Is it best to master a track that is in its production stage (with all the chanels and all the midi, etc) or to convert it into an mp3, then load it into ableton, and master it?
because in this tutorial, its a wave form, not the actual project file?
Do you recommend exporting your track then mastering or master it while having all your sounds in each mixer & putting ozone in the master channel which works best?
Hi, thanks for the tutorial. Just one question - the limiter was taking off about 7db in this case, which seems like a lot. Would it not be better to turn down the kick volume? I might be totally wrong, but i don't know a lot about mastering and am just trying to clarify this, thanks.
Hey, thanks for the video! I followed the tutorial exactly to a heavy sounding electro track I have and what it does is take down the volume and power of the song. When I turn off Ozone, it sounds much better than when it's on. It not only decreases the volume of the master track, but takes away the punch of the kick and snare. Why is this? Is there anything I can do to change this effect?
Great vid daniel! quick question though, ive read its not recomend to dither twice, say if i want to bounce my track at 16bit and i set the dither to that in ozone, i would still have to dither in ableton to make the file 16 bit, so whats the point of dithering in ozone if ableton already does it?
Wow nice tutorial...I actually went to dubspot last June because I was interested in taking a course or two there.I spoke with a guy about what I was interested in doing. He wasn't a teacher but he said he would "Email me all the details about payment and other details"...And I NEVER Received that email. Dubspot does look like a good school...But Since he never emailed me it kind of showed me how things work there and which is why I didn't go there :P
@PeterKeuneVideos It was just a very hard choice for me at that time to drop that kind of money without no Loans or FAFSA available there. But I wonder if he wouldve emailed me maybe I wouldve gone there. Oh well
Hi, do you think exporting your track on -6db, then master the audio file is better? and also does the track loose some of it's mastering when you export? Tell me the audio file sounds exactly as it sounds on ableton! Thanks.
@DarrenMalla i know right i compressed some instruments down and then when i exported it sounded like I was in a hallway or an empty club even though i know it didnt sound like that in ableton. super frustrating
@Patches I got a tip for you.. set up a new audio track, arm it, select the input as the master, select the output as Ext.out then record the whole song.. it should sound exactly as ableton :)
@DarrenMalla Hey thanks a ton man :D i was doing kinda the similar thing but running the audio through resampling instead i'll run through master now. Thanks a ton!
So before going in the mastering process, how loud should you get your tracks to? Like i heard no more than -3db on your master bus. How loud do you recommend?
great video mate, I am just wondering is it possible to just master tracks with software? or do i need professioinal sounding hardware ? thats the part where i am stuck and thinking of giving up. i dont have money to invest and have professionals master produce my tracks and I want to learn on my own! everyone says my tracks are good and even have been blogged on many websites even though they arent mastered :( So my question is could I possibly have everything mastered with izotope ? THANK YOU
@KrackhauSwag most of the time when a label wants to release a track they hire an engineer to master they track(s), so you will have to get an label to release your music if you really want to get something going on!!
could you explain the reason why mine sounds all distorted? in between the trheshold bar and the margin bar, my meter is way higher than yours? what does this mean
I dont understand. I've been told throughout my whole endeavor into production that limiting is your last step no exceptions... And youre saying this isnt true?
Thank you so much for your videos ! helped me to learn a bit more on how to master. I had to do it quickly to master my metal band's EP Intro, it was a good practice !
But with the dithering beeing at "16 bit", When I Export it automaticly says "32 bit (float)" should i select "16 bit" instead ?
Thanks so much but I have a question: Does it matter if the master channel is clipping before I would add the Ozone plugin or should I adjust the level of the master before or even put another limiter before the Ozone plugin?
@MenaceReloaded Make sure you have at least -3 to -6db of headroom on your master channel before you start mixing/mastering at all, if you mix/master with a clipped signal, you are stuck with a digitally distorted piece of audio. it's a good rule of thumb to stay away from clipping completely so you're not losing any of your signal
@DubSpot I still didn't find out why the volume of the master sounds like jumping up and down sometimes after following all from your 3 videos about Ozone.
