@blog3000 Nusrat Saab uses Raag because he wants to performe traditional way of Qawwali. Amir Khusro did not start Qawwali with just words but with more of a musical approach. The solos of the vocalists depends on their voice quality; of all of the numerous and harmoniums that performed in the party, Rehmat Ali is my favorite. I do not want to cause offence but Rahat Ali's piercing femenine voice is very disturbing for qawwali and has lost the respect that Nusrat has put into qawwali.
@blog3000 - mate you have to listen to the flow of notes with the tabla, the two harmoniums nd his vocals. This raaag dragged me into a different world, just listen to how it progresses over time nd how he follows with the music, just amazing man. Very nice people, nd is it Iqbal's poetry or someone else's please post. Thanks
The Raag is intrinsic to qawwali, it evokes moods, affectations, and imagery in harmony with the lyrics, it is almost another language in itself - and Nusrat is the Master. However I do agree that the other party members shouldn't solo so much, rather not at all, and their repeated interruptions often break the flow of this and other qawwalies, sometimes quite obviously to Khan-Sahibs annoyance
Har ik mord par ik neiy maat khaei
rahi dil ki dil mein zubaan tak na ayei
kiye hein kuch aeisey karam dostoon nein
k ab dushmanoo ki zarorat nein he
hazaroo tamannayein hoti hein dil mein
hamari tu bas ik tammnna yahi he
muje ik dafa apna keh kar pukarooo
bas iss ke siwaa koi hasrat nein he (Nusrat sahib great)
ayoubsabery 4 months ago
@blog3000 yar mey to nusrat sahab k raagas ka dewana hu or un k raags yaad karney ki khoshish karta hu par master ki copy kon karey
mack8847 4 months ago
@blog3000 Well mate if you dont like the RAAG then why you are listening the qawali then??? The classical qawali is always full of RAAG..
In case you dont like the RAAG and wanna listen a smooth ghazal type singing, then try this in youtube search:
Phiroon dhoondta maikada tauba tauba 1/2
shj346 9 months ago
@blog3000 Nusrat Saab uses Raag because he wants to performe traditional way of Qawwali. Amir Khusro did not start Qawwali with just words but with more of a musical approach. The solos of the vocalists depends on their voice quality; of all of the numerous and harmoniums that performed in the party, Rehmat Ali is my favorite. I do not want to cause offence but Rahat Ali's piercing femenine voice is very disturbing for qawwali and has lost the respect that Nusrat has put into qawwali.
AshokBhatnagar007 1 year ago
adnan key yah ghazals hey
kundi393 1 year ago
@blog3000 way i like
MsNoorkhan 1 year ago
AweSome..
danidildajani 2 years ago
@blog3000 - mate you have to listen to the flow of notes with the tabla, the two harmoniums nd his vocals. This raaag dragged me into a different world, just listen to how it progresses over time nd how he follows with the music, just amazing man. Very nice people, nd is it Iqbal's poetry or someone else's please post. Thanks
jzmalik1 2 years ago
as sleepy said raag is another language. if u get into it and understand it . dude trust me lol ,,
if u dont enjoy that ur missing 50 % of his music .. no offence
omarkhant610 2 years ago
ager tum kaho to mai khud ko bhula do TUMHAY BHOOL JANAY KI TAQAT NAHEE HAI
omarkhant610 2 years ago
one of "the" best qawalli.....
azharr12 3 years ago
The Raag is intrinsic to qawwali, it evokes moods, affectations, and imagery in harmony with the lyrics, it is almost another language in itself - and Nusrat is the Master. However I do agree that the other party members shouldn't solo so much, rather not at all, and their repeated interruptions often break the flow of this and other qawwalies, sometimes quite obviously to Khan-Sahibs annoyance
sleepyeyesofdeath 3 years ago 2