Added: 3 years ago
From: dandjurdjevic
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  • I trained in Goju back in '85 & then in '95-'97. I found chudan uke most difficult to understand as a functioning technique.

    The way we trained was more like a wing chun chisao (sticky hands) and involved a turning of the forearm. The blocking motion was a deep U shape from left to right or vice versa.

    Btw, I'm from Singapore so the Chinese influence here is deep and much of our understanding naturally goes back to Chinese kungfu.

  • @CylonMATRIX I suggest you read my article "Chudan uke: to spiral or not to spiral". You'll find the link at the very end of the information for this video.

  • @dandjurdjevic Basically, you can use the turn of the forearm, but that is a very different technique from the non-turning forearm. A deep "U" is problematic; you don't want any more movement than is necessary. You want to intercept the punch using movement that is as direct as possible. If you dip into a low "U", you'll cope the hit before you know it.

  • I like this way of practising the goju version, looks like what Bruce Lee would call an interception, rather than a block

  • Indeed - "block" is a misnomer. It is a deflection or interception.

  • goju is all about double blocks where are they? slowing down with the non blocking hand leading the path wit hthe actual blocking hand

  • Indeed. Have a look at my other videos where I cover such applications.

  • I find the Shorin version faster. To me the chudan block is hard to do, the hardest for me at least. Have you ever heard of this?

  • Yes - the shorin version is faster, but it relys on very specific positioning where the Naha te version can be used to intercept the attack from many more positions. And I regard the Naha te version as a "fundamental movement" that all karateka should have - it serves as a springboard to understanding so many other movements, particularly in the internal arts.

  • nice bunkai. Also, it can be used as a breaking move, not a blocking move. Think of the front hand as the blocking hand, and the Chudan Uke hand (rear) as a breaking or striking hand.

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