I like the grainy Black and White of the film, but otherwise I would prefer to see the writer-director snuffed in the next one ! LOL ! ... tune came from Kill Bill, yes ?
2. Why is the killer crawling to his victim? She could use the knife or knives (she is in a kitchen) to attack him. Remember, voyeurs are cowars; they are most likely to attack from behind, and NOT from the floor.
3. We as viewers actually spend more time watching her eat than being murdered.
4. For added fear, removal of the soundtrack music would have indeed given a scarier reality of the situation. After all, nothing is scarier than the thought of this ACTUALLY happening.
1. You shouldn't've had the camera in close proximity; this depletes any chance of creating and enhancing any shock from the "voyeur" theme. Are we as viewers, the killer or the victim? Shooting from the angle of observer creates a chilling sense of helplessness; we are forced to be onlookers.
I like the grainy Black and White of the film, but otherwise I would prefer to see the writer-director snuffed in the next one ! LOL ! ... tune came from Kill Bill, yes ?
videocanone 1 year ago
@videocanone yep
AuIbTh 1 year ago
D-, Mister Lane. D-
...the girl has a future in movies, tho. *Real* snuff movies.
FungusMossGnosis 1 year ago
absolutely the worst pice of crap I have ever seen. cut the entire beginning until the doorway shot.
Quentin would pee in your tea if he was unfortunate enough to see this piece of trash.
lifeinpictures 4 years ago
2. Why is the killer crawling to his victim? She could use the knife or knives (she is in a kitchen) to attack him. Remember, voyeurs are cowars; they are most likely to attack from behind, and NOT from the floor.
3. We as viewers actually spend more time watching her eat than being murdered.
4. For added fear, removal of the soundtrack music would have indeed given a scarier reality of the situation. After all, nothing is scarier than the thought of this ACTUALLY happening.
guitarsleep34 4 years ago
1. You shouldn't've had the camera in close proximity; this depletes any chance of creating and enhancing any shock from the "voyeur" theme. Are we as viewers, the killer or the victim? Shooting from the angle of observer creates a chilling sense of helplessness; we are forced to be onlookers.
guitarsleep34 4 years ago
pretty creepy. I only hope it wasn't real.
virgilvotaw 4 years ago