In my opinion, her very best role -- it fit her like a glove. She was able to sing it the full length of her career. I know she claimed to prefer NORMA but I don't think it suited her as well...
Que poco poder interpretativo que tiene esta mujer..... por más que su voz se le considere linda y coloratura, pero no me transmite nada... lamentable! En fin, nada escrito en gustos...
@sebastien 1charty..... You think?? I've always thought Dessay's Lakme was her best of all but not her Lucia! The one that was filmed at the Met was not my fav but I think she does better in ohter roles than in Bel Canto. Just my 2 cents.
@linitalips not so... if you read the libretto, she is reliving the various moods of her relationship with Edgardo... Now, if you're saying that she does not make that clear to you, that's another question entirely...
lol "sutherlandish" i'm stealing that lol well actually in this particular recording, i find her diction is surprisingly clear, most of the time you can't make out a word she sings even with the libretto in front of your eyes
it's weird with sutherland, i do not like her singing very much, but i am such a huge fan of hers, only because i find her adorable in interviews lol! for real!
Yes, It does matter....opera is not only about producing beautiful sounds, a bunch of nice notes well emitted or well placed...there is much more to it...haven´t you noticed that yet?
I would agree wholeheartedly with your statement that a truly outstanding operatic performance should be more than just a series of cleanly-sung notes and should ideally include, among other things, clear diction :). Still, I must admit that I am a bit confused as to how does this notion apply to this particular case: the slightly heavy playing of the orchestra notwithstanding, I strongly consider this recording to be among Sutherland's most all-around successful recordings...
...a dramatically believable and, in the case of "Del ciel clemente" (given particular dramatic weight and uniquely illuminated (this rendition was the first time I truly appreciated the beauty of the section)), heart-breaking interpretation; and, of course, the traditional vocal splendor. Actually, the overall excellence of the rendition somewhat spoiled for me the later recordings of Sutherland (which first introduced me to the soprano), thus, I personally prefer the voice around 1959-1962 :).
...the obvious virtues of the singer's youthful, silvery voice are only highlighted by exceptionally clear diction (later, Sutherland did have a tendency to choose pureness of tone over diction (and I can't say that I am fond of this artistic decision) but this preference is absent here: I relistened to the aria and found the text perfectly understandable; moreover, the clearer diction is directly "responsible", in the best sense of the word, for the brighter tone which I find delightful)...
(part 2) Presso la fonte meco t'assidi al quanto! Ohime, sorge il tremendo fantasma e ne separa! Qui ricovriamo, Edgardo, a pie dell'ara. Sparsa e di rose! Un armonia celeste, di, non ascolti? Ah, l'inno suona di nozze! Il rito per noi s'appresta! Oh, me felice! Oh gioia che si sente, e non si dice! Ardon gl'incensi! Splendon le sacre faci, splendon intorno! Ecco il ministro! Porgime la destra!
Madam Satherland there is not eqal to you We miss you so much.I wish there will be a celebration of your life .This idioti dont know how to appreciate a voice there never will be the same
Certainly the very best coloratura soprano ever and the best Lucia ever. Great!! I 've attended two "Lucia performance in the eighties and she still was amazing at that time. Her voice deeper and warmer but still, this performance is outstanding. Thank you for sharing
When I listen to Dame Sutherland in this, I realize how much I have always admired and appreciated her superlative (yet ironically unadorned in this case) technique. Her caliber of musicianship is such that she can frequently make more contemporary divas sound amateurish in their attempts to personify Lucia.
I think it's interesting how she took out all ornamentation and went to the roots, singing the basics, I think it shows her voice even more powerful and strong to hear it like that.
WOW What a difference from her other recordings, she should have stayed with this technique for the rest of her career. She didn't, but even so she's still my favourite from all Lucias (again MY favourite, I know there's different opinions) I'd like to have this full recording includong the rest of the arias "¿How can I get it?" is my question.
