yeah, are they talking about an A4 (above middle c) or an A5 (second a above middle c)? they're singing in full voice (chest) too, right? not falsetto?
I think it's an A4, in chest. It's totally a tenor note. I mean i can hit an A4 in Falsetto, but i can only get to a Eb4 in chest. I can't hit an A5 in falsetto, although I can hit a C5-D5 on the regular and E5 with warm ups, and a G5 on my best day...
@TheMintHippoTroupe I'm pretty sure it's an A4 (A above middle C or high A on the Base clef), cause they're singing in chest, and the highest I can go is an Eb4, and A5 in a mans voice is rare. It's at the top of the choir saprano notes. A5's pretty much screaming for a man. they've got mad skills as baritones to hit that A4 it's in the tenor range...highest for a baritone (written) is supposed to be a an F4 in chest.
@TLPOMNIMEDIA It is an A4. It is at the top of a baritones range, but they are not singing in chest voice. They are using a mechanism called head voice, which is lighter than chest voice. Depending on they type of baritone and the role they are singing, A4's are not that uncommon in the baritone repertoire.
Milnes and Warren win for me. Warren has one of the biggest and most beautiful singing voices let alone baritone voices I have heard, while Milnes in his prime had the most amazing top and his rendition of Largo al factotum was one of the most original and most entertaining renditions I've heard too.
I know this was posted many time ago but I'd like to vote! :)
Well...I'm not so objective for Hvorostovsky, but I think here he does well even if I must admit this aria is not the best for him! I like Milnes,Prey and R.Panerai!
How interesting to observe how these great old fashioned singers evolved to a generation of singers with fragile voices... After all, Hampson is one of the strongest voices we can get nowadays. Compared to the first singers, he is a little chorus boy. ;-) ... not to mention the others!!! xD
Very interesting to watch them in chronologial order. One can observe how a generation of great singers left another of so fragile voice singers. Nowadays, we use to consider Hampson's voice heavy. After all, the truth is that we get this:
«"Thomas Hampson is no 1, this is for sure!!"
Hahaha! Maybe for Riff in West Side Story, but certainly not even close for Figaro.»
My vote goes to Warren (not only for the high A), to Stracciari and Herley for the hole role.
And who says that Signor del Monaco shouldn't have problems with the note because he was a tenor? His is the least secure version in this compilation, more strained even than Nucci
In my opinion, Lawrence Tibbett shows the greatest deal of artistry through his interpretation of this passage, especially when considering it expands from the high A4 down to a G2 seamlessly.
You know, I wonder about Tom Allen leaving out the cadenza-- he certainly had the notes. He also sings the lower line at the climax of "Ich grolle nicht," and he could have taken the higher line easily.
@piasecznik Exactly-- really one of the first baritones I think of in terms of ease and flexibility above the stave. The words are also always so clearly articulated.
though he sounds extrememly heavy he is my favorite Nicolae HERLEA.. his voice hardly loses any dark color as he is up on the A... freakin awesome.. the other guys sound like kinda tenorish up there...
hermann prey is possibly the best acted version I think.. he actually sounds like he is making a connection between charcter and singing...
Warren takes the cake for me. For those of you who say that he is covered on this recording, I heartily disagree. If you listen to some of his Live From Russia disc, you will hear covered Warren -- this is not it. He just had a beautiful, dark, rich tone with height, a stupendously rare combination.
the "weight" of his voice.... the tone quality, color and tessitura--- tessitura ultimately defines the difference i believe because aria's have different vocal demands... some baritones on the lighter end (or ones with a bigger range) can hit A's easily and repeatedly while other bari's may hit an E and once in an aria and simply are vocally unable to maintain such demanding notes...It all depends on the voices' own unique time of "no more high notes for me!" amazing , eh?
the standard baritone repertoire lies from Ab2-A4. the standard tenor repertoire lies from C2-D4. hence, i don't get your question... also, a tenor's passaggios will sit approximately a third higher, and his timbre will be distinctly lighter. in addition, tessitura plays a factor. does this help?
