galbraith, in my opinion, play Bach better than anyone ive ever heard.  Vieaux is a true master of his craft.

  • I love JV,but why do people always cough during a concert?

  • I love how he plays this. I totally stole his phrasing for the introduction (as best I could anyway). This piece just lends itself to being playful, and light...and to anyone critical - I highly doubt Sor even performed this the same every time. I bet he had a lot of fun with this crowd pleasing piece.

  • I've heard his manual ponce recording. Like his Allegro non troppo e serioso. It was beyond words can describe... Very good player.

  • he must a large chap or the guitar is small

  • @iorixs LOL! Actually, it's both, his guitar is quite small in comparison to others, and not to mention he is a big guy!

  • i've seen him play up close and personal what looks "weird" in his right hand is the fact that he doesn't play with his wrist arched its almost level with his foream. its actually a more efficient way to play but you have to work out a good thumb nail shape it tends to miss if it is not long enough. he's a great player

  • It's amazing how critical everyone is of everything. Just imagine there was no video and then see how good it is. That's all that matters in the end. I'd say this guy is pretty damn good

  • most experiened guitar players don't like that he plays the beginning of the last variation much faster than the final part.. because it's one variation, but anyway amazing

  • Small guitar big hands makes it easier.

  • A good guitarist and a nice interpretation, but he play some wrong notes at 7:20 and 7:30.

  • why bother commenting about that? it's a live performance, get over yourself

  • tremendo artista

  • anyone know the scale of his guitar?

  • his technique looks weird on both hands because his hands are so large in proportion to his guitar

  • beautiful tecnique...however i can do it with close eyes...ahahah

  • Jason is a wonderful player, but his technique is fucking weird.

  • There's no such thing as a weird technique if it's good and if the player's comfortable with it. You can't put classical technique in a box.

  • Very true, but you must admitt his right hand does look a bit odd, It does seem to work for him though.

  • I met the guy and talked to him. He has a piece of a ping-pong ball glued to his right thumb nail because he said that is was short in proportion to all of his other fingers.

  • you got that wright, first time seing him I thought the same, but he makes wonderful music!

  • Jason's Technique is generally seen as flawless. Right/left hand tech will vary from player to player, but the key is the elimination of tension. And if you want to see some messed up technique check out Julian Bream, my hand hurts just looking at it.

  • vieaux's technique is fantastic, but it does look weird, and that's not an insult at all

  • I wouldn't call it flawless.

  • yea-yah jason!

  • Dear CG,We both agree that A.Jason's playing has many

    marvelous qualities & B.that a repititive rhythmic

    pattern is boring.We disagree over practical application.Starting from the 1st chords all the way

    through,he does not vary pattern through heirarchy

    tempo & dynamic.The tasty Ralls & Tens in the adagio don't save the whole.

  • More specifically,Jason...When playing non-improvised

    music the brain of the listener,not engaged technically,needs an element of uncertainty regarding

    the structure,in order to stay awake.

    Every phrase needs something that threatens chaos.

    At the end of the phrase,rallentando up to it.Just

    before the rallentando becomes too heavy...a tempo

    out of it.

  • Ur right,in the sense that any formula constantly

    applied...is a death warrant for the attention span.

    But given that metronomizm is a disease resulting

    in the terminal estranging of listeners & given that there is a limit of 500 characters,I

    distilled it thus.If U can give a formula

    4 all situations in less,I stand behind U.

  • the final sucks

  • Jason is so incredibly talented. And such a sweetheart too. He is the brother of one of my best friends. Went to dinner and just so nice. Such an inspiration as an aspiring guitar player.

  • brilliant

  • I've seen this guy live. He's pretty awesome.

  • that's guy's got talent, but his hand position is absolutely atrocious

  • Sounds like a piano piece to me.

  • Excellent interpretation from a talented guitarist.

  • Seen Segovia Doin it? Man, then you are talkin' The man is smokin. I think he needs to effortlesly push himself a bit more.

  • Do you think that Segovia was born in 1850?

    Segovia performed at the Opera House on Friday evening, January 20, 1961 at 8:30 o'clock. The concert was a presentation of the Brooklyn Academy of Music.

    the following were the pieces performed in the first part of concert

    Milan Pavanas

    De Visee Suite in D

    F. Sor Rondo

    F. Sor Variations on a Theme (by Mozart)

  • Were you working the Coat Room? Oh, and by the way, PM or AM? :D

  • Do you really need to question that Friday evening can be other than PM?

    And I would gladly work in the coat room to be near enough to hear the great maestro perform!

  • I saw this performance live. Pretty good technique, though I have heard it played with more intense expression by Dave Russell and by Andres Segovia. I don't want to minimize the fact that Viaux is intensely good indeed! I did enjoy this performance!

  • Dear CG,He certainly doesn't suffer from metronomizm

    to the crippling extent of Vidovic,Kanengeiser,& Yepes,2 name but a few.But he never surprises or charms me & that is directly related to the lack of heirarchy previously mentioned.Further he does not

    include historically authentic articulation such

    as varying beat placement or splaying the parts.

  • Great Performance and the tone is awesome.

  • I don't like this. It doesn't have the true excitement of these variations. Not knocking on Vieaux, just this rendition. It's too dry.

  • excellent performance. A most consummate and effective player.

  • Vieaux is probably the best of the younger generation of guitarists. His recording of the Manuel Ponce guitar sonatas is exceptional.

  • Thanks for this. Amazingly talented player.

  • Vieaux is amazing. His tone production is second to none. What a guitar too. thanks for posting this!

  • gracias por los videos

    verdaderamente grandes guitarristas modernos

    :)

  • He could lower the foot stand just a tad.

  • Actually, he has good reasons for setting it this high. It allows his left hand to reach the full range of the neck without dropping his shoulder. It also allows his right shoulder to be in a very relaxed position. Mr. Vieaux knows what he's doing, as evidenced by his consistently excellent playing.

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