Horowitz's playing was marked by passion and depth. Sure, he was flashy sometimes, but most of the time, his playing was extremely deep. His Chopin may not be "Chopin", as people often say, but I prefer it over any "genuine" artist's interpretation. Same over here. Fiery playing, as it should be.
An object lesson in how to do a hatchet job on the Mephisto. It's crude, over inflated and unecessarily embelished. I'm usually a great fan of this legendary piano Titan but here I'm afraid.
Very good interpretation of a truly diabolically difficult composition, of course i haven't heard all of the other piano greats attempting this piece yet.
I heard this performance live. It was Mephisto! I actually also heard his rehearsal in Avery Fisher hall . He said it was not bad. The range of dynamics , color and imagination , pedalings and touch variation was beyond anything anyone has ever achieved since. In my opinion of course .
This must be the gold standard Mephisto Waltz. If anyone has a question why Horowitz was leagues above most pianists, just compare his drama and fire with the rest of his contemporaries.
I agree that this interpretation is a bit more "happy" than most, but I like it. I think people usually put too much anger and frustration into this piece. It is still a waltz, despite being seductive and conniving. But that's exactly what it is - conniving, not angry. It's witty, smart, plotting, whatever you want to call it...
comment peut on oser poser un commentaire... aimez cette interprétation magistrale, ou pas. mais les mots sont de trop. laissez vous emporter, ou pas. et n'essayez surtout pas de la jouer...
This is one driven performance. I'll take this over "pretty" versions of this piece any day. Play this on a nice stereo in a room with hardwood floors and it's almost like you are there at Carnegie Hall (or wherever it was recorded). FYI: Liszt and most of the 19th century romantic pianists altered the pieces they were performing; they were artists! Strict adherence to the score is boring - many conductors do it all the time. Perfection is boring.
he makes some bad mistakes that are quite obvious... i have this recording, seems like during certain times in his life he had personal troubles.... that lowered his skills overall.
I have two versions of the Mephisto Waltz, and both are diferent from this one. Does any one knows about this? Is Horovitz improvising here his own version?
Yes, I know, I am talking about n.1 versions. N. 2,3 and 4 are completly different. Why there is different versions of Mephisto Waltzes n. 1.? And Horovitz seem to play a mixt of two versions. One version I have, '' Franz Liszt his greatest PIANO SOLOS in the original form compiled by Alexandrer Shealy''. there is one version very ,very complicated , I never heard this played before, and unfortunatetly there are no comments in the book about this. Thank you!
Ok--You are correct. But within the famous No.1, we have the following addenda: (1) Busoni made an arrangement of No. 1 that became very well known. The changes are really minor, and in only a few places. That is known as "Liszt-Busoni Mephisto Waltz No. 1," and it's available in the standard Schirmer catalog. Now Horowitz does a lot of more changing, he changes not only certain technical details (e.g. he plays individual notes as thirds in rapid passages, but also
he might double octaves in the left hand, and then actually does change the music substantially, in some cases stylistically "tasteful" and musically appropriate, in some cases not (in my opinion).
This is a "late Recording" of Horowitz playing the Mephisto Waltz.....He plays it twice as fast and better on an earlier recording he made in his twenties.
hey dani. I checked out the version of Arrau part 1 and he played it too fast causing many mistakes. I didn't really like his interpretation. It was pretty dry imo and the sound quality was also horrible. Also, it wasn't as clear as Horowitz. I perhaps may be a bit bias but I found that Horowitz added more color and clarity to his performance than Arrau did. Maybe I will have a different opinion of him in Part 2.
Ok after listening to the 2nd part I really liked Part 2 over Part 1. It was more clear and as you said earlier it was a lot more colorful and slower interpretation. I would give the 2nd part 5 stars but Part 1 I would only give it 3 because of clarity. If he had used less peddle then I would give it a higher rating but I found it to be a bit muddy. I may have been overly critical of Arrau but I enjoyed listening to his performances. Thank you.
