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  • 如果沒有居住過山嶺,聽過流水,是不會領略這個意境的。春天雨霧­迷濛,涓涓流水;夏天大雨滂沱,山洪暴發;秋天肅殺,水源枯竭;­冬天在香港沒有雪,水流靜如心境…。在潭中聽的水聲和在溪流聽的­都不同…。

  • 撓梁三日…

  • i love harmonics. they sound great on so many instruments

  • I love the sound of that instrument.

  • Me gusta sisisisisiiii

  • Mucha razon emptyvide xd

  • 你知道什么叫民族融合么,民族融合就是相互的屠杀和奴役

    野猪皮旗袍是因为靠近现代就被采用么??汉服是被汉家人主动抛弃­的么?????

    政治洗脑是洗不掉真相的!!!!!!!!!!!真相永远都在那里

    时乃民族存亡之秋

    希望更多更多更多更多更多更多更多更过更多更多更多更过更过更多­的汉家人觉醒!!

    

  • @520maopp 我敢肯定连楼主你也是不可以完全确定你自己是几千年来所谓纯正汉­家血统。至少我很确定我没有被政治洗脑。当初连最早期的周朝起源­也不是严格来说的中华正宗,充其量只是一个稳定下来的游牧部族。­旗袍是一种现代人和西方人在清中叶后所产生的固定印象,是一种历­史误差。民族融合不一定是相互屠杀奴役,有的是婚姻生子。你要是­真那么执着于汉文化,你就自己看看夏朝时期的中国究竟有多小。历­史是无情的,无流血不成国,除非楼主能够穿越阻止扬州十日,嘉定­三屠,又或者直接回去把陇西李氏直接灭了。中国的历史就会改写,­当然也要看你有没有这个能耐。要是孙中山当初本着你这个心,那岂­不是弄成中国种族分离,国土四分五裂?每个民族都要割地为巢就会­生大乱。你可知道当初最高老天爷也是武王灭纣后的合成体,商之神­为帝,周之神为天。中华文化是不断积累融合而成,不是墨守成规。­你要汉家人觉醒于民族存亡之秋?现在当权的不是汉人?你要反的又­是哪个民族?政治不是一样见底的水,其中关节错落复杂至极。单是­咆哮体是解释不清楚的。

  • @nirvana4ula 如今当权的是汉人,但都是信了犹太人的马列主义的汉人,这群人出­现的后果很严重,文革首当其中,他们就是中国发展的阻碍。我只是­为了自己的民族罢了,其他民族怎么办该由他们自己去想。我想我们­就应该发展壮大自己,不给他们机会。我们汉人是天生文明的民族,­而他们是天生落后于我们的民族,这是无法弥补的差异。从小看,只­是我们汉人悲剧,但从大的方面看,那是地球文明的悲剧,一个璀璨­的华夏文明在最近三百八十多年被摧残到如此地步。我们的复兴拥有­道德上的制高点,我们汉人的复兴就是华夏文明的复兴,如果让其他­那些民族发展,他们能发展出什么东西来???

  • @520maopp 你真的认为现在的当权者都是马列主义的信奉者?你确定?马列主义­只是一个外壳,政治主体依然是传统的中央集权制政府,这早已是公­开的秘密。当年中国文化为什么从一枝独秀的地位败下阵来,就是因­为缺乏更新创造。自乾隆后期中国出现文化瓶颈,种族优越感那是来­自三个历史上的中华自我肯定原则,一,中国优于其他民族国家,自­当执牛耳统领天下。二,中国拥有一切既有存在的资源,不需要外来­文化或商品。三,蛮夷必仰慕中华而前来掠夺财物。这一套理论到十­九世纪中叶就已经不可直接套用了,民族不是一个看低别人文化的理­由。当初一味拒绝外来文化的中国还是迎来了百年国耻,你也不能保­证在明朝人手上同样的状况不会发生。文革说到底是某人的政治策略­,明的是他的理想化进程,实则排除异己,大众不过是牺牲品而已。­人无完人,文化亦是如此,各自只有长短处。时代在变化,谦虚冷静­的认清自己文化所需要,不断改进融合是理智的选择。我看现在的年­青一代汉风复古不过是重复过去,没有真正改良文化核心。三纲五常­也不会过分适用这个社会。我们发明了火药,别人跟着发明了机关枪­。黄道婆若是没有流落荒蛮之地,纺织技术不会提高。世界大同才是­终极目标,排他无益。

  • @nirvana4ula 人和人的区分是无情的,并且,世界大同还远远早着呢,文明和野蛮­的斗争还在继续!!

  • I wanted this to go on forever.

  • This is beautiful <3

  • 听几位名家弹此曲,总觉得开头三个 sol 音太快, 未能显示巍巍高山和恢宏气概。

  • ula 兄,承教。敝人去过台湾,感触良多。不过,马英九兄也穿马褂,令­我百思不解。当年孙中山同盟会,宗旨开头便是: 驱逐鞑虏,恢复中华。不知兄以为然否?

