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  • Maybe I'm just crazy, but I like this better than the original. Being able to hear all of the voices so clearly just really brought this piece to life for me

  • @beatledmack9 Yes I thought that around 7:10 there may have been dubbing. Glenn Gould is one of my favourite pianists and was a genius but he still only had two hands and 10 fingers :)

  • Nothing against Glenn Gould but this piece just screams out for a full orchestra. Wagner is telling you to draw near and get comfortable because you're in for a GREAT story. The piano version just can't build that anticipation like an orchestra can. Meanwhile, I love to hear Gould play.

  • @JHJennings

    agreed, but here it doesn't serve the literal purpose of the 'overture'. There's nothing more coming, it's just the piano and this piece, and that's why it's not so literal a transcription or exact for that matter ( as he says in the video, before proceeding to play it! )

  • @FliegendeHollaender You're saying this Overture is NOT and overture in this case? Sorry, I can't accept that.

  • I always admire him. Music is here!!

  • Does anyone know if Gould wrote down this particular transcription? I found one for the Siegfred Idyll, but I can't seem to find one for the prelude.

  • @sejskk

    if you have any luck in your search, I'd very much like it too! :)

  • Oh God, his emphasis of the main lines (especially the bass line around 7:05) is magnificent. Gould was truly a superior player and musician.

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  • On a serious level, is this possible to play? At various points, for example around 7:10, there are three voices, one very low, one in the middle and the other very high, all quite elaborate. Perhaps he recorded them separately and then combined them?

  • @steamednotfried Glenn actually had to record an overdub for places like 7:10.

  • errr, I'm sure there are bits that are not physically possible to play with only two hands? Around 7:10 for example? Anyway, brilliant music by the greatest pianist in recorded history.

  • anyone have the score?.....

  • first heard decades ago and still superb!

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  • my goodness! never heard like this.GG!

  • Agreed what makes me feel ecstatic listening to Wagner is the same as listening to Bach...the counterpoint. The way this deep contrapuntal art sings through all the human drama and lyricism is just breathtaking.

  • I wish I could hear the orchestra in his head.

  • I have listened to, and played this piece, but I've never heard the independent lines of Wagner's counterpoint this defined, and articulated.

  • The best counterpoint since Bach.

  • YOu can really tell if Gould is into a piece, he likes this piece. Listen to is Chopin and you can hear the difference.

  • @Irshkboy Yes, it's true. In a perfect world, he would have played only what he liked.

  • Amazing!!!

  • great great great

  • sooooooooooo amazing!!!!!

  • Die Meistersinger sounds beautiful on the piano...

    I'm pretty sure Wagner composed his works using a piano so Wagner piano arrangements are going to sound naturally delightful!

  • Yes, I remember reading that he used to play everything he ever wrote for his dog before he'd let it get published. (Wagner, I mean.)

  • Your logic is sound, except Wagner was a horrible pianist., by his own admission, and actually wrote his incredibly advanced music out on paper without the recourse of a piano.

  • Wagner didn't really play piano, but his musical counterpoint is so good that it will sound good on a piano, or really anything else for that matter.

  • @Mahlerialiszt Wagner did play the piano... He arranged a Beethoven symphony for piano, before Liszt did.

  • @BacchusAdoneus

    thing is that it's, because of the nature of the counterpoint, very unpianistic and irritating, in a way. His transcription sounds delightful though, as he says, very original in the sense that it is not so literal. I'd much rather play Gould's transcription than Wagner's.

  • wonderful!!

  • GREAT...!!!

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