So full of unique character! H. above all pianists understood what the term PLAYING the piano really means. There's a flat out theatricality about it that never fails to amuse as it both amazes -- and touches -- those with ears to hear.
This is not a "waltz," it's a SEDUCTION SCENE and one that pits ruthless diabolical elements against chaste naiveté. And so it manages to be beguiling, thrilling, terrifying and heartbreaking all at once.
Please tell us about it. What was special about the piano? How did differ from other good instruments you've played? What did you play? Who listened to you?
Frankly, I think I would have been paralyzed with awe at such an opportunity.
Well, I'm a first year piano student. I practice ridiculous, but I am in no way qualified to give an accurate description of his piano compared to others.
I played it at Trombino's Piano gallery in Pittsburgh. They also have Van Cliburn's and the Steinway 500,000. I played both of those as well.
In my own, not qualified opinion... Horowitz was the best among the 3. The touch and feeling of the notes was magical. Hitting octaves in the bass was huge, resonant... but not harsh.
Van Cliburn's had a much darker and heavier sound. His keys were Ivory. I never played an invory instrument before and found myself preferring the plastic. Aside from the feeling of the key surface I found that the touch wasn't as nice.
The "500,000" had a darker sound as well. I found the keyboard to be a little stiffer than the Van Cliburn (and the Van Cliburn slightly more so than the Horowitz).
Horowitz had scratches all over the (Face?). Not in a bad way... It added to it...
As for the changes, Horowitz simply had his own ideas about what sounded good. I have played this piece so I can verify that he departs from the score several times but in ways that are really just embellishments. Besides playing different notes, his approach to the rhythms and flow of the piece is also a bit different from how it has been played by others, e.g. the very smooth sounding Rubinstein. See Horowitz's version of Danse Macabre for more evidence of his unique, Liszt-like interpretation
Horowitz incorporates many of the changes from the Busoni score, that is where you will find the source of these variations from Liszt's original. And he also adds a few of his own too.
I've heard many versions of this, but Horowitz's has a special quality that I think many pianists today lack, I think he had the right talent, the right education, and lived at the right time to be considered a legend now a' days, and the piece itself is a perfect union of technique and feeling, Liszt is out of this world.
Incroyable nom, ce sacré HOROWITZ! Rien que d'entendre prononcer ces fameuses syllabes, on commence à soupirer, ne soit-ce vraiment bêtement ou sans aucun sens. Quand un artiste est "sacré" à ce point aux yeux de gens du milieu musical, il n'a plus rien à craindre des critiques pour tout le reste de l'existence de la musique. Il peut faire absolument tout ce qu'il veut n'importe comment, et ON lui trouvera toujours des excuses... vraiment désespérant comme démarche! :-(
i really like the changes though, despite not being used to them. horowitz is unique and fantastic here, if you ask me. oh, and bayram karamenderes plays this piece really well too, IMO. people who's versions i don't like? Ayako Uehara's. mine.
haha this is gonna garner a flurry of outrage... but anyways screw you all. i think this interpretation sucks, as far as the first few minutes go. sparse use of the pedal, and especially parts like 1:43 they make me wanna throw up. and i think its dumb how everyone thinks that just because its Horowitz you cant say a word against him.
Oh thank god someone said it; I'm sorry to say so, but I really have to agree with you on everything. Horowitz (great as he is) really destroyed this one, the lack of the pedal really makes me sad. Like I've said on other songs: buy the record of Liebestraum, I don't know who it's played by but it shows a woman on the front and says "Dream of Love"-- GO GET IT! It'll change your life in ways that you could never imagine...
Well, here's the problem. If you play a piece as busy as this with lots of pedal, the sound becomes muddy. If you have a muddy sound, it's harder to pick up the counter point and even the melody if bad enough. Horowitz was very sensative to this fact, that's why he doesn't muddy up the piece so much. If anything, the lack of pedal is a sign of how clean he can play. A lot of pianists use more pedal to cover up their mistakes. He uses plenty enough pedal in the slower more lyrical sections.
