Because this is almost a plagerism of Mozart's requiem. Strange to see him lift so much of that movement. And I'm talking phrasing, not words, because that is probably part of the mass.
@cgadami Just because each composer chose to use a loud bit and a soft bit and a loud bit and a soft bit to convey the meaning and emotion behind the words does not mean that one "plagerized" the other. The loud part conveys the despair and anguish that being sentenced to the everlasting flames of hell brings, while the soft part conveys the simple prayer, "Voca me ... Call me to You". Each composer uniquely and successfully communicated that message through their music. There is no plagerism.
Why isnt this Requiem popular? You normally only hear people mention Verdi, Mozart, and maybe Brahms- but this work is just as great as those...I just recently found this!!!
@propmaintren Really? And here I thought that nearly every Requiem Mass from the Renaissance to today had a Confutatis Maledictis in it. Mozart did not write the words, he only put them to music. So too with any of a multitude of composers who have included Dies Irae (the poem that includes Confutatis maledictis/Flammis acribus addictis:/Voca me cum benedictis) in their Requiems.
@Stravinsky91 I like very much chorus music, but..this one is not my style; however: Dvorak's requiem is played (and sung) completely at the buriel-ceremony of Chechish ex-president Vaclav Havel in the Saint-Vituscthedral in Praghe.
Those other Requiems have just been reputed earlier, but that does not mean that this particular Requiem will not also become reputed :) Like wealth, though, knowledge of any artist's work is not always equally distributed, elitism alas being a tremendous factor in this unequal distribution.
Yesterday I heard this piece in the Concertgebouw played by the Royal Concertgebouw Orchestra. The history of this orchestra dates back 120 years and they hadn't played this Requiem until now!
Absolutely perfect - Dvorak's emotional
Celka01 4 months ago
Because this is almost a plagerism of Mozart's requiem. Strange to see him lift so much of that movement. And I'm talking phrasing, not words, because that is probably part of the mass.
cgadami 11 months ago
@cgadami Just because each composer chose to use a loud bit and a soft bit and a loud bit and a soft bit to convey the meaning and emotion behind the words does not mean that one "plagerized" the other. The loud part conveys the despair and anguish that being sentenced to the everlasting flames of hell brings, while the soft part conveys the simple prayer, "Voca me ... Call me to You". Each composer uniquely and successfully communicated that message through their music. There is no plagerism.
YooToobSerfur 10 months ago
Because this is almost a plagerism of Mozart's requiem. Strange to see him lift so much of that movement.
cgadami 11 months ago
As I listen closely, I think to myself: "he ripped off Mozart!!"
Does anyone else think it sound rather similar?
Purplecatsoup30 1 year ago
@Purplecatsoup30 yeah, it really does.. strange xD
BansaiMont3l 1 year ago
My good friend gave me the Dvorak Requiem CD for my bar mitzvah over 15 years ago, and I still listen to it all the time. So good!!
lordofdrakknor 1 year ago
Magnifique!!
Siberiaeterna 2 years ago
wonderful
xtop23 2 years ago
This requiem is fantastic!!
classicallymusic 2 years ago 4
this piece is absolutely amazing!
EarthaticFan 2 years ago 11
Why isnt this Requiem popular? You normally only hear people mention Verdi, Mozart, and maybe Brahms- but this work is just as great as those...I just recently found this!!!
pianist12 3 years ago 19
I know :S that is strange :/
Stravinsky91 3 years ago 2
@Stravinsky91 maybe because you have this all wrong. Confutatis maledictis is from Mozart's requiem only. NO ONE ELSE!!!!
propmaintren 8 months ago in playlist classic
@propmaintren Really? And here I thought that nearly every Requiem Mass from the Renaissance to today had a Confutatis Maledictis in it. Mozart did not write the words, he only put them to music. So too with any of a multitude of composers who have included Dies Irae (the poem that includes Confutatis maledictis/Flammis acribus addictis:/Voca me cum benedictis) in their Requiems.
YooToobSerfur 8 months ago
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YooToobSerfur 8 months ago
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YooToobSerfur 8 months ago
@propmaintren LOLWUT
yukifujita 4 months ago
@Stravinsky91 I like very much chorus music, but..this one is not my style; however: Dvorak's requiem is played (and sung) completely at the buriel-ceremony of Chechish ex-president Vaclav Havel in the Saint-Vituscthedral in Praghe.
(Bill Clinton was present too).
Victor20376 1 month ago
Those other Requiems have just been reputed earlier, but that does not mean that this particular Requiem will not also become reputed :) Like wealth, though, knowledge of any artist's work is not always equally distributed, elitism alas being a tremendous factor in this unequal distribution.
ashraniyyah 3 years ago 2
Yesterday I heard this piece in the Concertgebouw played by the Royal Concertgebouw Orchestra. The history of this orchestra dates back 120 years and they hadn't played this Requiem until now!
olga2809 3 years ago 2
Is that with Karel Ancerl? If it isn't, you mush hear it. Its a great rendition.
Sinfoniette 2 years ago 2
@ Sinfoniette
No, Mariss Jansons conducted the concert. Did you mean a CD recording? Anyway, I heard the piece live, not on CD.
olga2809 2 years ago
Oh, Jansons. And yes, I meant a CD recording. But still the Ancerl is a required rendition for the Dvorak Requiem lover.
Sinfoniette 2 years ago 4
The concert was great. Thomas Quasthoff as Bass-soloist and the choir "Wiener Singverein". I loved it.
paulusms 2 years ago
@pianist12 I know ALL requiems. I question why Saint-Sains and Cherubini are less famous.
As well as Michael Haydn, the BEST requiem known to me.
ComposerJMA 1 year ago
Really great Requiem. More, please.
Janinka34 3 years ago 2