Koopman presses the last drop of tension out of the prelude here. I have so little heard those suspensions brought to their fullest hair-tearing 'seeringness' that I'm inventing words. Did Bach write write this fugue so that no organist could attack it at a proper speed without losing control however slightly?I have yet to hear it played at this proper pace without the sensation somewhere of a line not quite finished before the next has to begin. Could Bach do it? Thrilling performance.
Da Pavarotti a Virgil Fox, sono in molti ad aver sacrificato un po' di aulica purezza per contribuire allo spettacolo e iniziare molti ad amare una musica che diversamente non conoscerebbero mai.
Il tuo commento sembra quello dei consigli delle chiese dove per cui Bach lavorava!.. Quando nessuno capiva le audacità della sua fantasia... Poi, piaccia o no... Koopman ti da una carica di energia e ti trasmette quello che in genere gli altri non fanno.
Incredible virtuosity but I would prefer some parts in the fantasia played on a softer stops combination (positief). However, this is a very original approach and not the standard Walcha imitation like almost everybody does.
The fuga is extremely well done but I cannot help headbanging at 1/8 beat, so it is bit jumpy, or "hakkerig" as we would say in the Netherlands. The ornaments are some times "too much" but they certainly are strategically placed. In conclusion, 95/100
@sotiris0171 I agree with you about the fugue. At that tempo there nearly isn't room for the decoration . At so many moments it seems to have to get out of the way. But I have to say I love when someone makes it edgy even if accuracy suffers for the sake of getting us on the edge of our seats. It reminds me of a couple of Lazar Berman "Appassionata" recordings that I have heard. Some musicians have that unpredictable quality and I think they are often more loved because of it .
@alipitogen Dear alipitogen, I agree with you. Maybe I am a bit too technocratic in music and probably I believe too much that by keeping a reasonable tempo while accentuating the structure will automatically lead to a perfect performance. It is obvious that we need some suspense and virtuosity but it is so difficult to keep things under control. So I have lipitero DNA, insufficient to integrate emotions and math into a single action.
J'aimais l'orgue avant YT ! maintenant cela devient plus important grâce à vos vidéos avec orgue! Merci déjà pour cela. Ce morceau de J.S Bach sur cet orgue splendide de 1680 ! on ne sent pas passer le temps !
Very nice vids! Awesome pics! Anyway, the pic at 06:21 is not taken from the Müller organ in the Waalse Kerk in Amsterdam, but from the Vater-Müller organ in the Oude Kerk in Amsterdam. Nice vid anyway!
Ammiro la grande tecnica di Koopman ma non le sue interpretazioni. Personalmente ritengo che sia la peggior versione del 542 che abbia mai sentito
fossosejore 1 month ago
razend knap gespeeld,
maar ik wordt er gek van, sorry
aalbert2603 5 months ago
¡Impresionante!.Reconozco mi debilidad por H.Walcha.
paradoxicus 1 year ago
Koopman presses the last drop of tension out of the prelude here. I have so little heard those suspensions brought to their fullest hair-tearing 'seeringness' that I'm inventing words. Did Bach write write this fugue so that no organist could attack it at a proper speed without losing control however slightly?I have yet to hear it played at this proper pace without the sensation somewhere of a line not quite finished before the next has to begin. Could Bach do it? Thrilling performance.
alipitogen 1 year ago 9
esta música es los pilares del Universo
pepitho 1 year ago
So... I can go to the Netherlands and hear this Koopman play? I must. Thanks for the great post.
keebearfull 1 year ago 3
...io non ci sto'....
e' troppo...!
...addio legato , staccato , portato...
anche il fraseggio va a farsi benedire...oltre il suono dell'organo che a queste ..audacie non e' proprio adatto....
Un miscuglio tra romanticismo e faciloneria circense...
ma questa e' la fantasie in sol min. Bwv 542!!!!!!!!!
leonboelmann 1 year ago
@leonboelmann
Interessante il tuo commento. Potresti postare una tua interpretazione?
organ67 1 year ago
@leonboelmann
Da Pavarotti a Virgil Fox, sono in molti ad aver sacrificato un po' di aulica purezza per contribuire allo spettacolo e iniziare molti ad amare una musica che diversamente non conoscerebbero mai.
gerazio1 1 year ago
....segno dei tempi...
.e sono brutti tempi..purtroppo!
leonboelmann 1 year ago
Il tuo commento sembra quello dei consigli delle chiese dove per cui Bach lavorava!.. Quando nessuno capiva le audacità della sua fantasia... Poi, piaccia o no... Koopman ti da una carica di energia e ti trasmette quello che in genere gli altri non fanno.
organ67 1 year ago
Incredible virtuosity but I would prefer some parts in the fantasia played on a softer stops combination (positief). However, this is a very original approach and not the standard Walcha imitation like almost everybody does.
The fuga is extremely well done but I cannot help headbanging at 1/8 beat, so it is bit jumpy, or "hakkerig" as we would say in the Netherlands. The ornaments are some times "too much" but they certainly are strategically placed. In conclusion, 95/100
sotiris0171 1 year ago 6
@sotiris0171 I agree with you about the fugue. At that tempo there nearly isn't room for the decoration . At so many moments it seems to have to get out of the way. But I have to say I love when someone makes it edgy even if accuracy suffers for the sake of getting us on the edge of our seats. It reminds me of a couple of Lazar Berman "Appassionata" recordings that I have heard. Some musicians have that unpredictable quality and I think they are often more loved because of it .
alipitogen 1 year ago 2
@alipitogen Dear alipitogen, I agree with you. Maybe I am a bit too technocratic in music and probably I believe too much that by keeping a reasonable tempo while accentuating the structure will automatically lead to a perfect performance. It is obvious that we need some suspense and virtuosity but it is so difficult to keep things under control. So I have lipitero DNA, insufficient to integrate emotions and math into a single action.
sotiris0171 1 year ago
@sotiris0171 baroque music need to be filled with ornaments... the baroque is that... fill empty places! in the music fill longer notes!
trabalhosmanuais 1 year ago
J'aimais l'orgue avant YT ! maintenant cela devient plus important grâce à vos vidéos avec orgue! Merci déjà pour cela. Ce morceau de J.S Bach sur cet orgue splendide de 1680 ! on ne sent pas passer le temps !
On se met peu à peu dans l'église-même !
Merci à vous !
543693The 2 years ago 2
Very nice vids! Awesome pics! Anyway, the pic at 06:21 is not taken from the Müller organ in the Waalse Kerk in Amsterdam, but from the Vater-Müller organ in the Oude Kerk in Amsterdam. Nice vid anyway!
KoopmansFanGranada 2 years ago 3