Sutherland never lost the dramatic sense. It's just that her later Lucias were dramatically based on the structure of the melody. She never used those extroverted dramatic effects with such beauty and intensity as in 1959 and preferred to keep singing Lucia in a more dreamy and melancholy way, which IMO is also very heartbreaking. Here, however, her Lucia is perfect, maybe the best of all times. The innocence, the fear, the dream are all conveyed by her bright, plangent and expressive voice!
Terrific... there is actually DRAMATISM here, and the voice is clear sounding! Too bad the tone became muddy so quickly, and too bad the dramatic sense was lost so early.
Not true. Her sense of drama only improved with time, her best Lucia is on the 1982 video from the MET, when she was almost 60 but looked incredibly convincing as the 16-yo Lucia. The mezza voce was thick and rich, the top infinite and incandescent.
In my opinion, her very best role -- it fit her like a glove. She was able to sing it the full length of her career. I know she claimed to prefer NORMA but I don't think it suited her as well...
Randidan 1 week ago
Pour toi amigo de Celestic.
sENoZ93 2 months ago
sicuro sia joan sutherland? non riesco a riconoscerla...
madmaxx70 6 months ago
Bravo, just bravo!
kierandempsey1 6 months ago
Beautiful! Thank you for uploading!
QuantumPolagnus 8 months ago
thank you so mach for uploading, just amazing with the nice voice and magic flute, perfect performance
LiebeArielle 9 months ago
真是太好聽了
mao124232582 9 months ago
Fifth Element ^_^
hernthomas 10 months ago 2
Que poco poder interpretativo que tiene esta mujer..... por más que su voz se le considere linda y coloratura, pero no me transmite nada... lamentable! En fin, nada escrito en gustos...
gomongio 1 year ago
@gomongio idiota, sordo e ignorante.
tklogan111809 9 months ago
@tklogan111809 y tu te muestras tan educado y culto...Viva la música, mueran los malos comentarios
hydra333 7 months ago
@hydra333 Buenisima respuesta
pepoparty1 6 months ago
Divine yes
vandenwer 1 year ago
DIVINE!
Shanniquitie 1 year ago
@sebastien 1charty..... You think?? I've always thought Dessay's Lakme was her best of all but not her Lucia! The one that was filmed at the Met was not my fav but I think she does better in ohter roles than in Bel Canto. Just my 2 cents.
RIP JOAN
chrisscruzzz 1 year ago
Thanks for all your records you are the best colaraturra soprano ""La Stupenda"".
Thanks for all youe Handel opera's thanks .....
OperaDanceHall 1 year ago
RIP Joan Sutherland. You will be sincerely missed...
FoxEyes027 1 year ago
Rest in Peace Dame Sutherland. You will be missed.
baroquegeek 1 year ago 2
Sutherland sounds sad.... That weakes the piece, It is supossed to be strong and obviously because is the part when Lucia goes mad...
linitalips 1 year ago
@linitalips not so... if you read the libretto, she is reliving the various moods of her relationship with Edgardo... Now, if you're saying that she does not make that clear to you, that's another question entirely...
Randidan 1 week ago
eek
TheSagan4 1 year ago
This comment has received too many negative votes show
The best Coloratura Soprano for Lucia is Natalie Dessay!!
sebastien1chartry 1 year ago
in yours and her dreams!
ezayi 1 year ago
the best lucia
manonscate69 2 years ago
I really like Joan. I wish there was more recorded work of her's.
nostopsnopurgatory 2 years ago
In her great time she was ONE or THE Best.
WQ673 2 years ago
I am an accompanist and work in opera theater - she's great artist and great singer!
rebekkar1979 2 years ago
Thank you so much for posting this.
So, so so much.
ZRedPoppy 3 years ago
Wonderful =]
fefefay 3 years ago
truly one of the most beautiful arias ever written
54spiritedwill54 3 years ago
Autêntico registro de um milagre...
mozartianissimo 3 years ago
This comment has received too many negative votes show
Does she always sin in English?
birgitnilsson 3 years ago
no, i think she sins in other languages as well!