1. Sherrill Milnes (by far, I would say. Though may be this is, at least partially, related with better recording quality than some older performances, like Warren, Stracciari, Tibbett and Bechi)
2. Leonard Warren
3. Rolando Panerai
4. Gino Bechi
5. Aaron St. Clair Nicholson
I love Tito Gobbi, but his performance here was not a real hit, to my surprise and dissapointment.
I'd love to see similar cage for Di Provenza - my favourite baritone party.
Nucci : it's not the best recording (perhaps is the best figaro of half century), are good Stracciari (the best baryton of these but he was old); Warren excellent, Milnes (too in theater) and Hampson are good; Bechi was a trumpet in highs notes; the others without importance..... Del Monaco : scream of horror (suitable for Craven)
thank you so much baritonoquapo for showiing me the beuty of the male voice... i often do not listen to male singers... really preferring the flexibility, agility and speed of the female colortura to most anything else... but you've shown me there are certainly guys who make me listen in awe!
For just the high A: Warren and Milnes easily win. Nucci, Hvorostovsky, Braun and Nicholson (never heard of that baritone) also do well with the A in these clips.
Aaron St. Clair Nicholson is a very talented young Canadian baritone, he sang Schaunard and Papageno at the Met not long ago. You'll hear more of him in the future, I'm sure.
interesting compilation. An A does not sound so high when done by a baritone, it gets a darker sound. very powerful and rich in tone though. Hampson hits a short C in his version as does Milnes in a non-recorded radio broadcast version.
Figaro has two even bigger high As (that are actually written in the score) in the second-act trio with Rosina and Almaviva, as he mocks the tenor's sweet phrases. Some will wimp out and sing them in falsetto, but there are few more beautiful sounds than a baritone that can do them in a rich full voice. Please do a cage match of those few measures! Mattei and Prey do them the best, I believe.
Gino Bechi was a particular favorite of mine (along with Warren) among the older singers. Among the newer, my favs were Herlea (an undeservedly known great baritone) and Milnes. Whatever one thinks of Milnes, on a good day, no one could better him for high notes.
I would have to give first place to either Leonard Warren or Sherrill Milnes (even though Milnes does have a really heavy voice for Figaro) and a pretty close second to Leo Nucci or Thomas Hampson(mainly because he performs the rest of the aria so well). All very fine singers anyway.
To Helaman, Hoelette etc. Milnes is not too heavy for Figaro. Figaro wasn't written for a lyric baritone. Rossini wrote it for a basso buffo, Luigi Zamboni. And Rossini once thanked lyric baritone Antonio Cotogni (one of his favorite Figaros) for singing "Largo al factotum" without the cadenza because he never wrote one (for this aria). I wish Terfel, Pape and some other bass-baritones would give it a try.
Too bad this page does'nt contain the best Figaro who happen to be Robert Merrill. This role was written for a lyric baritone. It sounds evident that Verdi baritones are too heavy and don't have the flexibility for this part. And for the fans who judge by a high A, play yourself thousand of high A and ask yourself if this is music. As a bass, I sang high g's and low d's on stage, and I don't give a dam about that circus.
I heard many good, and great, baritones but Piero let a great impression on me at Paris Opera in Forza del destino. I went there to hear Ghiaurov, but Piero got all my admiration.
Get his DVD of Ballo at the ROH. His aria "Eri tu" is a lesson for any singer, technique wise and mainly musically.I wish I could hear him in Largo al factotum.
I totally agree if there is any great example on what a verdi baritone is it is Cappuccilli, his final aria in Don Carlo is awesome as well as that Bb at the end of his Di Provenza!
Milnes would be my pick, he just sounds so natural up there. He would be followed closely by Warren and then Hampson. Great clip, thanks for the comparison!
I've heard that. It's a bit silly I think. A few baritones with very good tops have gone up to a high C at the end of the aria, but I couldn't imagine doing that after singing the whole aria through.
yes I have this Hampson C in my video "Opera Baritones approaching the high C", it´s a bit short but still very impressive. Milnes has done a nice B-flat from Attila which I haven´t heard though AND he´s supposed to have done a high C at the end of the Largo aria, now this I´d like to hear (or done by another baritone).
