@hbmp88, Because the matter of beauty is a highly subjective one. It's perfectly natural for controversy to follow in light of that, and it gets even more intsense when we comment from a visceral reaction and not actual knowledge. I think it's good that there's a lot of debate, and my channel especially is simply drenched in it. Arguing is simply another way of learning.
If you really find it that unpleasant, then simply turn a blind eye to it. Like most of the people who only want to listen.
This has a certain compelling authenticity to it, I mean a personal authenticity not a period authenticity, which makes it musically on a par with the M. Schneider posting of this piece. I wonder if the "touch" of this organ is what's dictating the tempo, in addition to the acoustic. And what idiot would write that acoustic should not dictate tempo.
@Blockedify, one that puts the structure and character of the piece above all else. One that is also not bound by such a frail sense of perception. Don't misunderstand, I do believe that we should always take the acoustic into consideration and treat it seriously. But if this will undermine the quality of what the composer originally produced, then it's simply not worth fretting over. There's also the subjectivity involved with how tempi work in certain acoustic that is a basis for disagreement.
@Blockedify Quite agree with you on your last two sentences : historic instruments like these were not taylored at all to be played fast, Their touch do not allow for it, and the complexity of their mixtures precisely laud with surrounding acoustic. Bach captured that very well, and offered what probably remains the best music of all times. Despite the old age of the organ it is still worth listening to Richter, who finally is giving a faithful playing of the piece.
@MusicPredominates, Stop pulling strawmen out of your hat and think about why I said what I did instead. Richter made a point himself that his playing could never be "perfect" as he needed to create something new each time, that was the 'secret' to his success.I am merely repeating his own thoughts and making observations from an objective standpoin. I never once claimed to be "on par" with him. I also find it rather comical that you claim I am young when you've never even met me.
Robertgift has just surpassed himself in the Guinness of the "dullest ignorant of the stupidity realm": "Silbermann wind defect" simply hilarious! Only Robert can reach such levels of sublime ignorance and dullness. Robert, the best you can do is to try to fix a little bit your mental defects... pathetic, simply pathetic...
This is a great performance, but I think it is lacking a bit of the fire - at least in my opinion - of Richter's recording of the same piece in Ottobeuren in the 1950s.
@Sinatra70, hmm.. I think perhaps you're mistaking this BWV 538 Toccata and Fugue with the BWV 565 Toccata and Fugue. Both are in D Minor. I don't think Richter has recorded BWV 538 on the Riepp orgel of Ottobeuren.
@advisorC101 - Good morning. The recording I'm thinking of wasn't recorded on the Riepp organ, but rather on the 1959 Steinmeyer organ in the Ottobeuren Abbey (rebuilt by Klais in the early 2000s). The album I have included the BWV 538 and the partita on "Sei gegrusset". A copy is current on sale on eBay as item number 120513654361.
"Yes, very true that this isn't how Bach would have played it.." What a bunch of twits. I've heard this piece on probably 20 different instruments, played by almost as many different organists - Marcel Dupre, Helmut Walcha, Anton Heiler, Anthony Newman, E.Power Biggs, Marie Claie Alain - all over the U.S and Europe. Each time it is different, each time I'm left with Bach's genius and each time I realize that I have learned something. Try enjoying the music instead of outsmarting the player.
@IncliningArcOfTime, Music exists to be thought about and to be felt. There is no way to say at 100% how Bach played, as he always played differently. You are right in saying that there is something to learn from many artists. But you are indulging in ignorance, and that has no value to discovery or learning about oneself. Richter plays it as Richter would. And at the same time he still speaks the mind of the composer. Like a true musician would. Nobody is trying to "outsmart" anyone.
It is not so much that the organ can't handle it is that the organist is Double Drawing, He uses all 8s and 4s and 2s. I have heard many organist play the organ and it is this powerful but the winding does not go crazy it is simply to many stops and he does not know how to handle a hand pumped organ. it now has Lungs
@Bachlives2, I wouldn't say he doesn't know how to use it. Rather his romantic taste in stops were not limited by the type of organ. He pushed it right to its limits.