@bukkakebab I gotta agree with this....it went against my experience, but I tried it with Ozone anyways. It seems that that many Db's of attenuation is REAL extreme. Has never sounded good in my experience. I recall Bob Katz saying that he tried to avoid limiting as much as possible....that's an extremem case, but it certainly is at the opposite end of the spectrum from 8 Db's!
hi, my name daniel and i a very big problem in mastering and mixing including compressing. i have a small studio in ma house and i have lost client because of bad mastering
Ok so what if you still want it louder but it starts to sound like shit? Thats where I am at at my song :(, I was more volume but its sounding like ass atm :(. Any ideas anyone?
@xDet3rmin4tionx Sounds like you're over limiting. You shouldn't really go over ~3 db of gain reduction or it'll start to distort and will actually sound a lot weaker. If you want to hear it louder then turn your speakers up, not your track's actual volume.
@xDet3rmin4tionx You might want to try EQing out certain frequencies where things are getting muddy. Try sweeping a notch filter from low to high to see which frequencies are causing the muddiness. By reducing some of these frequencies it can actually make other things sound louder. If the bass is too heavy it can just overpower everything else so try filtering out the lowest sub frequencies of the bass and play with filters in the mid/high range to see what sounds best/least muddy.
@amiller90 That makes sense and is really good advice, I had done sub bass but there is prob areas of "mush" taking up way to much "room" so if I drop some stuff that won't be missed maybe I can get it sounding louder with out being a mess. Thank you. I really appreciate that very much.
@xDet3rmin4tionx No problem. Also, if you have a heavy kick you might want to try ducking the kick behind the bass with sidechaining. You can also use some compression on the master track to boost some of the quieter frequencies and make the overall track sound louder.
Send me the track on ytube or soundcloud (my username is amiller90) if you want and I'll have a listen.
Yes, you want to begin mastering songs at 100% volume, making sure the original mixdown has -3 to -6db "headroom." Headroom means the track doesn't exceed a certain volume, that way when you master the track it won't clip when you limit/compress to make it sound louder & fuller.
That's an oversimplified answered for mastering haha To learn more stay tuned for part 2, and when you're ready for the next level take our Mixing & Mastering course here at Dubspot NYC!
@DubSpot Hello, Your demo sounds good! But then I tried directly in my Master, to apply a Sonalksis Free-G -12/-18db before the Ozone 4 (especially in Logic) and I have to admit that they have gained greater headroom than the value of -3/-6dB. What do you think about it? Have you ever tried to get off with more gain? I'm curious to know about it.
Glad your sharing some theroy w/ students. Personally I am not a fan of sending my tracks off to be mastered w/ any limiting. Some light (Outboard) stereo-bus compression to "glue" the music together, sure, but the more dynamic range you take out of the song will actually make the not as hot on the dance-floor ( glad you mentioned that ;) I think 2 major elements that are missing in the DJ/producer/electronic music world 1. Proper Monitoring and 2. Summing. (bit depth vs. volume) in/out of box
@DubSpot what do you mean about "headroom" ....??? u mean that i need to put the levels of my audio / midi channels in a range of -3 to -6db? and work the entire track with that refference? but i ahve a question.. I use ableton live to make music and my goal is to make a live performance.. if y make the tracks at -3 to -6db range... when I play the clipsthe music will sounds lower... I dont understand that :S can u please help me with that?
Are these settings demonstrated in the video usable for other genres such as techno, trance or house music? I ask because most of your videos are based on dubstep/glitch-hop music so I was just wondering if i could apply those settings on a trance track for example. Thank you for your videos. Wish i was in NYC :(
This is great! I am also really impressed with Izotope's Ozone and Trash alike. Can't wait for the next part. Please keep them coming. (I'm willing to pay for them ;)
@laksemand be sure to check out our forthcoming online mixing and mastering course from dubspot.com, it should be launching in April and will be taught by Daniel Wyatt.