Exactly, playing pieces with less pedal heightens the difficulty because that would mean that the pianist would have to have a practically clean and more in depth understanding of the piece to achieve the same satisfaction as it would have with pedal.
I'll never say a word against Horowitz, but Billy Kapell's interpretation of this piece is superb. Meanwhile, the rest of us mortals toil for a lifetime and if we're lucky ... maybe we get halfway there? MAYBE???
Liszt IS god (of piano ha). Vlady here said once that Rachmaninoff is higher than him, and Liszt is so high that no one can see him.
I don't usually say this, and maybe Horowitz would've done better under different circumstances, or when he wasn't half dead, but i actually do like Cziffra's interpretation better. This recording altho powerful, is not Horowitz at his unaffected self. maybe pills he was on? he was going thru a period.
I should add, that NO ONE (except Liszt), not Cziffra, not Rach, had an angel tone like horowitz with those high and low notes. the sounds are beyond pure. there. now I'm done.
Interesting thought! I never thought about this 'angel tone' before! I like all three pianists (plus others), but I tend to reach out for Horowitz when in certain moods. I would have to think about why (now that you got me thinking).
glad somebody mentions the Cziffra version of this piece, in my humble opinion it is one of the greatest interpretations of this enormous piece of music, if not the definitive one !
He left out the single letter "a" .... come on man. Cut him some slack. Where I speak English we usually begin each sentence by capitalizing the first word. dont hack a guy down for something so minor as that. i could make sense of what he was trying to say.
Horowitz's playing was marked by passion and depth. Sure, he was flashy sometimes, but most of the time, his playing was extremely deep. His Chopin may not be "Chopin", as people often say, but I prefer it over any "genuine" artist's interpretation. Same over here. Fiery playing, as it should be.
forgottenbooks 3 weeks ago
Horowitz is all his own here. If you want to hear a remarkable version (and my personal favourite) listen to Andre Laplante's recording!
KeithWhalen11 2 months ago
I just discovered this piece! It's magical
Haaggus 2 months ago
One of my favourite versions of this. Love the rewritten ending.
Meerkatdawg 2 months ago
An object lesson in how to do a hatchet job on the Mephisto. It's crude, over inflated and unecessarily embelished. I'm usually a great fan of this legendary piano Titan but here I'm afraid.
meredith218461 3 months ago
@meredith218461 What is so bad about doing a hatchet job on this piece?
John27346 3 months ago
In 0.59 he takes enough time to prepare a kick to the bass strings.
pianinista 3 months ago
Very good interpretation of a truly diabolically difficult composition, of course i haven't heard all of the other piano greats attempting this piece yet.
sessionmessiah 3 months ago
what a sound?
i love it <3
einsamsowiedu 4 months ago
wow stunning...
hanbitability 4 months ago
Estoy leyendo la novela de "El Vals Mefisto" de Fred Stewart, buenísima la novela como esta pieza en la cual está inspirada ésta :D.
Genial
wombstrat 5 months ago
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hanbitability 5 months ago
Horowitz suona benissimo!!!
Coinvolge le persone più di altri interpreti.
Valeriettaish 5 months ago
Ridiculous interpretation.
jegspillerpiano 7 months ago
@jegspillerpiano Preposterous comment.
ImmortalSpecies 5 months ago
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PhillyB702 4 months ago
Sorry Volodya, Willie's got you beat!
pingalaida 9 months ago
If Liszt heard this, he will be crazy: "Are you destroying the piano, Mr. Horowitz? And you changed my notes! "
SeanPi314 10 months ago
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SeanPi314 10 months ago
I heard this performance live. It was Mephisto! I actually also heard his rehearsal in Avery Fisher hall . He said it was not bad. The range of dynamics , color and imagination , pedalings and touch variation was beyond anything anyone has ever achieved since. In my opinion of course .
pianopill88 10 months ago
this is liszt's attempt at heavy metal
pewpewpiansta 11 months ago 25
@pewpewpiansta Oh come on, no Metal Band ever wrote something that complex xD
Sanitoeter666 1 month ago
@pewpewpiansta No, heavy metal is modern musics' attempt at Liszt.
