Toll, mit ZWIE Fagotten (wie ursprünglich verlangt, aber aus intonationstechnischen Gründen meist nicht besetzt) gespielt. Kozena schön, aber mit zuviel Druck und an falschen Stellen atmend .... Leider nicht auf YOUTUBE: Jeanette Scovotti mit CONCENTUS aus Stockholm.... ganz große Oper, auch mit vielleicht zu viel Vibrato....aber soooooooooo innig!!!
@Pugwash81 Can you recommend me? I'm staring to get keen into Rameau, so any recomendation of a better version and the reasons why (of course) would be great! Thanks
In Rameau's Castor and Pollux, the character sings this song freshly horrified by the sight of her battle slain lover dragged before her. Kozena, without the operatic staging and set, still catches the tragic mood of the scene. The Marie Antoinette soundtrack version sounds as if the singer thought the character was singing in a hall filled with cakes.
The same old story: the instrumentalists play in a good French style, when the famously and overpaid Kozena sings without to know even what is a trill. But the blame is solely and exclusively of conductors, who do not correct the singers and always regard them as stars.
Not quite as typical as singers working months and months to perfect something, and then the orchestra messing it up every performance because they were too lazy to practice it.
She doesn't need to control anything, her voice is fine. And her diction is fine too. If maestro Minkowski liked it, it should be good enough for you.
Toll, mit ZWIE Fagotten (wie ursprünglich verlangt, aber aus intonationstechnischen Gründen meist nicht besetzt) gespielt. Kozena schön, aber mit zuviel Druck und an falschen Stellen atmend .... Leider nicht auf YOUTUBE: Jeanette Scovotti mit CONCENTUS aus Stockholm.... ganz große Oper, auch mit vielleicht zu viel Vibrato....aber soooooooooo innig!!!
ThomasRink 2 weeks ago
LOOK! The conductor looks at the violas!
lispectorando 1 month ago
all these concert videos with rameau's portrait at the back... they're just GREAT!
lispectorando 1 month ago
Where can I get this DVD?
OrganoAeternam 1 month ago
It's driving me crazy . . . who's the dude waving the stick?
cuculus50 2 months ago
@cuculus50
If you mean the conductor, it's Marc Minkowski.
19Edurne 2 months ago
@cuculus50 I don't know but that's the maestro
hummingbirdgirl07 1 month ago
Une belle voix très expressive et mordante. Bravo !
5434decarie 2 months ago
She evokes such power in her grief.......... it makes you hold the one you love a little closer.
orlandomonjoie 3 months ago
I almost cried
hummingbirdgirl07 4 months ago
Super Magnifique!
PiroozAzDirooz 5 months ago
wonderful, i just love the best bits of rameau and lully, excellent !
palfab962 5 months ago
i can't forget Agnès Mellon. She was so subtle, so emotional in this air...
MsDovima 6 months ago
I've heard better versions, but I cannot sing as good as her anyway!
Pugwash81 9 months ago
@Pugwash81 Can you recommend me? I'm staring to get keen into Rameau, so any recomendation of a better version and the reasons why (of course) would be great! Thanks
jarabass11 5 months ago
One word: breathtaking
cbrusharmy 9 months ago
Comment removed
cbrusharmy 9 months ago
In Rameau's Castor and Pollux, the character sings this song freshly horrified by the sight of her battle slain lover dragged before her. Kozena, without the operatic staging and set, still catches the tragic mood of the scene. The Marie Antoinette soundtrack version sounds as if the singer thought the character was singing in a hall filled with cakes.
bvisionven 10 months ago 6
The same old story: the instrumentalists play in a good French style, when the famously and overpaid Kozena sings without to know even what is a trill. But the blame is solely and exclusively of conductors, who do not correct the singers and always regard them as stars.
Modoantiquo 1 year ago
Comment removed
lnpulid8 1 year ago
Comment removed
moochomoo 1 year ago
@moochomoo
Yes, this is a typical sight.... beautifully informed orchestras without informed singers..... Well ...
KarlAmade 1 year ago
@KarlAmade
Not quite as typical as singers working months and months to perfect something, and then the orchestra messing it up every performance because they were too lazy to practice it.
jfbecks17 1 year ago
@moochomoo
She doesn't need to control anything, her voice is fine. And her diction is fine too. If maestro Minkowski liked it, it should be good enough for you.
jfbecks17 1 year ago
This has been flagged as spam show
@jfbecks17 Amen! I loved it, and that's the whole point; it's all about entertaining the audience, and she does a remarkable job.
cbrusharmy 9 months ago
@jfbecks17 Hear hear! Couldn't have said it better myself. Some people need ear transplants. Magdalena is not always in top form, but she is here.
DieFlabbergast 9 months ago
@jfbecks17 Hear hear! Couldn't have said it better myself. Some people need ear transplants. Magdalena is not always in top form, but she is here.
DieFlabbergast 9 months ago
oh my god, she is too tune! on marie antoinette soundtrack this fantastic song is completely different.
MrSev93 1 year ago
most pretty somg ever!
happymaniquin 2 years ago 8
I would love to have a copy of this to save on my computer. Would you mind sending me the file?
todddutton 2 years ago
check on marie antoinette soundtrack (sofia coppola film) in the second cd is this song. i fell in love with it when I saw the movie...
lauritamanza 2 years ago