How do I install VST's? I watched some tutorial vids but it didn't help, I somehow have 2 VST folders, I'm hitting scan on Ableton live but it doesnt recognize any VST's :(
@Tr0ll321 The default folder for VST plugins is C:/Program Files/Steinberg/VstPlugIns. That is where you need to intall the VST's. It doesn't matter if the dll's are in a subfolder, just to bee there. You can choose to install them in a different folder, just make it consistent, meaning to have them all in the same location. Next, you neeh to activate the "Use VST Plug-In Custom Folder", hit browse underneath and point to the folder you installed all of the VST's. That's it! Good luck!
@deprefuse Yes and it should also be mentioned that this is a collaboration between Boychuk and fellow former Dubspot student DJ Subset. The group name for their collaboration is RuOK?
@BillyLongacre Check out Daniel Boychuk's music at soundcloud user: dboychuk (sorry I can't paste links into YT) He's got some tracks and mixes up there.
@CharlesBr0ns0n it's a matter of preference, some people prefer hardware and some prefer software. The basic principles and techniques are the same so if you learn to do it here you will have a head start if you want to do the same thing with hardware. It also makes a difference WHICH hardware mastering chain you use, if you use poor quality hardware you'll get a worse sound.
@DubSpot well, thank you. It's just because a lot of people told me that one cannot really reach the quality level of (expensive) hardware. Of course, the theory behind is pretty much the same. Appreciating your tutorials very much, greetings =)
@CharlesBr0ns0n you're welcome. The most important thing in the mastering process is using your ears and knowing what you're doing. Certainly there's a lot that can be done with expensive hardware that will sound great but software also has an important role to play.
@3S0JJD yes, of course, but that is not makeup gain, that is gain reduction. You would find gain reduction in a compressor for example, where all the sounds above a threshold are reduced in volume, so afterwords you need to increase the gain to makeup for the loss in volume. A limiter on the other hand works by pushing up the volume while limiting the peaks at a designated target. It displays afterwards how much volume it decresed from the incoming peaks, which is gain reduction.
I know you can do limiting with a compressor by setting the ratio to infinity, in which you need to use the makeup gain of the compressor like when you compress, and that there are compressors that also provide limiting, but I was talking in general :)
But to answer your question, there is not a recommended gain reduction. It all depends on the track and personal preference. Some do not even use the limiter to reduce the dynamic range, but use the compressor, and the limiter just sits there with the threshold to 0 or -0.3dB to take out any peaks that the compressor misses. It all depends, just make sure you don't squash the sound to much so as to loose power or expressiveness due to a too narrow dynamic range. Cheers!
@apollotm Daniel Wyatt says: "i don't really measure by make-up gain...rather by gain reduction....for dance tracks 3-5 dB is usually good...for coffeeshop, downtempo....5-8 dB is usually about right..."
would you put a limiter on the master whilst mixing?
Patritz 4 days ago
Is that the adv. version ?
TheCapitanman 4 days ago
Is it best to master a track that is in its production stage (with all the chanels and all the midi, etc) or to convert it into an mp3, then load it into ableton, and master it?
because in this tutorial, its a wave form, not the actual project file?
NSSkyline 6 days ago
Do you recommend exporting your track then mastering or master it while having all your sounds in each mixer & putting ozone in the master channel which works best?
DJJayV33 1 week ago
How did you get that skin? :o
DJMikeDubstep 1 week ago
do we add it to the master or individual instrument
crizthakidd 1 week ago
Hi, thanks for the tutorial. Just one question - the limiter was taking off about 7db in this case, which seems like a lot. Would it not be better to turn down the kick volume? I might be totally wrong, but i don't know a lot about mastering and am just trying to clarify this, thanks.
VirtualMark2 2 weeks ago
also are all the features on this video included in the standard version?..cuz i can't afford the advanced version...
noxxing 3 weeks ago
I have that ozone thing :D
WANABGUITARIST221375 3 weeks ago
Awesome tutorial thank you! :)
DjNemes1s 4 weeks ago
Hey, thanks for the video! I followed the tutorial exactly to a heavy sounding electro track I have and what it does is take down the volume and power of the song. When I turn off Ozone, it sounds much better than when it's on. It not only decreases the volume of the master track, but takes away the punch of the kick and snare. Why is this? Is there anything I can do to change this effect?