(ahem, I think you mean 'sing' and not 'sin')
nni9310 3 years ago 2
she does not sin at all. I wonder if she ever did. Well,she never sang in any other language tna her own "Sutherlandish"
birgitnilsson 3 years ago
lol "sutherlandish" i'm stealing that lol well actually in this particular recording, i find her diction is surprisingly clear, most of the time you can't make out a word she sings even with the libretto in front of your eyes
SiEtIn1 2 years ago 3
LOL.....we agree then.
birgitnilsson 2 years ago
it's weird with sutherland, i do not like her singing very much, but i am such a huge fan of hers, only because i find her adorable in interviews lol! for real!
SiEtIn1 2 years ago
who cares?
nuebom 2 years ago
You don´t care. WEll you might miss the whole point...But I do, as well as many others...anad that´çs what matters
birgitnilsson 2 years ago
am i missing the whole point? what i mean is: if her voice is so beautiful, it does no matter in which language she sings.
nuebom 2 years ago
Yes, It does matter....opera is not only about producing beautiful sounds, a bunch of nice notes well emitted or well placed...there is much more to it...haven´t you noticed that yet?
birgitnilsson 2 years ago
I would agree wholeheartedly with your statement that a truly outstanding operatic performance should be more than just a series of cleanly-sung notes and should ideally include, among other things, clear diction :). Still, I must admit that I am a bit confused as to how does this notion apply to this particular case: the slightly heavy playing of the orchestra notwithstanding, I strongly consider this recording to be among Sutherland's most all-around successful recordings...
LindoroRossini 2 years ago
Yes, it certainly is....But this is not the point.
birgitnilsson 2 years ago
...a dramatically believable and, in the case of "Del ciel clemente" (given particular dramatic weight and uniquely illuminated (this rendition was the first time I truly appreciated the beauty of the section)), heart-breaking interpretation; and, of course, the traditional vocal splendor. Actually, the overall excellence of the rendition somewhat spoiled for me the later recordings of Sutherland (which first introduced me to the soprano), thus, I personally prefer the voice around 1959-1962 :).
LindoroRossini 2 years ago
Wwell, now I feel forced to express my opinion regardin Miss Sutherland´s interpretations and her approach to the roles she sung.
To me, she always sounds uninteresting, rather boring and dull. I am sorry.
birgitnilsson 2 years ago
Well, this is your personal opinion; while I cannot agree with it, I respect it :).
LindoroRossini 2 years ago
Yes, it is my personal opinion. Thanks for being a very respectul person, a quality I apprecciate very much.
I also respect strongly your opinion.
birgitnilsson 2 years ago
here's some food for comedy: Birgit Nilsson(!) accusing someone else of being "dull".
caribolas 2 years ago
...the obvious virtues of the singer's youthful, silvery voice are only highlighted by exceptionally clear diction (later, Sutherland did have a tendency to choose pureness of tone over diction (and I can't say that I am fond of this artistic decision) but this preference is absent here: I relistened to the aria and found the text perfectly understandable; moreover, the clearer diction is directly "responsible", in the best sense of the word, for the brighter tone which I find delightful)...
LindoroRossini 2 years ago
Your precisions are very accurate. And I am glad you can enjoy this scene. i cannot, and that is my problem. I admit that.
birgitnilsson 2 years ago
no I have not, sorry for being stupid.
nuebom 2 years ago
I have never said you were stupid! I wouldn´t dare. Anyway, thank you but i know the libretto by heart,.Most kind of you
birgitnilsson 2 years ago
anyway, here are the lyrics:
Il dolce suono mi colpi di sua voce!
Ah, quella voce m'e qui nel cor discesa!
Edgardo! io ti son resa, Edgardo, mio!
fuggita io son de tuoi nemici.
Un gelo me serpeggia nel sen!
trema ogni fibra!
vacilla il pie!
nuebom 2 years ago
nuebom 2 years ago
Bravo||
dogvmd 3 years ago
The Best coloratura!
