I'm not one to question such a highly regarded professional, but this just seems far too aggressive, and you can see the consequences in his occasional inaccuracy. I don't want people to think I'm some arrogant critic bashing tuckwell, I love tuckwell. But this aggressive of playing doesn't sound natural for the piece, in my opinion. (Also, why does he change how he fingers his fourth line Ds at 4:50? I thought people for the most part did one fingering or the other.. :/ )
IL MIGLIOR PRIMO STRAUSS DEGLI ULTIMI 100 ANNI QUANDO ASCOLTATE QUESTO INCHINATEVI E SILENZIO !!! P.S. UNO SUONO DI CORNO COSì IO IN ITALIA NON L'HO MAII SENTITO !!!!!
I play the French horn also so i know how difficult that instrument is, and every time i hear Barry Tuckwell play i get goosebumps i love his music so much it is such terrific music! just beautifu!! he is such an inspiration!
There are many fine players these days who have phenomenal techniques, but Barry was one of the last to actually push the boundaries and play a musical phrase. The odd cracked note yes, but oh so much more moving are Tuckwell's performances than the modern players. It's OK to risk and crack rather than play safe and bore.
People, the solo player's part is allowed to be modified. It does not have to be the same as the composer wrote it. The soloist can modify to whatever point he or she is pleased with. Obviously they don't rewrite the whole solo, but with Tuckwell who by the way is a damn good horn player, he took chances and he was able to execute an excellent performance.
Wow. Some serious morons on this page. Let's do some math. He was born in 1931, this recording is 1987. Now, that puts him at 55-or 56 years of age. Most horn players are passed their sell by date and moving down the section waiting for their pension at 56. This guy is bashing out High Bb LIVE and doesn't give a DAMN. He's got bigger balls than 99% of pros playing today. Dude invented the modern horn, yet joe-jock 'horn players' on this site criticize? Go buy a clue and learn some respect.
@piliage Well, Emory Tapley and Andy Spearman are currently rocking out in the Hartford Symphony Orchestra, and they're both in their 60s! But yeah, Tuckwell bashers, buy a clue. Maybe a horn, too, while you're at it.
The date 1987 is near end of his solo career. Remarkable accuracy, fluidity, & expression which make it great. He's playing Holton Farkas. Great sound. If you aren't a pro, you aren't qualified to critique a pro (I'm not either). I saw scores of solo perf. by Tuckwell in 70's thru 80's and he was just as accurate but more impressive & perfect, made it sound EASY. He's blown out his lip now. Dramatic tempi here; not done in his past. Breathing=fine. Played full tilt as always. See older videos 2.
This is his Holton, which he gave up in the latter part of his solo career and went back to his old Kruspe. I think he had a much nicer sound on the Kruspe. The Holton is more of a rough sound. I heard him live playing the Britten Serenade on the Kruspe. It was magic.
I heard Tuckwell play this piece in Newcastle in c. 1979, I didn't hear half as many sforzando notes as there are in this recording. I wonder if he altered his style for this performance to appeal to the Japanese audience.
This movement is ridiculous. He did a lot of unmusical things, like accents and in the main theme, the rythm is preposterous. Not the same as in the score.
It depends on the player. When you play a piece, you are putting your own intonation into it and thus it's different for every person. As long as you aren't changing the notes, rythm (unless it's rubato), and time, you're fine.
THERE IS NO RIGHT OR WRONG, it is about musical expression.
What score? Who's? Which edition? What about the fact he left out the optional second high Bb in the coda, is that the composer's original? Many marks in scores are the editor's, not the composer's. Ultimately, if it sounds good to you and the audience, who gives a shit. He is the soloist, he can play it however the heck he likes. If the punters don't like it, he isn't invited back. You don't like the interpretation? Fine. Leave it at that.
.....so many greats...yet when I hear this, I hear the 1950s version with Szell/Bloom.....Szell gave the orchestral attack so much vigor and intensity...it cannot be forgotten.......if you read orchestra members accounts, Szell was brutal to Bloom.....I guess all others, too......
We as horn players should be so lucky to even play to his calibre and that of Stefan Dohr or Dale Clevenger. These are all gods of the horn, and we are lucky to even have recordings. Think about when this was recorded...it's not going to pick up all the little subtleties in his playing either. We all must remember...live performances no matter the musician has their challenges as well. The next person who bashes him should post a video of themselves playing it better then him. :) Untill then..!
Tuckwell is a great player. He is responsible for the recognition of the horn as a very popular solo instrument since the death of Dennis Brain. He has done the most difficult job of spending most of his career as a soloist only and having many new horn works written for all of us. He really changed horn playing throughout the 20th century. Can anyone even speculate on the possibility of this type of career in the 21st?
