lol yes in theory the same note as Callas although some historians argue hers was an F natural 6, I still feel based on the ambigious audio quality of the recording it was a semi-tone short; hence E natural and NOT a semi-tone higher! Deutekom did the same 'glissando sostennato con vibrato' here: Eb/E natural 6!
This is just...amazing. Love her so much and its a shame she isnt more of a household. Im proud to be an opera fan and to have heard her incredible talent
i must say that i find her voice to be quite pleasing in MOST situations....like during the entirety of this piece. however...when she employs her coloratura skills during songs that really require it, like "d'amore al dolce impero" i find that i can't even finish listening to the passages without laughing; however, there is something innately unique about this voice that keeps me coming back to it.
@pointemeout I think D'amore al dolce impero is the worst example of Deutekom's skill. This aria is exact opposite. Anyway, people should hear her Mozart, Verdi, Bellini and Donizetti before judging her coloratura.
I like the orchestration here and Deutekom sings this finale much better than June Anderson, who sounds vocally underpowered. Deutekom has a big dramatic coloratura voice and she has a sense of anger and majesty, very grand...love it.
her voice is beautiful, but nowherenear being dramatic enough to interpret Armida, especially in the finale. that E has no fury behind it, its just a well sung high note.
@DanyelHawkes: Dynamic range of Deutekoms voice was beyond capabilities of then recording equipment. Deutekom had to damp her voice because of that when making these studio recordings to prevent heavy sound distorsion. Please compare studio recording of her Der Hölle Rache (almost bel-canto) with her live english performance (heavy, dramatic, but distorted sound). You'll notice what I'm talking about :-) There was an article in The Opera Quarterly 1997 with quite deep analysis of this problem.
Nope, sorry--not "Like Callas." Deutekom is one of the most phenomenal singers of the last 50 years, but Callas produced a far heavier and darker tone up there than Deutekom (albeit more strained). Also, maybe speed of playback is wrong, but that's an E-natural.
@wwonka2 I m not comparing Deutekom to Callas or Fleming, please read the title again, it means that she choose to end her singing with the high F -flat or natural whatever- like Callas or Fleming did. That s all.
@agathosj By the way there'ss no such thing as as F flat NOR E sharp, because ONLY these two natural tones sit side by side NOT sharing a semi-tone in between, because 12 semi-tones do NOT divide evenly into the 7 natural tones, thus there is no in-between E & F. take C and D for instance they share Csharp in between 'them', persay.
I am so happy that because of internet Cristina Deutekom finally gets the attention she deserves after her 25 year long carreer. Her voice is mighty and technically superb and moreover: recognisable!!!! Brava Cristina
Now THAT was just hair raising and terrific!! wonderful memories of an era when singers were all recognisable and they oozed talent from every pore. Brava Cristina what an ending that was spine tingling!
OOPs! Correction - the Deutekom cd of ARmida from 1973 Bregenz is available on House of Opera - cd#2934 I know - I know - House of Opera has a checkered career - but this cd is of great quality- I think because Deutekom's husband recorded it! Plus - all three tenors in the trio take the High C!! It is electrifying!!
That I know of - there are two recordings Deutekom did of Armida - one from 1970 in Venice available on Mondo Musica - and another in Bregenz in 1973 with the great - totally under-appreciated - Umberto Grilli. It is available on Premiere Opera. GET IT!!! It is FANTASTIC!!!
Wow! That e-flat sounded a lot like the young Sutherland! Overall, the voice reminds me a bit of Lorengar...I will start listening more to this great soprano.
Funny that you point that out, that her voice reminds you of Lorengar. The choice of Lorengar as Pamina and Deutekom as her mother on the Decco Solti Magic Flute could not have been a better one. They have the same sort of vibrato. Though deutekoms voice is a little less warm (placed a lot higher too).
It remains difficult to compare their voices. The gorgeous Lorengar was essentialy a lyric and Deutekoms range (and sheer size of the voice) was by far the bigger. Still, the resemblance definitely is there.
Pure technically though, Deutekoms voice is placed a lot lower then Lorengars. She never sang with the "high sit" of a coloratura - much more like a spinto, but with an abundance of Randschwingung.
I'm living in Holland and off course we're so proud of having a Voice like her's. Should anyone beinterested I have the complete recording of het Armida LIVE!!!!
I heard Deutekom live in Hartford CT. in the 70's singing Elvira in I Puritani...the production was threadbare but the singing was spectacular...I loved Deutekom....the "yodeling" sound appealed to me...I own many of her recordings on vinyl and when I get in the mood for her, she never disappoints me.
This is amazing! Please tell us where you found it!
Rossini should not have written opera seria, in my opinion. Don't get me wrong-he's among my favourite of composers, but...this is like listening to Haydn, who wrote happy melodies during storm scenes. Thank God Donizetti, Bellini, and Verdi wrote music befitting of the mood of what's happening on stage, i.e. tragic music for tragic endings. This is comical; almost TOO comical for an opera like this. But long live Rossini!
