I adore this mysterious wonderful concert, so I've become a collector of versions &, in spite the orchestra, which don't sound always as better vesrons, ELISO WIRDSSALADZE rendition is the only one now I want hearing all the time: at least is that I whitout doub select to hear each time I want see-hear this fantastic tour de force. I don't know other female pianist playing this, & don't know male playing it so marvelous: how clean & clear the endind piano melody! How sure she is! Love!
No solo es una gran pianista,y me emociona su mirada soñadora cuando toca,es que como mujer,no sé qué me gusta más,su piel,su fuerza,esos taconcitos negros que lleva..mmm! una mujer sensual tocando la música más sensual que existe
Éste es el origen de las disertaciones de Wittgenstein sobre las manos y el cuerpo. Su hermano perdió el brazo en la primera guerra mundial; Witt le dedicó varias disertaciones, y Ravel le regaló este concierto. ¡Impresionante!
Although Elisso is a talented pianist and a great performer of romantic music, I'm not inclined to think that her Ravel perfomance surpasses Francois or Casadesus's recordings because it is too far from being impressionistic. She plays it in a robust, heavy style which is more appropriate for Schumann's music but badly matches Ravel's ideas. I don't feel a sublime generosity and soaring tenderness which Francois put in this piece. I would finally prefer his recording or that of Casadesus's.
I have the same opinion, but I think that the reason of her unexpected strength is the terrible acoustics... it sounds the microphone is too receptive/close to the piano... Never heard so much overload on a recording of this recent quality.
Austrian pianist Paul Wittgenstein established a most unusual body of works in 20th-century keyboard literature. Although he lost his right arm during World War I in combat on the Russian front, the feisty musician was determined to continue his concert career, which he had just launched the year before war broke out. Ravel wrote this concerto for Wittgenstein, after Wittgenstein had been turned down by composer after composer.
Paul Wittgenstein, a pianist, brother of philosopher Ludwig, lost an arm in the WWI, and wrote to several european musicians asking them pieces for the hand he conserved, the left: among other, importants, Ravel wrote this magnificent concer for himt, which isn't less beauty by this reason, don't you think?
One or two hands, that's not the question, but how good is the music and how good is played: could be for the two hands and two feet, but if soun beauty, goooodddd....
Maybe not literally, but in the middle, when the piano is playing the "jaunty, galloping, dance" theme, and the orchestra enters with the opening "ominous" theme, and the piano keeps playing the "galloping" theme over the orchestra's increasingly tense, frantic "ominous" theme - to me is the most terrifying moment in all of classical music. It portrays pure, horrifying insanity ... thank God there's a break and some gentle music after that.
Yes, thank you, good clarification. I had read somewhere, probably in album liner notes, that the concerto was about the horrors of war, and I believed it because of the military-sounding beat in many parts of it. But thank you for providing clarification. :)
I have always loved this piece, for one thing, for the contrabassoon solo at the beginning. It set a very appropriate mood for what followed. It's hard to call a piece like this "beautiful" because it's about the horrors of war. Yet it is beautiful. And very, very moving...
I don't mean to critisize the song, but do you really find it sad? or capable or moving you to tears? (i guess it doesn't have to be sad to do this). i like sad music, but don't find this at all sad. i do like the piece though
@tzjc24 oh no lol it's not sad :-) it's just so powerful, the tears are an emotional reaction to the truth that echoes within the harmonies of this music . . .
She reminds me of anna wintour, great bob too, and playing of course.
azaquarium123 1 week ago
it is nothing copared with the Telavi festival is. telavi festival is the best festival in the world
achoacho46 1 month ago
Can you play this with your right hand instead?
Has anyone tried?
agreatgeat 3 months ago
@Seosav It's an English horn, not an oboe.
gjyyngii 6 months ago
Magnificent!
marhomist 1 year ago
Ha. The Oboe player at 1:16 has a Hitler 'stache.
Seosav 1 year ago
Superfrau
yuehchopin 1 year ago
THIS IS LATE RAVEL, AND IT MUST HAVE BEEN VERY IMORTANT TO HIM; AS HE
PLACED SO MUCH OF HIMSELF INTO IT. IT DESERVES TO BE MUCH MORE
WIDELY KNOWN THAN IT IS. THIS IS RAVEL AT HIS DEEPEST.
johndega 1 year ago
bravissimo ravel, e bravissoma elisso!
unagondolaunremo 1 year ago
pretty much on the verge of stunning. A great performance. Also a very underated work.
sussexpenguin 1 year ago
Admirable ! Quelle tenue, quelle maîtrise et quelle progression dramatique...
pianotonton 1 year ago
bravo!!!!!!!!!!!!!!bravo!!!!!!!!!!!!!
chl91039 1 year ago
Не очень исполнение - начало немного затянуто, не тот масштаб.
Pavelplaypiano777 1 year ago
Her sound is great!