I like the earliest baritone the best, that is Stracciari, not only for the high note but the smooth scale that follows it. For sheer vocal splendor, however, I think Warren is difficult to surpass.
caro baritonoguapo - it isn't fair that you exclude MDM from contest. He is tenor OK, but he is artist in the first place and if he can sing "Vecchia zimmarra" (I heard him), I think it will be fair to place him along the others, IMHO.
Who is this man and is he a baritone or a tenor. I think he is a baritone. "Mario del Monaco". Someone please tell me who Mario del Monaco is!!!!
sinscholar3 1 month ago
@sinscholar3 You're kidding, right? This is youtube, look him up.
ddevicente 1 month ago
GOBBI 1 GRANDE MAESTRO ESA NATURALIDAD, warren y despues milnes
gyuh666 1 month ago
yeah, are they talking about an A4 (above middle c) or an A5 (second a above middle c)? they're singing in full voice (chest) too, right? not falsetto?
I think it's an A4, in chest. It's totally a tenor note. I mean i can hit an A4 in Falsetto, but i can only get to a Eb4 in chest. I can't hit an A5 in falsetto, although I can hit a C5-D5 on the regular and E5 with warm ups, and a G5 on my best day...
TLPOMNIMEDIA 2 months ago
warren wins.
qwertyoop 3 months ago
So im not a big music theory guy. I know baritones are on bass clef. Is this high "a" a bass clef a or treble clef a?
TheMintHippoTroupe 3 months ago
@TheMintHippoTroupe I'm pretty sure it's an A4 (A above middle C or high A on the Base clef), cause they're singing in chest, and the highest I can go is an Eb4, and A5 in a mans voice is rare. It's at the top of the choir saprano notes. A5's pretty much screaming for a man. they've got mad skills as baritones to hit that A4 it's in the tenor range...highest for a baritone (written) is supposed to be a an F4 in chest.
TLPOMNIMEDIA 2 months ago
@TLPOMNIMEDIA It is an A4. It is at the top of a baritones range, but they are not singing in chest voice. They are using a mechanism called head voice, which is lighter than chest voice. Depending on they type of baritone and the role they are singing, A4's are not that uncommon in the baritone repertoire.
jav123456777 2 months ago
For the A: Warren
For the whole phrase: Stracciari, no contest there
Slayerplsko 4 months ago
Milnes and Warren win for me. Warren has one of the biggest and most beautiful singing voices let alone baritone voices I have heard, while Milnes in his prime had the most amazing top and his rendition of Largo al factotum was one of the most original and most entertaining renditions I've heard too.
Beth29252 8 months ago
I know this was posted many time ago but I'd like to vote! :)
Well...I'm not so objective for Hvorostovsky, but I think here he does well even if I must admit this aria is not the best for him! I like Milnes,Prey and R.Panerai!
TheDmitrilover 9 months ago
It's between Warren and Milnes -- and I give Warren the edge as sentimental favorite.
silverroka 10 months ago
As far as the actual A goes, Milnes is #1. Warren and Horostovsky are also standouts.
Kudos for including Mario del Monaco. :D
CaptFitzbattleaxe 10 months ago
How interesting to observe how these great old fashioned singers evolved to a generation of singers with fragile voices... After all, Hampson is one of the strongest voices we can get nowadays. Compared to the first singers, he is a little chorus boy. ;-) ... not to mention the others!!! xD
LordMgls 1 year ago
This has been flagged as spam show
Very interesting to watch them in chronologial order. One can observe how a generation of great singers left another of so fragile voice singers. Nowadays, we use to consider Hampson's voice heavy. After all, the truth is that we get this:
«"Thomas Hampson is no 1, this is for sure!!"
Hahaha! Maybe for Riff in West Side Story, but certainly not even close for Figaro.»
;-)
LordMgls 1 year ago
Partial to Russel Braun-really unique quality. Milnes, Dimitri and R Braun, in any order really. Fierce...very fierce talent gong on here.
clnrch 1 year ago
The complete recordin with Stracciari. is the best .
tenorismo 1 year ago
As far as these posted recordings, Milnes' tops the list. Warren is a close second.