Hi, this is from the double cd "Legendary voices - Cr. Deutekom", Philips. I doubt that you would find this compilation as it dates back to 1999. I will try to upload a torrent of this within the next few weeks. Thank you
this is highly dramatic in a "bel canto way" of being dramatic. I personally get chills with this part Rossini was a genius in Opera Seria as well as in Opera Buffa
@Sturmwaffen Donizetti wrote better music for opera seria you're right but I disagree, this is very dramatic music from Rossini, not just a "happy melody" or comical. It's magical and out of this world.
@Sturmwaffen Interesting. THis is my favorite opera, and I think the finale sounds very angry, not happy at all. And the part before this, ''dove son io'' sounds very sad. Throughout the opera there are more angry/sad melodies so I 'don't understand why you think this too comical hahaha :P
I downloaded this recording form a rapidshare link a few months ago. It may still be active. You can also stream it at operatoday. Just google "deutekom armida" or "deutekom armida rapidshare". Now, if anyone can help me find "The Art of Christina Deutekom" (which has been discontinued) that would be great!
that was a Sutherland-esque E flat, not a Callas-esque E flat.
raigekimaru 7 months ago
lol yes in theory the same note as Callas although some historians argue hers was an F natural 6, I still feel based on the ambigious audio quality of the recording it was a semi-tone short; hence E natural and NOT a semi-tone higher! Deutekom did the same 'glissando sostennato con vibrato' here: Eb/E natural 6!
whistlenotelover 1 year ago
This is just...amazing. Love her so much and its a shame she isnt more of a household. Im proud to be an opera fan and to have heard her incredible talent
anaihilator 1 year ago
i must say that i find her voice to be quite pleasing in MOST situations....like during the entirety of this piece. however...when she employs her coloratura skills during songs that really require it, like "d'amore al dolce impero" i find that i can't even finish listening to the passages without laughing; however, there is something innately unique about this voice that keeps me coming back to it.
anyone else feel like that about deutekom?
pointemeout 1 year ago
@pointemeout I think D'amore al dolce impero is the worst example of Deutekom's skill. This aria is exact opposite. Anyway, people should hear her Mozart, Verdi, Bellini and Donizetti before judging her coloratura.
tomasburi 1 year ago
@pointemeout YES!
anaihilator 1 year ago
Unbelievable!
PetoAntoni 1 year ago
Her voice is healing my mind and improving my spirit.
rolandrozen 1 year ago
I like the orchestration here and Deutekom sings this finale much better than June Anderson, who sounds vocally underpowered. Deutekom has a big dramatic coloratura voice and she has a sense of anger and majesty, very grand...love it.
AmericanEvita 1 year ago 3
her voice is beautiful, but nowherenear being dramatic enough to interpret Armida, especially in the finale. that E has no fury behind it, its just a well sung high note.
DanyelHawkes 1 year ago
@DanyelHawkes: Dynamic range of Deutekoms voice was beyond capabilities of then recording equipment. Deutekom had to damp her voice because of that when making these studio recordings to prevent heavy sound distorsion. Please compare studio recording of her Der Hölle Rache (almost bel-canto) with her live english performance (heavy, dramatic, but distorted sound). You'll notice what I'm talking about :-) There was an article in The Opera Quarterly 1997 with quite deep analysis of this problem.
tomasburi 1 year ago
Nope, sorry--not "Like Callas." Deutekom is one of the most phenomenal singers of the last 50 years, but Callas produced a far heavier and darker tone up there than Deutekom (albeit more strained). Also, maybe speed of playback is wrong, but that's an E-natural.
wwonka2 1 year ago
@wwonka2 I m not comparing Deutekom to Callas or Fleming, please read the title again, it means that she choose to end her singing with the high F -flat or natural whatever- like Callas or Fleming did. That s all.
agathosj 1 year ago
Comment removed
whistlenotelover 1 year ago
@agathosj By the way there'ss no such thing as as F flat NOR E sharp, because ONLY these two natural tones sit side by side NOT sharing a semi-tone in between, because 12 semi-tones do NOT divide evenly into the 7 natural tones, thus there is no in-between E & F. take C and D for instance they share Csharp in between 'them', persay.
whistlenotelover 1 year ago
@wwonka2 no I think that is an Eb
tCrOMez1990 1 year ago
I am so happy that because of internet Cristina Deutekom finally gets the attention she deserves after her 25 year long carreer. Her voice is mighty and technically superb and moreover: recognisable!!!! Brava Cristina
petervanbrock 1 year ago
Now THAT was just hair raising and terrific!! wonderful memories of an era when singers were all recognisable and they oozed talent from every pore. Brava Cristina what an ending that was spine tingling!
petelovesbevsills 1 year ago
OOPs! Correction - the Deutekom cd of ARmida from 1973 Bregenz is available on House of Opera - cd#2934 I know - I know - House of Opera has a checkered career - but this cd is of great quality- I think because Deutekom's husband recorded it! Plus - all three tenors in the trio take the High C!! It is electrifying!!