MPMOFFICIAL 1 month ago
use ozone 5 is better !
hypergod3 1 month ago
Great vid daniel! quick question though, ive read its not recomend to dither twice, say if i want to bounce my track at 16bit and i set the dither to that in ozone, i would still have to dither in ableton to make the file 16 bit, so whats the point of dithering in ozone if ableton already does it?
CVholik 1 month ago
Wow nice tutorial...I actually went to dubspot last June because I was interested in taking a course or two there.I spoke with a guy about what I was interested in doing. He wasn't a teacher but he said he would "Email me all the details about payment and other details"...And I NEVER Received that email. Dubspot does look like a good school...But Since he never emailed me it kind of showed me how things work there and which is why I didn't go there :P
PeterKeuneVideos 1 month ago
@PeterKeuneVideos It was just a very hard choice for me at that time to drop that kind of money without no Loans or FAFSA available there. But I wonder if he wouldve emailed me maybe I wouldve gone there. Oh well
PeterKeuneVideos 1 month ago
lol why im watching this after one year :(
sailikaTV 1 month ago
Thank you very much for this !! I'm slowly getting into mastering my band projects and now they become more alive....
bahady30 1 month ago
Hi, do you think exporting your track on -6db, then master the audio file is better? and also does the track loose some of it's mastering when you export? Tell me the audio file sounds exactly as it sounds on ableton! Thanks.
DarrenMalla 1 month ago
@DarrenMalla i know right i compressed some instruments down and then when i exported it sounded like I was in a hallway or an empty club even though i know it didnt sound like that in ableton. super frustrating
Patches 1 month ago
@Patches I got a tip for you.. set up a new audio track, arm it, select the input as the master, select the output as Ext.out then record the whole song.. it should sound exactly as ableton :)
DarrenMalla 1 month ago
@DarrenMalla Hey thanks a ton man :D i was doing kinda the similar thing but running the audio through resampling instead i'll run through master now. Thanks a ton!
Patches 1 month ago
@Patches Cheers :)
DarrenMalla 1 month ago
Do YOOOOOU have any idea how long I have been looking for someone to just show me how the F*%K this thing works.
Thank you, you bloody beaut.
funinthesunfest 1 month ago
Check Out Our Page!! WE DO MIXING AND MASTERING FOR THE CHEAPEST!! WE ALSO HELP GETTING YOUR MUSIC OUT THERE... CHECK US OUT!
UnSEENandUnHEARD1 1 month ago
So before going in the mastering process, how loud should you get your tracks to? Like i heard no more than -3db on your master bus. How loud do you recommend?
8ii99ii8 2 months ago
Do you also apply dithering when mixing down to 2 tracks, or is that done only at the mastering stage? Thanks
novanine9 2 months ago in playlist Dubspot - Mixing & Mastering with iZotope Ozone 4
great video mate, I am just wondering is it possible to just master tracks with software? or do i need professioinal sounding hardware ? thats the part where i am stuck and thinking of giving up. i dont have money to invest and have professionals master produce my tracks and I want to learn on my own! everyone says my tracks are good and even have been blogged on many websites even though they arent mastered :( So my question is could I possibly have everything mastered with izotope ? THANK YOU
KrackhauSwag 3 months ago
@KrackhauSwag most of the time when a label wants to release a track they hire an engineer to master they track(s), so you will have to get an label to release your music if you really want to get something going on!!
gameAap 2 months ago
how do u get ozone 4 into ableton
oatmealclock 3 months ago
@oatmealclockAfter Installed, it will show up in your plugin list. Then you can simply drop Ozone onto a Track or Master channel.
DubSpot 3 months ago
@DubSpot Does this work with FL Studio as well?
CloudySpike89 4 days ago
@oatmealclock you buy it (or get it somewhere else) and install it :)
Alxbeginner 1 week ago
Awesome tutorial as always. I love Ozone.