What I would give to have experienced Warren in his prime...
walkermusic 1 year ago
and where is Bastianini?!?!
tomzoricic 1 year ago
My vote goes to Warren (not only for the high A), to Stracciari and Herley for the hole role.
And who says that Signor del Monaco shouldn't have problems with the note because he was a tenor? His is the least secure version in this compilation, more strained even than Nucci
vully70 1 year ago
In my opinion, Lawrence Tibbett shows the greatest deal of artistry through his interpretation of this passage, especially when considering it expands from the high A4 down to a G2 seamlessly.
phatphace 1 year ago
Tie for first with Milnes and Warren
bariverdi 1 year ago
No baritone sang high notes like Leonard Warren. Bad role for him, but good high A for him nonetheless.
zuluman0 1 year ago
tibbett tibbett tibbett :P
mrm4xim4m 2 years ago
Gobbi sounds like he's being strangled, most unpleasant.
saintsaens21 2 years ago
You know, I wonder about Tom Allen leaving out the cadenza-- he certainly had the notes. He also sings the lower line at the climax of "Ich grolle nicht," and he could have taken the higher line easily.
drtmuir 2 years ago
@drtmuir
Indeed he had an easy high A- for example he extrapolates a splendid one at the end of the Händel aria 'Revenge, Timotheus cries'.
piasecznik 2 years ago
@piasecznik Exactly-- really one of the first baritones I think of in terms of ease and flexibility above the stave. The words are also always so clearly articulated.
drtmuir 2 years ago
Mario del Monaco is a Tenor!
gerogejones 2 years ago
so what! Listen and evaluate!
tomzoricic 2 years ago
1) MILNES!!!
2) Warren
3) Panerai
4) Tibbett
Mercent123 2 years ago
1. Herlea
2. Gobbi
3. Milnes
4 Braun
alexandru2611 2 years ago
Bechi.
blichilde 2 years ago
Milnes, I think takes it....I'm partial to Russel Braun as well.
clnrch 2 years ago
MILNESSSSSSSS!!!
tebiano 2 years ago
1. Millnes
2. Hapson.
3. Warren.
4. Prey.
Others.
claudiooriental 2 years ago
@claudiooriental thank you ... i saw the youtube video... sings very well and acts the role... like being there live
brekfsklub 1 year ago
dopo rolando panerai tutti hanno voci di tenore per questa raggione del monaco mi piace di piu ! grazie !
bodiloto 2 years ago
Leonard Warren blew me away but Aaron St Clair Nicholson had a great tone too
ForeverTraLaLa 2 years ago
:33, nice agility
raigekimaru 2 years ago
All are best...I like Milnes... This compilation is SUPER !!!!!
AchillesValda 2 years ago
A half of them sound like tenors.
Emacs23 2 years ago
Leonard Warren is first with Milnes a close second.
pavoman23 2 years ago
Tibbett wins this one, adding an ornament down to a low G like a bad ass
raigekimaru 2 years ago
yeah man :) love that guy, scorpio like me lol
mrm4xim4m 2 years ago
Dmitri all the way!
b0105701 2 years ago
Milnes is number 1 for me because he was the first that had heard.
LifeJuice90 2 years ago
BECHI!!!!!!!!!
figaromitico 2 years ago
well there is a big bunch here who sound like tenors - not just del Monaco lol
xav71176 2 years ago
manca semplicemente il migliore in assoluto: Sesto Bruscantini
francescop1023 2 years ago
though he sounds extrememly heavy he is my favorite Nicolae HERLEA.. his voice hardly loses any dark color as he is up on the A... freakin awesome.. the other guys sound like kinda tenorish up there...
hermann prey is possibly the best acted version I think.. he actually sounds like he is making a connection between charcter and singing...