JoanNilson 1 year ago
That I know of - there are two recordings Deutekom did of Armida - one from 1970 in Venice available on Mondo Musica - and another in Bregenz in 1973 with the great - totally under-appreciated - Umberto Grilli. It is available on Premiere Opera. GET IT!!! It is FANTASTIC!!!
JoanNilson 1 year ago
Deutekom, my favourite Armida EVER
She sung it complete in studio??
allanrosendo 1 year ago
she is devine!
orgelitis 1 year ago
This is one of my favorite performances to listen to. Duetekom was FANTASTIC!!!!!!
turandotisolde 2 years ago 4
Deutekom has the best final E-flat out of them all!
asdfopera 2 years ago 12
it's REALLY true. Crazy!!!
SuperStar2999 2 years ago 3
Wow! That e-flat sounded a lot like the young Sutherland! Overall, the voice reminds me a bit of Lorengar...I will start listening more to this great soprano.
JDOopera76 2 years ago 4
Funny that you point that out, that her voice reminds you of Lorengar. The choice of Lorengar as Pamina and Deutekom as her mother on the Decco Solti Magic Flute could not have been a better one. They have the same sort of vibrato. Though deutekoms voice is a little less warm (placed a lot higher too).
edgarbiervliet 2 years ago 2
It remains difficult to compare their voices. The gorgeous Lorengar was essentialy a lyric and Deutekoms range (and sheer size of the voice) was by far the bigger. Still, the resemblance definitely is there.
Pure technically though, Deutekoms voice is placed a lot lower then Lorengars. She never sang with the "high sit" of a coloratura - much more like a spinto, but with an abundance of Randschwingung.
eelco67 2 years ago 2
I'm living in Holland and off course we're so proud of having a Voice like her's. Should anyone beinterested I have the complete recording of het Armida LIVE!!!!
ladivinaladivina 2 years ago 2
long live Holland!
velazquez2009 2 years ago 3
I heard Deutekom live in Hartford CT. in the 70's singing Elvira in I Puritani...the production was threadbare but the singing was spectacular...I loved Deutekom....the "yodeling" sound appealed to me...I own many of her recordings on vinyl and when I get in the mood for her, she never disappoints me.
Sotzume 2 years ago
Podrías mandarnos D'amore al dolce impero? Es alucinante en esta versión.
deutekomefran 2 years ago
Merveilleux !
operalover42 2 years ago 2
fantastic images... they suit this part so well!!!! bravo...
Lohengrin 2 years ago 4
This is amazing! Please tell us where you found it!
Rossini should not have written opera seria, in my opinion. Don't get me wrong-he's among my favourite of composers, but...this is like listening to Haydn, who wrote happy melodies during storm scenes. Thank God Donizetti, Bellini, and Verdi wrote music befitting of the mood of what's happening on stage, i.e. tragic music for tragic endings. This is comical; almost TOO comical for an opera like this. But long live Rossini!
Sturmwaffen 3 years ago 5
Hi, this is from the double cd "Legendary voices - Cr. Deutekom", Philips. I doubt that you would find this compilation as it dates back to 1999. I will try to upload a torrent of this within the next few weeks. Thank you
agathosj 3 years ago
this is highly dramatic in a "bel canto way" of being dramatic. I personally get chills with this part Rossini was a genius in Opera Seria as well as in Opera Buffa
Lohengrin 2 years ago 2
@Sturmwaffen
I agree about Rossini and serious music except for William Tell where emotions are more aligned to text and plot.
Deutekom is stunning here.
65attila 1 year ago
@Sturmwaffen Donizetti wrote better music for opera seria you're right but I disagree, this is very dramatic music from Rossini, not just a "happy melody" or comical. It's magical and out of this world.
tklogan111809 9 months ago
@Sturmwaffen Interesting. THis is my favorite opera, and I think the finale sounds very angry, not happy at all. And the part before this, ''dove son io'' sounds very sad. Throughout the opera there are more angry/sad melodies so I 'don't understand why you think this too comical hahaha :P
spenzur 6 months ago
This is fantastic ... which recording is this? I'm having no luck trying to track it down :(
ilovechocolatechip 3 years ago 8
I downloaded this recording form a rapidshare link a few months ago. It may still be active. You can also stream it at operatoday. Just google "deutekom armida" or "deutekom armida rapidshare". Now, if anyone can help me find "The Art of Christina Deutekom" (which has been discontinued) that would be great!
whoosh452 3 years ago
grazie mille. ciao dall'Italia
youfeda 3 years ago
film??please!
youfeda 3 years ago
Kenneth Branagh's Frankenstein, with him and De Niro.
agathosj 3 years ago
Bellissimo. Helena Bonham Carter in che film?
youfeda 3 years ago 2
Thank you for your comment. Yes it's Helena.
agathosj 3 years ago