This does sound a little out of sorts for both Bach and Richter. It could be as simple as the way the "Schleifladen-Mechanik" of the organ operates, which forces Richter to play more deliberately or something else. Usually though, Richter's interpretations of Bach are simply stellar, crackling with energy and life.
Unusual for certain...... Richter certainly was a wonderful musician - but, i;m not really sure i like this interpretation: it just doesn't seem like Bach anymore!! This piece when played in a pure Baroque style on a period instrument, has drive, vigor, direction and power..... the way it is played here, it just seems to meander semi-aimlessly and atmospherically. Perhaps i'm just not in the right mood - but then again this piece usually GETS me into the right mood!!
Yes, very true that this isn't how Bach would have played it. As I've said in the previous comment, Richter was a Romantic but at he had his own ideas as well. That's good in the sense that he wasn't robotic like Walcha. Richter has a different way of expressing himself, like a romantic organist would. Those who are infused with the true baroque sound will undeniably find this distasteful. But from a Romantic's perspective, this is wonderful, and I agree because I enjoy both styles.
I guess many other intepreters fall short because they seem to "race" the music, play it too fast, as if they were trying to show their abilities on keyboard. And music suffers, you can not 'taste' each note. Of course RIchter did not do this mistake.
Excellent! My favorite interpretation of this piece, and probably the best recording of the Freiberg Silbermann I've heard to date. It's interesting to me that while this is thoroughly Baroque music on a thoroughly Baroque organ, the interpretation strikes me as rather "Romantic", albeit in a good way. A pity Herr Richter is no longer with us.
That's because Richter was a Romantic musician playing Baroque music. He was perfectly aware that he wasn't playing in the same style Bach did. But as a result he is able to express himself in a magnificent way. To be honest I don't like those modern organs he plays in his other recordings, the Baroque instruments are just naturally much better suited for the music.
Hmm.. more like there are so many videos that no one is bothered to fix the problem. They give the whole place a new look but forget to fix all of the small (but most annoying) problems.
This comment has received too many negative votesshow
This is a very nice song. It has a lot of emotion, but I must say this haunted organ sound frightens me bit. The bass notes don't tell the same story as the high major sounds.
No organist has ever been cooler than Karl Richter, he has an aura of coolness to him. Likewise, Sviatoslav Richter is just about the coolest pianist there's ever been! No pianist has been cooler than Sviatoslav Richter...
So now when I say 'Richter is my favorite' I'm talking about two different musicians... even though their last names are pronounced differently...
Comment removed
JoshRyan1994 1 month ago
I'd like to buy the entire CD that this recording came from. Anybody know exactly which release this came from?
Puppyjump 1 month ago
@Puppyjump Never mind...I found it by navigating thru the MP3 store link
Puppyjump 1 month ago
What a mighty performance!!!
worras2007 1 month ago
Oh my. I think I've found one of my new favorite pieces...
tuyhhf 2 months ago
Fantastic, this is really fantastic!
FredrikKZ 2 months ago
unbelieveble
ChalieChaplin 3 months ago
Music for Heaven!
jsnauwaert 3 months ago in playlist More videos from advisorC101
I don't understand why people can't just write: "Beautiful" and get on with their day. Instead they start arguing...
hbmp88 5 months ago 2
@hbmp88, Because the matter of beauty is a highly subjective one. It's perfectly natural for controversy to follow in light of that, and it gets even more intsense when we comment from a visceral reaction and not actual knowledge. I think it's good that there's a lot of debate, and my channel especially is simply drenched in it. Arguing is simply another way of learning.
If you really find it that unpleasant, then simply turn a blind eye to it. Like most of the people who only want to listen.
advisorC101 5 months ago
I play with the last notes of the toccata subject detached. Do not like them connected.
But love his full-measure trill.
Wish they would correcthe unsteady windefect in this instrument.
Dislike the sudden manual change at 5:17. Makes no sense.