Conscious 3 months ago
I found a great mixing and mastering tutorial
audio-production . com
TheSimolar 3 months ago
but i've heard everywere & from everyone that limiting is the last step of mastering o .o
ExclusivBL 3 months ago
HELP PLEASE!!!
using ableton's compressors EQs and limiters before using izotope ozone or ozone 's compressors EQs and limiters are enough?
thanks for the reply!
praterzensey 3 months ago
could you explain the reason why mine sounds all distorted? in between the trheshold bar and the margin bar, my meter is way higher than yours? what does this mean
cataclysmfree 4 months ago
I dont understand. I've been told throughout my whole endeavor into production that limiting is your last step no exceptions... And youre saying this isnt true?
88res 5 months ago
tyvm
codyblackv2 5 months ago
do you apply the effect on the whole track or just like on the drum track or piano etc ??
lucasm191 5 months ago
@lucasm191 he inserted Izotope Ozone 4 into the master channel of the mixer
DuBsTePsMyGaMe 5 months ago
really good video. it helped us very much! now our Track Sounds better! Thx
RoughTunersOfficial 5 months ago
Thank you so much for your videos ! helped me to learn a bit more on how to master. I had to do it quickly to master my metal band's EP Intro, it was a good practice !
But with the dithering beeing at "16 bit", When I Export it automaticly says "32 bit (float)" should i select "16 bit" instead ?
AceFire117 5 months ago
is there any way to effectively cut below 30hz? a high pass at 30hz doesn't do much and my sub bass is causing too much mudding.
hkim927 5 months ago
@hkim927 Do that in your mix. If your using Abelton throw the 8 EQ on your master track and drop off the bottom 40Hz.
evad520 4 months ago
Question: Does ozone work in Logic aswell? And do you have any tutorials using logic instead of ableton? cheers mate!
NickB33 6 months ago
@NickB33 You just need Ozone as an AU then youre good.
TheJonaslaursen 1 week ago
Does your song have to be rendered on 0 db before using this or wont it work cause i know to make a song not to load i have to let it peak at 0 db :P
lAciDz 6 months ago
Thanks so much but I have a question: Does it matter if the master channel is clipping before I would add the Ozone plugin or should I adjust the level of the master before or even put another limiter before the Ozone plugin?
MenaceReloaded 6 months ago
@MenaceReloaded Make sure you have at least -3 to -6db of headroom on your master channel before you start mixing/mastering at all, if you mix/master with a clipped signal, you are stuck with a digitally distorted piece of audio. it's a good rule of thumb to stay away from clipping completely so you're not losing any of your signal
DubSpot 6 months ago 10
@DubSpot Thanks so much. I love your videos. I finally have better results.
MenaceReloaded 6 months ago
Comment removed
MenaceReloaded 6 months ago
This has been flagged as spam show
@DubSpot How do does my ATB-Remix sound? Am I still doing something wrong after watching your 3 videos about Ozone 4? :-) :
facebook.com/djchallenge?sk=app_121354681288627&app_data=%2Fcontributions%2F202
MenaceReloaded 6 months ago
@DubSpot I still didn't find out why the volume of the master sounds like jumping up and down sometimes after following all from your 3 videos about Ozone.
MenaceReloaded 6 months ago
@bukkakebab I gotta agree with this....it went against my experience, but I tried it with Ozone anyways. It seems that that many Db's of attenuation is REAL extreme. Has never sounded good in my experience. I recall Bob Katz saying that he tried to avoid limiting as much as possible....that's an extremem case, but it certainly is at the opposite end of the spectrum from 8 Db's!
Onewerdy 6 months ago
@Simplistic7SalvatioN no theres for PC too :)
dhyantechno 6 months ago
is there ever a time wen you have to automate the limiter to get the sound right
joshuabigyoshi 7 months ago
hi, my name daniel and i a very big problem in mastering and mixing including compressing. i have a small studio in ma house and i have lost client because of bad mastering
danniweezi 7 months ago
Nice mixing! The "loud" sound you only showed is like commercial dubstep sound.
Tablo0213 7 months ago
This is some great info for all the home studio cats!