@TheWayner1952 Obviously you must not be a horn player or you would understand that as a soloist you do not need to perform with an orchestral sound. As the principle horn in more than one major orchestra Tuckwell was much sought after. His recording of the Strauss Four Last Songs as principle with the Berlin Radio Orchestra (Szell, Schwartzkopf) is probably the most beautiful of any that has been done.
@TheWayner1952 Right. Aside from those 15 as principal of the LSO with Maurice Murphy on Principal Trumpet and Dennis Wick on Principal Trombone, considered the greatest brass section ever. But I suppose you don't like the LSO sound either...
I kind of get tired of people bashing tuckwell. I used to not like him that much, but the more I listen closely to him, the more I appreciate his playing. He goes for everything full out, he takes chances, doesn't hold back, doesn't back down from anything.
You need to understand that the way Tuckwell actually sounded in this performance is going to be completely different from what we hear on a streamed video online. I will agree with you that with his age, some of his playing deteriorated. However, you can't deny what he brought to the table in terms of the advancement of horn playing. Also, I highly doubt that you could play this concerto better than he did even with this being one of his weaker performances.
this could be for a multitude of reasons. He could find the chromatic scale more comfortable from the 12 D than the 3 D. He also could have used a different fingering to make the sound different, in order to put a different stress on that eight note figure (for example, instead of one line, the last 4 notes being "pickups" to the last). Also, (and most probably), the second D serves a different harmonic purpose in its chord, thus need a different tuning.
The horn snaps through his performance really made me laugh. I like ho he has a big sound, but I really just don't like this performance as a whole. He does alot of weird things phrasing and volume, those his technicals are amazing. But he just kills it too often for me.
I agree !!!!!!! Tuckwell's technique and his approach to playing is NOT my fave at all........... Find John Cerminaro or Maria Luise Kneunecker, they are MUCH better soloist and horn players.....
Holy crap, that's insane! I have to learn movement 1 and the last page of this piece for tryouts for our county band! I hope I don't have to play that speed! I'm not that good! D:
and he plays with his eyes closed.
103member 5 hours ago
Игра .Барри захватывает.кто-то играет и точнее и быстрее.Но его хочется слушать ещё и ещё!!!!!!
Zekovka1988 2 weeks ago
This has been flagged as spam show
I'm not one to question such a highly regarded professional, but this just seems far too aggressive, and you can see the consequences in his occasional inaccuracy. I don't want people to think I'm some arrogant critic bashing tuckwell, I love tuckwell. But this aggressive of playing doesn't sound natural for the piece, in my opinion. (Also, why does he change how he fingers his fourth line Ds at 4:50? I thought people for the most part did one fingering or the other.. :/ )
Mozart3150 3 weeks ago
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Mozart3150 3 weeks ago
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Mozart3150 3 weeks ago
IL MIGLIOR PRIMO STRAUSS DEGLI ULTIMI 100 ANNI QUANDO ASCOLTATE QUESTO INCHINATEVI E SILENZIO !!! P.S. UNO SUONO DI CORNO COSì IO IN ITALIA NON L'HO MAII SENTITO !!!!!
donatoinglese 3 weeks ago
...the 'stash'...on a Horn player...so cool.
Ulleval73 1 month ago
I love how he rips the horn away from his face after hard lines. So dramatic. hahahaha
klo1024 1 month ago 3
What amazes me most is how he takes off his horn!!!
Great to watch.
My favourite horn player, just cool!
Mkohlbauer 1 month ago
I LOVE the horn played this way, wish more soloists would play with gusto
millfred123 1 month ago
Rose Brass? Anyone know. I know it's a Horton 105
mpotts123 2 months ago
un primo di strauss da dio!
MrAdrianoconti 3 months ago
Beautifoul and so difficult concert. I'm a hornist and I love Barry!
TheMahler1896 4 months ago
I play the French horn also so i know how difficult that instrument is, and every time i hear Barry Tuckwell play i get goosebumps i love his music so much it is such terrific music! just beautifu!! he is such an inspiration!
bubblyblondie77 4 months ago 2
There are many fine players these days who have phenomenal techniques, but Barry was one of the last to actually push the boundaries and play a musical phrase. The odd cracked note yes, but oh so much more moving are Tuckwell's performances than the modern players. It's OK to risk and crack rather than play safe and bore.
exhornnerd 8 months ago 3
@exhornnerd - well said Sir!
orichalcum1 3 months ago
People, the solo player's part is allowed to be modified. It does not have to be the same as the composer wrote it. The soloist can modify to whatever point he or she is pleased with. Obviously they don't rewrite the whole solo, but with Tuckwell who by the way is a damn good horn player, he took chances and he was able to execute an excellent performance.
mirro379 8 months ago
terrible horn (the instrument, not barry, he's wonderful!) like the Yamaha's
caldagia 8 months ago
muy muy muy hermoso!Barry Tuckwell
sahidinc 9 months ago
Bravo! Bravo! Love it! Incredibly courageous player.