Nicely done at 5:49.
robertgift 6 months ago
This has a certain compelling authenticity to it, I mean a personal authenticity not a period authenticity, which makes it musically on a par with the M. Schneider posting of this piece. I wonder if the "touch" of this organ is what's dictating the tempo, in addition to the acoustic. And what idiot would write that acoustic should not dictate tempo.
Blockedify 6 months ago
@Blockedify, one that puts the structure and character of the piece above all else. One that is also not bound by such a frail sense of perception. Don't misunderstand, I do believe that we should always take the acoustic into consideration and treat it seriously. But if this will undermine the quality of what the composer originally produced, then it's simply not worth fretting over. There's also the subjectivity involved with how tempi work in certain acoustic that is a basis for disagreement.
advisorC101 6 months ago
@Blockedify Quite agree with you on your last two sentences : historic instruments like these were not taylored at all to be played fast, Their touch do not allow for it, and the complexity of their mixtures precisely laud with surrounding acoustic. Bach captured that very well, and offered what probably remains the best music of all times. Despite the old age of the organ it is still worth listening to Richter, who finally is giving a faithful playing of the piece.
voixhumaine 6 months ago
@advisorC101: no problem, just my opinion, based on personal taste.
epx141 6 months ago
Greatest interpretation of greatest BWV
epx141 7 months ago
@epx141, Forgive me for saying that I thoroughly disagree, and Richter himself would no doubt say the same thing.
advisorC101 7 months ago
@advisorC101 : Since when was a young reactionary like you on par with Richter ?
MusicPredominates 7 months ago
@MusicPredominates, Stop pulling strawmen out of your hat and think about why I said what I did instead. Richter made a point himself that his playing could never be "perfect" as he needed to create something new each time, that was the 'secret' to his success.I am merely repeating his own thoughts and making observations from an objective standpoin. I never once claimed to be "on par" with him. I also find it rather comical that you claim I am young when you've never even met me.
advisorC101 7 months ago 4
@advisorC101, excuse my typo- objective standpoint*
advisorC101 7 months ago
@advisorC101 : I do wear a hat. Sure. Hugs.
MusicPredominates 7 months ago
@advisorC101 : Forgive my haste ! What you have said is good !
MusicPredominates 5 months ago
@advisorC101 : 'Good on yah' advisorC101.
MusicPredominates 4 months ago
Comment removed
MusicPredominates 6 months ago
Robertgift has just surpassed himself in the Guinness of the "dullest ignorant of the stupidity realm": "Silbermann wind defect" simply hilarious! Only Robert can reach such levels of sublime ignorance and dullness. Robert, the best you can do is to try to fix a little bit your mental defects... pathetic, simply pathetic...
ALRAesurrection 8 months ago
Superb performance on an organ that desperately needs to be refurbished. (Perhaps it has been since this was recorded?)
ghostwriter11 10 months ago
This is a great performance, but I think it is lacking a bit of the fire - at least in my opinion - of Richter's recording of the same piece in Ottobeuren in the 1950s.
Sinatra70 11 months ago
@Sinatra70, hmm.. I think perhaps you're mistaking this BWV 538 Toccata and Fugue with the BWV 565 Toccata and Fugue. Both are in D Minor. I don't think Richter has recorded BWV 538 on the Riepp orgel of Ottobeuren.
advisorC101 11 months ago
@advisorC101 - Good morning. The recording I'm thinking of wasn't recorded on the Riepp organ, but rather on the 1959 Steinmeyer organ in the Ottobeuren Abbey (rebuilt by Klais in the early 2000s). The album I have included the BWV 538 and the partita on "Sei gegrusset". A copy is current on sale on eBay as item number 120513654361.
Sinatra70 11 months ago
@Sinatra70, Very interesting! I'll definitely check this out. Thank you very much.
advisorC101 11 months ago
please debate, i like your well educated opinions on please have a nice cup of shut the fuck up and let us all enjoy the music.
skutratufahija 11 months ago
@skutratufahija, You want a nice cup of shut the fuck up? Sure thing. I'll block you for the lulz.
advisorC101 11 months ago
@advisorC101 : gentlemen, let's not argue
MusicPredominates 6 months ago
Hope they fix the Silbermann's windefect. Terrible.