Get Free PROFESSIONAL mastering over the next 4 weeks from DCDM, Sydney! Check our channel for info!
DCDMastering 8 months ago
FINALLY A GOOD TUTORIAL THANKS MAN
YungGuttaG1 8 months ago
@Simplistic7SalvatioN Nope, its available for PC too :)
amiller90 8 months ago
Ok so what if you still want it louder but it starts to sound like shit? Thats where I am at at my song :(, I was more volume but its sounding like ass atm :(. Any ideas anyone?
xDet3rmin4tionx 9 months ago
@xDet3rmin4tionx Sounds like you're over limiting. You shouldn't really go over ~3 db of gain reduction or it'll start to distort and will actually sound a lot weaker. If you want to hear it louder then turn your speakers up, not your track's actual volume.
amiller90 8 months ago
@amiller90 But how can I get the track louder? It's not the volume of commercial tracks yet :(?
xDet3rmin4tionx 8 months ago
@xDet3rmin4tionx You might want to try EQing out certain frequencies where things are getting muddy. Try sweeping a notch filter from low to high to see which frequencies are causing the muddiness. By reducing some of these frequencies it can actually make other things sound louder. If the bass is too heavy it can just overpower everything else so try filtering out the lowest sub frequencies of the bass and play with filters in the mid/high range to see what sounds best/least muddy.
amiller90 8 months ago
@amiller90 That makes sense and is really good advice, I had done sub bass but there is prob areas of "mush" taking up way to much "room" so if I drop some stuff that won't be missed maybe I can get it sounding louder with out being a mess. Thank you. I really appreciate that very much.
xDet3rmin4tionx 8 months ago
@xDet3rmin4tionx No problem. Also, if you have a heavy kick you might want to try ducking the kick behind the bass with sidechaining. You can also use some compression on the master track to boost some of the quieter frequencies and make the overall track sound louder.
Send me the track on ytube or soundcloud (my username is amiller90) if you want and I'll have a listen.
amiller90 8 months ago
@xDet3rmin4tionx Sorry i meant ducking the bass behind the kick, lol.
amiller90 8 months ago
Great mixing...Im a beginner and running pro tools but looking at how different people mix and master.
ImUnique651 9 months ago
great advert at the end- what a voiceover... really really inviting shit..
fazeunclegersh 9 months ago
nice sound brah
watisthis99 9 months ago
Damn dubspot, where did you guys get the money for that room full of electronics lol?
btw, still great stuff ^^ keep it up =D
TheFunkSyndicate 10 months ago
what tables do u recommend for beginners not so expnsive...
ymmij126 10 months ago
U helped me alot is there anyway I can get in ur online class and how much does it cost
youngTAGZ 11 months ago
@youngTAGZ ha its like from 1000 to 10000 fuk that!!!
ymmij126 10 months ago
LIKE THIS IF YOU WERE THE 9,000TH VIEWER!!!!....wait never mind...
iDennedy 11 months ago
Im not someone who even mixes dub music, but this video was still very helpful for simply improving my skills on ozone. Thank you.
wakeboardude37 1 year ago
@Menace030 tomorrow! Stay tuned
DubSpot 1 year ago
Still waiting... :)
FinalFragment 1 year ago
when you begin mastering with ozone is the master track's volume at 100%?
also, great vid cant wait for pt 2 so my tracks can sound somewhat legit haha.
hkim927 1 year ago
Yes, you want to begin mastering songs at 100% volume, making sure the original mixdown has -3 to -6db "headroom." Headroom means the track doesn't exceed a certain volume, that way when you master the track it won't clip when you limit/compress to make it sound louder & fuller.
That's an oversimplified answered for mastering haha To learn more stay tuned for part 2, and when you're ready for the next level take our Mixing & Mastering course here at Dubspot NYC!
DubSpot 1 year ago 5
@DubSpot if only they had a class in chicago.
hkim927 1 year ago
@DubSpot Hello, Your demo sounds good! But then I tried directly in my Master, to apply a Sonalksis Free-G -12/-18db before the Ozone 4 (especially in Logic) and I have to admit that they have gained greater headroom than the value of -3/-6dB. What do you think about it? Have you ever tried to get off with more gain? I'm curious to know about it.
