@samulous87, I've been told by all my teachers to trill from the upper note for any baroque pieces but I think you're right, it sounded like he trilled from the lower note.
Oh, what a piece of work is Bach! How noble in rhythm, how infinite in faculty! In form and moving how express and admirable! In action how like an angel, in apprehension how like a god. The beauty of the world, the paragon of composers!
i always like the final chord, he ends with a G major chord yet in other versions you will find a G minor chord. they sound like they are form two diferent planets almost
at the end, as in baroque era the minor tonality was not considered perfect, bach usually rose up the third minor to a major (in this case g-bflat becomes g-b as in g major) but only in the very final accord. this armonic process is called "terza piccarda" (picardy third) and was called this way by rousseau.
these are fugues of Bach, I did not even hear until yet. I wonder how it is possible to create soooooo many WONDERFUL works in only one life. I am so touchen by this music, I can't describe it.
I just love ALL of these - Please try and complete the whole set VERY SOON - And thanks for all the very hard work you have put in to make these truly magical pieces become even more entertaining.
I actually really appreciate this tempo because I'm doing an analysis of this piece, and the slower speed makes it easier for me to hear the repetitions of the subject and counter subject in the fugue.
I think it's a lovely interpretation! Thank you very much for posting :-)
It is the harmony which demands that. When we start the thrill from above is to emphasise a "small" disonance, to "delay" the actuall note. Thie beginning is only a beautyful g# minor.
@chosarang: In Baroque times, music such as this was practiced on a harpsichord instrument or something of the like, therefor whole notes were not well sustained, and trill were instead substituted to fill this "gap". Later, in the era of the piano, trills were looked to as simply decoration.
Why do people care about the pedal so much. This was originally written and performed on the harpsichord anyways so do whatever you think is necessary.
Richter is actually barely using any pedal at all, however, as far as I know, he is playing in a great castle plus that the recording techniques in Sovjet at that time were not perfected.
I would jump out of my chair if she really thought like that. If you have a half-decent piano teacher, she really wouldn't do that if she heard the whole piece.
you are a prat Lemonizm. The comment is an opinion on Richter's interpretation and you can't simply dismiss it because you think Richter is untouchable. It's people like you who ruin the arts for others.
First of all, read the comment by "Pianoplayer002". Second of all, you are right; I am a prat for defending one of the greatest pianists of all time, how ridiculous of me! Don't you realize how hypocritical your comment was? You are attacking MY opinion. Stop ruining the "arts" for people.
I LOVE how you put the music on here because i'm searching like crazy for a bach fugue i like for college auditions and this is great! it shows me what i'd be playing
This comment has received too many negative votesshow
This sounds like Gustav Leonhardt on the grand piano...half baroque...half modern...but not without sensitivity and worthy reflective qualities..that is until we get to the fugue...and then back to the
modern anti-expressive objectivist revisionist metronomic approach.
Excellent interpretation! - The fugue is one of my favorites from the WTC. Richter plays it much better than me. I'll never play this one like him, darn:-)
I like how you put the sheet music up - this is my favourite thing about youtube! I'd never have this stuff memorised or bother reading through it, so it's so nice to have it up!!!
Stockholm, I wont tell you more ;) If you like Bach, you should check out the other Richter video I have (Prelude and Fugue in F# major, it's wonderful, a must-listen in my opinion ;)
hi there: great recordings and a very nice idea to show the music scores at the same time. good job! by the way, i grew up in germany, then moved to the U.S.
he influenced the appassionata mov 1(0:54 and idem)
bachopinbee5991 2 months ago
questo è l'infinito,l'assoluto.bach
cellotalent93 2 months ago
Absolutely great fuga!
MrRexeL86 4 months ago in playlist bach
I hear echoes of Mendelssohn's Variations Serieuses from this fugue
CaradhrasAiguo49 4 months ago
who likes playing minecraft?
ThePowerpoon 5 months ago
When you play the trill in the first bar do you trill with the higher or the lower note?? Sounds like he trills upward.
samulous87 1 year ago
@samulous87, I've been told by all my teachers to trill from the upper note for any baroque pieces but I think you're right, it sounded like he trilled from the lower note.
7stiga 1 year ago
I've that edition... isn't the Andras Schiff one?
the fingers are very nice; the subjects come out themselves (every Bachian has this dream)
UcronicUtopic 1 year ago
Richter has very nice performances on these Well Tempered Klavier Pieces!
pianovirtuoso1000 1 year ago
Oh, what a piece of work is Bach! How noble in rhythm, how infinite in faculty! In form and moving how express and admirable! In action how like an angel, in apprehension how like a god. The beauty of the world, the paragon of composers!
IpsaPaphum 1 year ago 2
@IpsaPaphum I see you are a big fan of both Hamlet and Bach. You have good taste. :) (Yet what are these guys now but the quintessence of dust?)
xiangyik 1 year ago
@IpsaPaphum good taste indeed XD
MicrobeObliteratorMo 1 year ago
genial genial genial...
carlosLor 1 year ago
in the prelude watch out for the melodies and the fugue is a slow march
3NUNS 1 year ago
the mysteriousness of this fugue ... remebering that the fugue is a texture
3NUNS 1 year ago
I literally never get tired of hearing a picardy third.