Lorenzo8D 9 months ago
Excellent. The low note was interesting, but otherwise he's a great, if not the greatest, living horn player!
webusch3 10 months ago
Beautiful horn playing...he is a god...
Blondie5652 11 months ago
Wow. Some serious morons on this page. Let's do some math. He was born in 1931, this recording is 1987. Now, that puts him at 55-or 56 years of age. Most horn players are passed their sell by date and moving down the section waiting for their pension at 56. This guy is bashing out High Bb LIVE and doesn't give a DAMN. He's got bigger balls than 99% of pros playing today. Dude invented the modern horn, yet joe-jock 'horn players' on this site criticize? Go buy a clue and learn some respect.
piliage 1 year ago 11
@piliage Well, Emory Tapley and Andy Spearman are currently rocking out in the Hartford Symphony Orchestra, and they're both in their 60s! But yeah, Tuckwell bashers, buy a clue. Maybe a horn, too, while you're at it.
SuperPhreak23 10 months ago
@SuperPhreak23 Damn Right! Old Horn Players Unite!! Power to the Clams!
piliage 4 months ago
Oh my god, I found a mistake in 4:31.
Srsly though, BT's awesome.
SquarecutK 1 year ago
@tuckwell45 BARRY TUCKWELL è UN CORNISTA COMPLETO UNODEI PIù GRANDI NON QUELLA PIPPA DI BABORAK ! CHE HA UN SUONACCIO DA CANE
andrearoma123 1 year ago
BARRY TUCKWELL è IL NUMERO 1
andrearoma123 1 year ago
I'm going to learn this in a little over a week. Wish me luck!
OneWithTheBugs 1 year ago
simply brilliant, now, all you doubters, have a listen to the london horn sound playing 'give it one" here on you tube
ronaldosucks1 1 year ago
The date 1987 is near end of his solo career. Remarkable accuracy, fluidity, & expression which make it great. He's playing Holton Farkas. Great sound. If you aren't a pro, you aren't qualified to critique a pro (I'm not either). I saw scores of solo perf. by Tuckwell in 70's thru 80's and he was just as accurate but more impressive & perfect, made it sound EASY. He's blown out his lip now. Dramatic tempi here; not done in his past. Breathing=fine. Played full tilt as always. See older videos 2.
mlark4 1 year ago 2
This is his Holton, which he gave up in the latter part of his solo career and went back to his old Kruspe. I think he had a much nicer sound on the Kruspe. The Holton is more of a rough sound. I heard him live playing the Britten Serenade on the Kruspe. It was magic.
hornerinf 1 year ago
I heard Tuckwell play this piece in Newcastle in c. 1979, I didn't hear half as many sforzando notes as there are in this recording. I wonder if he altered his style for this performance to appeal to the Japanese audience.
univocalic 1 year ago
This movement is ridiculous. He did a lot of unmusical things, like accents and in the main theme, the rythm is preposterous. Not the same as in the score.
SkodaRapidTibi 1 year ago
@SkodaRapidTibi
It depends on the player. When you play a piece, you are putting your own intonation into it and thus it's different for every person. As long as you aren't changing the notes, rythm (unless it's rubato), and time, you're fine.
THERE IS NO RIGHT OR WRONG, it is about musical expression.
1758302964 1 year ago
If everyone always did things by the book the world would be a very boring place to live in. Get a life. Nerrrrd
samreedblahblah 1 year ago
@SkodaRapidTibi "Not the same as in the score".
What score? Who's? Which edition? What about the fact he left out the optional second high Bb in the coda, is that the composer's original? Many marks in scores are the editor's, not the composer's. Ultimately, if it sounds good to you and the audience, who gives a shit. He is the soloist, he can play it however the heck he likes. If the punters don't like it, he isn't invited back. You don't like the interpretation? Fine. Leave it at that.
piliage 9 months ago
i love his crescendos
44jesusfreak4 1 year ago
Herman Bauman is better
Dunavec 1 year ago
My goodness.... All hail the Barry Tuckwell. I LOVE this song. I can only hope to play half as well as he can someday....
mcchornist 1 year ago
Ohhh, I love Tuckwell
tubonianflute 1 year ago
.....so many greats...yet when I hear this, I hear the 1950s version with Szell/Bloom.....Szell gave the orchestral attack so much vigor and intensity...it cannot be forgotten.......if you read orchestra members accounts, Szell was brutal to Bloom.....I guess all others, too......
j72050 1 year ago
omg Oo
lavigokrew 2 years ago 2
complimenti..
6come666 2 years ago
daemon you must be nuts so insult a grand performance of a legend who has interpreted the piece in his way.
