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  • Ammiro la grande tecnica di Koopman ma non le sue interpretazioni. Personalmente ritengo che sia la peggior versione del 542 che abbia mai sentito

  • razend knap gespeeld,

    maar ik wordt er gek van, sorry

  • ¡Impresionante!.Reconozco mi debilidad por H.Walcha.

  • Koopman presses the last drop of tension out of the prelude here. I have so little heard those suspensions brought to their fullest hair-tearing 'seeringness' that I'm inventing words. Did Bach write write this fugue so that no organist could attack it at a proper speed without losing control however slightly?I have yet to hear it played at this proper pace without the sensation somewhere of a line not quite finished before the next has to begin. Could Bach do it? Thrilling performance.

  • esta música es los pilares del Universo

  • So... I can go to the Netherlands and hear this Koopman play? I must. Thanks for the great post.

  • ...io non ci sto'....

    e' troppo...!

    ...addio legato , staccato , portato...

    anche il fraseggio va a farsi benedire...oltre il suono dell'organo che a queste ..audacie non e' proprio adatto....

    Un miscuglio tra romanticismo e faciloneria circense...

    ma questa e' la fantasie in sol min. Bwv 542!!!!!!!!!

  • @leonboelmann

    Interessante il tuo commento. Potresti postare una tua interpretazione?

  • @leonboelmann

    Da Pavarotti a Virgil Fox, sono in molti ad aver sacrificato un po' di aulica purezza per contribuire allo spettacolo e iniziare molti ad amare una musica che diversamente non conoscerebbero mai.

  • ....segno dei tempi...

    .e sono brutti tempi..purtroppo!

  • Il tuo commento sembra quello dei consigli delle chiese dove per cui Bach lavorava!.. Quando nessuno capiva le audacità della sua fantasia... Poi, piaccia o no... Koopman ti da una carica di energia e ti trasmette quello che in genere gli altri non fanno.

  • Incredible virtuosity but I would prefer some parts in the fantasia played on a softer stops combination (positief). However, this is a very original approach and not the standard Walcha imitation like almost everybody does.

    The fuga is extremely well done but I cannot help headbanging at 1/8 beat, so it is bit jumpy, or "hakkerig" as we would say in the Netherlands. The ornaments are some times "too much" but they certainly are strategically placed. In conclusion, 95/100

  • @sotiris0171 I agree with you about the fugue. At that tempo there nearly isn't room for the decoration . At so many moments it seems to have to get out of the way. But I have to say I love when someone makes it edgy even if accuracy suffers for the sake of getting us on the edge of our seats. It reminds me of a couple of Lazar Berman "Appassionata" recordings that I have heard. Some musicians have that unpredictable quality and I think they are often more loved because of it .

  • @alipitogen Dear alipitogen, I agree with you. Maybe I am a bit too technocratic in music and probably I believe too much that by keeping a reasonable tempo while accentuating the structure will automatically lead to a perfect performance. It is obvious that we need some suspense and virtuosity but it is so difficult to keep things under control. So I have lipitero DNA, insufficient to integrate emotions and math into a single action.

  • @sotiris0171 baroque music need to be filled with ornaments... the baroque is that... fill empty places! in the music fill longer notes!

  • J'aimais l'orgue avant YT ! maintenant cela devient plus important grâce à vos vidéos avec orgue! Merci déjà pour cela. Ce morceau de J.S Bach sur cet orgue splendide de 1680 ! on ne sent pas passer le temps !

    On se met peu à peu dans l'église-même !

    Merci à vous !

  • Very nice vids! Awesome pics! Anyway, the pic at 06:21 is not taken from the Müller organ in the Waalse Kerk in Amsterdam, but from the Vater-Müller organ in the Oude Kerk in Amsterdam. Nice vid anyway!

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