I cannot listen to this without tears streaming down my face for the sheer beauty of it. Kudos esp. to the best 2nd sopranos I ever heard! The sincerty of feeling radiates from every face. Bkless you guys!
awesome.. I just knew cantus few months ago from youtube, you're just awesome guys..and i just saw this vid..cool, cing along with National Lutheran Choir...
WOW! I've loved this since we sang it in High School 40 years ago. This is certainly the ost beautiful rendering I've heard. it is very difficult to have that luscious sonority without heaviness, and the beautiful two-part soprano lines without shrillness. The conductor lets the music speak through him and the choir - it's not a performance by him. Amazing.
This is by far THE MOST beautiful version of this masterpiece that I have ever heard. Pure intonation, excellent control, commendable phrasing...I am especially impressed with the full, rich quality of the male voices. BRAVISSIMO!!!
Sure! I'm a graduate student in composition and conducting, and the choir I'm in is working on "The Peaceable Kingdom."
* Think light, always on the top side of the pitch, and place it all in that higher floaty part of your voice. The "Gladness of Heart" stuff is easy to go flat on.
* Watch your conductor at the tempo changes, or you'll be lost on the "goeth with a pipe" stuff.
* TALL, PURE VOWELS. Always.
* Perform the text, not just the notes. It's a great setting.
A great piece. Wonderful mix of lyricism, melody, homophony, and counterpoint, and it doesn't give the impression, like a lot of new pieces, that the composer is trying to be "different." I know he's not the regular conductor, but if he keeps it up he's throw out his shoulder. He looks like he's bouncing a basketball. Or playing that "whap the gopher" game you play at a carnival. We are so fortunate to have these two choral groups in our backyard.
@ myoosikmaker: whoever rated your comment down needs to get their brain examined. I love it when people provide this kind of insight on YouTube! You're right, the conductor needs to seriously chill out—his gesture is completely inappropriate for the music (and is, in general: floppy, extravagant, untrained, outdated, and unclear). Also, visibly, the choir's vowels don't match the recording, which is outstanding. I wonder what's going on here.
@ myoosikmaker: BUT: I'm a composer very interested in choral music and I have to disagree with your statement about "new" music. One of the great things about good avant-garde music is that it works with new sounds in ways that are still expressive and artistically convincing. We've all got to be willing to stretch our comfort zones to let new art continue the progress of civilization—so when you hear an "ugly" new piece, listen again. It might just capture your heart the second time around!
Realms, I hope I didn't imply that I find all new or "avant garde music" ugly. I love things that go out of the comfort zone and take me to "new dimensions in the world of sound" (Fred Pratt Green), but I esp. like it if the composer has mastered the basics of things like writing good melody, some kind of counterpoint and structure of some kind.... Dang, these posts can only be 500 characters...
...You can tell when a composer just sat down at the piano and started goofing around, producing interesting chords, but not much else - and wanders (usually too long) with no sense of direction. Calvin Hampton was a master of using "traditional" techniques in "contemporary" ways. I just prefer something that is more terse, compact and has some audible plan and techniques...
Well, often composers do. Very few composers are interested in deliberately avoiding basic principles of sound organization such as structure, balance, tension, and release. So postmodern works aside (besides, the heyday of ignoring such principles is on its way out), most new music that you'll hear on the classical circuit today does indeed rely on these principles.
For a good example of what I mean, listen to Messiaen's "Messe de la Pentecôte." It's one of my favorite "modern" pieces.
I cannot listen to this without tears streaming down my face for the sheer beauty of it. Kudos esp. to the best 2nd sopranos I ever heard! The sincerty of feeling radiates from every face. Bkless you guys!
proudaltome 1 month ago
Divine
micvnow 4 months ago
Outstanding, Perfect, Flawless. On the level of St Olaf and Dale Warland. Glad I'm a Lutheran
motnurkep 5 months ago
awesome.. I just knew cantus few months ago from youtube, you're just awesome guys..and i just saw this vid..cool, cing along with National Lutheran Choir...
btw, who is the composer of this song?
LixPlague 8 months ago
So pure, so clean. Chilling and gorgeous. So well done!
PottersHallows 9 months ago
WOW! Makes me want to be a Lutheran... just a little. Incredibly beautiful.
BigBadWolfy87 9 months ago
WOW! Makes me proud to be a Lutheran :)
sarahann1107 9 months ago
Comment removed
meemo506 1 year ago
@meemo506 just out of curiousity, are you talking about Bartel?
theominoussunset 1 year ago
Comment removed
meemo506 1 year ago
@meemo506 oh wow! who is this?
theominoussunset 1 year ago
WOW! I've loved this since we sang it in High School 40 years ago. This is certainly the ost beautiful rendering I've heard. it is very difficult to have that luscious sonority without heaviness, and the beautiful two-part soprano lines without shrillness. The conductor lets the music speak through him and the choir - it's not a performance by him. Amazing.