JTHassellPiano 3 weeks ago
Benedetti Michelangeli performance is better!
massimiliano123123 1 year ago
pity there is only half of the thing
akherousia 1 year ago
wowwww around the 4:00 mark, it sounds sooooo much like something from Balakirev’s Islamey.... especially around 4:15... incredible similarities
1234567bryce 1 year ago
Part at 5:00 reminds me of Barcarolle from Rachmaninov's Suite No.1 for two pianos.
nbharakey 1 year ago
This must be the gold standard Mephisto Waltz. If anyone has a question why Horowitz was leagues above most pianists, just compare his drama and fire with the rest of his contemporaries.
zamyrabyrd 1 year ago
Horowitz missed more notes than any pianist ever...and who cares? Genius!
brolobear 1 year ago
@brolobear Horowitz was a pianist with a lot of freedom in his execution. However, his best years were in the 20's to 60's
SoulinMusicinSoul 1 year ago
6.22 and on - will never be surpassed!
SPACETIMEBEAUTY 1 year ago
@SPACETIMEBEAUTY wht do u meant?
1000armoured 1 year ago
@1000armoured WHY DO YOU ASK??? IF YOU DON 'T GET IT, HEAR IT, OR UNDERSTAND IT...NO AMOUNT OF WORDS WILL EVER BE ABLE TO TRELL IT....
THAT IS ALLWAYS WHAT I MEAN. WHAT IS THA POINT OF A QUESTION , IF IS SOUNDS LIKE A WHINE???
ARE WE AQUAINTED???
SPACETIMEBEAUTY 1 year ago
im assuming this is his own arrangement? interesting
mikejr41387 1 year ago
alcune idee sono geniali...ma gli elementi teatrali e istrionici sono esagerati...il vecchio Horowitz...
some ideas are great ... but theatrical and histrionic elements are exaggerated...old Horowitz...
gullivior 1 year ago
I always said, the ear can get much more impressions than the eye. Liszt proved it.
Sanitoeter666 1 year ago 3
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this piece allways reminds me wallstein of beethoven
sinancans 1 year ago
this piece allways reminds me wallstein of beethoven
sinancans 1 year ago
I agree that this interpretation is a bit more "happy" than most, but I like it. I think people usually put too much anger and frustration into this piece. It is still a waltz, despite being seductive and conniving. But that's exactly what it is - conniving, not angry. It's witty, smart, plotting, whatever you want to call it...
mrmaroonmonkey 1 year ago
He was too old. Listen to Berman!
WaldemarKoszlowsky 1 year ago
@WaldemarKoszlowsky no He was not too old, He was Horowitz.
gouloum2222 1 year ago
This music gets even better when you listen to it many times...
777jasonyoo 1 year ago 15
@777jasonyoo that is exactly what happens to me on every work
Blackwhite2277 1 year ago
comment peut on oser poser un commentaire... aimez cette interprétation magistrale, ou pas. mais les mots sont de trop. laissez vous emporter, ou pas. et n'essayez surtout pas de la jouer...
titinice06 1 year ago
Pourquoi ne la jouer surtout pas? :o
morphepit 1 year ago
I also like this mastercomposition on organ: search on Cameron Carpenter, mephisto waltz on YouTube, and you will be amazed...
vincentvuik 1 year ago
This is one driven performance. I'll take this over "pretty" versions of this piece any day. Play this on a nice stereo in a room with hardwood floors and it's almost like you are there at Carnegie Hall (or wherever it was recorded). FYI: Liszt and most of the 19th century romantic pianists altered the pieces they were performing; they were artists! Strict adherence to the score is boring - many conductors do it all the time. Perfection is boring.