Reddragoon100 1 year ago 2
@Reddragoon100 : especially when in france and that is all the cream that they put in your coffee
3NUNS 1 year ago
really very good... but I feel like his articulation of the subject is boring.
scluna44 1 year ago
aaaaaaaaaaaaaaaaahhhhhhhhhhhhhhh ... the episodes !
3NUNS 2 years ago
wow, what a masterpiece
kazukiongaku7 2 years ago
The fugue was part of a theory assignment but I hadn't heard the prelude until I YouTubed it. Beautiful! I just bought this on iTunes :)
literateandstylish3 2 years ago
sublime writing by JSB !
3NUNS 2 years ago
how definitive !
3NUNS 2 years ago
The fugue's really good! He brings out the voices very well.
pebbli94 2 years ago 7
@pebbli94 : And then bowls them down by his technique !
3NUNS 2 years ago
My finance' says this is not good quality!
pushingitpush33 2 years ago
@pushingitpush33 : Call the divorce judge if you have been stupid enough to marry someone who doesn't know the first thing about good performance.
3NUNS 2 years ago
i always like the final chord, he ends with a G major chord yet in other versions you will find a G minor chord. they sound like they are form two diferent planets almost
soschadao 2 years ago
It IS scored as a G major chord, which is a picardy third.(tiers di picardi)
pebbli94 2 years ago
at the end, as in baroque era the minor tonality was not considered perfect, bach usually rose up the third minor to a major (in this case g-bflat becomes g-b as in g major) but only in the very final accord. this armonic process is called "terza piccarda" (picardy third) and was called this way by rousseau.
Erikk91 2 years ago
Im going to start learning this piece tomorrow
its so beautifull.. i cant wait =)
Any advice and tips on what to do
yeahso0578 2 years ago
your scored videos are great THANK YOU very much
khoojlyn 2 years ago
Prelude is easier to play then Fuge. I don't like how Fuge is written in four voices... But it does sound great. Just difficult to read.
scaryfantasy24 2 years ago
The movements starting from 3:46 are the most beautiful part of the fugue.
mrcmrc1000 2 years ago 3
in fact the real genius is who composed this wonderful piece from the silence!!! BACH IS A GENIUS STOP
iguarni 2 years ago 2
I am studying this fugue, could you do it with coloured notes please?
Delmerpowys 2 years ago 2
This comment has received too many negative votes show
Not good. u need to work on ur skills my young padawan.
Coolbeanz33 2 years ago
Coolbeanz33, you need to know where to put a stupid comment.
itachisharkak 2 years ago
This comment has received too many negative votes show
biatch
Coolbeanz33 2 years ago
these are fugues of Bach, I did not even hear until yet. I wonder how it is possible to create soooooo many WONDERFUL works in only one life. I am so touchen by this music, I can't describe it.
gorgalsi 3 years ago 15
He is not using pedal but he uses echo of this chamber instead.
luq777pl 3 years ago
oh yes!!!
proteas1992 2 years ago 3
Comment removed
luq777pl 3 years ago
This has been flagged as spam show
I just love ALL of these - Please try and complete the whole set VERY SOON - And thanks for all the very hard work you have put in to make these truly magical pieces become even more entertaining.
pianojeans 3 years ago
i wonder if it is way too slow? I can present almost as much voice as he could in a way higher tempo
ernest85hk 3 years ago
I actually really appreciate this tempo because I'm doing an analysis of this piece, and the slower speed makes it easier for me to hear the repetitions of the subject and counter subject in the fugue.
I think it's a lovely interpretation! Thank you very much for posting :-)
BlushingRoses 3 years ago
in bach's time, the fugues generally have slow tempos. Its not wrong to play it fast, and its also correct to play it slow.
jiejingz 3 years ago
question: why is the trill played starting on the original note rather than from above?
chosarang 3 years ago
to chosarang:
It is the harmony which demands that. When we start the thrill from above is to emphasise a "small" disonance, to "delay" the actuall note. Thie beginning is only a beautyful g# minor.
hansmeyer111 3 years ago
g# minor as in g sharp minor? What do you mean?
Pianoplayer002 3 years ago
I´m sorry, I ment g minor. The beginning is only a beautyful g minor chord, therefore it is not to play the trill from above
hansmeyer111 3 years ago
@hansmeyer111 :guht remark
3NUNS 1 year ago
Got a point there you know ,
I suppose its the way he chose to interpret it
sailingforde04 3 years ago
@chosarang: In Baroque times, music such as this was practiced on a harpsichord instrument or something of the like, therefor whole notes were not well sustained, and trill were instead substituted to fill this "gap". Later, in the era of the piano, trills were looked to as simply decoration.
