Hello M. my name is aurelien. I watch your video and I didn't really understand how to make it. But I was wondering if you could help me to learn the song "Din din wo" of Habib Koite. Thank you byebye.
I really like your videos, but I've wondered why you don't use a vamp of a chord when you're demonstrating your riffs. I think that would help to get the idea of the different sounds and feels you get when applying the ideas, like the imposed extensions in this case.
Many thanks for your great lessons. I'm studying jazz guitar at the moment and really want to get that bebop vibe going. Punch in 'Oleo' by Don Nick on Youtube. That is the technique I would like to achieve. I know my bebop scales and to some degree I can play a few fast runs with hammer ons and pull offs etc but I still can't get that bebop speed groove vibe going. I would love some advice and lessons on how to practice and improve my technique.
whatching you put these notes together on the white screen is sooo similar to chemistry. I wish we would study this stuff rather than boring boring lame boring lame chemistry.
Ahh! I didn't know there was a name for what I was already starting to do naturally! I've only just started to cover my modes, but did notice and jammed using alternate modal pentatonics when jamming to my jam tracks and such. Now it makes even more sense! Thanx Andrew! Once again, awesome lesson!
Wouldn't C# be out of key in Em? If it was E major it would be the sixth, but in minor it would be a sharp sixth. I realize you can have out of key notes but you didn't really mention that.
Thanks for the question... The C# is a major sixth to the E Mi7. So, this note becomes an extension to the E Mi7 chord. This extension produces a color of Mi6, (or in extended harmony Mi13). The full scale associated to this Mi6 (or Mi13) chord would be Dorian Mode. This adding of other intervals during chord construction (and scale substitutions) is an excellent reason to make a thorough study of the Major Scale Modes.
you have such awesome lessons, I was wondering. I am learning sweep picking arpeggio patterns, but it does me no good if i cant apply them to anything, I just want to know how to apply those to a rythm or progression. like if I am chugging on F# G and A. what arpeggio sweep could i use. thank for your time sir
Hello, and thanks for your question... The best solution I can offer you is to find songs that you like which incorporate sweeps in them, and learn those parts. Use what you learn as a springboard to take you into your own unique directions with the technique. No sense in trying to re-invent the wheel... Gleen what others have developed as effective techniques for applying techniques and then personalize it.
@creativeguitarstudio thank you for the help. what I am really try to say, is what sweeps to use for what progression, i see how much you know about music and I am very thankful for your help.
To keep things simple stay on the chord of the moment, or stick with the arpeggio of the key center. However, the rhythm and length of the chord changes will play a role in things as well. You'll need to learn more about the use of arpeggios in general before you attain much success with applying sweeps. Your best bet is still what I wrote in my 1st comment reply. Learn a lot of other players sweep runs. This education will help you in applying them to your own playing.
Hello M. my name is aurelien. I watch your video and I didn't really understand how to make it. But I was wondering if you could help me to learn the song "Din din wo" of Habib Koite. Thank you byebye.
aurelio8810 3 months ago
I really like your videos, but I've wondered why you don't use a vamp of a chord when you're demonstrating your riffs. I think that would help to get the idea of the different sounds and feels you get when applying the ideas, like the imposed extensions in this case.
SirWellsper 8 months ago
Hi Andrew,
Many thanks for your great lessons. I'm studying jazz guitar at the moment and really want to get that bebop vibe going. Punch in 'Oleo' by Don Nick on Youtube. That is the technique I would like to achieve. I know my bebop scales and to some degree I can play a few fast runs with hammer ons and pull offs etc but I still can't get that bebop speed groove vibe going. I would love some advice and lessons on how to practice and improve my technique.
jmsbk12345 10 months ago
greta lesson. question: can you superimpose other scales like Aeolian or Major Pentationic? thanks for the lessons, Andrew. Andy
AXELGRIZ 10 months ago
when you analyze the chords, what software is that? it seems very useful and user friendly. Is it MS Paint?
astralfarts 11 months ago
the jam at the start is very sexy
Seagerash 11 months ago
Yes! You finally did a video on this! :)
EstevanMusic 11 months ago
whatching you put these notes together on the white screen is sooo similar to chemistry. I wish we would study this stuff rather than boring boring lame boring lame chemistry.