Babs22h 2 years ago
Warren takes the cake for me. For those of you who say that he is covered on this recording, I heartily disagree. If you listen to some of his Live From Russia disc, you will hear covered Warren -- this is not it. He just had a beautiful, dark, rich tone with height, a stupendously rare combination.
acoustikats 2 years ago
tibbett died in 1960 sir.
operalament 2 years ago
They all win! All of them are amazing!
chevychase 2 years ago
I don't understand. If a baretone can hit a high A, what makes him a baretone and not a tenor?
brokemusician 2 years ago
the "weight" of his voice.... the tone quality, color and tessitura--- tessitura ultimately defines the difference i believe because aria's have different vocal demands... some baritones on the lighter end (or ones with a bigger range) can hit A's easily and repeatedly while other bari's may hit an E and once in an aria and simply are vocally unable to maintain such demanding notes...It all depends on the voices' own unique time of "no more high notes for me!" amazing , eh?
Babs22h 2 years ago 4
the standard baritone repertoire lies from Ab2-A4. the standard tenor repertoire lies from C2-D4. hence, i don't get your question... also, a tenor's passaggios will sit approximately a third higher, and his timbre will be distinctly lighter. in addition, tessitura plays a factor. does this help?
HMW 2 years ago
1. Sherrill Milnes (by far, I would say. Though may be this is, at least partially, related with better recording quality than some older performances, like Warren, Stracciari, Tibbett and Bechi)
2. Leonard Warren
3. Rolando Panerai
4. Gino Bechi
5. Aaron St. Clair Nicholson
I love Tito Gobbi, but his performance here was not a real hit, to my surprise and dissapointment.
I'd love to see similar cage for Di Provenza - my favourite baritone party.
Thank you - keep going
georgia2b 2 years ago
Nucci : it's not the best recording (perhaps is the best figaro of half century), are good Stracciari (the best baryton of these but he was old); Warren excellent, Milnes (too in theater) and Hampson are good; Bechi was a trumpet in highs notes; the others without importance..... Del Monaco : scream of horror (suitable for Craven)
mongemark 2 years ago
warren and hvorostovky, ftw.
ironfuscia 2 years ago
Leonard Warren. He's got more covered sound up there than all of these fine and talented singers. Truly, a remarkable voice.
JackOperaMan 2 years ago
Mr. Braun. Met him a handful of times. Amazingly effortless voice. Got to experience his warm up just feet away.
mykstefanski 3 years ago
Milnes is like "yeah I got this"
raigekimaru 3 years ago
thank you so much baritonoquapo for showiing me the beuty of the male voice... i often do not listen to male singers... really preferring the flexibility, agility and speed of the female colortura to most anything else... but you've shown me there are certainly guys who make me listen in awe!
Babs22h 3 years ago
Did Tibbett come all the way down to G2? Impressive.
leadoffeohippus 3 years ago
For just the high A: Warren and Milnes easily win. Nucci, Hvorostovsky, Braun and Nicholson (never heard of that baritone) also do well with the A in these clips.
FacePaster 3 years ago
Aaron St. Clair Nicholson is a very talented young Canadian baritone, he sang Schaunard and Papageno at the Met not long ago. You'll hear more of him in the future, I'm sure.
baritonoguapo 3 years ago
@FacePaster Dmitri did really good as well.
crow66693 1 year ago
Thomas Hampson is no 1,this is for sure!!!
moniameonly 3 years ago
"Thomas Hampson is no 1, this is for sure!!"
Hahaha! Maybe for Riff in West Side Story, but certainly not even close for Figaro.
countceprano 3 years ago 6
interesting compilation. An A does not sound so high when done by a baritone, it gets a darker sound. very powerful and rich in tone though. Hampson hits a short C in his version as does Milnes in a non-recorded radio broadcast version.
jowox 3 years ago
they hit the A4 or the A5 in here?
mef72 3 years ago
A5 of course :)
bassman478 3 years ago
Ooops jk, A4, got my clefs mixed up X0
bassman478 3 years ago
Leonard Warren sung it best in this compilation...
Although, if you have a good recording (this one's a little fuzzy), then Lawrence Tibbett reigns supreme.
Belcore14 3 years ago
bechi!
figaromitico 3 years ago
super,super,super
sopogoshadze 3 years ago
Figaro has two even bigger high As (that are actually written in the score) in the second-act trio with Rosina and Almaviva, as he mocks the tenor's sweet phrases. Some will wimp out and sing them in falsetto, but there are few more beautiful sounds than a baritone that can do them in a rich full voice. Please do a cage match of those few measures! Mattei and Prey do them the best, I believe.
