Subconscious - lee - Lee Konitz- Warne Marsh 1954.mov

[UltraMN]

Hmm... Sounds like the same chords as "Hot House".

[underBight]

Hot House is composed over chords of "What is this thing called Love" (C.Porter)

[suri0730]

addicted to the sound!!

[local802blues]

The coolest sound ever.

[ton41]

The chords are from "What is that thing called love"

[sgpnc]

Saw Lee Konitz last Friday 4/16/10 at Aycock Auditorium with the UNC-Greensboro Jazz Band and they were wonderful. Thanks, Lee.

[bkgangstapianist]

I have this track, except with the great Sal Mosca on piano

He knocked my socks off with an amazing piano solo

[fiddlercrab3]

Wow, check out Warne Marsh hitting that high G shortly after the 1:40 mark! He blends it in so smoothly that for a while I thought it was Lee playing that note.

[fiddlercrab3]

@halo3star0wnag Could be. It appears to be the same footage taken from "The Subject Is Jazz" (if you search "Sub-conscious Lee," it's the second hit).

[elmecahomaja]

mark turner you mean?

[riccitone]

Check out Mark Turner.

[MilesTrane21]

I think Wayne Shorter has listened to a lot of Warne Marsh.

[jazzbox111]

I think so too mate.

[kevinherbert]

Je concur.....

[92ninersboy]

Warne Marsh, in particular, shows the strong influence of S. Wichman.

[92ninersboy]

Thats true...but one could say that Wichman's insights, like Freud and Kafka's, were percurssors to the whole foundation of the Tristano approach to improvisation.

[markus180963]

SENSATIONAL! listen to that beautiful, even phrasing and superb tone. M

[Soulnik]

Dig it ☆ ☆ ☆ ☆ ☆

[loosegums]

The clip is actually from 1959 (maybe 58?). Although marked 1954 on a recent DVD release, here's how to tell it's from the later date: both Warne's and Lee's playing in this clip reflect the respective changes that had happened with regard to their music by the end of the decade (they didn't play this way in 54 -- compare recordings from the two eras and you will hear). Also.. Warne's hairline is different in pictures from 54/55.