umdala 1 year ago
elegant waltz with evil in it... seduction and magic. "Liszt is a magician and Chopin is a prince" (Hélène Grimaud)
MrLacidaremlamano 1 year ago
he is d mephisto..or being poses......
babyblackblond 1 year ago
he makes some bad mistakes that are quite obvious... i have this recording, seems like during certain times in his life he had personal troubles.... that lowered his skills overall.
flarbton 1 year ago
i love how he holds his fingers - every other master of the piano'd say he's insane, but horowitz... well he's just the best of the best!
Sanitoeter666 1 year ago
Extraordinary...one of a kind.
Gioacchino4 1 year ago
High excitement psychological
astronomo16 1 year ago
I have two versions of the Mephisto Waltz, and both are diferent from this one. Does any one knows about this? Is Horovitz improvising here his own version?
I'll apreciate very much thanks.
gahero31 1 year ago
Liszt wrote 4 Mephisto Waltzes; the famous one is no 1, I think.
SeanFitandSmart 1 year ago
Yes, I know, I am talking about n.1 versions. N. 2,3 and 4 are completly different. Why there is different versions of Mephisto Waltzes n. 1.? And Horovitz seem to play a mixt of two versions. One version I have, '' Franz Liszt his greatest PIANO SOLOS in the original form compiled by Alexandrer Shealy''. there is one version very ,very complicated , I never heard this played before, and unfortunatetly there are no comments in the book about this. Thank you!
gahero31 1 year ago
Ok--You are correct. But within the famous No.1, we have the following addenda: (1) Busoni made an arrangement of No. 1 that became very well known. The changes are really minor, and in only a few places. That is known as "Liszt-Busoni Mephisto Waltz No. 1," and it's available in the standard Schirmer catalog. Now Horowitz does a lot of more changing, he changes not only certain technical details (e.g. he plays individual notes as thirds in rapid passages, but also
SeanFitandSmart 1 year ago
he might double octaves in the left hand, and then actually does change the music substantially, in some cases stylistically "tasteful" and musically appropriate, in some cases not (in my opinion).
SeanFitandSmart 1 year ago
Liszt wrote 3 mephisto walzers.... this in the original no.1!
FrAeNaTlAiStYy 1 year ago
sorry...four....
FrAeNaTlAiStYy 1 year ago 2
@gahero31 there are four different mephisto walzes by liszt, this is the first one.
Sanitoeter666 1 year ago
@gahero31 There is an ossia written in the score. Perhaps maybe your recording plays the ossia while Horowitz doesn't?
werq34ac 1 year ago
I'd still argue for Steven Hough's recording...
ChicagoTheory 1 year ago
Extraordinary.
abe1sapien 1 year ago
got a musical piece that's very nice but it kinda needs help? just a little more life in it without twisting it into something else would be great?
horowitz to the rescue!
ibclappin 2 years ago
This is a "late Recording" of Horowitz playing the Mephisto Waltz.....He plays it twice as fast and better on an earlier recording he made in his twenties.
MoebiusTripper 2 years ago
I admire this interpretation in every way. this is his way of playing.
ReaganNg1986 2 years ago
I rather prefere the Arrau version....a little bit slower but colourful, subtle and technical prowess as well
Danitech2999 2 years ago
where can i find his version? I would like to hear the difference :) Thanks
JayIvory87 1 year ago
Yes fellow, look for Arrau plays Mephisto Waltz part 1 & part 2, available here in youtube. Tell me what you think about it.
Danitech2999 1 year ago
hey dani. I checked out the version of Arrau part 1 and he played it too fast causing many mistakes. I didn't really like his interpretation. It was pretty dry imo and the sound quality was also horrible. Also, it wasn't as clear as Horowitz. I perhaps may be a bit bias but I found that Horowitz added more color and clarity to his performance than Arrau did. Maybe I will have a different opinion of him in Part 2.