Fadoboy 3 years ago 18
I guess no one dares to challenge your comment.
kngiht84 3 years ago 2
Una de mis favoritas. La adoro.
Si alguien tiene las partituras de esta aria, le agradeceria si me las mandara
bruja.del.boske@ho...
gracias.saludos.
0valfreya0 4 years ago
Madam Satherland there is not eqal to you We miss you so much.I wish there will be a celebration of your life .This idioti dont know how to appreciate a voice there never will be the same
PRIOLA22 4 years ago 5
Maravilloso. Fantástico. Con esta pieza en concreto me enamoré de Lucía. Bravo!!
SergioOliver 4 years ago 2
Certainly the very best coloratura soprano ever and the best Lucia ever. Great!! I 've attended two "Lucia performance in the eighties and she still was amazing at that time. Her voice deeper and warmer but still, this performance is outstanding. Thank you for sharing
miffy1950 4 years ago
it's the song the diva plava laguna sang! NUTS!
Alexanadu 4 years ago
splendida dizione
strider881 4 years ago
Maravillosa. La mejor Lucía
55patri 4 years ago 2
the best coloratura soprano of the 20th century
mdancer01 4 years ago 24
@mdancer01
the best of soprano period of the 20th century.
raigekimaru 4 months ago
It's really attractive reading your introduction while listening to the aria. Maybe you should try add yor introductions into subtitle.
bolschewiks 4 years ago
When I listen to Dame Sutherland in this, I realize how much I have always admired and appreciated her superlative (yet ironically unadorned in this case) technique. Her caliber of musicianship is such that she can frequently make more contemporary divas sound amateurish in their attempts to personify Lucia.
novathe 4 years ago 3
I think it's interesting how she took out all ornamentation and went to the roots, singing the basics, I think it shows her voice even more powerful and strong to hear it like that.
daniellebellus 4 years ago
she is great
puiuculi 4 years ago
wow she is without a doubt the best voice for lucia and her diction is co clear
mdancer01 4 years ago
WOW What a difference from her other recordings, she should have stayed with this technique for the rest of her career. She didn't, but even so she's still my favourite from all Lucias (again MY favourite, I know there's different opinions) I'd like to have this full recording includong the rest of the arias "¿How can I get it?" is my question.
Thanks in advance. David
SirEdgardo 4 years ago
There just isn't a before or after Dame Joan in this role: she has owned it since 1959.
veramour 4 years ago 3
Sutherland never lost the dramatic sense. It's just that her later Lucias were dramatically based on the structure of the melody. She never used those extroverted dramatic effects with such beauty and intensity as in 1959 and preferred to keep singing Lucia in a more dreamy and melancholy way, which IMO is also very heartbreaking. Here, however, her Lucia is perfect, maybe the best of all times. The innocence, the fear, the dream are all conveyed by her bright, plangent and expressive voice!
OperaBR 4 years ago
She never lost it because she never had one...
birgitnilsson 2 years ago
Stunning olympic singing -- Dame Joan is of another world! Thank you for sharing this!
veramour 4 years ago 4
She is of another world indeed. I could not agree more.
Otvos1 3 years ago
Terrific... there is actually DRAMATISM here, and the voice is clear sounding! Too bad the tone became muddy so quickly, and too bad the dramatic sense was lost so early.
VivaCallas 4 years ago 3
Not true. Her sense of drama only improved with time, her best Lucia is on the 1982 video from the MET, when she was almost 60 but looked incredibly convincing as the 16-yo Lucia. The mezza voce was thick and rich, the top infinite and incandescent.
tklogan11809 4 years ago 4
truly one of the most beautiful arias ever written, and done to perfection by dear joan.
juhiduh 4 years ago 3
think about that compared to rap.....
starwriter 4 years ago 4
lol. comparing Platinum to shit...
Jabe88 4 years ago 5
she is so glorious...
causedbyfruit 4 years ago
Wow, nice to hear a young Joanie, so different from most recordings I've ever heard of hers (that also rule pretty much all) :p
Winn89 4 years ago