Nevanator7 11 months ago
how do you record your videos i want to start posting my music
joeysguitarvideos 11 months ago
Ahh! I didn't know there was a name for what I was already starting to do naturally! I've only just started to cover my modes, but did notice and jammed using alternate modal pentatonics when jamming to my jam tracks and such. Now it makes even more sense! Thanx Andrew! Once again, awesome lesson!
AcidBong 11 months ago
Andrew, I just like to know is Mr. Howard Roberts still living and is hs still able to make music. thanx
Billy
billye142 11 months ago
@billye142 ...
Sadly, Howard Roberts passed away back in June of 1992.
Thanks for watching,
Andrew Wasson
creativeguitarstudio 11 months ago 2
hey andrew! great lesson! just a question...is this basicly just diatonic substitution?
MrIhave2go 11 months ago
Cool lesson Andrew. Cheers.
AshSmith06 11 months ago
Wouldn't C# be out of key in Em? If it was E major it would be the sixth, but in minor it would be a sharp sixth. I realize you can have out of key notes but you didn't really mention that.
5adude 11 months ago
@5adude
Thanks for the question... The C# is a major sixth to the E Mi7. So, this note becomes an extension to the E Mi7 chord. This extension produces a color of Mi6, (or in extended harmony Mi13). The full scale associated to this Mi6 (or Mi13) chord would be Dorian Mode. This adding of other intervals during chord construction (and scale substitutions) is an excellent reason to make a thorough study of the Major Scale Modes.
Thanks for watching,
Andrew Wasson
creativeguitarstudio 11 months ago
you have such awesome lessons, I was wondering. I am learning sweep picking arpeggio patterns, but it does me no good if i cant apply them to anything, I just want to know how to apply those to a rythm or progression. like if I am chugging on F# G and A. what arpeggio sweep could i use. thank for your time sir
prognosis77 11 months ago
@prognosis77
Hello, and thanks for your question... The best solution I can offer you is to find songs that you like which incorporate sweeps in them, and learn those parts. Use what you learn as a springboard to take you into your own unique directions with the technique. No sense in trying to re-invent the wheel... Gleen what others have developed as effective techniques for applying techniques and then personalize it.
Thanks for watching,
Andrew Wasson
creativeguitarstudio 11 months ago
@creativeguitarstudio thank you for the help. what I am really try to say, is what sweeps to use for what progression, i see how much you know about music and I am very thankful for your help.
prognosis77 11 months ago
@prognosis77
To keep things simple stay on the chord of the moment, or stick with the arpeggio of the key center. However, the rhythm and length of the chord changes will play a role in things as well. You'll need to learn more about the use of arpeggios in general before you attain much success with applying sweeps. Your best bet is still what I wrote in my 1st comment reply. Learn a lot of other players sweep runs. This education will help you in applying them to your own playing.
Thanks!
creativeguitarstudio 11 months ago
@creativeguitarstudio
thank you so much. Not alot of people would take the time out to teach like you do and not ask for mucho dinero
have a good one, i will apply what you told me.
prognosis77 11 months ago
You really like the lick you're opening with dont you? I hear that lick ALOT in your playing ^^, not hating just observing!
Stinnie89 11 months ago
Awesome stuff! This really fleshes out things that I kind of got intuitively, but now I now why they work
griffenb 11 months ago
i love these concepts that are new for me and help me expand my playing.
Thank you Andrew!
Jamesincolor 11 months ago
awesome just like always! Thanks buddy.
frwyguy 11 months ago
awesome just like always! Thanks buddy.
frwyguy 11 months ago
Really useful lesson Andrew, as always! Thanks a lot.
NewMetallica 11 months ago 8