JayIvory87 1 year ago
Ok after listening to the 2nd part I really liked Part 2 over Part 1. It was more clear and as you said earlier it was a lot more colorful and slower interpretation. I would give the 2nd part 5 stars but Part 1 I would only give it 3 because of clarity. If he had used less peddle then I would give it a higher rating but I found it to be a bit muddy. I may have been overly critical of Arrau but I enjoyed listening to his performances. Thank you.
JayIvory87 1 year ago
I think he is really good, but not good enough to play the Mephisto Waltz. He's missing the interpretation.
Sanitoeter666 1 year ago
@Sanitoeter666
But what the fuck do you know that horowitz doesnt?
jaekn 1 year ago
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His interpretation is much less than exciting, I don't see what the big deal is ??
GMoralesRCflight 2 years ago
i think he's really good. not only at playing. Hes just such a happy-mood-pianist... you can hear it in his music ;)
Sanitoeter666 2 years ago 2
@Sanitoeter666 i'd change happy mood with passionate , something that most lack
hellentroy 1 year ago
@hellentroy he IS passionate, but he plays it easier than nearly all the others playing this piece. And so he fills it with relaxed and happy mood.
Sanitoeter666 1 year ago
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demosj 2 years ago
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this is just awful. i do not drink the horowitz kool-aid.
goodguysdoll 2 years ago
I didn't know horiwitz was a kool-aid, but I love kool-aid
CBasie2856 2 years ago
He's using a figure of speech based on cult's tendency to drink poisoned kool-aid.
Not only has he stated his opinion, but he's also claimed that all positive opinions of this recording are brainless. Splendid.
JohnEBProductions 2 years ago
Wow that was great. This is my favorite interpretation of this piece. So much power for a 76-year-old pianist!
nyscholartist 2 years ago 4
So full of unique character! H. above all pianists understood what the term PLAYING the piano really means. There's a flat out theatricality about it that never fails to amuse as it both amazes -- and touches -- those with ears to hear.
This is not a "waltz," it's a SEDUCTION SCENE and one that pits ruthless diabolical elements against chaste naiveté. And so it manages to be beguiling, thrilling, terrifying and heartbreaking all at once.
Horowitz GETS that and projects it wonderfully.
Pischnaholic 2 years ago 31
I got to play Horowitz' model D last week... was awsome.
EuphoricDan 2 years ago
Please tell us about it. What was special about the piano? How did differ from other good instruments you've played? What did you play? Who listened to you?
Frankly, I think I would have been paralyzed with awe at such an opportunity.
Pischnaholic 2 years ago
Well, I'm a first year piano student. I practice ridiculous, but I am in no way qualified to give an accurate description of his piano compared to others.
I played it at Trombino's Piano gallery in Pittsburgh. They also have Van Cliburn's and the Steinway 500,000. I played both of those as well.
In my own, not qualified opinion... Horowitz was the best among the 3. The touch and feeling of the notes was magical. Hitting octaves in the bass was huge, resonant... but not harsh.
EuphoricDan 2 years ago 2
Van Cliburn's had a much darker and heavier sound. His keys were Ivory. I never played an invory instrument before and found myself preferring the plastic. Aside from the feeling of the key surface I found that the touch wasn't as nice.
The "500,000" had a darker sound as well. I found the keyboard to be a little stiffer than the Van Cliburn (and the Van Cliburn slightly more so than the Horowitz).
Horowitz had scratches all over the (Face?). Not in a bad way... It added to it...