Wish he had not SLURRED the notes which should be separated.
He CONTINUED the TRILL at 2:03! WONDERFUL! BRAVO!
Interesting hearing the "quiet" reedless pedal passages.
Thank you, Advisor, for posting this and the interesting photos. Much appreciated.
robertgift 1 year ago
I love the massive trilled major-sevenths
Biff947 1 year ago
This one is the best version of this great composition..Awesome Karl Richter, I absolutely love his interpretation..it's amazing!
BAxitorCH 1 year ago
"Yes, very true that this isn't how Bach would have played it.." What a bunch of twits. I've heard this piece on probably 20 different instruments, played by almost as many different organists - Marcel Dupre, Helmut Walcha, Anton Heiler, Anthony Newman, E.Power Biggs, Marie Claie Alain - all over the U.S and Europe. Each time it is different, each time I'm left with Bach's genius and each time I realize that I have learned something. Try enjoying the music instead of outsmarting the player.
IncliningArcOfTime 1 year ago
@IncliningArcOfTime, Music exists to be thought about and to be felt. There is no way to say at 100% how Bach played, as he always played differently. You are right in saying that there is something to learn from many artists. But you are indulging in ignorance, and that has no value to discovery or learning about oneself. Richter plays it as Richter would. And at the same time he still speaks the mind of the composer. Like a true musician would. Nobody is trying to "outsmart" anyone.
advisorC101 1 year ago
@advisorC101 "your endulgance in ignorance is useless and of no value to any discovery or learning" and your ego boundless, your voice irrelvant.
IncliningArcOfTime 1 year ago
@IncliningArcOfTime, it's a pity you misconstrue my comment in such a way.
advisorC101 1 year ago
Comment removed
IncliningArcOfTime 1 year ago
Comment removed
IncliningArcOfTime 1 year ago
By the power of this organ, every note of Bach shall tremble the halls with echo
kknots 1 year ago
It is not so much that the organ can't handle it is that the organist is Double Drawing, He uses all 8s and 4s and 2s. I have heard many organist play the organ and it is this powerful but the winding does not go crazy it is simply to many stops and he does not know how to handle a hand pumped organ. it now has Lungs
Bachlives2 1 year ago
@Bachlives2, I wouldn't say he doesn't know how to use it. Rather his romantic taste in stops were not limited by the type of organ. He pushed it right to its limits.
advisorC101 1 year ago
@advisorC101
Bach was known to open Silbermanns up to their limits, too!
falstocat 1 year ago
Insurpassable Karl Richter...
guinguette07 1 year ago
This instrument has a huge echo so it must be played more deliberately so the peice doesn't sound like mush. I still love this organ
lonesquaw 1 year ago
No, never! The acoustics should never determine the tempo at all.
advisorC101 1 year ago
This does sound a little out of sorts for both Bach and Richter. It could be as simple as the way the "Schleifladen-Mechanik" of the organ operates, which forces Richter to play more deliberately or something else. Usually though, Richter's interpretations of Bach are simply stellar, crackling with energy and life.
MeinnameistDreck 1 year ago
Unusual for certain...... Richter certainly was a wonderful musician - but, i;m not really sure i like this interpretation: it just doesn't seem like Bach anymore!! This piece when played in a pure Baroque style on a period instrument, has drive, vigor, direction and power..... the way it is played here, it just seems to meander semi-aimlessly and atmospherically. Perhaps i'm just not in the right mood - but then again this piece usually GETS me into the right mood!!
HolyMotherofGrid 1 year ago
Yes, very true that this isn't how Bach would have played it. As I've said in the previous comment, Richter was a Romantic but at he had his own ideas as well. That's good in the sense that he wasn't robotic like Walcha. Richter has a different way of expressing himself, like a romantic organist would. Those who are infused with the true baroque sound will undeniably find this distasteful. But from a Romantic's perspective, this is wonderful, and I agree because I enjoy both styles.
advisorC101 1 year ago
By far the best version of 538 for organ.