KatherineXIX 3 years ago
Warren.
JackOperaMan 3 years ago
Gino Bechi was a particular favorite of mine (along with Warren) among the older singers. Among the newer, my favs were Herlea (an undeservedly known great baritone) and Milnes. Whatever one thinks of Milnes, on a good day, no one could better him for high notes.
mjmacmtenor 3 years ago
Mario del Monaco is ridiculous! He completely distorts the words, he ruins it.
1) Sherril Milnes
2) Richard Warren
3) Dmitri Hvorostovsky (though the aria does not suit him really)
jhvorotin 3 years ago
Prey!
34fgsfgsdtu48w7qtaqt 3 years ago
I would have to give first place to either Leonard Warren or Sherrill Milnes (even though Milnes does have a really heavy voice for Figaro) and a pretty close second to Leo Nucci or Thomas Hampson(mainly because he performs the rest of the aria so well). All very fine singers anyway.
helaman47 3 years ago
To Helaman, Hoelette etc. Milnes is not too heavy for Figaro. Figaro wasn't written for a lyric baritone. Rossini wrote it for a basso buffo, Luigi Zamboni. And Rossini once thanked lyric baritone Antonio Cotogni (one of his favorite Figaros) for singing "Largo al factotum" without the cadenza because he never wrote one (for this aria). I wish Terfel, Pape and some other bass-baritones would give it a try.
64sembra 2 years ago
Raimondi could definitely pull it off.
LifeJuice90 1 year ago
Too bad this page does'nt contain the best Figaro who happen to be Robert Merrill. This role was written for a lyric baritone. It sounds evident that Verdi baritones are too heavy and don't have the flexibility for this part. And for the fans who judge by a high A, play yourself thousand of high A and ask yourself if this is music. As a bass, I sang high g's and low d's on stage, and I don't give a dam about that circus.
hoelette 3 years ago
I agree completely. The beauty of this aria is the coloratura part not this cadenza part.
Having said, that I think Thomas Hampson and Russell Braun sounded the best. The others sounded way too heavy for this.
etherealjiwon 3 years ago
Hi, etherealijiwon,
Why nobody mentions Cappuccilli, here??
I heard many good, and great, baritones but Piero let a great impression on me at Paris Opera in Forza del destino. I went there to hear Ghiaurov, but Piero got all my admiration.
Get his DVD of Ballo at the ROH. His aria "Eri tu" is a lesson for any singer, technique wise and mainly musically.I wish I could hear him in Largo al factotum.
hoelette 3 years ago
I totally agree if there is any great example on what a verdi baritone is it is Cappuccilli, his final aria in Don Carlo is awesome as well as that Bb at the end of his Di Provenza!
spitface33 3 years ago
is there a recording by Dieskau? He´s my favorite baritone.
jowox 3 years ago
Sheheheherrill Milnes.
leadoffeohippus 3 years ago
manca nella selezione il grande Bastianini
giannivoxer 3 years ago
Nucci or St. Clair Nicholson for me.
FraAngelico440 3 years ago 2
Nicolae Herlea does it quite well... a nice stretch into the top he has.
hermanzoon 3 years ago
Hampson sounds like a tenor.
My vote would be Milnes, Warren, and Hvorostovsky.
GermanOperaSinger 3 years ago
I going to go with Hvorostovsky..best baritone
musoph21 3 years ago
Milnes would be my pick, he just sounds so natural up there. He would be followed closely by Warren and then Hampson. Great clip, thanks for the comparison!
saxgod685 3 years ago
I think, Prey is the best!
aeru9 3 years ago
There is a recording of Hampson almost trilling a high A and G and then going up to a high C.
musicmaker2010 3 years ago
I've heard that. It's a bit silly I think. A few baritones with very good tops have gone up to a high C at the end of the aria, but I couldn't imagine doing that after singing the whole aria through.
baritonoguapo 3 years ago
Yep I've heard that.