EuphoricDan 2 years ago
@Pischnaholic i fully agree !
hellentroy 1 year ago
MAGNIFICO - BRAVO !!!
jcadas 2 years ago 2
And here he was 76 years old!
leomulder 2 years ago
As for the changes, Horowitz simply had his own ideas about what sounded good. I have played this piece so I can verify that he departs from the score several times but in ways that are really just embellishments. Besides playing different notes, his approach to the rhythms and flow of the piece is also a bit different from how it has been played by others, e.g. the very smooth sounding Rubinstein. See Horowitz's version of Danse Macabre for more evidence of his unique, Liszt-like interpretation
cynycMD 2 years ago
Horowitz incorporates many of the changes from the Busoni score, that is where you will find the source of these variations from Liszt's original. And he also adds a few of his own too.
NordicHealer 2 years ago 2
the beginning sounds almost Prokofiev
werq34ac 2 years ago 4
@werq34ac I think prokofiev would've made it from e to b instead of h ;)
Sanitoeter666 1 year ago
@werq34ac i think you can't compare them in any way. Prokofiew was 50 years later, so prokofiew sounds like Liszt, if you would compare them.
Sanitoeter666 1 year ago
@Sanitoeter666 I'm not comparing them. I am simply saying that the beginning reminds me of Prokofiev
werq34ac 1 year ago
Sanitoeter666 - don't be pedantic.
kasyapa 1 year ago
I've heard many versions of this, but Horowitz's has a special quality that I think many pianists today lack, I think he had the right talent, the right education, and lived at the right time to be considered a legend now a' days, and the piece itself is a perfect union of technique and feeling, Liszt is out of this world.
glaalterego1986 2 years ago
Incroyable nom, ce sacré HOROWITZ! Rien que d'entendre prononcer ces fameuses syllabes, on commence à soupirer, ne soit-ce vraiment bêtement ou sans aucun sens. Quand un artiste est "sacré" à ce point aux yeux de gens du milieu musical, il n'a plus rien à craindre des critiques pour tout le reste de l'existence de la musique. Il peut faire absolument tout ce qu'il veut n'importe comment, et ON lui trouvera toujours des excuses... vraiment désespérant comme démarche! :-(
177018101811 2 years ago
ich mag es ganz einfach nicht, punkt. :D
ich will garkeine technischen aspekte nennen, es gefällt mir schlichtweg musikalisch/interpretatorisch nicht. ich mag den klang nicht.
das ist keine kritik an horowitz, ist halt seine interpretation, aber ich spiele es nicht so und ich mag es auch nicht, wenn es so klingt ;)
jackdasbo 2 years ago
ich finde die version von kedra auch besser.
JeanBaptisteXIV 2 years ago
jo hast recht, ich finde es viel zu langsam für liszt
stybboon 2 years ago
Where is the passage where it's suppose to sound like an orgasm?
jasonextreme 2 years ago
I was trying to follow along with the music to this song... He changed it SOOOOOO much
j3sskady 2 years ago
Are you talking about the same piece? He's playing pretty true to the score.
Ecthelon 2 years ago
No its not. I have the Henle Verlag edition and he is not playing all the same thing.
Hervinbalfour 2 years ago
that is not a song
Darthymerej 2 years ago 23
i followed my urtext score and i agree.... does anyone know why he did it or where he got this version?
shiranissosexy 2 years ago
this guy is partially right. a few notable changes (and my ear isnt that great), at least from how id heard this before:
4:10-4:36
4:57-5:03 left hand
5:55-6:17
down runs at 6:48, 6:55
& the finale (in the 2nd video)
i really like the changes though, despite not being used to them. horowitz is unique and fantastic here, if you ask me. oh, and bayram karamenderes plays this piece really well too, IMO. people who's versions i don't like? Ayako Uehara's. mine.
wuthefwasthat 2 years ago 3
This song helped me, quite consistently.