UserID20 2 years ago
Comment removed
luq777pl 3 years ago
Fugue starts at 1:57.
hornuser 3 years ago
Why do people care about the pedal so much. This was originally written and performed on the harpsichord anyways so do whatever you think is necessary.
HARMONICO101 3 years ago
Beautiful...i love the legato...i gives a third dimension to the prelude...the fugue is so solemn yet sensational!!!!
pandaz1993himick 3 years ago 4
The sustaining pedal must be stuck.
wcbroccoli 3 years ago
Regarding the pedal:
Richter is actually barely using any pedal at all, however, as far as I know, he is playing in a great castle plus that the recording techniques in Sovjet at that time were not perfected.
Pianoplayer002 3 years ago 2
Who i am?
Legato should be made BY YOUR FINGERS..Pedal just helps in some parts..Not ALL of it...no no no!!!
PianoGirl555 3 years ago
My piano teachers would jump out the chair with that immoderate pedal. :o)
codonauta 3 years ago
I would jump out of my chair if she really thought like that. If you have a half-decent piano teacher, she really wouldn't do that if she heard the whole piece.
Lemonizm 3 years ago
Too much pedal?? It's Richter.
blievernic 3 years ago
Too much pedal...
PianoGirl555 3 years ago
Who are you to criticize one of the greatest pianists of 20th century?
Lemonizm 3 years ago
I agree abosultly with you who are these poeple to speak about Richters heavenly Bachs interptetation!!!!
Iaparulava 3 years ago
you are a prat Lemonizm. The comment is an opinion on Richter's interpretation and you can't simply dismiss it because you think Richter is untouchable. It's people like you who ruin the arts for others.
OnGiantsShoulders123 3 years ago
First of all, read the comment by "Pianoplayer002". Second of all, you are right; I am a prat for defending one of the greatest pianists of all time, how ridiculous of me! Don't you realize how hypocritical your comment was? You are attacking MY opinion. Stop ruining the "arts" for people.
Lemonizm 3 years ago
This comment has received too many negative votes show
Now I think that this oerformance don"t interesting me...
AnnMarry19 3 years ago
Great!
WEIJUNCHEN 3 years ago 3
Well done Richter.
WELL DONE.
This video, is where it belongs.
IN MY FAVORITE'S.
1992peter 3 years ago 3
I LOVE how you put the music on here because i'm searching like crazy for a bach fugue i like for college auditions and this is great! it shows me what i'd be playing
also great job!
amandaaccardi 3 years ago 7
wow heaps faster than other versions ive heard.
goodridgewinners 4 years ago 8
Still beautiful, right?
00bean00 3 years ago
bach plagerized himself from invention b flat on the prelude
SummerRoxxx 4 years ago 12
lol
kiya3 4 years ago
that was common
Sandman1278 3 years ago
This has been flagged as spam show
yeah in gayland i hate bach and everything he has every written legend has it he was gay and was the one that started AIDS
SummerRoxxx 3 years ago
Lol, I think he had 21 kids with his 2 wives.
pianoAndEngineering 3 years ago
you idiot!
pianowendy 3 years ago
Если бы Музыка имел дух а чувство,Я всегда
готов слишить.Ево исполнение от 1:30 до 2:00
чисто удивительный а нет слови что бы описывать ето.
smithsherman 4 years ago
smithsherman;
It's a good sign you couldn't find words... ;)
May be it's a beginning of your reconciliation with great art of Sviatoslav Richter?
If so, you are welcome to discuss any aspects of his perfomance... but please, no bashing, obscenities and disrespectful comments!
truecrypt 4 years ago
This comment has received too many negative votes show
This sounds like Gustav Leonhardt on the grand piano...half baroque...half modern...but not without sensitivity and worthy reflective qualities..that is until we get to the fugue...and then back to the
modern anti-expressive objectivist revisionist metronomic approach.
smithsherman 4 years ago
smithsherman, why not to stick to *archaic expressive subjective non-metronomic approach?* You'll find plenty of those on YT.
truecrypt 4 years ago 2
Excellent interpretation! - The fugue is one of my favorites from the WTC. Richter plays it much better than me. I'll never play this one like him, darn:-)
Thanks for showing the scores.
onionpizza 4 years ago
I like how you put the sheet music up - this is my favourite thing about youtube! I'd never have this stuff memorised or bother reading through it, so it's so nice to have it up!!!
Alessandro1985 4 years ago
hi there:
i love Bach in all variations. Richter is a great choice. I am from the U.S. Where are u from in Sweden?
jluebow2 4 years ago
Stockholm, I wont tell you more ;) If you like Bach, you should check out the other Richter video I have (Prelude and Fugue in F# major, it's wonderful, a must-listen in my opinion ;)
Pianoplayer002 4 years ago
hi there: great recordings and a very nice idea to show the music scores at the same time. good job! by the way, i grew up in germany, then moved to the U.S.
jluebow2 4 years ago
@Pianoplayer002 You know, I found that if this prelude were played at a vivace of q = 152, it becomes the most Beethovenian of Bach's preludes.
JupiterIV 1 year ago