AmikoKavtaradze 1 year ago
i love this performance
mdoub 1 year ago
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I adore this mysterious wonderful concert, so I've become a collector of versions &, in spite the orchestra, which don't sound always as better vesrons, ELISO WIRDSSALADZE rendition is the only one now I want hearing all the time: at least is that I whitout doub select to hear each time I want see-hear this fantastic tour de force. I don't know other female pianist playing this, & don't know male playing it so marvelous: how clean & clear the endind piano melody! How sure she is! Love!
bruckner4444 2 years ago
No solo es una gran pianista,y me emociona su mirada soñadora cuando toca,es que como mujer,no sé qué me gusta más,su piel,su fuerza,esos taconcitos negros que lleva..mmm! una mujer sensual tocando la música más sensual que existe
mazingerduke 2 years ago
Éste es el origen de las disertaciones de Wittgenstein sobre las manos y el cuerpo. Su hermano perdió el brazo en la primera guerra mundial; Witt le dedicó varias disertaciones, y Ravel le regaló este concierto. ¡Impresionante!
ariastoteles 2 years ago
Eliso is among the very best! Teriffic interpretation. Thanks for posting
davit1982 2 years ago 2
This is a woman of force!
Nataliena 2 years ago 3
the beginning is so terrifying! I love it! and Eliso's performance is magnificent! outstanding representation!
stevethedondo 2 years ago 13
@stevethedondo You think that's terrifying? Have you heard the name "Shostakovich" ?
whythewar1 1 year ago 2
her name is Eliso, not Elisso.
picc0lett 2 years ago
Although Elisso is a talented pianist and a great performer of romantic music, I'm not inclined to think that her Ravel perfomance surpasses Francois or Casadesus's recordings because it is too far from being impressionistic. She plays it in a robust, heavy style which is more appropriate for Schumann's music but badly matches Ravel's ideas. I don't feel a sublime generosity and soaring tenderness which Francois put in this piece. I would finally prefer his recording or that of Casadesus's.
mendelbookinist 2 years ago
I have the same opinion, but I think that the reason of her unexpected strength is the terrible acoustics... it sounds the microphone is too receptive/close to the piano... Never heard so much overload on a recording of this recent quality.
RabidCh 2 years ago
very nice performer
SunnySunshineRiver 3 years ago 3
Austrian pianist Paul Wittgenstein established a most unusual body of works in 20th-century keyboard literature. Although he lost his right arm during World War I in combat on the Russian front, the feisty musician was determined to continue his concert career, which he had just launched the year before war broke out. Ravel wrote this concerto for Wittgenstein, after Wittgenstein had been turned down by composer after composer.
Albertan1956 3 years ago 3
I was going to ask why there was a piece written for only one hand.. thanks for the info!
releasethefrogs 3 years ago
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i still am not sure. just because youre missing one hand doesent mean you have to write music for only 1.
MrUtube14 2 years ago
Paul Wittgenstein, a pianist, brother of philosopher Ludwig, lost an arm in the WWI, and wrote to several european musicians asking them pieces for the hand he conserved, the left: among other, importants, Ravel wrote this magnificent concer for himt, which isn't less beauty by this reason, don't you think?
bruckner4444 2 years ago
yea. certanly very origanal. but good
MrUtube14 1 year ago
One or two hands, that's not the question, but how good is the music and how good is played: could be for the two hands and two feet, but if soun beauty, goooodddd....
bruckner4444 2 years ago
omg. How ignorant you are . I just think classical music is not for you at all.
Dennischek 1 year ago
now thats the spirit! lol jk. i wasnt trying to offend anyone cmon
MrUtube14 1 year ago
Maybe not literally, but in the middle, when the piano is playing the "jaunty, galloping, dance" theme, and the orchestra enters with the opening "ominous" theme, and the piano keeps playing the "galloping" theme over the orchestra's increasingly tense, frantic "ominous" theme - to me is the most terrifying moment in all of classical music. It portrays pure, horrifying insanity ... thank God there's a break and some gentle music after that.
sethmartinhill 3 years ago
Yes, thank you, good clarification. I had read somewhere, probably in album liner notes, that the concerto was about the horrors of war, and I believed it because of the military-sounding beat in many parts of it. But thank you for providing clarification. :)
bckm54 3 years ago
I have always loved this piece, for one thing, for the contrabassoon solo at the beginning. It set a very appropriate mood for what followed. It's hard to call a piece like this "beautiful" because it's about the horrors of war. Yet it is beautiful. And very, very moving...
bckm54 3 years ago
Verey, very beautiful, Mrs Virsaladze! Your left hand is superbe!
ruslanswara 3 years ago 3
This is so beautiful. How can you hold back the tears hearing this? ...
jannokas85 3 years ago 8
@jannokas85
I don't mean to critisize the song, but do you really find it sad? or capable or moving you to tears? (i guess it doesn't have to be sad to do this). i like sad music, but don't find this at all sad. i do like the piece though
tzjc24 3 months ago
@tzjc24 oh no lol it's not sad :-) it's just so powerful, the tears are an emotional reaction to the truth that echoes within the harmonies of this music . . .
jannokas85 2 months ago
i heard her in rach 3 . she was incredible.
chad410 3 years ago 3
Excellent!
spiroskarav 3 years ago 2
A little fast entrance of the piano to my taste but the rest is pretty good
fschioser 3 years ago 3
Bravo Elisso!!!
managementcen 4 years ago
wonderful
4444matthew4444 4 years ago