Trankle 2 years ago
haha this is gonna garner a flurry of outrage... but anyways screw you all. i think this interpretation sucks, as far as the first few minutes go. sparse use of the pedal, and especially parts like 1:43 they make me wanna throw up. and i think its dumb how everyone thinks that just because its Horowitz you cant say a word against him.
vaelrix 2 years ago 4
Oh thank god someone said it; I'm sorry to say so, but I really have to agree with you on everything. Horowitz (great as he is) really destroyed this one, the lack of the pedal really makes me sad. Like I've said on other songs: buy the record of Liebestraum, I don't know who it's played by but it shows a woman on the front and says "Dream of Love"-- GO GET IT! It'll change your life in ways that you could never imagine...
michaeljh216 2 years ago
I like his sparse use of the pedal... kinda suits the character of the piece, I think.
ultrallama101 2 years ago
Well, here's the problem. If you play a piece as busy as this with lots of pedal, the sound becomes muddy. If you have a muddy sound, it's harder to pick up the counter point and even the melody if bad enough. Horowitz was very sensative to this fact, that's why he doesn't muddy up the piece so much. If anything, the lack of pedal is a sign of how clean he can play. A lot of pianists use more pedal to cover up their mistakes. He uses plenty enough pedal in the slower more lyrical sections.
Nexus52085 2 years ago 2
Exactly, playing pieces with less pedal heightens the difficulty because that would mean that the pianist would have to have a practically clean and more in depth understanding of the piece to achieve the same satisfaction as it would have with pedal.
Rlaw2222 2 years ago
@vaelrix completely agree
TomPField 1 year ago
I'll never say a word against Horowitz, but Billy Kapell's interpretation of this piece is superb. Meanwhile, the rest of us mortals toil for a lifetime and if we're lucky ... maybe we get halfway there? MAYBE???
rickideemus 3 years ago 3
pianist like horowitz are pain in the ass for sound engineers..crazy dynamic range!! horowitz's forte is FORTE!! lol
jude4312 3 years ago 3
glad somebody noticed! same for toscanini. almost broke NBC sound system! (i think with beethoven 5, or 6th symphony.
SCHneiDen777 3 years ago
The only one who could play Listz' Mephisto Waltz No. 1 better than Vladimir Horowitz is God.
MCarey0608 3 years ago 5
Does god play the piano then :o
PuresMusic 3 years ago 4
I guess Liszt could do it better too ;)
seimen007 3 years ago 6
Liszt IS god (of piano ha). Vlady here said once that Rachmaninoff is higher than him, and Liszt is so high that no one can see him.
I don't usually say this, and maybe Horowitz would've done better under different circumstances, or when he wasn't half dead, but i actually do like Cziffra's interpretation better. This recording altho powerful, is not Horowitz at his unaffected self. maybe pills he was on? he was going thru a period.
RIP Horowitz...
SCHneiDen777 3 years ago 2
I should add, that NO ONE (except Liszt), not Cziffra, not Rach, had an angel tone like horowitz with those high and low notes. the sounds are beyond pure. there. now I'm done.
SCHneiDen777 3 years ago
Interesting thought! I never thought about this 'angel tone' before! I like all three pianists (plus others), but I tend to reach out for Horowitz when in certain moods. I would have to think about why (now that you got me thinking).
micromae 3 years ago
glad somebody mentions the Cziffra version of this piece, in my humble opinion it is one of the greatest interpretations of this enormous piece of music, if not the definitive one !
soddom0312 2 years ago 2
alkan was better than liszt...
stagesix6 2 years ago
horowitz è assolutamente il miglior interprete del mephisto waltz ,poesia e brividi
horowitz is the best, poetry and piano
annamarianeri 3 years ago
This comment has received too many negative votes show
I never taught horowitz can play Mefisto Vals!
azqmbob 3 years ago
This comment has received too many negative votes show
learn to type in English. or ANY language coherently...
SCHneiDen777 3 years ago
He left out the single letter "a" .... come on man. Cut him some slack. Where I speak English we usually begin each sentence by capitalizing the first word. dont hack a guy down for something so minor as that. i could make sense of what he was trying to say.
hatzinwondering 3 years ago