I guess many other intepreters fall short because they seem to "race" the music, play it too fast, as if they were trying to show their abilities on keyboard. And music suffers, you can not 'taste' each note. Of course RIchter did not do this mistake.
epx141 1 year ago
Excellent! My favorite interpretation of this piece, and probably the best recording of the Freiberg Silbermann I've heard to date. It's interesting to me that while this is thoroughly Baroque music on a thoroughly Baroque organ, the interpretation strikes me as rather "Romantic", albeit in a good way. A pity Herr Richter is no longer with us.
1963mathetes 2 years ago
That's because Richter was a Romantic musician playing Baroque music. He was perfectly aware that he wasn't playing in the same style Bach did. But as a result he is able to express himself in a magnificent way. To be honest I don't like those modern organs he plays in his other recordings, the Baroque instruments are just naturally much better suited for the music.
advisorC101 2 years ago
Excellent. A brilliant sound also.
silverstartrucker 2 years ago 2
james
do you proceed with some censorship here...?
FreieStadtElbing 2 years ago
Censorship?
advisorC101 2 years ago
Ah! Now I see what you mean.
Its something to do with Youtube's commenting system. It always mixes things up.
advisorC101 2 years ago
i see...
FreieStadtElbing 2 years ago
Its a problem really.. on my other video "Abide with me" its completely mixed up.
advisorC101 2 years ago
the system freely shuffles comments, i guess
FreieStadtElbing 2 years ago
Hmm.. more like there are so many videos that no one is bothered to fix the problem. They give the whole place a new look but forget to fix all of the small (but most annoying) problems.
advisorC101 2 years ago
Excelente interpretacion.Karl Richter el mejor interprete de la historia al organo de la obra de JSB.11/10
paradoxicus 2 years ago
This comment has received too many negative votes show
This is a very nice song. It has a lot of emotion, but I must say this haunted organ sound frightens me bit. The bass notes don't tell the same story as the high major sounds.
AcrossFromMarty 2 years ago
The organ is a misunderstood instrument. I take it you've never played one before?
I am afraid you are wrong about the bass notes.
advisorC101 2 years ago
I learned on an organ, but nothing like that one. Sounds fun to play.. Maybe I was wrong about the bass notes.. Occasionally it happens .
CKB
AcrossFromMarty 2 years ago
That's because its a "pipe organ" not like an electric organ (which I assume is what you are referring to).
advisorC101 2 years ago
Strepitoso!
micangess 2 years ago
fantastich 5*
StummOrgelAmorbach 2 years ago
the Best Interpretator of all times.
ismDUKAGJIN 2 years ago
Karl Richter was great, one, maybe the greatest Bach interpreter...
AndreaPianoPlayer 2 years ago 2
Emozionante!!!....5*
Grazie!!!!
anna.
anmamouge 2 years ago 2
Figurati Anna!!!
advisorC101 2 years ago
And thank you for posting. :0)
jobw87 2 years ago
I have this recording on a cd. It's the best.
jobw87 2 years ago
AWESOME RECORDING....
the Great KARL RICHTER !!!
ismDUKAGJIN 2 years ago
Of course I am giving you five stars for this, dude! Thanks for sharing this with us
passacaglia28 2 years ago
The best recording of this piece!
giovdan 2 years ago
hmm,it`s really considerable,even if not a "historically authentic" one... and a pity he died that young
FreieStadtElbing 2 years ago
Why thank you Freie.
advisorC101 2 years ago
Great recording, absolutely splendid interpretation of this most wonderful Toccata. Sincerest thanks for uploading.
lllmozartlll 2 years ago
No organist has ever been cooler than Karl Richter, he has an aura of coolness to him. Likewise, Sviatoslav Richter is just about the coolest pianist there's ever been! No pianist has been cooler than Sviatoslav Richter...
So now when I say 'Richter is my favorite' I'm talking about two different musicians... even though their last names are pronounced differently...
codeman2008 2 years ago