DjEvolux 1 year ago
Glad your sharing some theroy w/ students. Personally I am not a fan of sending my tracks off to be mastered w/ any limiting. Some light (Outboard) stereo-bus compression to "glue" the music together, sure, but the more dynamic range you take out of the song will actually make the not as hot on the dance-floor ( glad you mentioned that ;) I think 2 major elements that are missing in the DJ/producer/electronic music world 1. Proper Monitoring and 2. Summing. (bit depth vs. volume) in/out of box
StudioBrooklyn 1 year ago
@DubSpot wow -3 to -6db??? I was always told -12 to -15 for headroom... Is this a generational thing???
pinksue 11 months ago
@DubSpot what do you mean about "headroom" ....??? u mean that i need to put the levels of my audio / midi channels in a range of -3 to -6db? and work the entire track with that refference? but i ahve a question.. I use ableton live to make music and my goal is to make a live performance.. if y make the tracks at -3 to -6db range... when I play the clipsthe music will sounds lower... I dont understand that :S can u please help me with that?
dhyantechno 7 months ago
Are these settings demonstrated in the video usable for other genres such as techno, trance or house music? I ask because most of your videos are based on dubstep/glitch-hop music so I was just wondering if i could apply those settings on a trance track for example. Thank you for your videos. Wish i was in NYC :(
Absalohm 1 year ago
@Absalohm yes definitely, start with the recommended settings and then tweak to taste to fit your song.
DubSpot 1 year ago
This is great! I am also really impressed with Izotope's Ozone and Trash alike. Can't wait for the next part. Please keep them coming. (I'm willing to pay for them ;)
laksemand 1 year ago
@laksemand be sure to check out our forthcoming online mixing and mastering course from dubspot.com, it should be launching in April and will be taught by Daniel Wyatt.
DubSpot 1 year ago
Part 2 Please!?!
FinalFragment 1 year ago 9
@FinalFragment we're working on it, subscribe to get notification when it comes in.
DubSpot 1 year ago
@DubSpot Subscribed a looong time ago, freaking love you guys =)
FinalFragment 1 year ago
How do I install VST's? I watched some tutorial vids but it didn't help, I somehow have 2 VST folders, I'm hitting scan on Ableton live but it doesnt recognize any VST's :(
Tr0ll321 1 year ago
@Tr0ll321 u gotta make sure the install or.dll file is in the vst folder located in your local disk.
TheAzulureus 1 year ago
@Tr0ll321 The default folder for VST plugins is C:/Program Files/Steinberg/VstPlugIns. That is where you need to intall the VST's. It doesn't matter if the dll's are in a subfolder, just to bee there. You can choose to install them in a different folder, just make it consistent, meaning to have them all in the same location. Next, you neeh to activate the "Use VST Plug-In Custom Folder", hit browse underneath and point to the folder you installed all of the VST's. That's it! Good luck!
apollotm 1 year ago
The last 2 options were in Ableton Live's Preferences by the way.
apollotm 1 year ago
wow ive been having problem with volume and compressing in music, i feel like im learning
TheAzulureus 1 year ago
The track in this video is RuOK? - Like That
available for free download here: soundcloud(dot)com/ruokmusic
deprefuse 1 year ago 2
@deprefuse Yes and it should also be mentioned that this is a collaboration between Boychuk and fellow former Dubspot student DJ Subset. The group name for their collaboration is RuOK?
DubSpot 1 year ago
do you export a wav with nothing on the master before this ? thanks
ClubdunnyTv 1 year ago
@ClubdunnyTv yes that's correct, export a 24bit wav with no clipping and some headroom (left over empty volume).
DubSpot 1 year ago
nice one
bmd77 1 year ago
I can't even find "Boychuck" on myspace, soundcloud, twitter, facebook, haaha....dope song!
