Added: 4 years ago
From: hearandplay
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  • that's a voicing I do on guitar the same way.

  • ROLAND RD 1000 !!!! EXCELENTE!

  • This is nuts, hands are too small for the C and E on the left.

  •  Great stuff love it!.

  • Okay.... :D

  • on the phat passing chord youtube video,what kindof electric piano that is?is that an mk80?

  • Look at the video very closely before insulting the author of it.

  • All I can say with is that you sound very good and you look good too. Let those who are hurting do so at their own expense. keeping doing what you are doing the best way you know how and by sharing knowledge you gain more.

  • Dude, I don't know who you guys try to reach with these vids. Now you are studying a chords for 2 minutes while in other vids your only saying: "IV VI II" and we have to find out the rest ourselves. Can someone lighten this up?

  • It amazes how some people can criticize someone for putting together a project to help someone who WANTS to learn versus those that think they KNOW how to play. Stop HATING!

  • Comment removed

  • This kat sounds like he can roll with Mike Bereal & Jason White & can probably outplay any haters. No homo.

  • not even close bro...

  • y do y'all say no homo?

  • @kwaseb no gay intended

  • but if u know for sure u r not gay y do u owe n e one explanation for a statement u make?

  • Nice stuff man. Nice video.

  • 1:49 - 1:54 ... that little section was nice & smooth

  • Some other good passing chords are 7(#5#9). It goes really good if you wanna go to a minor11th chord or just a a minor chord. Example: Ebmaj9, D7(#5#9), Gmin11, C7(#5#9), and you can go to something like a 4 or what ever you'd like to. I'm not going to go into to much details. But these chords are really used in a lot of songs that you hear on CD's. Dorinda Clark-Cole panio musician plays chords like these. It also depends on how you voice them, they need to have that rich fullness sound.

  • It really does depend on how you voice the chords. I'm a musician myself. I also read music, from jazz to classical. I use tritone substitutions, which are basically #5#9s, or #11#13s. I'm sure you've heard of minor 9s. Oh, by the way, if you want to runs, you must first learn your scales.

    The reason why he didn't show runs is that he knows you can figure them out yourself. A run is basically a scale speeded up, omitting a few notes.

  • Is there a book u know that show all these chords or explain how to form these kinds of chords?

  • Your basicly playing C#13(b5b9. Because if you have a C in the bass, then you would base the chord name on the bass. If you had an F in the bass, it would be a F what ever. On the organ if your playing what you was playing in the Lh. and was hitting a Cb or B natural that would be a diffenet story.

  • O ordered this course and was so disappointed.

    He just gives you a bunch of chords which you could figure out yourself.

    Doesn't give you any runs or progressions you could use with it. I like their Jazz course.

  • The last disc on this course is dedicated to progressions...

  • man these chords suck dude make jermaine teach you lol

  • @getinshape10960 people like you on youtube make me sick....just because everyone isn't a piano genius like you who can figure out loads of chords for yourself! Some people need to start off basic because they have no clue how to play! I bought hear and play dvds when I was starting to play gospel and they helped me immensely (this one included). And if the chords are so simple, look at the Jason White/Mike Bereal/new Musician Breakthrough dvds and tell me they're easy!

  • depends on the key c# or db

  • how many times u say the same thing???

    we got it the first time.

  • He gives hope lol

  • JP, you de man dock!

    This is so smooth.

  • isnt that an augmented cord?

  • lots of possiblities with differnt inversions

  • Ah, I wanna hear the stupid part...

  • I know right? LOL!

    Listen To Learn Music

  • Gsharp and Ab are different spellings, it depends on what key your in and weather you are going up or down.

  • Hi there,a piano teacher is arguing with me that there's no G# in the piano,instead I should rather say Ab. I said they're just the same. But I wanted to know the real score here. Would it be that naming G# as G# be for guitars only, but when you use it for the piano one should say Ab instead? thanks man, just want to learn some education here. thanks.

  • Tell your piano teacher that if one is in the key of C# for instance, then ALL of the notes are sharp: C#, D#, E#, F#, G#, A#, B#, and back to C#. That is just one example. Every note can be spelled multiple ways (double sharps and flats are also used in many pieces).

  • There is a note called G#. There is no key, however, named G#. It is called Ab. This is because the leading tone in the key (the seventh note of the major scale) would be an F## (the enharmonic of G) in the key of G#. But in Ab, the leading tone would be G, which just makes so much more sense.

  • Just nitpicking, but there is a key of G# minor as the relative minor of B, because its parent key is on the sharp side of the circle of fifths.

    One more thing: one will sometimes see the key of Cb major, and its relative minor Ab when modulating to keys on the opposite side of the circle. This something I've come across in Romantic music.

  • Yes, there is a G# minor. When I said "G#," I meant "G# major." My fault. And yes, there is a Cb major. It doesn't sound different than B major, but it does exist.

  • i been playing gospel for about 2 years... any tips for the newbie?

  • Nice stuff man.

  • well, this one is a Dominant 7 chord with tensions b9, #9 and b13 (could also be +5)...

    spelled out: C7 b9 #9 b13

  • sorry, its not a b13, its a #11...

    actually a normal altered chord...

  • yer b13 or #11 would imply natural 5

  • The pros learn the number system and scales that make progressions, substitutions, crazy chords and scales etc. Stretch your fingers.... go find finger stretching exorcises and stregthen the ring finger and pinky. Dont hurt yourself but push yourself. A stupid chord is a chord that you never heard or you heard but you didnt learn to do. It all comes from scales and number system. Thank God for the sharing of these videos forsale but some people cant afford the marketing of them.

  • YEP!!!

  • People, if you learn the number system and scale to every key, youll be ahead of the game through experiance. Do not rely on memories of what phat chords are. Get the foundation memorized until its natural and you no longer need recall. Get the foundation being scales and number system memorized then naturalized through study. You will become creative automatically.

  • I SECOND THAT !!!!!!

  • Thank you for those inspiring words,I play organ and piano.Several musicians try to achieve that certain sound overnght,I was one of them.God Bless.

  • This is some good stuff. It's alt voicing in the last turn in an Ab 2-5-1. Thanks.

  • wats a melondy?? LOL

  • great would be to hear/see some useable progressions.

  • thanks man!! i will add this to my arsenal!! lol

  • you have long hands man, my hands cannot reach that, i have a hard time reaching octave..

  • Nice video. I will recommend it to my students, and I am sure some will be checking up on more of them.

  • Beautiful voicing! Thanks so much for sharing your gift with the world...

    God Bless!

  • Man that is a nice passing chord. When does the video come out?

  • the video is already out. Go to icanplaygospeldotcom(youtube wont let me enter the website in the comment) its a great site to order more vidoes like this one.  It helped me alot.

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