a VERY great review of audio equipment and how to incorporate it into video.
I am an audio freak so I may be a little biased but I think audio is the most important requirement when shooting video. Camera affects can be applied later to make things brighter to see more but if you have bad audio from an onboard camera, it will be bad from start to finish, in my opinion.
if you do another BTS of audio, get specific down to what kind of boompole is used and what headphones to monitor with. thanks!
I have a question, I have two Sony wireless mics, the UWP-V1's, one older in gray case, and the other one the new one, black. I know that both models come in two frequency ranges. For instance, the new model comes iin two versions: 566 to 590MHz and 638-662 MHz. I don't even know which one I have, but do I need to have two mics with difference frequency ranges to mount them under the shirt collar like you did?
The microphones aren't frequency dependent, though the connectors are specific to just brand of transmitter. They also don't need to be different frequency ranges - we use two of the Sennheiser eW100 series, both are range A transmitters. The benefit to having the same range is we have backups!
@danalove I forgot to mention, but I am sure you're aware of the fact that all wirless microphones with the frequency range above 700MHz will be rendered illegal after June 12 this year. My old UWP-V1 mic is in that range. I wonder if they'd arrest me or confiscate my equipment if they catch me using the wireless mic working withing illegal UHF range.
Hope You Do one on your excellent lighting setup.
hypnosiscenternyc 3 months ago
Love the sound of the Oktava ... Great lighting .. background ....
hypnosiscenternyc 3 months ago
You can't just use multiple mics without phase cancellation...
musiccalgary 1 year ago
Is not better to buy the Yeti by Blue microphones?
oscarteos 1 year ago
a VERY great review of audio equipment and how to incorporate it into video.
I am an audio freak so I may be a little biased but I think audio is the most important requirement when shooting video. Camera affects can be applied later to make things brighter to see more but if you have bad audio from an onboard camera, it will be bad from start to finish, in my opinion.
if you do another BTS of audio, get specific down to what kind of boompole is used and what headphones to monitor with. thanks!
neworleansrocks 1 year ago
By the way, if I had the money, I'd get the Canon XL-H1s and sync it with Edirol R4 Pro via SMPTE. Hey, nice to dream, heh?
dvamateur 1 year ago
I'd dream of a non-HDV format, like the PMW-EX1 or the HPX300. But dreaming is fun!
danalove 1 year ago
I have a question, I have two Sony wireless mics, the UWP-V1's, one older in gray case, and the other one the new one, black. I know that both models come in two frequency ranges. For instance, the new model comes iin two versions: 566 to 590MHz and 638-662 MHz. I don't even know which one I have, but do I need to have two mics with difference frequency ranges to mount them under the shirt collar like you did?
dvamateur 1 year ago
The microphones aren't frequency dependent, though the connectors are specific to just brand of transmitter. They also don't need to be different frequency ranges - we use two of the Sennheiser eW100 series, both are range A transmitters. The benefit to having the same range is we have backups!
danalove 1 year ago
@danalove I forgot to mention, but I am sure you're aware of the fact that all wirless microphones with the frequency range above 700MHz will be rendered illegal after June 12 this year. My old UWP-V1 mic is in that range. I wonder if they'd arrest me or confiscate my equipment if they catch me using the wireless mic working withing illegal UHF range.
dvamateur 1 year ago
my congrass
SuperCubanoLoco 2 years ago
Thanks
icebreaka 2 years ago