Charlestheverger 1 year ago
@sgneal13: Do you really have to sully this beautiful piece by using the f-word? Sad.
sparrowmud 1 year ago
Fucking Amazing.
sgneal13 1 year ago
Can you give me the name of the composer, please ? :--)
Pumbinoo67 1 year ago
@Pumbinoo67 Randall Thompson
sgneal13 1 year ago
@sgneal13 Thank you !!
Pumbinoo67 1 year ago
I came across this video a week ago while looking for some other choral music. This performance moved me to tears.
Find a good set of headphones and listen to it, or pipe it through a good sound system.
Surely if there is music in Heaven it must sound like this!
spokanerws 1 year ago
omg wow i thought when i sung it with my choir it gave me serious goosbumps but omg wow this is amazing
Koogler5618 1 year ago
This is by far THE MOST beautiful version of this masterpiece that I have ever heard. Pure intonation, excellent control, commendable phrasing...I am especially impressed with the full, rich quality of the male voices. BRAVISSIMO!!!
makingmagic4ever 1 year ago
Excellent choir.
ttlms 2 years ago
Absolutely amazing. That piece is gorgeous, and they bring it to life.
vdk80 2 years ago
Comment removed
myoosikmaker 2 years ago
My choir is practicing this song.I'm a first bass.Any suggestions?
Akee1990 2 years ago
Sure! I'm a graduate student in composition and conducting, and the choir I'm in is working on "The Peaceable Kingdom."
* Think light, always on the top side of the pitch, and place it all in that higher floaty part of your voice. The "Gladness of Heart" stuff is easy to go flat on.
* Watch your conductor at the tempo changes, or you'll be lost on the "goeth with a pipe" stuff.
* TALL, PURE VOWELS. Always.
* Perform the text, not just the notes. It's a great setting.
Hope that help! :-)
TheRealmsOfGold 2 years ago
er. "Hope that helps." Gosh.
TheRealmsOfGold 2 years ago
Heavenly music rendered with intelligent musical direction! Thanks for posting this.
Philip2Herbie 2 years ago
A great piece. Wonderful mix of lyricism, melody, homophony, and counterpoint, and it doesn't give the impression, like a lot of new pieces, that the composer is trying to be "different." I know he's not the regular conductor, but if he keeps it up he's throw out his shoulder. He looks like he's bouncing a basketball. Or playing that "whap the gopher" game you play at a carnival. We are so fortunate to have these two choral groups in our backyard.
myoosikmaker 2 years ago
@ myoosikmaker: whoever rated your comment down needs to get their brain examined. I love it when people provide this kind of insight on YouTube! You're right, the conductor needs to seriously chill out—his gesture is completely inappropriate for the music (and is, in general: floppy, extravagant, untrained, outdated, and unclear). Also, visibly, the choir's vowels don't match the recording, which is outstanding. I wonder what's going on here.
TheRealmsOfGold 2 years ago
@ myoosikmaker: BUT: I'm a composer very interested in choral music and I have to disagree with your statement about "new" music. One of the great things about good avant-garde music is that it works with new sounds in ways that are still expressive and artistically convincing. We've all got to be willing to stretch our comfort zones to let new art continue the progress of civilization—so when you hear an "ugly" new piece, listen again. It might just capture your heart the second time around!
TheRealmsOfGold 2 years ago
Realms, I hope I didn't imply that I find all new or "avant garde music" ugly. I love things that go out of the comfort zone and take me to "new dimensions in the world of sound" (Fred Pratt Green), but I esp. like it if the composer has mastered the basics of things like writing good melody, some kind of counterpoint and structure of some kind.... Dang, these posts can only be 500 characters...
myoosikmaker 2 years ago
Comment removed
myoosikmaker 2 years ago
This has been flagged as spam show
...You can tell when a composer just sat down at the piano and started goofing around, producing interesting chords, but not much else - and wanders (usually too long) with no sense of direction. Calvin Hampton was a master of using "traditional" techniques in "contemporary" ways. I just prefer something that is more terse, compact and has some audible plan and techniques...
myoosikmaker 2 years ago
Comment removed
myoosikmaker 2 years ago
Well, often composers do. Very few composers are interested in deliberately avoiding basic principles of sound organization such as structure, balance, tension, and release. So postmodern works aside (besides, the heyday of ignoring such principles is on its way out), most new music that you'll hear on the classical circuit today does indeed rely on these principles.
For a good example of what I mean, listen to Messiaen's "Messe de la Pentecôte." It's one of my favorite "modern" pieces.
TheRealmsOfGold 2 years ago
Comment removed
myoosikmaker 2 years ago
Thank you for providing a short taste of excellence!!! I This was the best music event of the year.
pondwhite 2 years ago
Comment removed
myoosikmaker 2 years ago