Tibsnibs 2 years ago
We as horn players should be so lucky to even play to his calibre and that of Stefan Dohr or Dale Clevenger. These are all gods of the horn, and we are lucky to even have recordings. Think about when this was recorded...it's not going to pick up all the little subtleties in his playing either. We all must remember...live performances no matter the musician has their challenges as well. The next person who bashes him should post a video of themselves playing it better then him. :) Untill then..!
hornalicious 2 years ago
Tuckwell is a great player. He is responsible for the recognition of the horn as a very popular solo instrument since the death of Dennis Brain. He has done the most difficult job of spending most of his career as a soloist only and having many new horn works written for all of us. He really changed horn playing throughout the 20th century. Can anyone even speculate on the possibility of this type of career in the 21st?
erstehorniste 2 years ago 26
@erstehorniste
He's spent most of life as a soloist because with that sound there is no way he's going to get hired by a professional orchestra...
TheWayner1952 3 months ago
@TheWayner1952 Obviously you must not be a horn player or you would understand that as a soloist you do not need to perform with an orchestral sound. As the principle horn in more than one major orchestra Tuckwell was much sought after. His recording of the Strauss Four Last Songs as principle with the Berlin Radio Orchestra (Szell, Schwartzkopf) is probably the most beautiful of any that has been done.
erstehorniste 3 months ago
@TheWayner1952 Right. Aside from those 15 as principal of the LSO with Maurice Murphy on Principal Trumpet and Dennis Wick on Principal Trombone, considered the greatest brass section ever. But I suppose you don't like the LSO sound either...
piliage 1 month ago
Comment removed
valihorn92 2 years ago
I kind of get tired of people bashing tuckwell. I used to not like him that much, but the more I listen closely to him, the more I appreciate his playing. He goes for everything full out, he takes chances, doesn't hold back, doesn't back down from anything.
jrwhorn2626 2 years ago 32
Being bold and going all out is a great thing, until you start top destroy stuff and perform poorly.
daemonwood 2 years ago
You need to understand that the way Tuckwell actually sounded in this performance is going to be completely different from what we hear on a streamed video online. I will agree with you that with his age, some of his playing deteriorated. However, you can't deny what he brought to the table in terms of the advancement of horn playing. Also, I highly doubt that you could play this concerto better than he did even with this being one of his weaker performances.
africkle1 2 years ago
@jrwhorn2626 I'm totally on the same boat as you. I didn't like him before, but now, man he is one of my favorite horn players.
He's not perfect, but, heck, he's an amazing musician. His unique, versatile sound and interpretations are second to none.
CollegeBoardSucks 1 month ago
@jrwhorn2626 Have you heard his baroque horn recordings? No one can bash him after hearing them.
starwarsjunkie7777 3 weeks ago
That's strange how at 4:48 he fingers the two consecutive Ds differently.
Sillyhoot 2 years ago
@Sillyhoot commence resurrect :)
this could be for a multitude of reasons. He could find the chromatic scale more comfortable from the 12 D than the 3 D. He also could have used a different fingering to make the sound different, in order to put a different stress on that eight note figure (for example, instead of one line, the last 4 notes being "pickups" to the last). Also, (and most probably), the second D serves a different harmonic purpose in its chord, thus need a different tuning.
FVmike 8 months ago
The horn snaps through his performance really made me laugh. I like ho he has a big sound, but I really just don't like this performance as a whole. He does alot of weird things phrasing and volume, those his technicals are amazing. But he just kills it too often for me.
daemonwood 2 years ago 5
I agree !!!!!!! Tuckwell's technique and his approach to playing is NOT my fave at all........... Find John Cerminaro or Maria Luise Kneunecker, they are MUCH better soloist and horn players.....
julaibeeb 2 years ago
john cerminaro has always been my favorite on the 8D, though i think finke horns were not a good choice
daemonwood 2 years ago
Find Ceminaro's recording of "Hexadecathalon: A New-Slain Knight" .... I think it is Cerminaro at his BEST !!!!!!!!
julaibeeb 2 years ago
Holy crap, that's insane! I have to learn movement 1 and the last page of this piece for tryouts for our county band! I hope I don't have to play that speed! I'm not that good! D:
thrillchick2fast4u 2 years ago
como incha!!
andrestrompista 2 years ago 2
Si ... asi es ...
nurygu 2 years ago 2
<3<3
ske5721 2 years ago
He is amazing theres no dought about it
horndude5 2 years ago
holton mod .tuckwell sound fantastic large trhoated...fantastic alexander sound di merda
barry is awesome!!
donatoinglese 2 years ago
@donatoinglese Are you sure he's playing on an Alexander? I thought he played on a Horton. I may be wrong. It's certainly a big bore sound.
univocalic 1 year ago