BillyLongacre 1 year ago
@BillyLongacre Check out Daniel Boychuk's music at soundcloud user: dboychuk (sorry I can't paste links into YT) He's got some tracks and mixes up there.
DubSpot 1 year ago
@DubSpot if you click on the link in the description you'll find a link to his soundcloud page.
DubSpot 1 year ago
Can one achieve the same quality using mastering plugins like the Izotope Ozone compared to hardware mastering chains (limiter, compressor etc)?
CharlesBr0ns0n 1 year ago
@CharlesBr0ns0n it's a matter of preference, some people prefer hardware and some prefer software. The basic principles and techniques are the same so if you learn to do it here you will have a head start if you want to do the same thing with hardware. It also makes a difference WHICH hardware mastering chain you use, if you use poor quality hardware you'll get a worse sound.
DubSpot 1 year ago
@DubSpot well, thank you. It's just because a lot of people told me that one cannot really reach the quality level of (expensive) hardware. Of course, the theory behind is pretty much the same. Appreciating your tutorials very much, greetings =)
CharlesBr0ns0n 1 year ago
@CharlesBr0ns0n you're welcome. The most important thing in the mastering process is using your ears and knowing what you're doing. Certainly there's a lot that can be done with expensive hardware that will sound great but software also has an important role to play.
DubSpot 1 year ago
great tut
TheSpambomber 1 year ago
I NEED TO KNOW WHERE I CAN FIND THAT SONG
pandasecksi 1 year ago
very good vid. always thankful for the free knowledge. i want to go so bad
calic0chamele0n 1 year ago
Awesome! Iv'e been waiting for a tutorial like this :D
karmagreen 1 year ago
where are the other parts? :(
Capeau 1 year ago
@Capeau other parts are coming soon, subscribe to our channel for updates on when they're released.
DubSpot 1 year ago
How much auto gain makeup do you recommend? I usually use around 5dB, but I see you're using around 7dB.
3S0JJD 1 year ago
@3S0JJD there is no such thing as gain makeup in limiting ... what are you talking about?
apollotm 1 year ago
@apollotm
The bar that shows how much limiting is being done. He mentions it at 3:31.
I usually get around 5 in that bar.
3S0JJD 1 year ago
@3S0JJD yes, of course, but that is not makeup gain, that is gain reduction. You would find gain reduction in a compressor for example, where all the sounds above a threshold are reduced in volume, so afterwords you need to increase the gain to makeup for the loss in volume. A limiter on the other hand works by pushing up the volume while limiting the peaks at a designated target. It displays afterwards how much volume it decresed from the incoming peaks, which is gain reduction.
apollotm 1 year ago
I know you can do limiting with a compressor by setting the ratio to infinity, in which you need to use the makeup gain of the compressor like when you compress, and that there are compressors that also provide limiting, but I was talking in general :)
apollotm 1 year ago
But to answer your question, there is not a recommended gain reduction. It all depends on the track and personal preference. Some do not even use the limiter to reduce the dynamic range, but use the compressor, and the limiter just sits there with the threshold to 0 or -0.3dB to take out any peaks that the compressor misses. It all depends, just make sure you don't squash the sound to much so as to loose power or expressiveness due to a too narrow dynamic range. Cheers!
apollotm 1 year ago
@apollotm Daniel Wyatt says: "i don't really measure by make-up gain...rather by gain reduction....for dance tracks 3-5 dB is usually good...for coffeeshop, downtempo....5-8 dB is usually about right..."
DubSpot 1 year ago
Great vid. Thanks!
Phantom71 1 year ago
THank You.
richguy77 1 year ago
Aw dude I was really lookin forward to this tutorial, but I feel like I didn't learn much :/
blissful0ne 1 year ago
@blissful0ne what more to learn regarding limiting? And about other parts of the mastering there will be other videos ... hopefully :))
apollotm 1 year ago
@apollotm thanks, we're working on part 2 going through some of the other sections of the plugin and explaining them.
DubSpot 1 year ago
very very usefull..i want more! :)
peen2k 1 year ago
great tutorial,moarr please
ElectricalConnection 1 year ago