leadoffeohippus 3 years ago
yes I have this Hampson C in my video "Opera Baritones approaching the high C", it´s a bit short but still very impressive. Milnes has done a nice B-flat from Attila which I haven´t heard though AND he´s supposed to have done a high C at the end of the Largo aria, now this I´d like to hear (or done by another baritone).
jowox 3 years ago
Yeah, I've always fantasized about hitting a high C at the end of it or hearing someone else do it.
musicmaker2010 3 years ago
@musicmaker2010 There's also a recording of him singing "Winterstu:rme." Everybody did a lot of silly things when they were young. ;)
drtmuir 11 months ago
It seems as though Milnes copies warren's cadenza. Do you blame him?
danaissharp 3 years ago
Russell Braun Cause I know him. Hes awesome. I sound childish.
purpleAiPEy 3 years ago
Milnes owns this area period.
fecheverriam 3 years ago
I'm no opera expert, but my vote goes to Sherril Milnes.
Second place to Leonard Warren.
Third to Thomas Hampson.
Anyway, these guys were the clearest to me. Hampson didn't sustain it that long, but he hit it nice and clean.
MugsMcClain 3 years ago
My vote goes to Lawrence Tibbet (it was hard to decide between Stracciari and Tibbet). Why can't one vote for Mario del Monaco?
HenryBakerHarvington 3 years ago
Because he's a tenor so the A isn't a stretch for him.
baritonoguapo 3 years ago
Nucci.
tonebarry 3 years ago
This is why many people continuously complained that Milnes was just on or just over the crack of being a tenor. A great sound though, regardless.
cptnunderwhere 3 years ago
need to add bastianini too
peloponisios 3 years ago
I only could find one recording of his of this aria, and he just touched the high A and it actually was a tad flat, so I didn't post it.
baritonoguapo 3 years ago
ahh no one is completely better than anyone else, they are all in their own respects unique and masters of their art.
Webarton 3 years ago
Sherrill Milnes hands down
rmceldow 3 years ago
I have to give it to Sherrill in this one...then Warren, then Hvorostovsky
baricoop 3 years ago
milnes is killer i love the rigoletto when he hits a bflat in the end its killer
bkmustang07 3 years ago
Del monaco sei un GRANDEEEEEEEEE!!!!!!!
comunque tra i baritoni ci sono nascosti molti tenori....
alesscort 3 years ago
Tibbett
stefakamelpash 3 years ago
A Largo al Factotum collection without Titta Ruffo?????
Dekyi1210 3 years ago
I could not find a recording of Ruffo putting in the high A. He only went to the G before coming back down. If you have one, please post it.
baritonoguapo 3 years ago
ok, ok...he doesn´t go to the A, but the G - che bel piacere... ;-)
Dekyi1210 3 years ago
cage match... lol, you rock.
kickplate 3 years ago
For me Hermann Prey was the greatest Figaro here.
But I have to confess, that he is my vocal idol as I'm a baritone, too.
LLehmannfan 3 years ago 2
I have a recording of Placido singing the Barber, but did MDM ever play the entire role himself? I think he sould have been good.
Milordvega 3 years ago
A lot of nice assumptions here. Thank you!
drdre333 3 years ago
Tibbett sang this better than anyone. I love his effortless, showoff vocalise at the top.
charlesvosborne 4 years ago
I think that Milnes or Braun are the obvious choice-- the healthiest, most free sound and vowels that aren't alarming lol
newberr1 4 years ago
I like the earliest baritone the best, that is Stracciari, not only for the high note but the smooth scale that follows it. For sheer vocal splendor, however, I think Warren is difficult to surpass.
meltzerboy 4 years ago
De esta seleeción Gino Bech y Hermann Prey son de mi gusto
elcaos10 4 years ago
Mario del Monaco
Doooku 4 years ago
ouch my head its geek langige
naruto1398 4 years ago
caro baritonoguapo - it isn't fair that you exclude MDM from contest. He is tenor OK, but he is artist in the first place and if he can sing "Vecchia zimmarra" (I heard him), I think it will be fair to place him along the others, IMHO.
tomzoricic 4 years ago
Ok, one vote for MDM noted.
baritonoguapo 4 years ago
Thanks
tomzoricic 4 years ago