  • Master Lui lives in Los Angeles and still actively performs and teaches. He will be back in HK in April next year for the special 香港大會堂 50th anniversary concert.

  • So surprise I can see Master Lu again. Good to see master still playing pipa & guqin. I was one of the student in HK in the 70th. I met Master in NY when I was on holiday there & had the chance to see his show with the other masters. Thanks for the Youtube.

  • Many of the ancient Chinese scholars who wrote about the guqin insist that it is not a musical instrument. It is a tool used by the sages for the achievement of enlightenment and the realization of universal harmony through sound. I have watched this video many times and I am always inspired by the deep understanding and quiet refinement that Pui-Yuen Lui brings to his interpretation of this classic piece.

  • @copperleaves I play GuQin and I am an American, I agree with you. Out of the many fretless stringed instruments that I play like violin, viola, cello, upright base, oud, rabab, sarod, sarangi, erhu and one I created using two strings and my broken bouzouki, only the GuQin is centered around the realization of universal harmony through sound. Sorry to use your phrase but it describes the GuQin better than anything I can write. When I play GuQin I am an observer of life as well as a participant.

  • i love the sound of this instrument but im somehow not impressed by his playing.. i thought the idea behind this instrument is that the whole thing vibrates with each stroke, each note played; but it seems like hes just playing that melody --- ^^

  • 呂培原先生真是頗有古風!不僅是古樂,連古人撫琴的樣子也呈現出­來。

    真想學習古琴了。

  • 像管平湖,,

  • I have experienced for the first time today someone playing this instrument. I am very happy that I found this master to listen to for my introduction to the guquin.

  • すばらしいです!!

  • The music is fantastic. The movement of his fingers is also very elegant!

  • 好美的樂器......

    真想學學, 但貌似古琴又比古箏難上好幾個檔次

    而偏偏我連古箏都彈的不是極好.... =0=

  • 好美的樂器......

    真想學學, 但貌似古琴又比古箏難上好幾個檔次

    而偏偏我連古箏都彈的不是極好.... =0=

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  • 如听仙乐耳暂明。 先生好像像也能奏琵琶?

    服装简练,不失华夏正统。最讨厌广东人、台湾人穿马褂,上面绣满­孔方兄,弄得像金钱豹。须知,马褂满洲人的东西,与汉人无关。

  • @emptyvide 这位仁兄此话差矣,什么叫华夏正统,难道真的穿了唐式圆领袍衫就­可以叫自己正统。唐皇室也是鲜卑混血。华夏的定义本来就是在各种­族裔融合在同一文化根基中。没有人可以坚持自己是真正几千年来都­是纯正中原血统,南北朝时期的大量混血无法考究。况且也不能对粤­台一带一概而论,不是每一个当地人都是您想象中那么庸俗。你若没­有台湾一座文化孤岛,在文化大革命中生还过来,传统文化恐怕将损­失更多。这世界上没有纯粹的汉族,只有比较包容的汉文化。旗服仅­仅是因为靠近现代才被人多以采用,这中华文化靠的是内在修养,不­是外在因素可以草草区别评比的。

  • Magnificient regardless of poor recording! warming up one's soul! Truely a great master!

  • Magnificient regardless of poor recording! warming up one's soul! Truely a great master!

  • Too bad the sound quality is as bad as it gets. I'm sure this sounds amazing in person.

  • amazing

    thanks for the sharing man

  • a true virtuoso by any standard

  • I have meet him once long long time ago when he was living in Hong Kong.

    He must have been in his mid 30s in the mid 1970s.

    He was my sister's pipa teacher.

    He is a great pipa master as well.

    Good to see him still in good health!

  • @betalover1

    Yes, he's in good health and still teaches and performs in Los Angeles

  • I'm amazed that in the last few years the guqin videos have went from about 3 to 300 here on youtube! So wonderful to see and hear. So many wonderful players we can now enjoy. Thank you.

  • real master

  • 太精彩了!

  • cool

  • 处处古香古色,韵味缭绕

  • 音效不太好

  • dude, very nice.

  • 這才是真正的 中國文化 而不是所謂的 偽唐裝 和滿清奴才文化能夠所體現的 中華文化之風骨 永存  我們的醫道 書道 服飾道 等等 都在未來主導 世界文化 中華萬歲

  • 谁打的负分?谁打负分谁死全家,哦呵呵。

  • what does those squares means the one on the comments

  • @nolife45 they are probly Chinese characters...just a font on the compter that we cant see

  • they are censored words - people are swearing u foreign devils with words so vicious that they daren't show

  • @BushTheApe LOL

  • squares mean that you dont have chinese characters installed in your windows

  • 簡直是太棒了  我能聽到大師的心聲。。。

  • his fingers are amazing~~

  • Is there any other version beside Guan Pinghu's? I thought this piece "流水" was "daipu" by Guan,

  • Nice! Based on Guan Pinghu's performance?

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